Lionel Jeffries (First Men in the Moon), Oliver Reed (The Damned), Jack Hedley (The Secret of Blood Island), and June Thorburn (The Three Worlds of Gulliver) star in Hammer's The Scarlet Blade. During the English Civil War, Roundhead leader Colonel Judd (Jeffries) kidnaps King Charles I, aided by his sadistic second-in-command, Captain Sylvester (Reed). The task of rescuing the King falls to the secretive Scarlet Blade (Hedley), aided by Judd's daughter, Claire (Thorburn). Directed by John Gilling (The Pirates of Blood River), The Scarlet Blade is an action-packed period drama. INDICATOR STANDARD EDITION SPECIAL FEATURES High Definition remaster Original mono audio Two presentations of the film: The Scarlet Blade, with the original UK title sequence, and The Crimson Blade, with the alternative US titles New audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Films and Television Hammer's Women: June Thorburn (2020, 19 mins): profile of The Scarlet Blade actor by film historian Josephine Botting Stephen Laws Introduces 'The Scarlet Blade' (2020, 7 mins): appreciation by the acclaimed horror author Doing Battle (2020, 8 mins): second assistant director Hugh Harlow and continuity supervisor Pauline Wise discuss the challenges of making the film Almost an Auteur (2020, 28 mins): horror author and critic Kim Newman looks at the career of director John Gilling and considers the films he made for Hammer Appropriately Military (2020, 12 mins): appreciation of Gary Hughes' score by David Huckvale, author of Hammer Film Scores and the Musical Avant-Garde Original US theatrical trailer Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing
Edward (Bill Milner) isn't your average 12 year old. Obsessed with ghosts and the afterlife his parents (Anne-Marie Duff and David Morrisey) are concerned that life might be passing him by. But when Clarence (Academy Award-winner Michael Caine) a retired magician comes to stay with the family Edward's world is disrupted and he is forced to interact with the the grumpy old man who's taken over his bedroom. As the weeks progress their antagonism turns to friendship and Clarence convinces Edward to engage with the world of the living and the young boy helps Clarence confront the ghosts of his past. From the producer of Little Miss Sunshine and the Harry Potter movies and the director of Channel 4's acclaimed Boy A Is Anybody There? is the surprising and touching story about two unexpected friends who inspire each other to live life to the fullest.
1950's nautical comedy starring John Gregson and June Thorburn as a newlywed couple embarking on a hastily planned honeymoon on board a yacht, the Turtle'. Tony Hudson (John Gregson) asks his new wife Jane (June Thorburn) to go on a cruise on to France the ageing yacht Turtle'. The yacht's skipper is the cantankerous Dudley Partridge (Cecil Parker) an important customer of Tony's. Along with the rest of the crew the newlyweds encounter a series of hilarious mishaps on their trip which leave them all at sea
Something of a departure for Harryhausen and Scheer, The 3 Worlds of Gulliver is a loose but wonderfully entertaining adaptation of Jonathan Swift's famous and oft-filmed fantasy satire. Shot in the much-heralded Super Dynamation' process, it presents impressive visual effects photography and some superb stop-motion creature work most notably, a climactic fight with a giant crocodile. The film also features a wonderful score by the great Bernard Herrmann. Extras 4K restoration from the original negative Original mono audio Audio commentary with visual effects artist Randall William Cook and film historians C Courtney Joyner and Steven C Smith The Making of The 3 Worlds of Gulliver' (1960, 7 mins) Interview with Peter Lord (2017, 10 mins): an appreciation of Harryhausen's craft by the celebrated Aardman co-founder and filmmaker Interview with Dave Sproxton (2017, 10 mins): the Aardman co-founder discusses the importance of Harryhausen's work Interview with Dave Alex Riddett (2017, 9 mins): Aardman's celebrated director of photography considers Harryhausen's importance and legacy Isolated score: experience Bernard Herrmann's original soundtrack music. Theatrical trailer Image gallery: extensive promotional and on-set photography, poster art and archive materials. New and improved English subtitles for the deaf and hard-of-hearing
A historical adventure set during the English Civil War from the famous Hammer Film Productions. Oliver Reed is in devilish form as a Roundhead soldier who kidnaps the King on the orders of his tyrannical Colonel (Lionel Jeffries). It's down to a local group of loyal soldiers to rescue him, led by Royalist cavalier, known as The Scarlet Blade.
The 1960 children's feature The Three Worlds of Gulliver brings to life the first two sections of Jonathan Swift's Gulliver's Travels in a version which, while sanitised for youngsters, retains some of the satire and intelligence of the original. It also boasts excellent-for-the-time special effects by Ray Harryhausen, though the effects wizard keeps his trademark stop-motion animation to a minimum, featuring it only when Gulliver (Kerwin Mathews from 1958's The Seventh Voyage of Sinbad), has problems with an outsized crocodile and a foraging squirrel. Instead, Harryhausen concentrates on portraying the miniature Lilliputians and the giant Brobdingnagians, and the results still impress over 40 years on. This is a colourful, witty, charming film, though it is also heavily Americanised, the dialogue anachronistic and some of the accents decidedly trans-Atlantic. Mathews is a little stiff in the role of a British doctor, but English actress June Thorburn makes a spirited and beautiful Elizabeth, Gulliver's fiancée who in this version comes along for the journey. While the 1996 TV mini-series Gulliver's Travels comes much closer to Swift's intentions Harryhausen's version will delight younger viewers and has the advantage of a beguiling score from the great Bernard Herrmann. Some viewers may be startled to learn that in the 17th century there were Spanish mountains just outside London, and that Wapping was just a minute's walk from the beach. On the DVD: The Three Worlds of Gulliver on disc has good mono sound while the picture, which is anamorphically enhanced and presented at 1.77:1, is of variable quality. There are very distracting fleck marks where the emulsion has been damaged on the print in many shots featuring Gulliver against a bright blue sky. These really should have been restored before transfer to DVD. Although the packaging refers to "The Ray Harryhausen Chronicles" featurette, this is actually the same superb 57-minute TV documentary which has appeared on other Harryhausen titles. Everyone should have it in their collection once. "This is Dynamation" is a three-minute special effects promo for The Seventh Voyage of Sinbad. Also included is a five-minute original "making of" featurette and trailers for The Three Worlds of Gulliver (1.70:1 letterboxed), The Golden Voyage of Sinbad (4:3) and Sinbad and the Eye of the Tiger (1.77:1 anamorphic), as well as basic filmographies of Jack Sher, Arthur Ross, Ray Harryhausen and Kerwin Mathews. --Gary S Dalkin
Charming 1950's farce superbly written by the legendary Ben Travers. A young married couple, Peter (Brian Reece) and Barbara (June Thorburn) are travelling by train to the countryside for a romantic weekend, Leaving Barbara in the train on the platform Peter pops out to buy a newspaper, but meets old flame Carol (Kay Kendall) at the news stand. While Peter and Carol are chatting Barbara's train leaves for the country without him. Peter, accompanied by Carol frantically tries to catch up with his wife, hiring a car in order to drive to the hotel. Unfortunately for Peter the car breaks down and he ends up spending a night with Carol in a remote Inn. Barbara meanwhile has enlisted the help of her parents in order to track down her husband and the ensuing chase leads to a hilarious series of misadventures that you would anticipate from a Ben Travers script. Stanley Holloway is superbly cast as Barbara's downtrodden father of Barbara.
1950's romantic comedy about a gang of incompetent thieves who hide £20,000 of stolen jewels in a deserted barge on the River Thames only to find that when they come to recover the jewels the barge is now occupied by two models! Late one evening in Chelsea footsteps echo along a deserted cul-de-sac. The lone figure is that of Posh' Peterson (Charles Farrell), a notorious thief. He has with him a bag filled with stolen jewels which he hides in a barge named the Hornet's Nest, moored on the River Thames. Unknown to Peterson he has been observed by two elderly ladies and a week later two attractive models (June Thorburn and Marla Landi), move into the Hornet's Nest with the help of Bob Bartlett (Paul Carpenter). The incompetent thieves, with the help of various disguises, attempt to recover the jewels, with hilarious consequences!
Nicholas Monsarrat's novel is an unflinching, realistic and emotionally involving account of naval life during the Second World War in which the "heroes" are the men, the "heroines" the ships and the "villain" is not so much the German U-Boats lurking below as "the cruel sea" itself. This 1953 film has become a classic of British cinema largely because it is a straightforward, no-frills adaptation of the book and retain's much of the original's compelling yet almost understated dramatic focus. On convoy duty in the North Atlantic, the crew of HMS Compass Rose face as a matter of routine the threat of destruction from U-Boats as well as a constant struggle against the elements. The convoys themselves are Britain's only lifeline and their loss would lead to certain defeat, but in the early years of the war the ships sent to protect them can do almost nothing to prevent the U-Boat attacks. Jack Hawkins gives one of his finest performances as Captain Ericson, the commander who has to balance destroying the enemy against saving the lives of the men under his care. In one unforgettable scene--a crucial turning point for all the characters--he must decide whether to depth charge a suspected submarine despite the presence of British sailors in the water. As with the book, the individual officers and their lives are carefully delineated, helped by the strength of a cast of (then) young actors (notably Donald Sinden and Denholm Elliot). Ultimately what makes The Cruel Sea such an undeniable classic is that it has neither the flag-waving jingoism nor the war-is-hell melodrama so common to most war movies: instead it relates in an almost matter-of-fact way the bitterness of the conflict at sea fought by ordinary men placed in the most extraordinary of circumstances. --Mark Walker
A small coastal village is the setting for smuggling and ship wrecking. Only the Squire's son is prepared to speak out against the man responsible...
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