The third case of the award-winning crime comedy sees DCI Jack Cloth (John Hannah) and DC Anne Oldman (Suranne Jones) reunited in a murder investigation and this time it's personal. A sexy female rookie, Newblood (Karen Gillan), has joined Cloth's team. At her first crime scene the team discover the body of Cloth's brother, Terry Cloth (John Hannah). Cloth traces Terry's past back to a remote therapy centre, The Healery, but Cloth believes this is a cult and suspects Vull (Adrian Dunbar), the.
Universally recognised as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. The House of Hitchcock features 18 iconic films from the acclaimed director's illustrious career including Psycho, The Birds, Rear Window, Vertigo and North by Northwest, plus a range of limited edition extras including blueprints of the infamous Psycho House, original storyboards from some of his finest movies, movie poster artcards for all the films, and a booklet about the man himself. Includes: SABOTEUR SHADOW OF A DOUBT ROPE STRANGERS ON A TRAIN DIAL M FOR MURDER REAR WINDOW TO CATCH A THIEF THE TROUBLE WITH HARRY THE MAN WHO KNEW TOO MUCH VERTIGO NORTH BY NORTHWEST PSYCHO (1960) THE BIRDS MARNIE TORN CURTAIN TOPAZ FRENZY FAMILY PLOT Bonus features: DOCUMENTARIES EXPERT COMMENTARIES INTERVIEWS SCREEN TESTS STORYBOARDS AND MUCH MORE! Plus: ORIGINAL LETTERS, STORYBOARDS, BLUEPRINTS AND MORE...
This TV-mini series starring Catherine Zeta-Jones and George C. Scott is based on the tragic event that shocked the world and still today remains a great tragedy. Untold stories of the passengers and crew on the ill-fated liner s maiden voyage. - 3 Hour Complete Mini-Series - EMMY Award winning production - 100th Anniversary Edition on 2 Discs - Limited Edition 3D outer sleeve design Memorabilia Included: Distress call telegram Workers Union letter of condolence White Star line poster - 'The Queen of The Ocean' Titanic
Charlie Harper is a bachelor in paradise complete with Malibu beach house overpaid job and a very active dating life. Then his uptight brother Alan in the throes of a divorce moves in - and brings his 10-year-old son Jake with him. Sorry Charlie. It looks like paradise lost.
It earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned and wholly unconventional playing style, and who died at age 42--was criticised for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tuckers gorgeous, involving movie--du Prés sister, Hilary, whose book,A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackies sleeping with Hilarys husband. But dont let that deter you from this ebullient movie experience. Hilary and Jackie is a bisected story (each sisters tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. Its stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, its Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his characters heads. Hes helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula Nechak
From executive producer George Lucas and the pages of Marvel Comics comes Howard the Duck, an unbelievably funny comedy about a fast-talking, cigar-chomping, beer-loving duck from a parallel universe who crashes to Earth and somehow winds up in Cleveland. As Howard attempts to return to his own planet, he falls in love with rock singer Beverly Switzler (Lea Thompson, Back to the Future) and must battle an evil invader known as the Dark Overlord. This wacky, elaborately produced spoof of life, love, comic books and horror movies featuring out-of-this-world special effects is a treasure the whole family can enjoy.
Jimmy Dworski is a happy-go-lucky convict who breaks out of prison and finally gets a life - somebody else's! When Dworski finds the daily planner that literally runs the life of ultra-organized executive Spencer Barnes (Charles Grodin) all hell breaks loose! With newfound cash credit cards and the keys to a Malibu mansion the imposter Dworski embarks on an all-expenses-paid trip to ""Easy Street"" while posing as the high-powered Barnes. Meanwhile Spencer's life is turned upside down as he hunts through the jungles of Los Angeles for his beloved book: when these oddball opposites finally meet it's a comedic collision you won't soon forget!
A mockumentary chronicling the rise and fall of a not particularly talented--or particularly bright but always controversial - 1990s hip-hop group NWH (Niggaz with Hats). Filmmaker Nina Blackburn follows the three members of the group - Ice Cold Tasty Taste and Tone Def - as they explain their philosophy and reminisce about their many experiences -- which include run-ins with right-wing zealots battles with rival rappers and the manipulations of greedy groupies.
As Martha (Maxine Peake) steps up to become a QC, Shoe Lane Chambers once again becomes the focus for drama and intrigue on the front line of criminal law...Martha Costello is incredibly young to have got silk, she is a brilliant and passionate barrister but now the stakes are higher than ever. Tensions are also running high in the chambers, with the still ambitious Clive Reader (Rupert Penry-Jones) having to deal with his failure to become a QC, and Billy Lamb under pressure to keep the chambers afloat.As Martha finds an ambiguous ally in Caroline Warwick, a 50-something, sharp as a stiletto QC, and Clive develops a fascination for a very beautiful and principled solicitor; passion, jealousy and ambition take hold both in and out of the courtroom.
Tommy Lee Jones is Quint a shrewd and tough ""professional thief"" working for the government. He has hidden a computer disc containing vital evidence in a sleek fast prototype automobile which is stolen by a sophisticated car theft ring in Los Angeles. Quint the owners of the car and the killers who want the disc back are forced into a high-risk raid on the impenetrable fortress of the car thieves in this taut action-filled suspense adventure.
The madcap doctor team are at it again! This time Dr. Burke stows away on a cruise ship when his girlfriend is assigned a modelling job aboard the vessel and ends up as a ship's doctor.
Shortly after moving to Dallas, a young woman is raped at gunpoint. Her intense anger drives her to seek revenge, and she becomes a hunter on a vengeance mission.
Dune: Special TV Edition is an extended US network television version prepared in 1988 from David Lynch's 1984 film of Frank Herbert's classic science fiction novel, Dune. The original cinema release of this complex tale of interplanetary intrigue was heavily shortened and this 176-minute TV edition should not to be confused with Lynch's still unreleased three-hour-plus "Director's Cut". In fact Lynch disowned this TV version, replacing his director's credit with the infamous pseudonym Alan Smithee and his screenplay credit with the name Judas Booth (a combination of two notorious traitors). What the network did was add 35 minutes, about 15 minutes in the first two thirds, which in the cinema cut is in any case superbly paced, and around 20 into the final 40. This latter material does help balance the frenetic rush of the cinema cut, restoring important scenes such as Paul Atreides' fight with Jamis, a Fremen funeral and Jessica Atreides' taking the "Water of Life". What primarily alienated Lynch was the imposition of a folksy, sometimes laughable narration, as well as the replacement of the original prologue with a far longer sequence explaining the Dune universe via pre-production paintings. This TV edit is a travesty of what, in the "Director's Cut" at least, is probably a great film, and is really only worth seeing to get a glimpse of the material Lynch was forced to remove. The unconnected mini-series, Frank Herbert's Dune (2000) does a far better job of telling a more complete version of the story. On the DVD: There is a fold-out colour booklet which contains a wealth of stills, a reproduction of the original cinema poster and a worthwhile essay on the original film that avoids any discussion of the TV version it accompanies. On the disc there is only the original theatrical trailer. The superb cinematography is ruined by the panned and scanned 4:3 image, which is grainy and has poor colour fidelity. It is also soft, lacking detail and washed-out, probably a result of being converted from American NTSC TV format video rather than coming directly from an original film print. Certainly the DVD of the cinema version looks far better. The audio is thin mono, completely failing to do justice to how fantastic a post-Star Wars 40-million-dollar science fiction epic should sound. --Gary S Dalkin
Meet Fox (Richard Moir), he is a young man who likes to live in the fast lane. He is one of the fastest street racers on the back streets of Sydney. His whole world is about to be turned upside down as his latest challenge could not only lose him his girl, but also his life! Living dangerously, living fast and winning at any cost is his obsession. The illegal street racers of down town Sydney don't turn back, they don't give in and they can never ask for help.Twenty years before The Fast and The Furious director John Clark's film truly encapsulates what it is to be a teenager on the streets of Sydney with a hot car and an even hotter girl in the early 1980's. For anyone who loves the rev of the engines and the smell of burning rubber on a hot summer's night Running on Empty is for you!
The English National Opera has always had an attractively light touch in Handel; this classic production, designed by Nicholas Hytner (director of The Madness of King George and The Crucible), manages to preserve both the work's occasional passion and its undercutting of that passion into urbane absurdity. Anne Murray's Xerxes is a tyrant in love, who learns the hard way that he can neither play with, nor command, his subjects' affections; her forthright declamatory singing, not least in the famous "Larghetto", conveys both the petulance and the final grandeur of a man undergoing a sentimental education. Valerie Masterson and Christopher Hudson, as the principal pair of lovers, combine perfect singing with an attractive romantic ardour; Hudson in particular makes clear just how heroic a counter-tenor can sound, listened to without preconceptions. In the soubrette role of Atalanta, Lesley Garrett is a cute trouble-maker. Sir Charles Mackerras' conducting gives each of the genre arias of which the work consists both an appropriate intensity of emotion and an overall charm. The English libretto is by Hytner. The recording is decent PCM stereo and the picture, originally produced for TV broadcast, is in 4:3 ratio. --Roz Kaveney
'Last Train From Gun Hill' is the ultimate revenge tale set in an unlawful Old West... The Marshal's trail to find his wife's murderer leads him to the town of Gun Hill where he discovers the son of an old ally is responsible for the crime. A dangerous game of cat-and-mouse unfolds as the Marshall is trapped in a race against time to avenge his wife's death before he can catch the last train out of town...
The director of "Smokin' Aces" and "Narc" brings you back into the adrenaline-pumping world of blood, bullets and bad-asses.
No Country For Old Men: Approaching retirement Sheriff Bell (Tommy Lee Jones) is one of the last links to the history of Texas' Old West and the men who patrolled the frontiers of decency and lawlessness. These days though he feels less and less able to comprehend the new breed of violent criminals that have drifted into his jurisdiction. Violent men like Anton Chigurh (Javier Bardem): an enigmatic psychopathic and obsessively compulsive killer who determines the fate of his victims with a quick flip of a coin. Chigurh an ex-special-forces operative turned hit man has been hired to track down two million dollars in cash taken from the scene of a drug-deal gone awry and whoever spirited it away. That man is Llewellyn Moss (Josh Brolin): a financially struggling hardened Vietnam veteran who stumbled upon the money and a substantial amount of heroin amongst a sea of bloody corpses and a bullet-strewn truck whilst hunting antelope in the desert near the Mexican border. A Beautiful Mind: A Beautiful Mind begins with Nash (Russell Crowe) at Princeton where he struggles to think of an original idea and the stroke of genius that will make him matter. Nash is eccentric socially awkward and extremely competitive. Eventually he finds the inspiration for his innovative and influential work on game theory. He's chosen for a post at MIT which includes crucial code-breaking work for the US government. There he meets a beautiful and brilliant student Alicia (Jennifer Connelly). They marry but their happiness is threatened... American Beauty: Marking the feature film directorial debut of award-winning theatre director Sam Mendes this funny moving and shocking journey through life in suburban America follows the trials and tribulations of Lester (Kevin Spacey) and Carolyn (Annette Bening) an upper-middle-class couple whose marriage - and lives - are slowly unraveling. Lester's wife hates him his daughter Jane regards him with contempt and his boss is positioning him for the axe. So Lester decides to make a few changes in his life; the freer he gets the happier he gets which is even more maddening to his wife and daughter. But Lester is about to learn that the ultimate freedom comes at the ultimate price. Winner of five Academy Awards: Best Picture Director Actor Screenplay and Cinematography.
There is not a single joke, sight-gag or one-liner in Monty Python's Life of Brian that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but--extraordinarily--almost every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse. Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life. On the DVD: Life of Brian returns to Region 2 DVD in a decent widescreen anamorphic print with Dolby 5.1 sound--neither are exactly revelatory, but at least it's an improvement on the previous release, which was, shockingly, pan & scan. The 50-minute BBC documentary, "The Pythons", was filmed mainly on location in 1979 and isn't especially remarkable or insightful (a new retrospective would have been appreciated). There are trailers for this movie, as well as Holy Grail plus three other non-Python movies. There's no commentary track, sadly. --Mark Walker
The opening scenes of The Replacements see American football team, the Washington Sentinels, in dire straits. The players have walked out in a protest over pay at a vital point in the season, forcing the Sentinels' owner to bring veteran coach Jimmy McGinty (Gene Hackman) out of retirement to put together a replacement team. He assembles a group of oddballs and misfits including failed quarterback Shane Falco (Keanu Reeves), a boozing Welsh brawler (Rhys Ifans), a convicted former football pro, a deaf mute, a psychopathic ex-cop, a sumo wrestler and a kleptomaniac (Orlando Jones) who has trouble catching the ball. It is Falco's job to pull the team together and overcome his own problems to take the Sentinels to the playoffs. Howard Deutch (Pretty in Pink, Grumpier Old Men) directs this variation on a losers-make-good storyline that runs like Police Academy on the playing field. Keanu plays the Steve Guttenberg role. Sandra Bullock clone Brooke Langton provides the all-too-predictable cheerleading love interest, while Rhys Ifans delivers light relief as the team's chain-smoking kicker. On the DVD: The main feature is presented in letterboxed widescreen format with Dolby Digital 5.1 sound in three languages (English, Spanish and Italian). There are optional subtitles in 20 different languages. Interactive menus are slickly designed like the yard markings on an American football field and provide access to a range of special features. As well as a theatrical trailer and commentary by director Howard Deutch, there is a 15-minute HBO special "The Making of the Replacements" hosted by Orlando Jones and a 10-minute "Actors Guide to Football" which provides a detailed look at the way the entirely authentic football sequences were planned and filmed. --Chris Campion
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