Batten down the hatches for unstoppable hilarity that takes 200 years of naval tradition...and throws it overboard! Veteran skipper John Dodge (Grammer) will never be a textbook officer but he's a brilliant seaman who's always wanted to command a nuclear submarine. Unfortunately Dodge is given the helm of a diesel powered WWII sub crewed by a collection of maladjusted and mistake-prone misfits. When he's tagged 'the enemy' in a crucial war game Dodge is ordered to take on the U.
Glenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younger man. He gives her a lift, she seduces him, and the rest of the movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula Nechak
Beldar and Prymaat are emissaries from Remulak a planet within the Cone Nebula 26 light years from Earth. They belong to a civilisation intent on expanding its empire by enslaving the populations of other worlds. The Coneheads' mission: conquer the Earth. When a wrong turn at Machu Pichu crash-lands them in the middle of New York's East River Beldar and Prymaat find themselves stranded and forced to assimilate into mainstream America. With INS agents in hot pursuit of these most
Still getting over the death of his wife, a young advertising executive meets an older waitress, a woman that might set him free.
Jet-black comedy surrounding a group of student liberals who invite controversial guests to weekly dinner parties succumbing to the temptation of murdering rightwing pundits with poisoned Merlot for their repulsive political beliefs in the belief that they're creating a better and safer world for everyone...
Turning 30 and not having been married is driving 3 friends Jasmine Tanya and Micki crazy. Will these friends end up with husbands or heartaches the love of their lives or simply a weekend they'll never forget?
32 year old Jack Lyne is forced to return to Los Angeles when his father dies. Confronted by family rivalries and intrigues Jack is wracked with ever more indecision and doubt not least about his father's death. Something tells him it was murder but why and by whom?
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