1971: Glam Rock explodes onto the world scene in a blaze of glitter and guitars. At its centre the flamboyant Brian Slade (Jonathan Rhys Meyers). Together with outrageous American rocker Curt Wild (Ewan McGregor) they challenge conformity and take on the world! 1974: Suddenly at the height of his career Slade decides to fake his own death on stage. The stunt backfires and he is never seen again. 1984: It's the 10th anniversary of Slade's disappearance and journalist Arthur Stuar
A biopic of the relationship between Peter Cook (Ifans) and Dudley Moore (MacArdle) who became one of the best loved British comedy double acts... Credited as the inventors of modern British satire 'Not Only But Always' charts the searing highs and lows of these two extraordinary and different comedians whose careers and private lives often swung in as uncontrolled and anarchic turns as their wit. From their first meeting as Cambridge undergraduates in 1960 through their begi
For a first feature from a 24-year-old director, George Washington is an amazingly assured piece of work. The titles misleading: this is no biopic of Americas first President, but a poetic, richly atmospheric rhapsody set in a rundown industrial town in the American South. Given this backdrop, and a predominantly black cast, you might expect an angry study of social deprivation and racial tension, but Green has no such agenda. Instead, he derives a shimmering, heat-hazed beauty from his images of rusting machinery, junkyards and derelict buildings, and if the overall tone is tinged with sadness, its mainly from a sense of universal human loss. The action, such as it is, moves at its own slow Southern pace, following a group of youngsters, black and white, over a few high-summer days. Things do happen--a couple decide to elope, one boys saved from drowning, another gets killed--but theyre presented in an oblique, understated fashion that owes nothing to conventional Hollywood notions of narrative. With one exception, the cast are all non-professionals, mainly youngsters who director-writer David Gordon Green found in and around the town where the film was made, Winston-Salem in North Carolina. Shooting in a semi-improvised fashion, Green draws from his young cast remarkably spontaneous performances and dialogue (often their own) full of unselfconscious poetry. Drawing on a wide range of influences--among other things he cites Sesame Street, documentaries and such 70s classics as Deliverance, Walkabout and especially Terrence Malicks Days of Heaven--Green has fashioned a film thats fresh, tender and utterly individual. And it looks just gorgeous: belying the tiny budget, Tim Orrs widescreen photography lavishes mellow softness on images of dereliction and small-town decay. Never has dead-end poverty been made to look so attractive. On the DVD: George Washington comes on a disc generously loaded with extras. Besides the obvious theatrical trailer we get two of Greens early short films, Physical Pinball and Pleasant Grove (both clearly dry runs for the main feature), an 18-minute featurette about the films reception at the Berlin Film Fest and a deleted scene of a community meeting. This scene, the short Pleasant Grove and the movie itself also offer a directors commentary--or rather a directors dialogue, as Green shares the honours with one of his lead actors, Paul Schneider. Their laconic, unpretentious comments enhance the whole experience enormously. The film has been transferred in its full scope ratio (2.35:1) and looks great. --Philip Kemp
Seth (Jonathan Jackson) cannot erase the childhood memory of a fire that took the life of his mother and left him psychologically scarred Seth now seventeen has been under various shrinks and has always blamed his father Will (Treat Williams Mulholland Falls) for the death of his mother. The night of Seth's graduation ball a fellow student is found brutally murdered by a river. Because of Seth's psychotic behaviour his father suspects he has something to do with the murder. Seth is questioned by the police but released when another student confesses to the murder. Tina (Linda Hamilton Dante's Peak The Terminator) is a close friend of Seth's father and does not believe Seth is capable of any wrong. More people go missing but there is no trace of their bodies. Are these people a figment of imagination or are there skeletons in the closet?
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