Four everyday guys come together to form a neighbourhood watch group to escape their humdrum lives. Little do they know that their town has been over taken by aliens posing as suburbanites and they have to save the day.
The comedy This Is The End follows six friends trapped in a house after a series of strange and catastrophic events devastate Los Angeles. As the world unravels outside, dwindling supplies and cabin fever threaten to tear apart the friendships inside.
Sequel to '21 Jump Street' directed by Phil Lord and Christopher Miller and starring Channing Tatum, Jonah Hill, and Brie Larson
In this breathtaking live-action reimagining of the beloved animated musical classic, a spirited young mermaid must follow her heart. She makes a deal with an evil sea witch that allows her to experience life on land, but that ultimately puts her life in jeopardy. Characters Ariel Ursula Prince Eric Flounder Scuttle Sebastian Product Feature Movie Selection Sing Along With The Movie Hotter Under The Water A Tale Of The Bottomless Blue Hotter Under The Water I Know Something's Starting Right Now Hotter Under The Water Down Where It's Wetter Hotter Under The Water Explore That Shore Up Above Hotter Under The Water Do What The Music Say Song Breakdowns Wild Uncharted Waters Song Breakdowns Under The Sea Song Breakdowns Kiss The Girl Song Breakdowns Poor Unfortunate Souls Featurettes The Scuttlebutt On Sidekicks Featurettes Passing The Dinglehopper Featurettes Bloopers Song Selection Part Of Your World Song Selection Fathoms Below Song Selection Part Of Your World Reprise Song Selection Under The Sea Song Selection Wild Uncharted Waters Song Selection Poor Unfortunate Souls Song Selection For The First Time Song Selection Kiss The Girl Song Selection The Scuttlebutt Song Selection Part Of Your World Reprise II
Based on a true story, War Dogs follows two friends in their early 20s (Hill and Teller) living in Miami during the Iraq War who exploit a little-known government initiative that allows small businesses to bid on U.S. Military contracts. Starting small, they begin raking in big money and are living the high life. But the pair gets in over their heads when they land a $300 million deal to arm the Afghan Militarya deal that puts them in business with some very shady people, not the least of which turns out to be the U.S. Government.
From the studio that brought you Shrek, Madagascar and Kung Fu Panda. The brilliant and diabolical super-villain Megamind has been attempting to conquer Earth for over 20 years but, each time, he's been thwarted by his arch nemesis, Metro Man.
The 1999 Rugby World Cup had it all. More tries more points and more action-packed matches than ever before. So now here's your chance to relive the glory of the World Cup presented by former World Cup winning captain Nick Farr-Jones and former England outside half Stuart Barnes. The tournament was the last great sporting event of the Millennium and it didn't disappoint the fans. This film follows the path of each team from the Uruguayans making their World Cup debut with a win over Spain to the eventual champions Australia. Every crucial move and every decisive try is captured but the film also gives you a unique insight into the way the players approached the tournament. How did they fill their time in between matches? For Samoa it was a trip to the set of Coronation Street for Wales' Ben Evans it was an early morning fishing expedition and for the South Africans a visit to a curling rink. Wherever the teams went during the World Cup this fly-on-the-wall camera crew was with them. Relive it again -the 1999 Rugby World Cup.
Mischievous writer/director Todd Stephens is ready to take you to the next level of raunchy comedy and so are we! Andy Nico Jarod and Griff are back cherries popped and ready to go. Meeting up during steamy Spring Break in Florida our heroes enthusiastically enter the ultimate contest Gays Gone Wild. The goal: to attain the most action over the course of the vacation. This may sound easy in a place where shirtless bikini-clad collegiate hunks are around every corner but when wet package contests evil gay fratboys and genital crabs enter the picture the guys have their work cut out for them. Sweetness reins supreme however as love proves to be the biggest obstacle of all. Beach Blanket Bingo Showgirls and The Price is Right are just some of the pop cultural references in store in what promises to be an unabashed laugh-out loud and eye-popping good time.
Amidst the mud and blood of Passchendaele in 1917 Private Hamp (Tom Courtenay) awaits Court Martial for desertion. His crime? Simply walking away from the slaughter after three solid years at the front during which all his mates have been killed. Captain Hargreaves (Dirk Bogard) the officer detailed to defend him is initially unsympathetic. However as he learns the facts of the case he becomes increasingly determined to save Hamp from the firing squad. But his superiors are equally keen to make an example of the unfortunate Private...
Students on summer break are exposed to a deadly virus, a neuroinvasive organism that is spread rapidly through direct human contact. The infected are enslaved by the invading swarm intelligence and driven by an insatiable appetite to consume human flesh. Returning home, the students spread the infection to their fellow classmates and other unsuspecting townspeople. One by one, more students fall victim to the plague, triggering an epidemic that spawns a horde of ravenous zombies. The zombie horde grows and spreads quickly. Amidst the chaos, a campus security guard, obsessed with conspiracy theories, leads a group of students to safety as they and a small band of uninfected townspeople set out to find other human survivors in an attempt to discover the source of the zombie virus and save the world.
Two socially inept teenage boys are about to graduate high school. Evan (Michael Cera) is sweet, smart, and generally terrified. Seth (Jonah Hill) is foul mouthed, volatile, and all-consumed with the topic of human sexuality. Seth and Evan want nothing more than to lose their virginity before they head off to college. To do that, though, they need to get liquor for the big party that night. With the help of their friend Fogell, a.k.a. McLovin (Christopher Mintz-Plasse), and his fake I.D., the three of them go on a hilarious chase for that elusive booze, dodging incompetent cops (Knocked Up's Seth Rogen and Saturday Night Live's Bill Hader), angry neighbors and jealous boyfriends!
Bad Teacher:Some teachers just don't give an F. For example, there's Elizabeth (Cameron Diaz).She's foul-mouthed, ruthless, and inappropriate. She drinks, she gets high, and she can't wait to marry her meal ticket and get out of her bogus day job. When she's dumped by her fiance, she sets her plan in motion to win over a rich, handsome subsititute (Justin Timberlake) - competing for his affections with an overly energetic colleague, Amy (Lucy Punch).When Elizabeth also finds herself fighting of the advances of a sarcastic, irreverent gym teacher (Jason Segel), the consequences of her wild and outrageous schemes give her students, her coworkers, and even herself an education like no other.Easy A:In this charming, critically acclaimed tale of rumors and reputation, Olive (Emma Stone), an average high school student, sees her below-the-radar existence turn around overnight once she decides to use the school's gossip grapevine to advance her social standing. Now her classmates (Amanda Bynes, Aly Michalka) are turning against her and the school board is becoming concerned, including her favorite teacher (Thomas Haden Church) and the distracted guidance counselor (Lisa Kudrow). With the support of her hilariously idiosyncratic parents (Stanley Tucci, Patricia Clarkson) and a little help from a long-time crush (Penn Badgley), Olive attempts to take on her notorious new identity and crush the rumor mill once and for all.Superbad:Two socially inept teenage boys are about to graduate high school. Evan (Michael Cera) is sweet, smart, and generally terrified. Seth (Jonah Hill) is foul mouthed, volatile, and all-consumed with the topic of human sexuality. Seth and Evan want nothing more than to lose their virginity before they head off to college. To do that, though, they need to get liquor for the big party that night. With the help of their friend Fogell, a.k.a. McLovin (Christopher Mintz-Plasse), and his fake I.D., the three of them go on a hilarious chase for that elusive booze, dodging incompetent cops (Knocked Up's Seth Rogen and Saturday Night Live's Bill Hader), angry neighbors and jealous boyfriends!
The night before a high profile operation on the Prime Minister the surgeon due to perform the procedure Yael is surprised at her family home by four masked men. The gang quickly take control of Yael and her family and order her to kill the Prime Minister on the operating table in the morning or else they will kill her family who are now their helpless hostages. Yael does her best to manage the situation and buy her precious family some time by injecting the Prime Minister with medication to disrupt his nervous system – giving her medical grounds to delay the operation. Under constant pressure from her captors to perform the fatal surgery Yael lives daily with the very real and growing threat to her family. An atmosphere of increasing mistrust and paranoia develops between the hostages and the Kidnappers whilst Yael balances the preservation of her family against the life of the Prime Minister in this gripping and twisting ten-part part drama.
From the studio that brought you "Shrek," "Madagascar" and "Kung Fu Panda" comes "How to Train Your Dragon" - a comedy adventure set in the mythical world of burly Vikings and wild dragons!
All 12 episodes from the second season of the Israeli psychological crime thriller. With his wife seriously ill and in urgent need of a bone marrow transplant, respected police officer Adam Rubin (Jonah Lotan) abducts the Prime Minister (Schmil Ben Ari) in the hope of using him as a donor. Looking to leave the country in order to conduct the procedure, Adam's plan backfires when he becomes stranded in an abandoned Yeshiva building near Jerusalem. As security forces close in all around them, Adam faces a race against time to try and retrieve the situation and save his wife.
Two best friends endure the sort of awful, humiliating night you cherish for the rest of your life in this coming-of-age comedy.
A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring.
The Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry
Arriving in London in search of fame, fortune, and more cultural stimulation than Essex could provide, beautiful but naïve Jim finds himself jobless, penniless and renting a cardboard box from a homeless man. Still smiling, Jim catches the eyes of The Raconteurs; a unique troupe of high-class male escorts specialising in cultural, post-coital conversation. Jim's got the looks and the charm, but to reach his true potential he must learn everything there is to know about renaissance art. There's just one problem; when Jim sees a masterpiece a real masterpiece he is overwhelmed, becomes one with the art and faints. Despite this, Jim takes the neon-lit streets of Soho by storm, to find himself as the ultimate muse. Starring British rising star Harris Dickinson (Beach Rats, Trust), Postcards From London is a beautifully shot homage to the spirit of Derek Jarman and a celebration of a forgotten Soho.
The Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry
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