THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Extras: Feature Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer
This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. The Third Man features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. The Third Man is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas.
THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Extras: Feature Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer
Courtrooom drama from 1974 where a jury of 'ordinary people' passed verdict on the evidence they have seen before them.
After the poor reception given to George Lazenby in Her Majesty's Secret Service, Sean Connery was no doubt lured back to the series with a gadget-stuffed briefcase full of cash (most of which he allegedly gave to charity) for this wry, snappily made seventh instalment in the series. Some of its secret weapons include a smart script, a Las Vegas setting providing plenty of neon reflections on windscreens for a memorable car chase through the Strip, and the comely Jill St. John as Tiffany Case, a diamond cut-above most of the preceding Bond girls. (Apart from Diana Rigg in Her Majesty's Secret Service, that is). Blofeld and his fluffy white cat are on hand to menace 007--it's the Nehru jackets and steely surface-look of this one in particular that the Austin Powers spoofs are sending up. Blofeld's initial cover as a reclusive Howard Hughes-like millionaire points to how the series was catching up with more contemporary figures and issues. Other highlights include two truly ferocious, karate-kicking female assassins and a sizzling moon-buggy chase across the dunes. --Leslie FelperinOn the DVD: The mind boggling possibility of casting Adam West (TV's Batman) as Bond was seriously mooted because the suits at United Artists wanted to Americanise the franchise, th e documentary reveals. Sean Connery was eventually persuaded to return but demanded a record fee to reprise his role, and then donated all the cash to his charitable foundation, the Scottish International Education Trust. The rags to riches story of larger-than-life producer Albert R Broccoli is told in the second documentary. The commentary is another in the series of edited selections from interviews with cast and crew, which are exhaustive in the wealth of detail offered but a little exhausting to sit through. Sundry trailers, radio and TV spots plus a few deleted scenes complete the comprehensive selection. --Mark Walker
Sean Connery made his final - officially-speaking - appearance as 007 in this riveting adventure which would lay the groundwork for Mr Moore's incarnation as the suave super-spy. While investigating mysterious activities in the world diamond market 007 (Sean Connery) discovers that his evil nemesis Blofeld (Charles Gray) is stock-piling the gems to use in his deadly laser satellite. With the help of beautiful smuggler Tiffany Case (Jill St. John) Bond sets out to stop the madman - as the fate of the world hangs in the balance!
Bond's mission takes him to the steamy island of Jamaica, where mysterious energy waves are interfering with U.S. missile launches. As he unravels the astonishing truth, Bond must fight deadly assassins, sexy femme's fatales and even a poisonous tarantula. With the help of crack CIA agents Felix Lieter (Jack Lord) and the beautiful Honey Ryder (Ursula Andress), he searches for the headquarters of Dr. No, who is implementing an evil plan of world domination. Only Bond, with his combination of wit, charm and skill, can confront the madman and save the human race from a horrible fate. With breathtaking chases, amazing stunts and a bold, nerve-shattering climax, this outrageously entertaining adventure pushes the envelope for non-stop thrills and magnificently sets the standard for the most popular movie series in film history.
The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley
Presiding over the courtroom in which twenty one members of the Nazi High Command are accused of crimes against humanity is a small-town American judge who is determined to uphold justice and truth in the explosive conflict between freedom and tyranny...
Universally recognised as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. The House of Hitchcock features 18 iconic films from the acclaimed director's illustrious career including Psycho, The Birds, Rear Window, Vertigo and North by Northwest, plus a range of limited edition extras including blueprints of the infamous Psycho House, original storyboards from some of his finest movies, movie poster artcards for all the films, and a booklet about the man himself. Includes: SABOTEUR SHADOW OF A DOUBT ROPE STRANGERS ON A TRAIN DIAL M FOR MURDER REAR WINDOW TO CATCH A THIEF THE TROUBLE WITH HARRY THE MAN WHO KNEW TOO MUCH VERTIGO NORTH BY NORTHWEST PSYCHO (1960) THE BIRDS MARNIE TORN CURTAIN TOPAZ FRENZY FAMILY PLOT Bonus features: DOCUMENTARIES EXPERT COMMENTARIES INTERVIEWS SCREEN TESTS STORYBOARDS AND MUCH MORE! Plus: ORIGINAL LETTERS, STORYBOARDS, BLUEPRINTS AND MORE...
THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Features: DVD Disc 1 Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) DVD Disc 2 Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer Blu-ray Disc 1 Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer Sound Track Disc Music by Anton Karas Zither Music performed by GERTRUD HUBER 01 Big Ben (London Films) 02 The Harry Lime Theme 03 Dialogue - "It's a shame" 04 The Café Mozart Waltz 05 Main Title / Harry's False Funeral 06 Dialogue - "Heard of Harry Lime?" 07 Holly Encounters Anna / Meeting The Conspirators 08 Dialogue - "The third man" 09 Holly Is Accused Of Homicide 10 Dialogue - "This isn't Santa Fe" 11 Holly Brings Flowers 12 Holly Runs After Harry's Shadow 13 Dialogue - "Holly what fools we are" 14 Trap To Catch Harry 15 Dialogue - "The Cuckoo Clock" 16 Anna Walks Away / End Title - The Harry Lime Theme 17 Visions of Vienna 18 Danube Dreams 19 The Harry Lime Theme (Orchestral version) 20 The Café Mozart Waltz (Orchestral version)
The Third Man (Dir. Carol Reed 1949): This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. 'The Third Man' features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. 'The Third Man' is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas. Brighton Rock (Dir. John Boulting 1947): The elegant and respectable facade of Brighton hides a sinister underworld ruled by intimidation and terror. Richard Attenborough stars as Pinkie a ruthless and sadistic young criminal whose trail of killings and double crossings lead to his eventual downfall when savage justice is finally meted out in a thrilling and memorable climax... Fallen Idol (Dir. Carol Reed 1948): A lonely young boy is caught up in a sinister and intriguing murder-mystery in this classic British film based on a short story by Graham Greene and directed with great style by Carol Reed both of who received Academy Award nominations. It was the first film on which Greene and Reed collaborated and remains both a moving portrayal of lost innocence and a genuine classic of British cinema. Heart Of The Matter (Dir. George More O'Ferrall 1953): Adapted from Graham Greene's novel Trevor Howard stars as Harry Scobie an assistant police commisioner working in Sierra Leone during WWII. Harry finds himself drawn to Helen a survivor of a U-boat attack and whilst the cat is away he decides that he can no longer stay married. However his catholic union threatens the outcome of both relationships. Harry soon convinces himself that desperate measures need to be taken...
Titanic: Leonardo DiCaprio and Oscar nominee Kate Winslet light up the screen as Jack and Rose the young lovers who find one another on the maiden voyage of the unsinkable R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic their passionate love affair becomes a thrilling race for survival. Romeo And Juliet: Baz Luhrmann's dazzling and unconventional adaptation of William Shakespeare's classic love story is spellbinding. Leonardo DiCaprio and Claire Danes portray Romeo and Juliet the youthful star-crossed lovers of the past. But the setting has been moved from its Elizabethan origins to the futuristic urban backdrop of Verona beach. This brilliant and contemporary retelling of the world's most tragic love affair makes this wildly inventive Romeo & Juliet unforgettable. The Beach: Richard (DiCaprio) a young American backpacker is willing to risk his life for just one thing: that mind-blowing rush you can only get from braving the ultimate adventure. But on a secret deceptively perfect beach Richard will discover that heaven on earth can instantly change into a jungle of seduction and danger...
The very first of James Bond's adventures, featuring a young Sean Connery stepping into the role of Britain's super-suave secret agent. Bond's mission takes him to the steamy island of Jamaica, where mysterious energy waves are interfering with U.S. missile launches. As he unravels the astonishing truth, Bond must fight deadly assassins, sexy femme's fatales and even a poisonous tarantula. With the help of crack CIA agents Felix Lieter (Jack Lord) and the beautiful Honey Ryder (Ursula Andres...
A celebrated British noir charting post-war European malaise Carol Reed's The Third Man was previously voted the greatest British film of all time. Holly Martins (Joseph Cotten Citizen Kane) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) but finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Lime's death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime's stage actress mistress Anna (Alida Valli). Will Martin's curiosity lead him to discover things about his old friend that he'd rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas' evocative zither score this justly celebrated classic is further enhanced by Robert Krasker's Academy Award winning cinematography and Welles in one of his most iconic screen roles.
Giacomo Puccini's 'La Fanciulla del West' a stage production by The Metropolitan Opera 1992.
The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley
Way Down East was the most successful film of the 1920s, even more so than the original versions of Ben-Hur or The Ten Commandments. That says much about tastes and values of the day, since this is no visually spectacular epic designed to wow audiences: director DW Griffith gave it the subtitle "A Simple Story of Plain People". The story follows impoverished New England country girl Anna Moore (Lillian Gish) to Boston in search of family aid. Instead she's duped into a fake marriage by playboy Lennox Sanderson (Lowell Sherman). Pregnancy forces Sanderson to abandon her to care for the child alone, which dies soon after birth. The disgrace sends her back into the countryside to work for Squire Bartlett, whose son David (Richard Barthelmess) begins to fall for her. But the dreadful secret threatens to be revealed, since the dastardly Sanderson turns out to be their neighbour. Themes of loyalty and social change come to a head for a thrilling finale. Amazing stunt work occurs on a frozen river's ice sheets that break up, dashing an unconscious Anna toward a waterfall. Populated by eccentric cameo roles, this view of 1920s' life is a far more fascinating exploration of the contemporary female than the novel or disastrous stage play that preceded it. On the DVD: Naturally a movie from 1920 is in mono and 4:3 ratio (which is effectively the old Academy standard ratio). But with subtle colour tints and using a musical score from its 1931 reissue, it still looks pretty good. Only a few reels have suffered damage (eg some heat blisters), otherwise film historian David Shepard's restoration job is commendable. The only extra is an essay on the history of the film which scrolls up the screen as an introduction. --Paul Tonks
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