In Corrina, Corrina Ray Liotta plays a 1950s jingle composer whose wife dies, leaving him to raise their grieving young daughter (Tina Majorino) alone. Dad hires an African-American housekeeper (Whoopi Goldberg), who helps fill the gap in the child's life--and then Dad's life. Soon an interracial relationship crossing the social mores of the era is underway. Written and directed by Jessie Nelson (The Story of Us), the film is a spot-on recreation of 1950s suburbia without gratuitous kitsch. Liotta is perfect as a working man of the day, given to white shirts and narrow ties; Goldberg gives one of her finest performances as the level-headed Corrina; and little Majorino is heartbreakingly effective. But the film entirely bears the stamp of one person, and that's Nelson, who has a wonderfully witty eye and a sophisticated but sensitive approach to the crosscurrents of emotion at play in this story. --Tom Keogh, Amazon.com
This late-1980s comedy-musical from video director Julien Temple (Absolute Beginners) has an infectiously buoyant if dumb charm and plays like a cross between Little Shop of Horrors and Bill and Ted's Excellent Adventure. If you loved either of those movies, you will have a fondness for this one, otherwise you will be irritated beyond belief. Geena Davis stars as a San Fernando Valley manicurist who finds herself in charge of three aliens after they crash-land their spaceship in her pool. With said transport broken down, Davis offers them head-to-toe makeovers (it's the least she can do), turns the fuzzy aliens into a trio of attractive guys, and lets them loose on the dating scene. She promptly falls in love with the leader (Davis's then-husband Jeff Goldblum); of course, it helps that her slimy fiancé (Charles Rocket) is cheating on her left and right. Aside from its sunny California charm, the only other thing this film has to offer is a bouncy musical score, in particular two show-stopping numbers performed by co-star (and the film's co-writer) Julie Brown: "Brand New Girl", in which Davis gets the requisite makeover ("If you want to be a femme fatale/You can't rest on your L'Oreals!"), and the entirely irrelevant but absolutely hilarious cult hit "'Cause I'm a Blonde". Davis does her standard airhead thing (still a novelty in 1989) and Goldblum is a studly if silent lead. Make sure you pay close attention to Goldblum's alien sidekicks, two then-unknown actors named Jim Carrey and Damon Wayans, both of whom manage to steal scenes with surprisingly understated charm. --Mark Englehart, Amazon.com
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