More episodes from the cult television series starring Lewis Collins Martin Shaw and Gordon Jackson. Episodes include: 'The Acorn Syndrome' 'Wild' 'Need to Know' 'Takeaway' 'Blackout' 'Blood Sports' 'Slush Fund' 'The Gun' 'Hijack' 'Mixed Doubles' 'Weekend in the Country' 'Kickback' and 'It's Only a Beautiful Picture'.
In 1986 Karl Howman as Jacko painted his way into the heart of the country when Brush Strokes commenced on BBC television. This hilarious comedy from John Esmonde and Bob Larbey creators of hit series Please Sir! and The Good Life would go on to run for five series over five years and 40 episodes. Karl Howman stars as Jacko painter decorator and all-round charmer never happier than when he's in the company of a good woman - or any woman for that matter. He can't help it he just loves the female sex and can't help but try to share that love with everyone from the boss's daughter to a novice nun. Living with his married sister Jean Jacko works for Bainbridge Decorators with his side-kick Eric under the watchful and distrustful eye of his boss Lionel and the boss's secretary Sandra. Jacko's adventures with a brush in his hand and a glint in his eye made every week of the series worth watching. It's no wonder that the series feels as fresh and funny today as when Brush Strokes first hit the screen.
As The Bourne Identity begins a man who may or may not be Jason Bourne (Matt Damon) is found floating in the Mediterranean Sea and is hauled onto a fishing boat. When the ship's doctor examines the unconscious castaway he discovers two bullet wounds and an implanted device that displays a Swiss bank account number. With nothing but this code the amnesiac Bourne travels to Zurich and gains access to a safe-deposit box containing a gun thousands of dollars in various currencies and valid passports from numerous countries--each listing a different identity. Within minutes Bourne is on the run from a seemingly ever-present agency relying on language and fighting skills he didn't even know he possessed. Offering 000 for a ride to Paris Bourne gains the reluctant help of the nomadic Marie (Franka Potente). Meanwhile the shadowy organization headed by a tough-talking bureaucrat (Chris Cooper) sends numerous assassins (including the Professor played by Clive Owen) after Bourne and Marie. As their situation grows more perilous the two strangers struggle to find out who Bourne really is and why they are being hunted. The Bourne Supremacy re-enters the shadowy world of expert assassin Jason Bourne (Damon) who continues to find himself plagued by the splintered nightmares from his former life. The stakes are now even higher for the agent as he coolly maneuvers through the dangerous waters of international espionage-replete with CIA plots turncoat agents and ever-shifting covert alliances-all the while hoping to find the truth behind his haunted memories and answers to his own fragmented past. The Bourne Ultimatum: All he wanted was to disappear; instead Jason Bourne is now hunted by the people who made him what he is - a legendary assassin. Having lost his memory and the one person he loved he is undeterred by the barrage of bullets and a new generation of highly-trained killers. Bourne has only one objective: to go back to the beginning and find out who he was. Now in the new chapter of this espionage series Bourne will hunt down his past in order to find a future.
Mimic: A team of scientists discover a miracle cure that stops the spread of a deadly disease only to find out three years later that something has gone terribly wrong. Their creation has taken on a horrifying life of its own able to mimic and destroy its every predator - even man! And now it threatens to wipe out an entire city...unless they stop it in time... (Dir. Guillermo Del Toro 1997) Mimic 2: Just when they were all thought to be dead the giant cockroaches
Once again returning to the genre to which he was perhaps best-suited director Lewis Milestone traces the fate of a Marine platoon in the Pacific theater during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance) D
Hollywood and historians join forces to celebrate the culture and craft of swords the movie legends and academic warriors who wield them and the emerging worldwide movement to reclaim medieval and renaissance martial arts. Narrated by acclaimed Welsh actor John Rhys-Davies produced with the support of Weta Workshop and the Royal Armouries this highly anticipated unique film traces the sword's true history and cinema's tribute to its beauty and necessity in films like Lord of the Rings Star Wars The Chronicles of Narnia and Pirates Of The Caribbean. Viggo Mortensen (Eastern Promises) Karl Urban (Bourne Supremacy JJ Abrams' new Star Trek) Richard Taylor (Lord Of The Rings King Kong The Chronicles Of Narnia) Bob Anderson (Hollywood Sword-master to Errol Flynn Johnny Depp Mark Hamill) and legendary illustrator John Howe (Lord Of The Rings The Chronicles Of Narnia) discuss our fascination with swords in popular media.
Would you know the colour 'sky blue' if you had never seen the sky in your life? Sky Blue is a love story set against the forces of destruction a dystopian vision of Earth's destiny yet ultimately a reminder of our hope for the future. In the year 2140 mankind's reckless exploitation of the environment has sparked a planet-wide catastrophe that has shielded the sun from view and all but ended human civilisation on earth. Only a small number of elites possessing power and technology have been able to thrive building a magnificent organic city named Ecoban. Ecoban the city grows by itself like a living plant utilizing its Delos System to transform carbon compounds into useable energy. Jay is a 19 year old female trooper of Ecoban who guards the city against the incursions of outsiders. Thousands of refugees have come to Ecoban seeking asylum but the elites have barred their entry to the city and forced them to settle in the surrounding Wasteland. The refugees have become Ecoban's workers known as the 'Diggers' forced to mine the Wasteland for the carbonite needed to feed Ecoban. On patrol in the Wasteland one day Jay witnesses a gigantic industrial accident orchestrated by Ecoban's corrupt leaders against the refugees. Upon seeing this act of cruelty Jay's loyalty is put to the test. When she then encounters her childhood sweetheart Shua leading a rebellion against Ecoban Jay must make the ultimate choice - whether to live for duty or very possibly die for love. Shua goes to warn a group of Digger freedom fighters that his incursion into Ecoban may lead to retaliatory strikes by Ecoban. Despite Shua's warnings the rebels put their plan into action - but it turns out to be a deadly trap that leads the Ecoban troops to the headquarters of the resistance. Later that night Jay flees Ecoban to be with Shua. Joining forces in rebellion Jay and Shua risk their own chance at happiness for the chance that the clouds may clear and the people of Earth might see the blue sky for the first time in their lives. With a production cost estimated at 10 million dollars Sky Blue is the most expensive animated film ever made in Korea and has been the focus of intense debates among animation fans. Director Kim Moon-saeng a veteran of the CF industry and responsible for more than 200 TV commercials spent close to seven years in conceiving and producing this futuristic extravaganza and employed many hundreds of Korea's leading animation artists and technicians.
Rainer Werner Fassbinder, the enfant terrible of the New German Cinema, wrote, directed, produced and starred in over 40 films in his short but prolific life, before passing away of a drugs overdose in 1982 aged just 37. Rainer Werner Fassbinder vol. 3 brings together a collection of his lesser seen works from various stages in his career, featuring high definition digital restorations prepared by the Rainer Werner Fassbinder Foundation. The American Soldier sees Fassbinder continue to pursue the cinephilic homage to classic Hollywood crime films of his feature debut, Love is Colder than Death, in a tale of a German-American Vietnam vet turned small-time hoodlum who finds himself on the wrong side of the law in Munich, where he grew up. Unseen between its first television broadcast in 1970 and its rediscovery in 2002, The Niklashausen Journey chronicles the journey of a young peasant in the 15th century and his quest to overcome social injustice, in Fassbinder's allegorical critique of the student movement. Gods of the Plague portrays a newly released ex-con as he reacquaints himself with Munich's criminal underworld to plan the robbery of a supermarket. In Rio Das Mortes, two feckless young friends, Michel and Günther, embark on a hare-brained scheme to look for lost treasure in Peru, against strong opposition from Michel's fiancée. Mother Kusters Goes to Heaven stars Brigitte Mira (Fear Eats the Soul) as a middle-aged housewife who is roused into revolutionary activity after her husband dies in an industrial accident. Based on a story by Asta Scheib, Fear of Fear features Fassbinder favourite Margit Carstensen (The Bitter Tears of Petra von Kant) as the young mother plagued with feelings of anxiety and depression as she is left to spend her hours alone surrounded by her judgemental in-laws while her husband spends his days at work. Satan's Brew sees Fassbinder foray into riotous comedy, with Kurt Raab starring as a once famous poet stricken with writer's block who inadvertently assumes the persona of the prewar symbolist Stefan George. Product Features High definition digital transfers of The American Soldier, Gods of the Plague, Mother Kusters Goes to Heaven and Satan's Brew prepared by the Rainer Werner Fassbinder Foundation High Definition (1080p) Blu-ray presentations of The American Soldier, Gods of the Plague, Mother Kusters Goes to Heaven and Satan's Brew Original uncompressed PCM mono 1.0 sound for all films Optional English subtitles for all films Exclusive 140-page collectors booklet containing archive articles and new writing by Jonathan Rosenbaum, Eric Rentschler, David Jenkins, Margaret Deriaz and Earl Jackson. DISC ONE The American Soldier & The Niklashausen Journey Audio commentary by critic Tony Rayns on The American Soldier Audio commentary by critic Olaf Möller on The Niklashausen Journey Fassbinder Shoots Film No 8, a 1971 television documentary by Michael Ballhaus and Dieter Buchmann on Rainer Werner Fassbinder filming The American Soldier Man in the Shadow, an exclusive new in-depth interview with Fassbinder's collaborator Michael Fengler Freedom or Death!, an exclusive new interview with Michael König on The Niklashausen Journey DISC TWO Gods of the Plague & Rio Das Mortes Alter Ego: Harry Baer on Rainer Werner Fassbinder, a 40-minute interview with the star of Gods of the Plague Taking Off, an exclusive new interview with Michael König on Rio Das Mortes Original theatrical trailer for Gods of the Plague DISC THREE Mother Kusters Goes to Heaven & Fear of Fear Audio commentary by critic Olaf Möller on Mother Kusters Goes to Heaven Mother Kusters Goes to Heaven alternate ending New interviews with Renate Leiffer, assistant director on Mother Kusters Goes to Heaven and Fear of Fear New interview with writer Asta Scheib on Fear of Fear Play It Again, Rainer! Fassbinder's Musical Obsessions, a new video essay by Margaret Deriaz on the use of music in Fassbinder's films. DISC FOUR Satan's Brew Audio commentary by critic Tony Rayns The Culture Industry Needs Something Like Me: Views of Rainer Werner Fassbinder, a 1976 documentary portrait of the director by Gert Ellinghaus Fassbinder: Love Without Demands, Christian Braad Thomsen's feature-length 2015 documentary portrait of his friend Fassbinder and the people who worked with him. Original theatrical trailer
House Of Wax (2005): What begins as a weekend getaway for six friends becomes a terrifying fight for their lives in House Of Wax an exciting re-imagining of the 1953 horror classic from Dark Castle Entertainment and producers Joel Silver and Robert Zemeckis. A road trip to one of the biggest college football games of the year takes a turn for the worse for Carly Paige and their friends when they decide to camp out for the night before heading to the game. A confronta
Made in Munich while Bergman was in self-imposed exile from Sweden, From the Life of the Marionettes is not so much a "whodunit" as a "whydunnit". The film opens with the shockingly violent and senseless murder of a prostitute by Peter, a young, successful businessman. Through a series of non-chronological flashbacks to a time before the crime, we attempt to fathom just what impelled Peter to perpetrate this terrible murder. Along with wife Katarina, the character Peter also featured in Bergman's 1973 film Scenes from a Marriage. Here, as there, we see that they are wedded in the sense of being emotionally chained to each other, yet hating each other for their mutual dependency. There is also a perturbing scene in which they both appear to "get off" when he takes a knife to her throat. His cold and duplicitous psychiatrist glibly ascribes the murder to a repressed homosexuality resulting in a violent outburst, while Katarina's business partner, who is gay, appears to harbour a desire to sabotage the pair's marriage. This film has an airless, fake-lit quality about it, which reflects the conditions of the characters' lives but by the end, leaves you mesmerised and still uncertain as to why what happened has happened. A late but great Bergman work. On the DVD: This edition adequately enhances the stark monochrome in which most of the film is set. Bergman's notes reveal that his depictions of Peter in his psychiatric ward were based on his own behaviour during a recent spell in a similar institution following his arrest for tax evasion. Philip Strick's critical notes observe that the sparing use of colour at the beginning and end of the film signify what may have been the only times in Peter's life when he "experienced reality". --David Stubbs
The last of the three great films that VI Pudovkin directed in the 1920s, Storm Over Asia (1928) is an acknowledged classic of Soviet silent cinema. Filmed largely on location in Mongolia, the film has an authentic documentary feel, though the story is a stirring melodrama, about a young fur trapper who is mistreated by the occupying forces in the civil war and becomes a leader of the partisans. Pudovkin enjoys caricaturing the foreign (British) troops and the medieval rituals of a Buddhist temple, but it's out on the steppes that he really comes into his own, with panoramic shots of the vast landscapes. Together with The Mother (1926) and The End of St Petersburg (1927), Storm Over Asia (also known as "The Heir to Genghis Khan") entitles Pudovkin to be ranked with Eisenstein and Dziga Vertov as a master of the Soviet montage style, which he expounded in his book Film Technique (1929). On the DVD: The print, though not perfect, is of fair quality and a new score by Timothy Brock complements the images nicely. However, the so-called "Introduction" turns out to be just a few lines of text scrolling down the screen, telling you less than the information appearing on the sleeve notes. --Ed Buscombe
Six of Dario Argento's greatest films brought to you in one complete box set. Profondo Rosso: An English jazz pianist living in Rome witnesses the brutal murder of a renowned psychic and is drawn into the savage crime. With the help of a tenacious female reporter the pair tracks a twisted trail of deranged clues and relentless violence towards a shocking climax that has ripped screams from the throats of audiences for more than 25 years! Cat O'Nine Tails: The Story begins when a blind puzzle maker overhears a conversation shortly before a robbery is committed at a genetics institute. He teams up with a journalist intent on solving the crime and they uncover a trail of murders linked to the institute. Demons: Several people are invited to join the opening of a new movie theatre. As the horror film shown to the guests gets more and more violent the people start to transform one by one into bloodthirsty demons. The remaining guests begin the desperate battle for their lives. Demons 2: The story of Demons continues as a birthday party in a high-security apartment building is interrupted when the birthday girl is transformed by a horror movie on TV into a demon. All hell breaks loose as the residents unable to escape the building are forced to battle the zombie-demon neighbours. Phenomena: Can a schizophrenic sleepwalker use her telepathic power to unmask a hideous assassin? Packed with the outrageous grisly gore suspiria director Dario Argento has become world famous for including a pit of maggot infested slimy human remains and a mad monkey climax that has to be believed. Bird With The Crystal Plumage: Sam an American writer in Rome witnesses a murder attempt but is powerless to do anything as he gets trapped between a double set of glass doors. When the Police fail to make any progress with the case Sam decides to investigate on his own turning up clues that point in the direction of just one possible suspect - assuming that he really knows who he's looking for.
Clare Kramer stars as Taylor Brooks a sexy young undergraduate who is determined to become the first female member of the secret Skulls society. After she coerces the Council into including her in the initiation rites of the elite brotherhood Taylor soon finds herself engulfed in a sinister world of deception intimidation and murder...
Dame Aux Camelias (La) (2 Blu-Ray)
When a group of school children are kidnapped on their way home from school a nationwide search begins...
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
Lars is the only teenager in town who in a community of hunters doesn't want to hunt. Niaqornat in North West Greenland has a population of only 59 with no local industry people are being forced to leave to find jobs in the nearest town. Whilst the rest of the community pull together to try and re-open the fish-factory Lars begins to plan his escape. Like all villages Niaqornat has its supporters and detractors amongst the local populace. For some it is paradise they can't imagine living anywhere else for others it's the last place on earth they want to be. For most Niaqornat is simply home. We know that there are very real pressures on a place like this - the ice is melting the government no longer wants to subsidise the supply ship that brings the food that can't be hunted locally and people are leaving due to the lack of work. Village at the End of the World is a film that reflects the dilemmas of most small communities all over the world this one just happens to be in one of the remotest spots on earth. Special Features: Deleted scenes Trailer Interview with directors
Christmas With The Simpsons Episode titles: Simpsons Roasting On An open Fire Mr Plow Miracle On Evergreen Terrace Grift Of The Magi She Of Little Faith. Bart Wars Episode titles: Mayored To The Mob Dog Of Death The Secret War Of Lisa Simpson Marge Be Not Proud.
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