4 MONTHS, 3 WEEKS AND 2 DAYS -The friendship between two girls is tested to its absolute limits in this utterly compelling drama set in the twilight years of Communist-era Romania. Gabita (Laura Vasiliu), young and naïve, is pregnant. She turns to her more pragmatic room mate Otilia (Anamaria Marinca) for help and a meeting is arranged in a downtown hotel with the shady Mr Bebe (Vlad Ivanov). Entering a dangerous and illegal underworld where the stakes are high and nothing is as it seems, the girls are set for a life-changing experience that neither will ever forget. Brilliantly observed, superbly performed and directed with quite astonishing flair, this tense, poignant and provocative film has been hailed as a modern masterpiece. BLUE IS THE WARMEST COLOUR - At 15, Adele doesn't question it: girls go out with boys. Her life is changed forever when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself. THE CLASS - The greatest lessons are learnt when life enters the classroom. The tense environment of a tough inner-city school where cultures and attitudes often clash is revealed in this award-winning drama based on François Bégaudeau s best-selling novel Between the Walls. Bégaudeau himself stars as an idealistic teacher of a class of unruly 15 year-olds, whose spiky independence present a constant challenge to his sometimes unconventional teaching methods. Featuring an outstanding non-professional cast of real teachers and students, Laurent Cantet s gripping and sharply observed film offers a microcosm of contemporary society and explores the issues and challenges of education today. THE WHITE RIBBON -A village in Protestant northern Germany. 1913-1914. On the eve of World War I. The story of the children and teenagers of a choir run by the village schoolteacher, and their families: the baron, the steward, the pastor, the doctor, the midwife, the tenant farmers. Strange accidents occur and gradually take on the character of a punishment ritual. Who is behind it all?
Over the last 25 years Michael Haneke has established himself as one of the most important directors in cinema history. From his early work to Amour he has created a unique universe revealing like no other the darkest corners of society our existential fears and emotional outbursts. Through interviews with his actors Isabelle Huppert Juliette Binoche and Emmanuelle Riva and much more as well as previously unseen footage Michael H. depicts the work of a rare artist.
Les Amants du Pont Neuf is a film that once more shows us Paris as a city of romance, but from a very different viewpoint than we might expect. The young lovers this time around are Alex and Michelle, two of the many homeless people sleeping rough on the streets of the capital. Their particular abode is the bridge of the title, the oldest such structure in the city, which they share with the older, wiser Hans. Gradually drawn together, they look for and find love in what is a particularly loveless and harsh environment. Director Leos Carax created a film that combined great beauty with an almost nightmarish reality, particularly in a gruesome opening image of a homeless hostel which seems to have a documentary feel to it. Juliette Binoche and Dennis Lavant are superb as the lovers, drawing us in to their world of joy, despair and anger. Ultimately, Les Amants du Pont Neuf manages to pull off that rare feat of being both visually stunning and emotionally engaging. On the DVD: Paris may have been filmed countless times before and since, but rarely has its beauty been so captured as here. With the action taking place mainly at night or twilight, the colours are rich and vivid or ghostly pale; both extremes are beautifully captured on this format. Resplendent with many stunning set pieces (noteably the fireworks that light up the city), this is one of the most visually sumptuous films of recent years. Carax, too, makes great use of silence, allowing the sounds of the city to reflect the mood of his characters. Extras are sadly virtually non-existent beyond the usual scene selection and biographies, but the film's style demands that it be seen on the only format to do it justice. --Phil Udell
Captain Corelli's Mandolin (Dir. John Madden) (2001): In keeping with Hollywood's time-honored tradition of turning celebrated novels into cinematic spectacles director John Madden brings Louis de Berniere's acclaimed 1994 work 'Captain Corelli's Mandolin' to life. Set on the Greek island of Cephalonia in 1940 the film tells the story of the beautiful Pelagia (Penelope Cruz) who lives with her father Dr. Iannis (John Hurt) and is engaged to local fisherman Mandras (Christian Bale). When Mandras leaves the island to fight for his country against the approaching German army Pelagia is left behind to worry and wait for a letter which never arrives. In the meantime the Italian army occupies Cephalonia and Pelagia and Dr. Iannis receive a new visitor into their home. Captain Antonio Corelli (Nicolas Cage) a romantic opera lover with a passion for playing the mandolin annoys Pelagia with his free-spirited personality but it is this charm that eventually wins her heart. Soon the two are head-over-heels in love only for Mandras to return... Chocolat (Dir. Lasse Hallstrom) (2001): Nominated for five Academy Awards including Best Picture Best Actress (Juliet Binoche) and Best Supporting Actress (Judi Dench) 'Chocolat' is the beautiful and captivating comedy from the acclaimed director of 'The Cider House Rules'. Nobody could have imagined the impact that the striking Vianne (Binoche) would make when she arrived in a tranquil old-fashioned French town. In her very unusual chocolate shop Vianne begins to create mouth-watering confections that almost magically inspire the straight-laced villagers to abandon themselves to temptation and happiness. But it is not until another stranger the handsome Roux (Johnny Depp) arrives in town that Vianne is finally able to recognise her own desires.
A retelling of the Greek myth set in post-war Paris. When a famous poet falls in love with the strange Princess Death he is compelled to follow her anywhere in search of inspiration - even into the underworld.
In the vast rooms of a beautiful Sicilian villa, Anna (Academy-Award winner Juliette Binoche, The English Patient) receives an unexpected guest. Twenty-something Jeanne (Lou de Laage, The Innocents) has arrived from France, declaring herself to be the girlfriend of Anna's son, Giuseppe, who has invited her to the house to spend Easter together. But this is news to Anna, and Giuseppe is not yet there. Despite the disruption to her routine, Anna invites her young guest to stay, and as the two women await Giuseppe's arrival, they slowly begin to form a connection. Jeanne, dislocated and a little mystified at first, gradually gives in to the charms of the volcanic island. She swims in the nearby lake and makes new friends, while Anna watched over by a long-time family friend comes out of her shell. Yet still, her son's absence remains unexplained Spectacularly shot, measured and contemplative, THE WAIT navigates a complex range of emotions in the telling of this stirring encounter between two women from different generations.
Box set containing three classics from acclaimed director Leos Carax - The Night is Young Boy Meets Girl and Holy Motors.
Roots Of Heaven
A story about theft, both criminal and emotional, "Breaking and Entering" follows a disparate group of Londoners and new arrivals.
A London detective finds himself working a serial murder case. The killers unique method sees his victims believing they have the chance to live, all they have to do is tell the truth. It soon becomes apparent that James is the key to everything. Someone is trying to send him a message, but who? With his wife is pregnant with their first child, he has everything to lose.
Breaking Bad's Aaron Paul stars in this white-knuckle thriller about a father and his out of control teenage son set against the high-risk world of motocross. Obsessed with heavy metal and seething with rebellious anger 13-year-old Jacob (Josh Wiggins Lost in the Sun) finds release in the exhilarating world of motocross but his increasingly reckless behaviour is threatening to spin out of control. It's up to his hard-drinking father Hollis (two-time Emmy Award-winner Aaron Paul) to get him back on track before he does something he can't take back. With a scorching performances by Wiggins and heart-wrenchingly raw turns by Aaron Paul and Academy Award nominee Juliette Lewis RETRIBUTION is a powerful portrait of a family on the brink of destruction.
A Thousand Times Good Night tells the moving story of leading wartime photojournalist Rebecca (Binoche) who is torn between a passion for her dangerous job and her loving but worried family. This affecting film which won the Special Grand Prix of the Jury at the Montreal Film Festival 2013 resonates with Poppe whose own experiences from his years as a wartime photographer for Reuters and other media are reflected in the film. Rebecca is one of the world's top war photographers. On assignment while photographing a female suicide bomber in Kabul she gets to near and gets badly hurt. Back home another bomb drops. Her husband and daughters can no longer bear the thought of her dying while at work. She is given an ultimatum: Her work or her family life. The choice seems obvious. Rebecca swears to Marcus that she will never go to a war zone again. Yet the conviction that her photos can make a difference keeps pulling at her resolve making it difficult for her to live a normal life as a mother and wife. Then comes an offer to photograph a refugee camp in Kenya a place allegedly so safe that daughter Steph is allowed to join her mother...
Richard Gere and Kate Bosworth star in this family drama from directors Scott McGehee and David Siegel.
A little boy and his baby-sitter inhabit the same imaginary world: through their adventures they are followed by a strange red balloon.
Staring a radiant Juliette Binoche and first-time actor Alexis Loret, Alice et Martin portrays a love affair that blossoms between the two protagonists and the effects on the relationship of a notable age gap and Martin's tortured past. André Téchiné has delivered some of the most delicate character pieces in recent French cinema, most notably the coming-of-age drama Wild Reeds. However, Alice et Martin, authored with help from Olivier Assayas (Irma Vep), never quite comes together as smoothly as his best work; it ricochets from lovely romantic flirtations to tortured psychodrama to family melodrama while Téchiné's oblique, reserved direction observes without penetrating the heart of the drama. Loret's Martin is more enigma than character, but Mathieu Amalric portral of Martin's long lost brother shows the same shaggy, understated charm he displayed in Late August, Early September and Binoche brings a sensitivity and toughness to the emotionally scuffed Alice. Her radiant presence gives the film its moments of emotional frisson a discreet, subtle power. --Sean Axmaker, Amazon.com
A South African Story of Truth Love and Reconcilliation. In 1996 the South African Government established the Truth and Reconciliation Commission to investigate abuses of human rights under apartheid. These hearings would serve as a forum for those accused of murder and torture to be confronted by their victims and by admitting their guilt be granted amnesty under Ubuntu the native custom of forgiveness. Covering the sessions are Langston Whitfield (Samuel L. Jackson) and
Some Girl is the story of a group of emotionally unstable friends trying to have healthy relationships in L.A. in the 90's - if at all possible. It's a story of falling in love today and out tomorrow. Of changing relationships as often as underwear. Co-starring Juliette Lewis Giovanni Ribisi and Michael Rappaport Some Girl is a movie about relationships that will take you on a ride all for the sake of true love...
Titles Comprise: Bonnie And Clyde: Bonnie and Clyde balances itself on a knife-edge of laughter and terror thanks to vivid title role performances by Warren Beatty and Faye Dunaway and superb support from Michael J. Pollard Gene Hackman and Estelle Parsons. Director Arthur Penn keeps the film's sensibilities tough but never cruel. It continually dazzles especially in the work of cinematographer Burnett Guffey and editor Dede Allen. And as film lovers since have discovered it's no ordinary gangster movie. Natural Born Killers: From two of the world's most controversial filmmakers Quentin Tarantino and Oliver Stone comes one of the most controversial films ever made. Meet Mickey (Woody Harrelson) and Mallory (Juliette Lewis) - the most terrifying and relentless cold-blooded killers imaginable. Rejected by society these two lost souls embark on a murderous rampage. But as the body count soars so too does their notoriety and before long the greedy tabloid press has made them into cult heroes. In the media circus of life Mickey and Mallory have just become the main attraction... The Getaway: Master thief Doc McCoy knows his wife has been in bed with the local political boss in order to spring him from jail. What he can't know is the sinister succession of double-crosses that will sour the deal once he's on the oustisde - and executing the ultimate robbery. Fasten your seat belts and join Steve McQueen and Ali MacGraw in a supreme action thriller based on Jim Thomson's novel (Scripted by Warriors director Walter Hill). Once the Getaway starts there's no escaping its breathless intensity!
From a match made in heaven comes a movie spawned in hell! From Dusk Till Dawn sees young hotshot director Robert Rodriquez (El Mariachi, Desperado) team up with Pulp Fiction auteur Quentin Tarantino (offering his services as writer and costar) to make this outrageous, no-holds-barred hybrid of high-octane crime and gruesome horror. Tarantino plays Richard Gecko, a borderline psychopath who breaks his career-criminal brother, Seth (George Clooney), out of prison, after which they rob a bank and leave a trail of dead and wounded in their bloody wake. Then they hijack a mobile home driven by a former Baptist minister (Harvey Keitel) who quit the church after his wife's death and hit the road with his two children (played by Juliette Lewis and Ernest Liu). Heading to Mexico with their hostages, the infamous Gecko brothers arrive at the Titty Twister bar to rendezvous for a money drop, but they don't realise that they've just entered the nocturnal lair of a bloodthirsty gang of vampires! With not-so-subtle aplomb, Rodriguez and Tarantino shift into high gear with a non-stop parade of gore, gunfire and pointy-fanged mayhem featuring Salma Hayek as a snake-charming dancer whose bite is much worse than her bark. If you're a fan of Tarantino's lyrical dialogue and pop-cultural wit, you'll have fun with the road-film half of this supernatural horror-comedy, but if your taste runs more to exploding heads and eyeballs, sloppy entrails and morphing monsters, the second half provides a connoisseur's feast of gross-out excess. --Jeff Shannon, Amazon.com
On the night of the strangest wedding in cinema history, a grotesque gang boss hires a stone cold killer to bring him the finger of a fading, drug-addicted jazz legend.
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