Winner of an outstanding nine Academy Awards The English Patient is the sweeping World War II romantic epic that's being compared to such legendary films as Casablanca and Doctor Zhivago. After a badly burned pilot (Ralph Fiennes) is pulled from the wreckage of his plane in the Sahara Desert he's placed in the care of an army nurse (Juliette Binoche) and identified only as the English patient. As his memory slowly returns a passionate and consuming love affair with a married woman (Kristin Scott Thomas) is unveiled and lives from both the past and the present become inextricably altered. Set against breath taking backdrops in North Africa and Italy this film is a riveting cinematic masterpiece that stirs the heart and touches the soul like no other film in years!
Winner of an outstanding nine Academy Awards The English Patient is the sweeping World War II romantic epic that's being compared to such legendary films as Casablanca and Doctor Zhivago. After a badly burned pilot (Ralph Fiennes) is pulled from the wreckage of his plane in the Sahara Desert he's placed in the care of an army nurse (Juliette Binoche) and identified only as the English patient. As his memory slowly returns a passionate and consuming love affair with a married woman (Kristin Scott Thomas) is unveiled and lives from both the past and the present become inextricably altered. Set against breath taking backdrops in North Africa and Italy this film is a riveting cinematic masterpiece that stirs the heart and touches the soul like no other film in years!
Winner of an outstanding nine Academy Awards The English Patient is the sweeping World War II romantic epic that's being compared to such legendary films as Casablanca and Doctor Zhivago. After a badly burned pilot (Ralph Fiennes) is pulled from the wreckage of his plane in the Sahara Desert he's placed in the care of an army nurse (Juliette Binoche) and identified only as the English patient. As his memory slowly returns a passionate and consuming love affair with a married woman (Kristin Scott Thomas) is unveiled and lives from both the past and the present become inextricably altered. Set against breath taking backdrops in North Africa and Italy this film is a riveting cinematic masterpiece that stirs the heart and touches the soul like no other film in years!
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
Based on the miraculous event that gripped the world - and filmed with the cooperation of the real-life miners, their families and their rescuers - 'The 33' shows the never-before-seen personal journeys which became nothing less than a global phenomenon.
Epic colonial drama starring two-time BAFTA winner Julie Walters. Set in the foothills of the Himalayas, the 10-part saga tells the story of the decline of the British Empire and the birth of modern India, from both sides of the experience. The story is set in Shimla, where during the hottest months of the year a growing community of British elite are posted to govern. Cynthia Coffin, widower and hub for gossip among the Brits, prepares the exclusive British Royal Club for their arrival. In the summer of 1932, India is steaming with tension as locals call for independence but powerful Brits continue as if nothing has changed. The fate of the two sides becomes progressively tangled as the tale of love, betrayal and independence unfolds.
"It's far too pleased with itself. I wince when I see it now", director John Schlesinger observes of his 1965 film, Darling. You can tell why he's embarrassed. Looking back, his swinging 60s' satire about a model (Julie Christie) so keen to get ahead that she ditches her husband and betrays a succession of boyfriends looks hideously dated. With its self-consciously hip dialogue and unnecessary voice-over, the screenplay by Frederic Raphael (who also wrote Kubrick's Eyes Wide Shut) doesn't help. Most of the men Christie encounters, whether Laurence Harvey's slick businessman (who can't pass a mirror without preening himself in it) or Dirk Bogarde's neurotic TV pundit (who has delusions of literary grandeur), are as narcissistic as she is. Although this seems to be a cautionary tale about slick, superficial London media and fashion folk, it's obvious that the filmmakers are half in love with the world they're pretending to lampoon. The visual gags--rich, society matrons at a charity event gorging themselves on food or Christie's poster being plastered over an image of a starving child--are heavy-handed in the extreme. Still, Christie is tremendous in the role which established her as an international star (she won an Oscar). However shallow and selfish her character seems, we can't help but warm to her. --Geoffrey Macnab
A Christmas Carol:Academy Award Winner George C. Scott gives a powerful performance as Ebenezer Scrooge in this truly heartwarming telling of Charles Dickens' beloved drama. At first, miserable, greedy old Scrooge can't tolerate the revelry of Christmas, much less comprehend its meaning. But visits from his former business partner's ghost and three cautionary specters from past, present and future force the man to soul-search. Grappling with his own losses, Scrooge recognises the repercussions of heartlessness in this classic, timeless story that also stars Susannah York and David Warner. The Sound of Music:The magical, heart-warming story, which has become the most popular family film of all time, tells the story of a spirited young woman, Maria (Julie Andrews), who leaves the convent to become governess to the seven children of the autocratic Captain von Trapp (Christopher Plummer). Miracle on 34th Street:In this new miracle based on the 1947 classic, a little girl discovers dreams can come true if you really believe. Six-year old Susan Walker has doubts about childhood's most enduring miracle - Santa Claus. Her mother told her the secret about Santa a long time ago, so Susan doesn't expect to receive the most important gifts on her Christmas list. But after meeting a special department store Santa who's convinced he's the real thing, Susan is given the most precious gift of all - something to believe in. This uplifting and joyous film will make believers out of the entire family! Chitty Chity Bang Bang:Ladies and gentlemen, boys and girls - start your engines. You're about to take an incredible ride with one of the most wonderful family films of all time! With its clever tunes (including the OSCAR-Nominated title song), marvellous cast and enchanting storyline, this delightful romp is lots of fun and simply toot sweet to pass up! Dick Van Dyke stars as eccentric inventor Caractacus Potts, who creates an extraordinary car called Chitty Chitty Bang Bang. It not only drives - but also flies and floats - as it leads him, his two children and his beautiful lady friend, Truly Scrumptious (Sally Ann Howes), into a magical world of pirates, castles and endless adventure.
BROOKLYN is the story of a young woman, Eilis (Saoirse Ronan; Atonement) who moves from a small town in Ireland to Brooklyn, where, unlike home, she has the opportunity for work, a future - and love, in the form of Italian-American Tony (Emory Cohen; The Place Beyond The Pines). However, when Eilis returns temporarily to Ireland she finds herself absorbed into her old community, but now with eligible Jim (Domhnall Gleeson; About Time) courting her. As she repeatedly postpones her departure back to America, Eilis finds herself confronting a terrible dilemma - a heart-breaking choice between two countries and two futures. Special Features: Deleted Scenes Interviews Featurette
"It's far too pleased with itself. I wince when I see it now", director John Schlesinger observes of his 1965 film, Darling. You can tell why he's embarrassed. Looking back, his swinging 60s' satire about a model (Julie Christie) so keen to get ahead that she ditches her husband and betrays a succession of boyfriends looks hideously dated. With its self-consciously hip dialogue and unnecessary voice-over, the screenplay by Frederic Raphael (who also wrote Kubrick's Eyes Wide Shut) doesn't help. Most of the men Christie encounters, whether Laurence Harvey's slick businessman (who can't pass a mirror without preening himself in it) or Dirk Bogarde's neurotic TV pundit (who has delusions of literary grandeur), are as narcissistic as she is. Although this seems to be a cautionary tale about slick, superficial London media and fashion folk, it's obvious that the filmmakers are half in love with the world they're pretending to lampoon. The visual gags--rich, society matrons at a charity event gorging themselves on food or Christie's poster being plastered over an image of a starving child--are heavy-handed in the extreme. Still, Christie is tremendous in the role which established her as an international star (she won an Oscar). However shallow and selfish her character seems, we can't help but warm to her. --Geoffrey Macnab
A beautiful but amoral model sleeps her way to the top of the London fashion scene at the height of the Swinging Sixties
The writer of The Usual Suspects makes his directorial debut with this violent and bleak tale of the kidnapping of a pregnant young woman.
Three friends are disenchanted with life and try to recapture the chaos of their college days by moving in together.
Winner of nine Academy Awards and almost every critic's heart, The English Patient (based on Michael Ondaatje's prizewinning novel of love and loss during World War II) is one of the most acclaimed films of modern times. Hana, a nurse (Juliette Binoche), tends to an archaeologist (Ralph Fiennes) who has been burnt to a crisp in a plane crash. As their relationship intensifies, he flashes back to his overwhelming passion for a married woman (Kristin Scott Thomas). Meanwhile, Hana begins a new romance with a man who defuses bombs (Naveen Andrews) and Willem Dafoe almost steals the show as the thumbless thief Caravaggio. The intricately layered flashback narrative, sounding the depths of the lovers' hearts, improves with repeated viewings. --Geoff Riley
Although direct-to-video Disney sequels usually try to hide or simply ignore the issue, George of the Jungle 2 gleefully points out the lack of continuity between it and the original movie. Here, the good-natured narrator is happy to explain why Brendan Fraser has been replaced and why the special effects look cheaper: it's all a part of an effort to expand beyond the one-joke idea of a block-headed Tarzan who keeps swinging into trees. It's a pleasant surprise that all these self-referential nods and asides to the camera do indeed make hilarious viewing. Replacement Chris Showerman willingly takes on all manner of humiliation at the hands of CG jungle animals and his new extended family. George junior is the main by-product of the five-year gap, and thankfully has inherited brains from his mother's side (Julie Benz). In a dastardly plot to win back his love, Lyle (Thomas Haden Church, one of the few to reprise his role from the original) has the gang trooping back and forth to Las Vegas. With sight gags aplenty, bumbling George has more than just trees to avoid. --Paul Tonks
Indian Summers Series One: The year is 1932, the place is India, and thepeople are romanticised, politicised and radicalised. They are drawn together and driven apart by class, race, love and theft, and the world around them is changing. In the small British colony of Simla, placed at the foothills of the Himalayas, the beliefs of the British Empire still remain but the young are hungry for freedom. Indian Summers tells a sweeping saga, stories of love, secrets, promises made and broken, and tensions that simmer in the hot, feverish days and nights of India - an India populated by freedom fighters, star-crossed lovers, political spies, artists, orphans, expats, the rich and the poor. Indian Summers Series One: Starring Julie Walters, Henry Lloyd Hughes, Jemima West, Fiona Glascott, Amber Rose Revah, Nikesh Patel
François Truffaut co-writes and directs this classic drama adapted from Ray Bradbury's novel. In the not-too-distant future, forbidden volumes of literature are burned regularly by the 'firemen'. Montag (Oskar Werner) is the man in charge of the burnings, but after meeting a revolutionary book-owner, schoolteacher Clarisse (Julie Christie), he begins to have doubts - both about his vocation and his dead marriage to pleasure-seeking Linda (also Christie). Curious about the draw of literature, Montag keeps forbidden volumes of books for himself, and soon embarks on a secret affair with Linda. The cast also includes Anton Diffring and Cyril Cusack.
At the height of the flower power era in San Francisco a young deaf girl's search for her brother is interrupted when she is introduced to a commune...
A triple bill of Oscar-winning features from revered British director Anthony Minghella. Cold Mountain: In the dying days of the American Civil War a wounded soldier (Law) embarks on a perilous journey back home to Cold Mountain North Carolina to reunite with his sweetheart (Kidman)... The Talented Mr Ripley: To be young and carefree amid the blue waters and idyllic landscape of sun-drenched Italy in the late 1950s; that's la dolce vita Tom Ripley (Matt Damon) craves - and Dickie Greenleaf (Jude Law) leads. When Dickie's father a wealthy ship builder asks Tom to bring his errant playboy son back home to America Dickie and his beautiful expatriate girlfriend Marge Sherwood (Gwyneth Paltrow) never suspect the dangerous extremes to which Ripley will go to make their lifestyle his own. After all it's better to be a fake somebody than a real nobody... The English Patient: After a badly burned pilot (Ralph Fiennes) is pulled from the wreckage of his plane in the Sahara Desert he's placed in the care of an army nurse (Juliette Binoche) and identified only as the English patient. As his memory slowly returns a passionate and consuming love affair with a married woman (Kristin Scott Thomas) is unveiled and lives from both the past and the present become inextricably altered. Set against breath taking backdrops in North Africa and Italy this film is a riveting cinematic masterpiece that stirs the heart and touches the soul like no other film in years!
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