Aimed at a young audience but hugely popular with children and adults alike, Pardon My Genie was devised and written by future Roberts Robots and Rentaghost creator Bob Block. When a young shop assistant called Hal Adden casually tries to polish an old watering can - well, you can guess what happens! But the genie who appears is as rusty as the can he lives in; he's four thousand years old, and his magic doesn't always work as well as it should... Ellis Jones plays Hal, with Roy Barraclough (Sez Les) starring as his long-suffering boss, hardware shop owner Mr Cobbledick, and Hugh Paddick (Round the Horne) as the Genie.
Will Smith & Tommy Lee Jones return as Agents J and K in the third installment of the sci-fi action comedy. Also starring Josh Brolin.
Tom Cruise uncovers his dark side to play a contract killer who hijacks a taxi - and its driver - to take him from job to job.
A family man begins to question the ethics of his job as a drone pilot.
Charlotte Gray Cate Blanchett stars as a young Scottish woman recruited by the Secret Service who ends up risking her life to find the man she loves. Based on Sebastian Faulks' best selling novel. The Land Girls The comical and heart-warming tale of three young women who encounter tragedy passion and love during wartime.
THE FIRST KISS COULD BE YOUR LAST! Two fraternity pledges head to a seedy part of town to find some entertainment for their college friends but are faced with bloodthirsty vampires! Keith (Chris Makepeace, Meatballs) and AJ (Robert Rusler, A Nightmare on Elm Street 2: Freddy's Revenge) want to make the right impression at college and so they devise a plan to get them into the best frathouse on campus. They head to the After Dark Club where they want to find a stripper for a party their friends won't forget, instead they find themselves among vampires led by Kinky Katrina (Grace Jones, A View to a Kill)! Almost certainly an influence on From Dusk til Dawn, Vamp is superbly designed by many of Grace Jones' own award-winning collaborators and features stunning effects by four-time Oscar winner Greg Cannom (The Lost Boys, Bram Stoker's Dracula). Delivering laughs and scares in equal measure, with the added bonus of vampy sex appeal, Vamp is a comedy horror romp with real bite! SPECIAL EDITION CONTENTS: High Definition digital transfer Original mono audio Subtitles for the deaf and hard of hearing One of those Nights: The Making of Vamp - a brand new documentary featuring interviews with director Richard Wenk, stars Robert Rusler, Dedee Pfeiffer, Gedde Watanabe Behind-the-scenes rehearsals Blooper Reel Image gallery Dracula Bites the Big Apple (1979) - Richard Wenk's celebrated short film Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil First pressing only: Booklet featuring new writing on the film by critic Cullen Gallagher
For the time, there had never been a more lavishly produced science-fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.comOn this DVD: Presented in production order (not the sequence they were transmitted in), this first volume from Space: 1999's first year nonetheless begins with the all-important "Breakaway". Commander Koenig arrives at Moonbase Alpha as planet Meta is passing Earth. He's there to investigate why people are dying of what seems to be radiation poisoning and ensure the Meta Probe is launched in time. Everything is tied into what's wrong with their nuclear waste disposal. Then on September 13, 1999, the unthinkable happens, and the Moon with its 311 inhabitants is catapulted out of Earth's orbit. Some time later they pass planet Terra Nova which seems too good to be true. When Dr Russell's supposed dead husband (Richard Johnson) re-appears from the long-lost Astro 7 mission, it becomes a "Matter of Life and Death" in determining whether to settle on a Paradise populated by parrots! Another passing stellar body accidentally drags them towards a "Black Sun" in the next episode. Given three days to live, there's a graceful acceptance of fate by the team that is paid off by what seems to be some sort of guiding hand watching over them all. Finally an orange eye appears and emits a "Ring Around the Moon", a mysterious enveloping beam that exerts mind-control over various crew members. After a warning from the mythic planet Triton, Dr Russell is taken as their "conduit" (much like Ilia in Star Trek: The Motion Picture). Three publicity stills, 15 production drawings and eight character biographies may seem a little stingy as extra features. The neat CGI-animated menus make up for that a little though: an Eagle has never looked so agile. --Paul Tonks
Directed by and starring Al Pacino this quasi-documentary is Pacino's passion in his quest to make Shakespeare more accessible to modern day America. Shakespeare's most performed play 'Richard The Third' is the vehicle he uses to bridge the gap between Victorian soap opera and twentieth century culture. As well as hearing the views of the man on the street we also meet Pacino's friends and fellow actors in his film version of 'Richard The Third'. These include Kevin Spacey Winona
Close your eyes, count to ten, and run for your life... HIDE AND GO SHRIEK is one game you ll be dying to finish! Eight friends sneak into a furniture store for an all night graduation party. A game of hide-and-seek turns into a grisly nightmare as members of the group are murdered, one by one, leading the others to the chilling realisation that they could be next. In the terrifying tradition of FRIDAY THE 13TH and HALLOWEEN comes HIDE AND GO SHRIEK, a horrifying game of life and death.
When he arrives on the rural Louisiana farm of Louis Sweetzer, the Reverend Cotton Marcus expects to perform just another routine "exorcism" on a disturbed religious fanatic.
Doctor Dolittle Betty Thomas directs and Eddie Murphy stars in Doctor Dolittle, the 1998 hit film which, while ostensibly aimed at children, has a high quotient of hip and even mildly gross humour. Murphy stars as John Dolittle, whom we see as a child talking to a neighbourhood dog who explains that the reason mutts sniff each others' butts is to assess their characters when first meeting them. Little John promptly tries this out on being introduced to his school principal. Warned off such social eccentricity, Dolittle stops talking to animals and as an adult becomes a respectable doctor running his own medical practice--until a bump on the head revives his capacity to understand animals, whereupon mayhem, mortification and a menagerie of needy and freeloading creatures are heaped upon his ordered existence. Murphy plays it relatively straight. It's the animals, some of them vividly enhanced by Jim Henson's animating team, who provide the real laughs here, and a thoroughly worldly, wisecracking bunch of characters they prove to be. There's a couple of hard-boiled, squabbling rats, a pigeon who complains of impotence, Rocky the guinea pig (voiced by Chris Rock) with a neat line in hip backchat, while Albert Brooks voices the gruff, melancholy tiger whose life Dolittle must try to save. A sweet but by no means saccharine comedy. --David Stubbs Dr Dolittle 2It's only a marginal improvement, but Dr Dolittle 2 defies the odds by rising above its popular 1998 predecessor (and once again, let's not confuse these movies with the earlier Rex Harrison musical). Eddie Murphy plays the title role with ease and with the confident professionalism of a comedian who knows when to share the spotlight--especially when he's being upstaged by a bunch of animals who steal all the punch lines. And once again the film is aimed at a pre-teen audience: so many of those punch lines involve flatulence, bodily functions and frequent use of the word "butt". The difference this time is that Dr Dolittle has settled into his talk-to-the-animals routine; his 16-year-old daughter (Raven-Symone) is getting to be a feisty handful (it turns out she's coping with a hereditary gift); and his lawyer wife (Kristen Wilson) is representing him in a trial against corporate villains who want to clear-cut a local forest. Naturally, the local critter mafia (their Don is a beaver... fuggeddaboudit!) want Dolittle to fight for their cause, and this involves the successful mating of an endangered bear and a domesticated circus bear who's forgotten all the bear necessities of life in the wild. The bears are voiced by Lisa Kudrow and Steve Zahn and they almost steal the show, but the whole menagerie (with digitally animated "talking") is equally amusing. Adults might wish that the filmmakers had tried harder to make a truly memorable sequel, but this is a movie for kids, and they're going to love it without quibbling. --Jeff Shannon, Amazon.com
Eddie Murphy's 1988 vehicle Coming to America was probably the point at which his status as a mainstream big-screen comedian finally gelled, following the highly successful 48 Hours pairing with Nick Nolte. Never mind the hackneyed storyline: under John Landis's tight direction, he turns in a star performance (and several brilliant cameos) that is disciplined and extremely funny. Murphy plays an African prince who comes to New York officially to sow his wild oats. Privately, he is seeking a bride he can marry for love rather than one chosen by his parents. With his companion (Arsenio Hall, who pushes Murphy all the way in the comedy stakes), he settles in the borough of Queens and takes a job in a hamburger joint. A succession of hilarious satire-barbed adventures ensue, plus the required romantic conclusion. The script is crammed with ripe one-liners , but "Freeze, you diseased rhinoceros pizzle" has to be the most devastating hold-up line of all time. Film buffs will appreciate a brief appearance by Don Ameche as a down-and-out, but this is Murphy's film and he generates warmth enough to convert the most ambivalent viewer. On the DVD: The only--rather pointless--extra on offer is the original theatrical trailer which adds nothing apart from a rapid recap of the story. But the 1.78:1 anamorphic widescreen presentation (the picture quality is diamond sharp) and Dolby Digital 5.1 soundtrack recreate the original authentic cinematic experience. The choreography of 1980s pop diva Paula Abdul in the lavish wedding scenes and Nile Rodgers' pounding musical score are the main beneficiaries. --Piers Ford
Bridget Jones's Diary Featuring a blowzy, winningly inept size-12 heroine, Bridget Jones's Diary is a fetching adaptation of Helen Fielding's runaway bestseller, grittier than Ally McBeal but sweeter than Sex and the City. The normally sylphlike Renée Zellweger (Nurse Betty, Me, Myself and Irene) wolfed pasta to gain poundage to play "singleton" Bridget, a London-based publicist who divides her free time between binge eating in front of the TV, downing Chardonnay with her friends, and updating the diary in which she records her negligible weight fluctuations and romantic misadventures of the year. Things start off badly at Christmas when her mother tries to set her up with seemingly standoffish lawyer Mark Darcy (Colin Firth), whom Bridget accidentally overhears dissing her. Instead she embarks on a disastrous liaison with her raffish boss, Daniel Cleaver (Hugh Grant, infinitely more likeable when he's playing a baddie instead of his patented tongue-tied fops). Eventually, Bridget comes to wonder if she's let her pride prejudice her against the surprisingly attractive Mr. Darcy. If the plot sounds familiar, that's because Fielding's novel was itself a retelling of Jane Austen's Pride and Prejudice, whose romantic male lead is also named Mr. Darcy. An extra ironic poke in the ribs is added by the casting of Firth, who played Austen's haughty hero in the acclaimed BBC adaptation of Austen's novel. First-time director Sharon Maguire directs with confident comic zest, while Zellweger twinkles charmingly, fearlessly baring her cellulite and pulling off a spot-on English accent. Like Four Weddings and a Funeral and Notting Hill (both of which were written by this film's coscreenwriter, Richard Curtis), Bridget Jones's stock-in-trade is a very English self-deprecating sense of humour, a mild suspicion of Americans (especially if they're thin and successful), and a subtly expressed analysis of thirtysomething fears about growing up and becoming a "smug married." The whole is, as Bridget would say, v. good. --Leslie Felperin Bridget Jones 2: The Edge Of Reason Although it's been three years since we last saw Bridget (Renée Zellweger), only a few weeks have passed in her world. She is, as you'll remember, no longer a "singleton," having snagged stuffy but gallant Mark Darcy (Colin Firth) at the end of the 2001 film. Now she's fallen deeply in love and out of her neurotic mind with paranoia: Is Mark cheating on her with that slim, bright young thing from the law office? Will the reappearance of dashing cad Daniel Cleaver (Hugh Grant) further spell the end of her self-confidence when they're shoved off to Thailand together for a TV travel story? If such questions also seem pressing to you, this sequel will be fairly painless, but you shouldn't expect anything fresh. Director Beeban Kidron and her screenwriters--all four of them!--are content to sink matters into slapstick, with chunky Zellweger (who's unflatteringly photographed) the literal butt of all jokes. Though the star still has her charms, and some of Bridget's social gaffes are amusing, the film is mired in low comedy--a sequence in a Thai women's prison is more offensive than outrageous--with only Grant's rakish mischief to pull it out of the swamp. --Steve Wiecking
Titles Comprise: Daddy Day Camp: This hilarious sequel to the smash hit %3Ei%3EDaddy Day Care finds dads Charlie Hinton and Phil Ryerson in another kid harried adventure as they take over running a summer day camp. Armed with no knowledge of the great outdoors a dilapidated facility and a motley group of campers it doesn't take long before things get out of control. Up against threats of foreclosure and declining enrollment Charlie is forced to call on his estranged father to help bring the camp together and teach everyone about teamwork perseverance and the power of forgiveness. Are We There Yet?: Smooth operator Nick (Ice Cube) is interested in young attractive divorcee Suzanne (Nia Long) mother of a 7-year-old-boy and an 11-year-old-girl. Trying to get together with Suzanne Nick volunteers to bring her children to meet her out of town. Missing the plane they must make the long journey by car. What Nick doesn't know is that Suzanne's children think that no man is good enough for their mom and will do everything they can to make the trip a nightmare for him... Are We Done Yet?: Nick Persons (Cube) and his new wife Suzanne (Long) move into his tiny bachelor pad with her two loveable - but outspoken - kids. When Suzanne drops the bombshell that she is pregnant something has to give and the whole family move to a bigger house in the country. Their idea of a dream home is turned upside down by the local wildlife the amount of work that needs doing and the crazy contractor they hire to do it John C. McGinley (Wild Hogs TV's Scrubs) in a brilliant star turn as Chuck Mitchell Jr. the builder with a bizarre approach to home improvement. Will the Persons' family realise their dream and finish the house before the family expands? Are We Done Yet? is a hilarious slapstick comedy that proves a move to the country and a bigger house does not automatically mean an easier life!
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
IS IT A NIGHTMARE? OR IS IT THE SLAYER? One of the most sought-after titles for slasher fans everywhere, The Slayer finally rises from the ashes of obscurity in a brand new 4K transfer courtesy of Arrow Video. Two young couples set off to a secluded island for what promises to be a restful retreat. But the peace is short-lived: as a storm batters the island, troubled artist Kay begins to sense that a malevolent presence is here with them, stalking them at every turn. Is she losing her mind, or are her childhood nightmares of a demonic assailant coming to terrifying life? Previously only available on home video in truncated or full screen versions, The Slayer whose nightmares-seeping-into-reality theme predates a certain Wes Craven classic by several years comes lovingly restored from the original negative in a stunning transfer that will be a revelation to fans both old and new. SPECIAL EDITION CONTENTS: Brand new restoration from a 4K scan of the original negative High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Uncompressed Mono Audio Optional English subtitles for the deaf and hard of hearing Brand new interviews with cast and crew Original Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by Lee Gambin
The first Hellfest took place in Syracuse New York in 2000. It was considered as the best Metal Hardcore festival in the USA. Former Furyfest promoter Ben Barbaud decided in 2006 to duplicate the concept and produced the French Hellfest. In just one edition it became one of the most important Metal festivals in Europe. Film director Julien Patrice has managed to give a complete different angle than for an ordinary DVD. Close to the audience and the bands on and off stage 10 cameras give us many angles of what you can get from a live performance. Edited as 26 different video clips with a specific colour conformation on each of them this DVD brings us to light 26 bands. Tracklist: 1. Agnostic Front - All Is Not Forgotten 2. Allegiance - No Dice 3. As I Lay Dying - Distance To Darkness 4. Born From Pain - Rise Or Die 5. Carnival In Coal - Dressed Like Pazuzu 6. Cephalic Carnage - Black Metal Sabbath 7. Cortez - El Vetic 8. Dagoba - The Things Within 9. Danko Jones - Invisible 10. Dead Kennedys - Kill The Poor 11. Drowning - Like A Coiled Serpent 12. Endstand - Remind Me 13. Gadget - The Sentinel 14. Got It Alone - The Silence 15. Happy Face - Le Bon Choix 16. Hatesphere - Only The Strongest 17. Hellmotel - Hang Us Young 18. Knut - Neon Guide 19. Locus - Tony Montana 20. Mad Ball - Heaven Hell 21. Mad Sin - Fuel For Brains 22. Nightmare - Heretic 23. Outburst - Hangover 24. Sonny Red - Beyond The Icon Of Pleasure 25. Taint - He Got Cop Eyes 26. Trepalium - Decease My Life
Men In Black 3 [Blu-ray] [2012] [Region Free]
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