Tough but moving, Thunderheart is an unusual story about an arrogant FBI agent (Val Kilmer) who participates in a federal investigation of a murder on an Oglala Sioux reservation. Kilmer's character is part Sioux himself, a detail that leaves him cold as he sets about pushing his way through the community to find facts on the case. In time, however, he begins to feel an ethnic tug and grows increasingly sympathetic to the locals and hostile toward his fellow G-men, much to the dismay of his agency mentor (Sam Shepard). The script is based on real events that occurred on the Pine Ridge Reservation in 1975 in South Dakota (involving an armed stand-off between Indian activists and the FBI, an event that prompted Thunderheart director Michael Apted to make a companion documentary, Incident at Oglala). The conclusion of Thunderheart feels like politically charged whimsy, but the real strength of the film is Kilmer's outstanding performance as a man in transformation. Apted's clear-eyed depiction of the Sioux's spiritual and cultural continuity with the past has none of the cloying romanticism of other films about Indians. Produced by Robert De Niro. --Tom Keogh, Amazon.com --This text refers to the VHS edition of this video
Extraordinary documentary about a seemingly typical, upper-middle class family whose world is destroyed when the father and his youngest son are arrested and charged with shocking and horrible crimes.
In 1847, the United States was a land of pioneers, of gold-starved Americans making their way west.
HOUSE OF LOST SOULS is part of a four-part movie series made for Italian television under the umbrella title House of Doom. Legendary Italian horror maestros Umberto Lenzi and Lucio Fulci each contributed two films for the series: Lenzi made HOUSE OF LOST SOULS and HOUSE OF WITCHCRAFT while Fulci offered HOUSE OF CLOCKS and SWEET HOUSE OF HORRORS. Lenzi's first contribution to the series centres on a group of young geologists who spend the night in an abandoned hotel haunted by the previous landlord's murders of his family and all the hotel's guests. The bloody past come back to life with eerie occurrences like ghostly cries of pain the appearance of corpses and tarantulas and blood dripping from the ceiling. Soon the murders begin anew as the geologists are killed in bizarre and horrific ways including one unlucky fellow who loses his head in a washing machine. Full of extreme gore and graphic bloodletting HOUSE OF LOST SOULS reaffirms Lenzi's position as one of the kings of splatter films.
In delivering non-18-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon
Get OutWhen Chris (Daniel Kaluuya), a young African-American man, visits his white girlfriend's (Allison Williams) family estate, he becomes ensnared in the more sinister, real reason for the invitation. At first, Chris reads the family's overly accommodating behaviour as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.UsAfter spending a tense beach day with their friends, the Tylers, Adelaide and her family return to their vacation home. When darkness falls, the Wilsons discover the silhouette of four figures holding hands as they stand in the driveway. Us pits an endearing American family against a terrifying and uncanny opponent: doppelgängers of themselves.NopeNope reunites Jordan Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer (Hustlers, Alice) and Oscar® nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.
Newly remastered by David Lynch himself for this 35th Anniversary release, his feature-film debut is a masterpiece of the macabre and grotesque. Eraserhead follows a sensitive young man as he struggles to cope with impending parenthood. Henry Spencer (Jack Nance) lives in a hopeless industrial landscape, lusting after the beautiful woman who lives in the apartment across the hall. Five years in the making, Eraserhead contains all of the trademark attributes of a Lynch film--haunting visuals, an ethereal score, unsettling sound design, and, most notably, a black sense of humour - creating a world onscreen that is exhilarating, terrifying, and truly unique.
Jaws 2 (Dir. Jeannot Szwarc 1978): Just when you thought it was safe to go back in the water... Police Chief Brody (Roy Scheider) is walking his beach beat a few years on from the horrible shark attacks on Amity Island. A missing diver's camera shows what looks like a shark fin but Amity''s cowardly Mayor (Murray Hamilton) plays down the incident. Brody raises a panicky false alarm from his observation tower and is fired for it. Suddenly the new killer shark attacks a group of small boats manned by teenagers which include his own sons... Jaws 3 (Dir. Joe Alves 1982): A deadly new attraction. The brand new ''Sea World'' complex in Florida offers visitors the chance to view the undersea kingdom from the safety of glass tunnels on the sea-bed. All seems well until a thirty-five foot Great White shark appears on the scene..... Jaws 4 - The Revenge (Dir. Joseph Sargent 1987): This time... It's personal. Lorraine Gary repeats her role of Ellen Brody widow of Chief Martin Brody in this suspenseful sequel starring Oscar-winner Michael Caine. After Deputy Sean Brody is killed by a shark off Amity Island she joins her other son Michael a marine biologist his wife Carla and their daughter Thea in the Bahamas. There she falls for Hoagie a carefree pilot and starts putting her life back together - until a Great White threatens Thea and Ellen knows she has no choice but to face her fear in a final fatal showdown...
Jon Martello's buddies call him Don Jon due to his ability to "pull" a different woman every weekend, but even the finest fling doesn't compare to the bliss he finds alone in front of the computer watching pornography.
Arguably the greatest of American films, Orson Welles' 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconscious. As Kane, Welles even ushers in the influence of Bertolt Brechton film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films this century. --Tom Keogh
The generic title of Martha - Meet Frank, Daniel and Laurence suggests a bland, by-the-numbers romantic comedy. Its dialogue certainly doesn't help--there's a lot of piffle about destiny and "having only one chance", etc.--but there are some surprising differences. The plot centres around Martha (Monica Potter), an American trying to start a new life in London. She meets three men (Tom Hollander, Rufus Sewell and Joseph Fiennes, who played the title role in Shakespeare in Love). These three are best friends and all three fall in love with her but the one she falls in love with feels like he's betraying the others to be with her. Despite the resulting confusion, she pursues him to the end--which makes it unlike most current romantic comedies where the woman is a hapless love object to be captured by the right guy. But more entertainingly, Martha - Meet Frank, Daniel and Laurence pays particular attention to the ways men delude themselves because the two friends Martha doesn't care for are both convinced she's hankering for them, which allows for some fairly subtle skewering of the male ego. It's a flimsy movie but no more so than Notting Hill and Joseph Fiennes, in particular, has a relaxed, winning charm that marks him as a rising star. --Bret Fetzer
Presiding over the courtroom in which twenty one members of the Nazi High Command are accused of crimes against humanity is a small-town American judge who is determined to uphold justice and truth in the explosive conflict between freedom and tyranny...
John Travolta gives a sensual and intelligent performance as the troubled Tony Manero - Brooklyn paint store clerk by day and undisputed king of the dance floor by night. Every Saturday Tony puts on his wide collared shirt flared trousers and platform shoes and heads out to the only place where he's seen as a god rather than some young punk. But in the darkness away from from the strobe lights and glitter ball is a tragic story of disillusionment violence and heartbreak. Without a doubt Travolta's performance made him a Hollywood legend but 'Saturday Night Fever' is more than just a movie that defined the music and fashion of a generation. It's a powerful and provocative urban tragedy that carries as much significance today as it did in 1977.
Birds Of A Feather: Series 1
Charlize Theron stars in this sci-fi spectacular based on the hit MTV series.
Inspired by the writings of the Swiss novelist Robert Walser Institute Benjamenta is the first live-action feature from the acclaimed surrealist animators the Quay Brothers. Jakob (Mark Rylance) enrols into the Benjamenta Institute a dilapidated boarding school for the training of servants. He then tries to unravel the hidden mysteries of the school his fellow pupils and Frau and Herr Benjamenta the siblings who run it. A fascinating symphony of light and shade constructed on the prevailing Quay themes of death decay and nothingness.
Gene Tierney Bruce Cabot and George Sanders star in this classic war film set in a small African outpost during the Second World War. As the British fight to control East Africa word reaches them that a vicious local tribe are being smuggled guns from a unknown source. When the soldiers encounter the exotic and beautiful Zia the leader of a travelling trader caravan she is assumed to be the supplier of the illicit firearms. But in this thrilling drama the African desert hides many secrets beneath its ancient sands.
Alfred Hitchcock considered this 1943 thriller to be his personal favourite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920s serial killer known as "The Merry Widow Murderer," Shadow of a Doubt sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. That's where young Charlie (Teresa Wright) lives with her parents and two younger siblings, and where murder is little more than a topic of morbid conversation for their mystery-buff neighbour (Hume Cronyn). Charlie was named after her favourite uncle, who has just arrived for an extended visit, and at first Uncle Charlie (Joseph Cotten) gets along famously with his admiring niece. But the film's chilling prologue has already revealed Uncle Charlie's true identity as the notorious Merry Widow Murderer, and the suspense grows almost unbearable when young Charlie's trust gives way to gradual dread and suspicion. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the fa ade of small-town tranquillity to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon
Sisters Tracey and Sharon living together in the same house try to cope with life the enforced absence of their prisoner husbands and the sexual excesses of their neighbour Dorien. This DVD includes the following titles: 'Nicked' 'Just Visiting' 'Shift' 'Woman's Trouble' 'Cheat' 'Substitute'.
From acclaimed Black British filmmaker Horace Ove (Pressure 1975) comes this comedy of manners in which a West Indian cricket team from Brixton travel to a Suffolk village to play against the local team as the culmination of the village's 'Third World Week'. Ove subtly explores and undermines white and black stereotypes and succeeds in linking two familiar but strange cultures through the simple device of a sports game.
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