Down from the Mountain is a treasurable record of a unique event: a live concert from Nashville featuring the artists and songs from the Coen Brothers' film O Brother, Where Art Thou?. Anyone who was delighted by that enchanting film and its traditional Americana soundtrack will find this concert an irresistible delight. It's not just a rehashing of the songs from the film, however, but an opportunity for some of the finest names in Bluegrass to perform a variety of traditional songs. Here we have Alison Krauss, Gillian Welch and Emmylou Harris playing separately before coming together for an a cappella rendition of "(Didn't Leave) Nobody but the Baby". Bluegrass legend Ralph Stanley chills the spine with his lonesome "O Death", while bluesman Chris Thomas King wails "John Law Burned Down the Liquor Sto'". There are other marvellous performances from old-timey stalwarts The Cox Family and The Whites, more Gospel-infused singing from the Fairfield Four, and impressively authentic fiddling from John Hartford. Oddly, the only song not to be heard is the original film's standout item, "Man of Constant Sorrow". The concert is also available on CD. On the DVD: The disc's packaging is misleading, as it only lists 12 songs when there are several more in the concert, all of which are listed and can be accessed from the menu. There's a good 25-minute backstage documentary also included, plus some liner notes from the Coens. --Mark Walker
An ambitious member of a secret society employs ruthless mind games and extreme violence on a group of unsuspecting holidaymakers in the Scottish Highlands. Which of the group will succumb to his bloody agenda and be lured to the altar under their own freewill?
Baron Frankenstein (Joseph Cotten) is hard at work trying to reanimate human tissue when his daughter, Tania (Rosalba Neri), comes home from university with a medical degree and announces that it has always been her intention to carry on her father's work. The baron is thrilled, but no sooner does he successfully reanimate his creature than it kills him and stalks off. Shocked but undaunted, Tania vows to create an even greater monster to destroy the first in revenge.
The UV copy is only available in the UK and Ireland. Co-directors Frank Miller and Robert Rodriguez reunite to bring Miller's visually stunning Sin City graphic novels back to the screen in 3D in FRANK MILLER'S SIN CITY: A DAME TO KILL FOR. In a town where justice doesn't prevail, the desperate want vengeance and ruthless murderers find themselves with vigilantes on their heels. Their paths cross in Sin City's famous Kadie's Club Pecos. The film opens with fan-favorite Just Another Saturday Night, when Marv (Mickey Rourke) finds himself in the center of carnage as he tries to remember the preceding events. The Long, Bad Night tells the tale of Johnny, a cocky young gambler (Joseph Gordon-Levitt) taking his chances with the biggest villain in Sin City, Senator Roark (Powers Boothe). The central story, Miller's acclaimed A Dame To Kill For, features Dwight McCarthy (Josh Brolin) in his final confrontation with the woman of his dreams and nightmares, Ava Lord (Eva Green). Nancy's Last Dance follows Nancy Callahan (Jessica Alba) in the wake of John Hartigan's (Bruce Willis) selfless suicide. Driven insane by grief and rage, she will stop at nothing to get revenge.
Here is just one of the many mishaps chronicled in Tora! Tora! Tora!: "Sir, there's a large formation of planes coming in from the north, 140 miles, 3 degrees east." "Yeah? Don't worry about it." The epic film shows the bombing of Pearl Harbour from both sides in the historic first American-Japanese coproduction: American director Richard Fleischer oversaw the complicated production (the Japanese sequences were directed by Toshio Masuda and Kinji Fukasaku, after Akira Kurosawa withdrew from the film), wrestling a sprawling story with dozens of characters into a manageable, fairly easy-to-follow film. The first half maps out the collapse of diplomacy between the nations and the military blunders that left naval and air forces sitting ducks for the impending attack, while the second half is an amazing re-creation of the devastating battle. While Tora! Tora! Tora! lacks the strong central characters that anchor the best war films, the real star of the film is the climactic 30-minute battle, a massive feat of cinematic engineering that expertly conveys the surprise, the chaos and the immense destruction of the only attack by a foreign power on American soil since the Revolutionary war. The special effects won a well-deserved Oscar, but the film was shut out of every other category by, ironically, the other epic war picture of the year, Patton. --Sean Axmaker, Amazon.com
Available for the first time on DVD! Robert Mitchum Peter Falk and Arthur Kennedy star in the rivetting war drama Anzio a vivid portrait of one of the bloodiest WWII battles ever fought. After landing with Allied troops at Anzio Italy in 1944 war correspondent Dick Ennis (Mitchum) and buddy Corporal Rabinoff (Falk) tell Anzio commander General Lesley (Kennedy) that the road to Rome is wide open. But instead of heading to Rome Lesley attempts to build a coastal stronghold only
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The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley
The Abominable Dr Phibes is an unusually beautiful horror classic in which Vincent Price stars as the titular genius who specialises in organ music, theology and concocting bizarre deaths for anyone who wrongs him. Discovering why is half the fun, so for now let's just say that Phibes is a little mad and very, very angry. Aided by his assistant, the lovely, silent Vulnavia, Phibes begins cutting a gory swathe through London's medical community, with the dogged Inspector Trout hot on his tail. The film contains many pleasures--exquisite art direction and a dark sense of humour among them--but the real treat is in watching an old pro such as Price at work. Whether he's playing his organ, staring down a victim or drinking through his neck, Price is at the top of his game. He mixes dark menace with wry comic touches, revealing both Phibes' maniacal obsession and offhanded confidence in his own genius. Settle in for an evening of elegant gore--and if an attractive, mute deliverywoman comes to the door, whatever you do, don't answer! --Ali Davis
Boy meets girl, Boy falls in love. Girl Doesn't. Welcome to "(500) Days of Summer" - a postmodern love story with a bitter and hilarious twist!
Upon arriving in exotic Rio long-time friends Matthew (Michael Caine) and Victor (Joseph Bologna) and their teenage daughters (Demi Moore and Michelle Johnson) barely unpack before this infamous pleasure spot begins to cast its torrid spell. Matthew quickly succumbs to Cupid's arrow but when guilt gets the better of this married man he vows to end the affair and keep it a secret... even from Vicor. But as his white lies grow so does his libido and Matthew continues his indiscreti
Disney does Dickens in this animated version of Oliver Twist, in which a homeless New York City cat falls in with a bunch of mischievous dogs under the leadership of the appealing scoundrel Fagin. The roots of Disney's success with animation in the 1990s begins with this clever, energetic, atmospheric movie, which succeeds in capturing the grim world Dickens conjured. Lyricist Howard Ashman (The Little Mermaid) worked on the songs, the best of which is sung by Billy Joel, who provides the voice of (the Artful) Dodger. --Tom Keogh
Roald Dahl's chillingly brilliant antholgy series Tales of the Unexpected makes an expected return to DVD. Featuring all the episodes from series 2. Episodes Comprise: 1. Royal Jelly 2. Skin 3. Galloping Foxley 4. The Hitch-hiker 5. Poison 6. Fat Chance 7. Taste 8. My Lady Love My Dove 9. Georgy Porgy 10. Depart in Peace 11. The Umbrella Man 12. Genesis and Catastrophe 13. Mr Botibol's First Love 14. Back for Christmas 15. The Orderly World of Mr Appleby 16. The Man at the Top
Det. Superintendent Jane Tennison (Helen Mirren) has been transferred to Manchester and is about to embark on one of the toughest times in her life. Initially asked to lecture school children on law and order she is soon demanding a meatier task. The murder of a drug dealer is the crime she is expected to solve but when a 14 year old boy confesses to the killing despite no evidence to connect him to the crime Tennison's instinct tells her there is a more likely prime suspect.
Everyone's favourite Essex girls return with this second series of Birds of a Feather - one of the 1990s most successful longrunning and memorable sitcoms. This release also features the feature-length Christmas Specials from 1990. Created by legendary screenwriters Laurence Marks and Maurice Gran (The New Statesman Shine on Harvey Moon) the series chronicles the misadventures of Sharon and Tracy (Pauline Quirke and Linda Robson) - North London-born sisters left to fend for themselves both financially and emotionally when their husbands are jailed for armed robbery. The girls have lived very different lives Tracey enjoying the neo-Georgian splendour of 'Dalentrace' - the luxury home paid for by husband Darryl's criminal activities - while her sister had remained in an Edmonton tower block. Now Sharon lives with Tracey enjoying a few home comforts and offering some much-needed moral support - even if some of her habits prove a tad annoying. And if life in Chigwell sometimes seems a little dull there are always the extra-marital adventures of their man-eating neighbour Dorien (Lesley Joseph) to keep them entertained...
The Story of Adele H is Francois Truffaut's dramatisation of the true story of Adele Hugo, the daughter of French author-in-exile Victor Hugo, and her romantic obsession with a young French officer. It's a cinematically beautiful and emotionally wrenching portrait of a headstrong but unstable young woman. Adele (Isabelle Adjani, whose pale face gives her the quality of a cameo portrait) travels under a false name and spins half-a-dozen false stories about herself and her relationship to Lieutenant Pinson (Bruce Robinson), the Hussar she follows to Halifax, Nova Scotia. Pinson no longer loves her, but she refuses to accept his rejection. Sinking further and further into her own internal world, she passes herself off as his wife and pours out her stormy emotions into a personal journal filled with delusional descriptions of her fantasy life. Beautifully shot by Nestor Almendros in vivid colour, Truffaut's re-creation of the 1860s is accomplished not merely in impressive sets and locations but in the very style of the film: narration and voiceovers, written journal entries and letters, journeys and locations established with map reproductions, and a judicious use of stills mixing old-fashioned cinematic technique with poetic flourishes. The result is one of Truffaut's most haunting portraits, all the more powerful because it's true. --Sean Axmaker
A dark realistic cop series from world-famous filmmaker and former police office Olivier Marchal. Braquo (slang for Heist) follows a squad of Paris cops who exist in the blurred boundaries at the very edge of the law often using violence and intimidation to get the job done.
Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring and they don't care who they have to hurt to do so. He agrees to go along all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife who is compelled to join him in his search.
The Karate Kid (Dir. John G. Avildsen 1984): Daniel (Ralph Macchio) arrives in Los Angeles from the East Coast and faces the difficult task of making new friends. However he becomes the object of bullying by the Cobras a menacing gang of karate students when he strikes up a relationship with Ali (Elisabeth Shue) the Cobra leader's ex-girlfriend. Eager to fight back and impress his new girlfriend but afraid to confront the dangerous gang Daniel asks his handyman Miyagi (N
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