Like a roller coaster ready to fly off its rails, Van Helsing rockets to maximum velocity and never slows down. Having earned blockbuster clout with The Mummy and The Mummy Returns, writer-director Stephen Sommers once again plunders Universal's monster vault and pulls out all the stops for this mammoth $148-million action-adventure-horror-comedy, which opens (sans credits) with a terrific black-and-white prologue that pays homage to the Universal horror classics that inspired it. The plot pits legendary vampire hunter Van Helsing (Hugh Jackman) against Dracula (the deliciously campy Richard Roxburgh), his deadly blood-sucking brides, and the Wolfman (Will Kemp) in a two-hour parade of outstanding special effects (980 in all) that turn Sommers' juvenile plot into a triple-overtime bonus for CGI animators. In alliance with a Transylvanian princess (Kate Beckinsale) and the Frankenstein monster (Shuler Hensley), Van Helsing must prevent Dracula from hatching his bat-winged progeny, and there's so much good-humored action that you're guaranteed to be thrilled and exhausted by the time the 10-minute end-credits roll. It's loud, obnoxious, filled with revisionist horror folklore, and aimed at addicted gamers and eight-year-olds, but this colossal monster mash (including Mr. Hyde, just for kicks) will never, ever bore you. --Jeff Shannon
The Notebook (Dir. Nick Cassavetes) (2004): A sweeping love story told by a man reading from his faded notebook (James Garner) to a woman in a nursing home (Gena Rowlands - real-life mother of Nick Cassavetes). 'The Notebook' follows the lives of two North Carolina teens from very different worlds (Ryan Gosling and Rachel McAdams). Though her upbringing takes place in an antebellum mansion and he grew up in the kind of house where musicians strum on the porch that doesn't stop Noah and Allie from spending one incredible summer together before they are separated first by her parents and then by WWII. After the war is over everything is different. Allie is engaged to a successful businessman and Noah lives alone with his 200-year-old house that he lovingly restores. But when Allie reads a newspaper article about Noah's handiwork. She knows that she's got to find him and make a decision once and for all about the path her life - and her love - must take... Peter's Friends (Dir. Kenneth Branagh) (1992): Ten years after leaving university Peter and his best friends reunite for a New Year's party to end all parties. Having weathered most of life's triumphs and disasters there doesn't seem to be much left to shock them - but Peter has a special surprise that will test their friendship to the utmost. A wonderfully wicked comedy about life love and other natural disasters. Much Ado About Nothing (Dir. Kenneth Branagh) (1993): Much Ado About Nothing is a fast moving yet intricate tale of love and romantic combat a 'Merry War' of trust and treachery social graces and sheer physical attraction chastity under suspicion and marriage in jeopardy'.
A young married couple, stranded at an isolated motel, must escape the locals or they'll end up victims of a snuff film.
Martin Scorsese's The Aviator is a lavish spectacle of a motion picture that harkens back to Hollywood's Golden Era in telling the story of Howard Hughes, one of 20th-century America's most pioneering and influential figures. Starring Leonardo DiCaprio as the eccentric billionaire, Scorsese's biopic concentrates on Hughes's life between the 1920s and the 1940s, when he made some of his most striking contributions to both the film and aviation industries. At only 25 years of age, Hughes directed the most expensive film ever made up to that point, Hell's Angels (1930), which Scorsese gleefully recreates here in all its sprawling, audacious glory. At the same time, he became known as an unabashed playboy, bedding the likes of Jean Harlow (played by Gwen Stefani), Ava Gardner (Kate Beckinsale), and Katherine Hepburn (Cate Blanchett).In the mid-'30s, he turned his attention to the aviation industry, where he quickly became a world-renowned celebrity for shattering speed and distance records. He also continued to test the limits of flight technology, building bigger, faster, and stronger aircrafts. All the while, he struggled with an obsessive-compulsive mental disorder that sent him into a full-fledged tailspin after a near-fatal plane crash. The film concludes with Hughes being called to the Senate in '47 to defend himself against nefarious Senator Owen Brewster (Alan Alda), who accused Hughes of taking money from the United States government during wartime.* Please note: Martin Scorsese colour tinted some of his scenes to add authenticity to the era represented in the film and in keeping with Technicolor at that time. You may notice a lack of the colour green in some scenes as well. This was done deliberately and is not a fault of your DVD. Thank you.
Rafe McCawley (Ben Affleck) and Danny Walker (Josh Hartnett) are childhood friends who both dream of flying. As the world becomes embroiled in World War II in the early 1940's Rafe and Danny sign on with the United States armed forces although America is still in an isolationist position. Eager to participate in combat Rafe is compelled to join the British air fight against the Nazis leaving his girlfriend beautiful army nurse Evelyn Stewart (Kate Beckinsale) behind. When Evelyn and Danny are transferred to the military base at Pearl Harbor Hawaii they hear the news that Rafe has been shot down and killed. Hoping to move on after grieving Danny and Evelyn find themselves in love. When Rafe returns alive the three find themselves in an uncomfortable personal situation that is soon engulfed by the massive surprise attack on Pearl Harbor. Putting aside their differences Rafe and Danny join the desperate fight against the enemy invaders. The film's epic sweep intertwines Rafe and Danny's stories with the heroic efforts of such characters as Dorrie Miller (Cuba Gooding Jr.) a ship's cook turned fighter Earl (Tom Sizemore) a courageous base mechanic and Jimmy Doolittle (Alec Baldwin) the visionary pilot who would lead one of America's most famous counterattacks of the war. Dan Aykroyd also appears as the code breaking Captain Thurman and Jon Voight as President Franklin Roosevelt.
Selene and Michael continue the saga of war between the Death Dealers and the Lycans.
Pearl Harbour: Rafe McCawley (Ben Affleck) and Danny Walker (Josh Hartnett) are childhood friends who both dream of flying. As the world becomes embroiled in World War II in the early 1940's Rafe and Danny sign on with the United States armed forces although America is still in an isolationist position. Eager to participate in combat Rafe is compelled to join the British air fight against the Nazis leaving his girlfriend beautiful army nurse Evelyn Stewart (Kate Beckinsale) behind. When Evelyn and Danny are transferred to the military base at Pearl Harbor Hawaii they hear the news that Rafe has been shot down and killed. Hoping to move on after grieving Danny and Evelyn find themselves in love. When Rafe returns alive the three find themselves in an uncomfortable personal situation that is soon engulfed by the massive surprise attack on Pearl Harbor. Putting aside their differences Rafe and Danny join the desperate fight against the enemy invaders. The film's epic sweep intertwines Rafe and Danny's stories with the heroic efforts of such characters as ""Dorrie"" Miller (Cuba Gooding Jr.) a ship's cook turned fighter Earl (Tom Sizemore) a courageous base mechanic and Jimmy Doolittle (Alec Baldwin) the visionary pilot who would lead one of America's most famous counterattacks of the war. Dan Aykroyd also appears as the code breaking Captain Thurman and Jon Voight as President Franklin Roosevelt. Flightplan: Flying at 40 000 feet in a state-of-the art aircraft that she helped design Kyle Pratt's (Foster) 6 year old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle desperate and alone can only count on her own wits to unravel the mystery and save her daughter... Aviator: When Howard Hughes was a child his father made a fortune by patenting a new cutting head for oil drilling. As an old man Hughes holed up in Las Vegas hotel and didn't wash. But it's the middle section of his life that's the foundation of Martin Scorsese's lavish bio-pic where we see the young Hughes become one of America's most famous men.... Nominated for 11 Oscars at the 2005 Academy Awards.
Like a roller coaster ready to fly off its rails, Van Helsing rockets to maximum velocity and never slows down. Having earned blockbuster clout with The Mummy and The Mummy Returns, writer-director Stephen Sommers once again plunders Universal's monster vault and pulls out all the stops for this mammoth $148-million action-adventure-horror-comedy, which opens (sans credits) with a terrific black-and-white prologue that pays homage to the Universal horror classics that inspired it. The plot pits legendary vampire hunter Van Helsing (Hugh Jackman) against Dracula (the deliciously campy Richard Roxburgh), his deadly blood-sucking brides, and the Wolfman (Will Kemp) in a two-hour parade of outstanding special effects (980 in all) that turn Sommers' juvenile plot into a triple-overtime bonus for CGI animators. In alliance with a Transylvanian princess (Kate Beckinsale) and the Frankenstein monster (Shuler Hensley), Van Helsing must prevent Dracula from hatching his bat-winged progeny, and there's so much good-humored action that you're guaranteed to be thrilled and exhausted by the time the 10-minute end-credits roll. It's loud, obnoxious, filled with revisionist horror folklore, and aimed at addicted gamers and eight-year-olds, but this colossal monster mash (including Mr. Hyde, just for kicks) will never, ever bore you. A sequel is virtually guaranteed. --Jeff Shannon
Saw (Dir. James Wan 2004): Awakening from a drugged stupor Dr Lawrence Gordon (Cary Elwes) finds himself chained to a pipe in a dingy bathroom with another man (Leigh Whannell) in the same situation across the room. The men are the latest victims of the Jigsaw Killer a maniac who uses elaborate traps to test his victims' dedication to life. Given six hours a hacksaw and a bullet Dr. Gordon tries to figure out a way to freedom hoping his kidnapped family (including Monica Potter) can survive the nightmare as well. Hot on the Jigsaw's trail is Detective David Tapp (Danny Glover) an equally as insane cop who was once the victim of the Jigsaw's evil scheme. Underworld (Dir. Len Wiseman 2003): Vampires and lycans an ancient form of werewolf are at war. While the vampires inhabit a gigantic castle that houses their ancestor's tombs the lycans live underground in a dilapidated sewer cave. Both teams are equipped with big guns and they are constantly innovating deadlier bullets to gain advantage over each other. On the vampire side the leather-clad death agent Selene (Kate Beckinsale) delegates teams of vamps to attack the lycans. But when she discovers that the lycans have kidnapped a human medical student Michael Corvin (Scott Speedman) she knows the worst is on its way. Against the orders of her superior Kraven (Shane Brolly) who is obsessively in love with Selene she awakens the most powerful vampire of all time Viktor (Bill Nighy) and prepares for a massive feud against lycan leader Lucian (Michael Sheen)... Dawn Of The Dead (Dir. Zack Snyder): Dawn Of The Dead (Dir. Zack Snyder 2004): Overnight the world has become a living nightmare of surreal proportions with the planet's population hit by an inexplicable unfathomable and lethal plague - and the dead aren't dying. Corpses yearning for their next meal are now stalking the few remaining survivors driven by their insatiable hunger to feed upon the flesh of the living! After a terrifying escape from her suburban Wisconsin home on the morning after Ana Clark runs into a small group of the still-living a rag-tag group who seek refuge in a fortress of the late 20th Century - an abandoned suburban mall. As the world outside grows more hellish as the ever-increasing army of decomposing zombies tirelessly strive to infiltrate the mall the survivors battle the undead. Sealed off from the rest of what used to be the world the mall's inhabitants now one of the last bastions of humanity must learn to co-exist with each other and use every available resource in their fight to remain alive and more importantly human...
From the director of "The Mummy" comes the tale of a fabled 19th-century monster-hunter summoned to a distant Eastern European land on a quest to vanquish evil.
This box set features the following films: Underworld (Dir. Len Wiseman) (2003): Vampires and lycans an ancient form of werewolf are at war. While the vampires inhabit a gigantic castle that houses their ancestor's tombs the lycans live underground in a dilapidated sewer cave. Both teams are equipped with big guns and they are constantly innovating deadlier bullets to gain advantage over each other. On the vampire side the leather-clad death agent Selene (Kate Beckinsale) delegates teams of vamps to attack the lycans. But when she discovers that the lycans have kidnapped a human medical student Michael Corvin (Scott Speedman) she knows the worst is on its way. Against the orders of her superior Kraven (Shane Brolly) who is obsessively in love with Selene she awakens the most powerful vampire of all time Viktor (Bill Nighy) and prepares for a massive feud against lycan leader Lucian (Michael Sheen)... Underworld Evolution (Dir. Len Wiseman) (2006): Bloodthirsty vengeance is measured out in buckets not spoonfuls for this hard-hitting vampire movie sequel. The story picks up right where the first Underworld left off in the midst of a war between Lycans (werewolves) and vampires with the gorgeous death-dealer Selene (Kate Beckinsale) on the run with her vamp-wolf hybrid lover Michael (Scott Speedman). Blood And Chocolate (Dir. Katja von Garnier) (2007): Ten years ago in the remote mountains of Colorado a young girl watched helplessly as her family was murdered by a pack of angry men for the secret they carried in their blood. Now though she lives half a world away Vivian Gandillon is still running. Living in relative safety in Bucharest Vivian spends her days working at a chocolate shop and nights trawling the city's underground clubs fending off the reckless antics of her cousin Rafe and his gang of delinquents he calls ""The Five."" Aiden Galvin is an artist researching Bucharest's ancient art and relics for his next graphic novel based on the mythology of the loup garoux -shapeshifters whose power to change effortlessly into the forms of both human and wolf was once considered holy among men. Wrestling demons of his own Aiden hopes to explore the inner lives of these outsiders that he believes were persecuted to extinction - labeled monsters murderers werewolves. What he doesn't know is that the loup garoux are not only very real they're far from extinct. During a chance encounter in an abandoned church celebrating the loup garoux Aiden unknowingly comes face-to-face with the real thing Vivian. Others may have secrets but none as extraordinary as hers for Vivian is among the last of her kind leading a tenuous existence under the protection and control of Gabriel the powerful and enigmatic leader of one of the last packs of loup garoux on earth. After their brief exchange in the church Aiden can't get Vivian out of his mind nor can she forget him. He pursues her until she relents a
Mark Wahlberg leads the cast of Contraband, a fast-paced thriller about a man trying to stay out of a world he worked so hard to leave behind and the family he'll do anything to protect. Set in New Orleans, the film explores the cutthroat underground world of international smuggling-full of desperate criminals and corrupt officials, high-stakes and big payoffs-where loyalty rarely exists and death is one wrong turn away. Chris Farraday (Wahlberg) long ago abandoned his life of crime, ...
Kate And Leopald: (Dir. James Mangold) (2001): Carried through time to modern-day Manhattan 18th century English aristocrat and inventor Leopold (Hugh Jackman) falls for independent and career-minded Kate (Meg Ryan). Initially skeptical of his royal charm she soon discovers that the Duke's power over her own heart is almost as strong as his influence over time itself... Serendipity: (Dir: Peter Chelsom) (2001): In one magical moment Jonathan Trager and Sara Thomas meet unexpectedly and spend a romantic winter day together although both are involved with other people. At the end of the night Sara decides they must let fate determine if they are meant to be together and disappears without giving Jonathan a way of reaching her. Years later they are both engaged to others but cannot give up the dream that they will meet again. And so begins their journey to find one another worlds apart!
Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.
Irresistible stars John Cusack (America's Sweethearts, High Fidelity) and Kate Beckinsale (Pearl Harbor, Brokedown Palace) are drawn together and take a chance on love in this critically acclaimed romantic comedy! In the course of one magical evening, Jonathan (Cusack) and Sara (Beckinsale) meet unexpectedly then part without expectation when she decides they must let fate determine if they are meant to be together. Years later, they are both engaged to others but cannot give up the dream thatdespite time, distance and the obstacles that conspire to keep them apartthey will one day meet again! Also starring Jeremy Piven (The Family Man, Very Bad Things) and Molly Shannon (Superstar, Never Been Kissed) in a stellar supporting cast you're destined to agree with audiences everywhere who fell for the surprising charms of this delightful big-screen romance. Extras: Feature Commentary With Director Peter Chelsom Deleted Scenes Still Gallery Storyboard Comparison Director Peter Chelsom's On Set Diary
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