Winner of the Academy Award® for Best Director and winner of five Baftas Including Best Film. The Graduate (1967) is one of the most celebrated and highly influential classics in modern cinema. Truly iconic and utterly groundbreaking in its unique visual style and subject matter, it changed the face of modern film and the minds of expectant audiences.Deep in the suburbs of Pasadena, a bored, confused and alienated twenty-one-year-old graduate named Benjamin Braddock (Dustin Hoffman) awkwardly drifts from moment to moment, in constant turmoil over his lack of direction and the uncertain, impending future. Driven by a desire for experience and desperate to avoid the corporate, deluded, and mediocre world of his affluent parents, Benjamin succumbs to the advances of an older woman and begins an affair with the persuasive and enigmatic Mrs Robinson (Anne Bancroft) the wife of one of his father's business partners. But what starts as a farcical fling becomes painfully complicated when Ben finds himself falling in love with her daughter.3-disc set including Simon & Garfunkel soundtrack64-page booklet with new essays from Christina Newland, David Jenkins, Helen O'Hara and Simon Brewx 2 posters - new and original theatrical artwork Feature UHDAudio commentary by Professor Thomas KoebnerAudio commentary with Mike Nichols and Steven SoderberghAudio commentary with Dustin Hoffman and Katharine RossBonus Blu-rayMeeting with an Author: Charles WebbOne on One with Dustin HoffmanInterview with Producer Lawrence TurmanThe Graduate: Looking BackThe Graduate at 25Students of The GraduateScreen TestsScene AnalysisAbout the MusicThe Seduction Featurette
Dating from 1969, Butch Cassidy and the Sundance Kid has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more level-headed partner, the sharp-shooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the film maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom Keogh, Amazon.com On the DVD: This anamorphic widescreen print of the 2.35:1 Panavision original looks marvellously crisp, highlighting the sepia tinting and washed-out, over-exposed look of the film nicely and making the best of the deep focus cinematography. The mono soundtrack sounds clean and clear in Dolby 2.0. The commentary track is hosted by documentary-maker Robert Crawford with contributions from George Roy Hill, cinematographer Conrad Hall, and lyricist Hal David (who chips in during the "Raindrops" sequence). The 40-minute documentary dates from 1968 and is narrated by director Hill, who talks in detail about the making-of process, comments on his relationship with the three principals (Katharine Ross was the difficult one apparently), and adds little nuggets such as how they sprayed the bull's testicles to make him charge at the end of the bicycle scene. Also included are a series of absorbing 1994 interviews with all the main players: Newman, Redford, Ross, writer William Goldman, and composer Burt Bacharach. Trailers, Production Notes and an Alternate Credit Roll complete an attractive package. --Mark Walker
Brand new restoration of David Lynch's iconic surrealist mystery-drama. Celebrating its 20th anniversary, MULHOLLAND DRIVE is considered by many as one of the greatest films of the 21st century. Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds shelter at Betty's house (Naomi Watts),an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. Initially intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is full of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity... This slick, sinister, psycho-sexual thriller comes from the darkest recesses of Hollywood, a Los Angeles of strange dreams, unrequited love and a jealous burning rage. Special Features: Back to Mulholland Drive On the Road to Mulholland Drive Interview with Laura Harring Interview with Mary Sweeney Interview with Angelo Badalamenti Introduction by Thierry Jousse In the Blue Box
Adapted from the novel by C.S. Forester, The African Queen (1951) directed by John Huston stars Humphrey Bogart in his Academy Award-winning portrayal of Charlie Allnut, the slovenly, gin-swilling captain of a tramp steamer called the African Queen, which ships supplies to small EastAfrican villages during World War I. Katharine Hepburn plays Rose Sayer, the maiden-lady sister of a prim British missionary (Robert Morley). When invading Germans kill the missionary and level the village, Allnut offers to take Rose back to civilization. She can't tolerate his drinking or bad manners; he isn't crazy about her imperious, judgmental attitude. However, it does not take long before their passionate dislike turns to love. Together the disparate duo work to ensure their survival on the treacherous waters and devise an ingenious way to destroy a German gunboat. Along with masterful direction from John Huston, the wonderful script makes this a rare treat indeed. Winner of Best Actor Oscar, nominated for 3 further Oscars and 2 BAFTA AwardsNEW Audio Commentary with Script Supervisor Angela Allen and Ian Christie ¢ Audio commentary by cinematographer Jack Cardiff ¢ Sir John Woolf on the Making of The African Queen ¢ Embracing Chaos: Making The African Queen, a comprehensive documentary about the making of the film (60mins) ¢ A video interview with co-screenwriter Peter Viertel¢ 2010 NFT Q&A with Anjelica Huston and script supervisor Angela Allen ¢ 1981 NFT / Guardian interview with John Huston¢ Video interview with critic Kim Newman ¢ Video interview with historian Neil Sinyard ¢ Lux Radio Theatre adaptation from1952 with Humphrey Bogart and Greer Garson ¢ Behind the Scenes Stills Gallery ¢ Original theatrical trailer
After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
In his first major film role Dustin Hoffman plays an ultra-nave college graduate who's seduced by a middle-aged woman played by the scintillating Anne Bancroft and then falls in love with her daughter. With the sharpest of scripts and a perfect soundtrack by Simon & Garfunkel this film was deservedly nominated for 6 Oscars and won Nichols an Academy Award for Best Director.
Directed by Joseph L Mankiewicz (Dragonwyck, All About Eve, Cleopatra) from the play by Tennessee Williams (A Streetcar Named Desire, Cat on a Hot Tin Roof) and brilliantly adapted for the screen by Gore Vidal (Ben-Hur, Myra Breckinridge), Suddenly, Last Summer casts three of Hollywood's most iconic talents (Elizabeth Taylor, Katharine Hepburn, Montgomery Clift) in a daring and often delirious mix of lurid drama and Gothic horror. Sensational and wildly controversial at the time of its release, Suddenly, Last Summer now stands as a classic and stills packs a provocative punch. Extras 4K restoration from the original negative Original mono audio Joseph L Mankiewicz Interview (1990, 10 mins): the renowned filmmaker discusses his career in a segment from the French TV series Cinéma cinémas Elizabeth Taylor on Montgomery Clift (1966, 2 mins): the celebrated actress pays tribute to her friend and co-star shortly after his tragic death in July 1966 Gary Raymond on 'Suddenly, Last Summer' (2018): a new interview with the versatile British actor About Last Summer (2018, 16 mins): second assistant editor John Crome shares his experience of making Suddenly, Last Summer Remembering Last Summer (2018, 3 mins): continuity supervisor Elaine Schreyeck recalls working with Mankiewicz, Hepburn and Clift The Predator and the Prey (2017, 26 mins): critic and film historian Michel Ciment examines the film's production and explores its complex themes and concerns Isolated music and effects track Original theatrical trailer Trailer commentary with Dan Ireland (2013, 3 mins): a short critical appreciation Image gallery: on-set photography, publicity stills and promotional materials New and improved English subtitles for the deaf and hard-of-hearing
After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
Harrison Ford and Michelle Pfeiffer star in this chilling supernatural thriller.
He was King. She was barely 18. And in their thousand days they played out the most passionate and shocking love story in history! This lush perfectly cast 1969 drama concerns both a doomed royal love affair and a pivotal moment in British history. Based on Maxwell Anderson's 1948 play Anne of the Thousand Days concerns the mess that surrounded King Henry VIII's decision to rid himself of his first wife Catherine of Aragon (Irene Papas) and marry the young Anne Boleyn (G
Two outsider sisters must battle with not just coming of age as women but also accepting the harsh reality of turning into bloodthirsty werewolves. Product Features Rigid slipcase with new artwork by Michael Dunbabi 112-page book with new essays by Meredith Borders, Kat Hughes, Dr Rachel Knightley, Mikel J Koven, Jolene Richardson, Zoë Rose Smith and Caelum Vatnsdal 5 collectors' art cards New audio commentary by Mary Beth McAndrews and Terry Mesnard Audio commentary with Director John Fawcett Audio commentary with Writer Karen Walton Canadian Uncanny: Stacey Abbott on Ginger Snaps Girls on Film: a new interview with Producer Paula Devonshire The Making of Ginger Snaps Back Deleted Scenes with optional Director commentary Grant Harvey's Video Diaries
This delicately handled love story was legendary director David Leans first colour film and his own personal favourite. Katherine Hepburn shines in the leading role and both director and star were nominated for Oscars. American spinster Jane Hudson has finally saved enough to take the trip of a lifetime and she hopes Venice will bring a spark of magic into her life. Overwhelmed by the beauty of her surroundings her holiday becomes all the more special when she encounters a charming
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
The Awful Truth (Dir. Leo McCarey 1937): Love is a comic battlefield especially when presided over by two superbly-matched sparring partners Cary Grant and Irene Dunne. A classic screwball Hollywood romp! Bringing Up Baby (Dir. Howard Hawks 1938): A dog belonging to an eccentric heiress (Hepburn) steals a dinosaur bone from David (Grant) an absent-minded Zoology professor. David follows the heiress to her home and all hell breaks loose when he loses his pet leopard
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
Set in 19th Century Canada Brigette and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. An enigmatic Indian hunter decides to help the girls but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves.
Jacob Goodnight (WWE star Glenn ‘Kane’ Jacobs) returns to bring his own unique brand of judgment and punishment to a group of unwitting victims. City Morgue technician Amy is getting ready to go out for an evening of birthday partying with her friends when the one-eyed corpse of psychotic killer Jacob Goodnight (Jacobs) is brought in. With the birthday plans ruined Amy’s friends decide to surprise her by bringing the party to the morgue. However the surprise is on them when the corpse unexpectedly rises from the cold sub-basement slab. Their wild party quickly turns into a terrifying slayfest as the sadistic mass-murderer resumes his savage rampage.
Norman (Henry Fonda) and Ethel Thayer (Katharine Hepburn) have had a summer cottage on Golden Pond since early in their marriage. This summer their daughter Chelsea (Academy Award nominee Jane Fonda) whom they haven't seen for years feels she must be there for her father's 80th birthday. She and her fianc leave for Europe leaving Billy with Ethel and Norman. What begins as a stubborn battle of will between Norman and Billy slowly turns into a relationship that Chelsea had always longed to share with her father.
Titles Comprise: Woman of the Year Keeper of the Flame Adam's Rib Pat And Mike
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