A legendary Warrior Priest lives in obscurity among the other downtrodden human inhabitants of walled-in dystopian cities ruled by the Church.
Recorded live at the Salzburg festival 1965.
A year has gone by since we last visited Broad Hill Retirement Home and the old gang is back. Derek Noakes (Ricky Gervais) is still spreading kindness wherever he goes. Kev (David Earl) is still drunk. Dougie (Karl Pilkington) is still grumpy. Hannah (Kerry Godliman) is still the salt of the earth. Wayward youth Vicky (Holli Dempsey) is now working there full - time and providing the residents with free slippers - no questions asked. And there are some new elderly tenants who've since joined.
Star TrekJ.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg). The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Star Trek Into DarknessA good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognised the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilisations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarisation, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
This DVD reviews the career and music of Kraftwerk from their inception in the late 1960s (as pre-Kraftwerk ensemble Organisation) through their most celebrated period in the mid 1970s and culminating with their resurgence during the 1980s with the popularity of synth-pop and techno. The film further explores how Kraftwerk both fitted in and pulled away from the electronic wing of what is often lazily referred to as Krautrock. Sparing time also for many of the groups contemporaries from the same field and tracing the unfolding of electronics in German contemporary music generally this programme presents a fascinating story previously untold on film.
Meet Derek Noakes (Ricky Gervais) a tender, innocent man whose love for his job and the people he cares for shines through. He's 49 years old and loves animals, Rolf Harris, Jesus, 'Deal or No Deal', 'Million Pound Drop' and 'Britain's Got Talent' - but his main hobby is autograph hunting. He works in a retirement home with his mate and landlord, Dougie (Karl Pilkington in his very first acting role). Derek cares deeply for old people because they're kind and funny and tell him stories about the olden days. Hannah (Kerry Godliman) is a care worker at the home and is Derek's best friend. She's smart, witty and hardworking, but unlucky in love, and like Derek, always puts other people first.
Following the success of his debut feature, The Bird with the Crystal Plumage, distributor Titanus tasked writer/director Dario Argento with delivering a follow-up in short order. The resulting film, granted a greatly enhanced budget and heralded in its US marketing campaign as nine times more suspenseful than its predecessor, was The Cat O' Nine Tails. When a break-in occurs at a secretive genetics institute, blind puzzle-maker Franco Arnò (Karl Malden, Patton, One-Eyed Jacks), who overheard an attempt to blackmail one of the institute's scientists shortly before the robbery, teams up with intrepid reporter Carlo Giordani (James Franciscus, Beneath the Planet of the Apes) to crack the case. But before long the bodies begin to pile up and the two amateur sleuths find their own lives imperilled in their search for the truth. And worse still, Lori (Cinzia De Carolis, Cannibal Apocalypse), Franco's young niece, may also be in killer's sights This second entry in the so-called Animal Trilogy found Argento further refining his distinctive style and cementing his reputation as the master of the giallo thriller. Co-starring Catherine Spaak (Il Sorpasso) and Rada Rassimov (Baron Blood), and featuring another nerve-jangling score by the great Ennio Morricone (The Bird with the Crystal Plumage, The Good, The Bad and the Ugly), The Cat O' Nine Tails remains one of Argento's most suspenseful and underrated films. Special Features: New 4K restoration from the original negative by Arrow Films 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Restored original lossless mono Italian and English soundtracks English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Audio commentary by critics Alan Jones and Kim Newman Nine Lives, an interview with co-writer/director Dario Argento The Writer O' Many Tales, an interview with co-writer Dardano Sacchetti Child Star, an interview with actress Cinzia De Carolis Giallo in Turin, an interview with production manager Angelo Iacono Script pages for the lost original ending, translated into English for the first time Original Italian, international and US theatrical trailers Illustrated collector's booklet featuring an original essay on the film by Dario Argento, and writing by Barry Forshaw, Troy Howarth and Howard Hughes Fold-out double-sided poster featuring original and newly commissioned artwork by Obviously Creative Six double-sided, postcard-sized lobby card reproduction artcards Limited edition packaging with reversible sleeve featuring originally and newly commissioned artwork by Obviously Creative
The Oscar-nominated classic by Bernhard Wicki. The famous and shocking anti-war movie from the fifties: eight schoolboys still under-age are drafted into the German Army during the last days of the war in April 1945. Entirely unreasonably they receive the order to defend a bridge against advancing American troops. Filled with fervour and patriotic enthusiasm they believe that they must carry out their orders. But one by one they are killed while defending the bridge. When a group of German demolition troops is about to prepare the blasting of the bridge the futility of the order becomes obvious. Only one child survives and apathetically returns home.
Fran (Marianne Morris) and Miriam (Anulka Dziubinska) are two beautiful bisexual female vampires who by night roam the English countryside posing as hitchhikers in order to lure unsuspecting men back to their remote country estate where they have sex with their victims before feasting on their blood and killing them. Disposing of the bodies in a series of faked car crashes they leave the local police baffled by what appears to be a mysterious spate of accidents. Discovering she
Star TrekJ.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg). The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Star Trek Into DarknessA good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognised the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilisations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarisation, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
Cathy is attempting to move on with her life after the death of her husband. Through a year of new beginnings she rebuilds her life surrounded by her sometimes problematic family and friends.
One man alone understood the savagery of the early American west from both sides and is assigned to aid the US Cavalry in tracking down the notorious Apache warrior Ulzana and his band of renegade Indians...
In the early 1980s, Dario Argento, the famed horror maestro responsible for such classics as Suspiria and Deep Red, branched out from directing into producing, shepherding the work of his fellow filmmakers to the screen among them Lamberto Bava (Delirium, A Blade in the Dark), son of the legendary Mario Bava. Together, they crafted two tales of terror that would become synonymous with Italian 80s horror, in which the veil between the real world and the silver screen is torn asunder. In 1985's Demons, a motley assortment of unwitting filmgoers accept invitations to a screening at the mysterious Metropol theatre. However, as the brutal slasher film unspools, the horror breaks free from the constraints the screen, unleashing a swarm of slathering demons, intent on spreading their evil plague across the globe. Then, in 1986's Demons 2, Hell comes direct to the living room as bloodthirsty demons descend on a luxury apartment block, devouring the residents and propagating their deadly plague. Arrow Video is proud to present brand new 4K restorations of both classic films, more vivid and terrifying than ever before, alongside a wealth of bonus features old and new, making this the ultimate experience in celluloid terror. LIMITED EDITION CONTENTS Brand new 4K restoration of both films by Arrow Films from the original camera negatives High Definition (1080p) Blu-ray⢠presentations of both films Limited edition packaging featuring newly commissioned artwork by Adam Rabalais Limited edition 60-page booklet featuring new writing by Roberto Curti, Rachael Nisbet and Alexandra Heller-Nicholas Double-sided fold-out poster Exclusive mystery sneak preview movie ticket (admits one to the Metropol Theatre) DISC 1 DEMONS Two versions of the film: the full-length original cut in Italian and English, and the slightly trimmed US cut, featuring alternate dubbing and sound effects Brand new lossless English and Italian 5.1 audio tracks on the original cut Original lossless English and Italian 2.0 stereo audio tracks on the original cut Original lossless English 1.0 mono audio track on the US cut Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for both English soundtracks New audio commentary by critics Kat Ellinger and Heather Drain, co-hosts of the Hell's Bells podcast Archival audio commentary by director Lamberto Bava and special makeup effects artist Sergio Stivaletti, moderated by journalist Loris Curci Archival audio commentary by Lamberto Bava, Sergio Stivaletti, composer Claudio Simonetti and actress Geretta Geretta Produced by Dario Argento, a new visual essay by author and critic Michael Mackenzie exploring the legendary filmmaker's career as a producer Dario's Demon Days, an archival interview with writer/producer Dario Argento Defining an Era in Music, an archival interview with Claudio Simonetti Splatter Spaghetti Style, an archival interview with long-time Argento collaborator Luigi Cozzi Italian theatrical trailer International English theatrical trailer US theatrical trailer DISC 2 DEMONS 2 Brand new lossless English and Italian 5.1 audio tracks Original lossless English and Italian 2.0 stereo audio tracks Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by critic Travis Crawford Archival audio commentary by director Lamberto Bava and special makeup effects artist Sergio Stivaletti, moderated by journalist Loris Curci Together and Apart, a new visual essay on space and technology in Demons and Demons 2 by author and critic Alexandra Heller-Nicholas Creating Creature Carnage, an archival interview with Sergio Stivaletti Bava to Bava, an archival interview with Luigi Cozzi on the history of Italian horror Italian theatrical trailer English theatrical trailer
The Simpsons have never been as big on Christmas as they have on Halloween and while Christmas with The Simpsons contains five episodes, one of them, "Mr Plow", is only seasonal insofar as it contains snow. Fortunately, it's also a cracker, with Homer resorting to low-budget screen advertising to launch his snowploughing business ("It may be a lousy channel but the Simpsons are on TV!") before a pep-talk he gives to inebriate buddy Barney encourages the latter to set up as a rival. This compilation also contains "The Simpsons Roasting on an Open Fire", the very first Simpsons episode broadcast, in which their dog Santa's Little Helper is introduced. Years on, this episode looks ancient and a little average by later, stratospheric standards. "Miracle on Evergreen Terrace" is a slightly downbeat parody of It's a Wonderful Life, in which the town turns on the Simpsons after helping them out when Bart lied about their presents being burgled. "Grift of the Magi" features luckless ex-sitcom star Gary Coleman reprising his real-life job as a security guard as an unscrupulous toy company aggressively merchandise a faddish new toy in time for Christmas ("If you don't have Funzo, you're nothing".) The plot is very similar to "She of Little Faith"--uncharacteristic repetition for this show--but that's forgiven as Lisa is forced to become a Buddhist following the commercialisation of the church in another episode that's as un-seasonally un-cosy as you'd expect from the greatest TV programme ever made. On the DVD: Christmas with The Simpsonscontains one extra feature: a short montage of evil power plant boss Mr Burns' finest comedic moments, including his tussle with baby Maggie over ownership of teddybear BoBo and a money fight with the servile Smithers. --David Stubbs
Kingdom 2
Terror reigns. Panic and paranoia take their toll. No one knows why the dead are returning to life only that the living are eviscerated victims. In a remote wooden farmhouse seven people fight for their lives against ever-increasing numbers of flesh eating ghouls. One by one they are whittled down until in a memorable shock finale only a lone hero remains cowering in the cellar while legions of ravenous zombies run amok. As the sun goes rises he emerges into a new dawn.... has he survived the Night Of The Living Dead?
Mulberry is a stylish charming witty and poignant sitcom from the celebrated writing team of John Esmonde and Bob Larbey creators of classic comedies including 'Brush Strokes' 'The Good Life' and 'Ever Decreasing Circles'. It stars Karl Howman of 'Brush Strokes' and Geraldine McEwan of TV's 'Miss Marple' fame together with comedy stalwarts Tony Selby and Lill Roughley who have starred in many a sitcom over the years including such hits as 'Get Some in' 'Love Hurts' and 'My Hero'. Mulberry (Karl Howman) the cheerful cockney son of Death and Springtime starts his 'career' as the Grim Reaper's apprentice when he is sent to collect the dour snooty acid-tongued grumpy and reclusive Miss Farnaby (Geraldine McEwan). He instead sweet talks his way in to joining the staff of Bert (Tony Selby) and Alice (Lill Roughley) in her creaky old manor house and soon becomes her personal servant. Suddenly the dull old house is not dull anymore as Mulberry endeavors to help Miss Farnaby enjoy her life during the three month extension grudgingly granted by his dad. Laughs abound as Mulberry tries to do his best for everyone concerned despite often upsetting the devoted Bert and Alice and without anyone finding out the secret of his true identity and his reasons for being there. A must see comic masterpiece that's pure enjoyment for all the family.
Series 1Ricky Gervais and Stephen Merchant send their friend Karl Pilkington around the world... under the pretence of visiting the Seven Wonders. However, along the way the 'Little Englander' must endure camel rides, jungle treks, tribal customs and local oddballs while dining on toads and testicles... and searching for a decent lavatory. Series 2This time we see Karl set out on the ultimate bucket list. Karl is dispatched to far-flung corners of the world to complete a definitive list of things to do before you die in an attempt to prove whether they really are what they're cracked up to be. Series 3In this final series, Ricky Gervais has persuaded Karl to embark on an epic journey following in the footsteps of the famous explorer Marco Polo, but this time he'll have a little company... Ricky is sending Warwick Davis to join Karl on his 5000 mile journey from Venice to China.
Taking its cues from director Erik Van Looy's own Belgian thriller of the same name, 'The Loft' sees five married friends embark on a decision to rent their very own loft apartment for exclusive use as a home for their extra-marital affairs.
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