Butch Cassidy and the Sundance KidOne of the most popular screen Westerns ever made, this Academy Award-winning classic blends adventure, romance and comedy to tell the true story of the West's most likeable outlaws. No-one is quicker than Butch Cassidy (Paul Newman) when it comes to get rich quick schemes, and his sidekick Sundance (Robert Redford) is a wizard with a gun. When these two bungling bank and train robbers tire of running from the law, they set out for Bolivia with Sundance's girlfriend (Katharine Ross). Though they can barely speak enough Spanish to communicate: This is a stick-up!, that's only a minor detail to the two nicest bad-guys whoever rode the West. Special Features: The Making of Butch Cassidy and the Sundance Kid Audio Commentary by George Roy Hill, Hal David, Robert Crawford and Conrad Hall Cast and Crew Interviews Theatrical Trailers Alternative Credit Roll Production Notes Interactive Menus Scene Access The VerdictSidney Lumet’s riveting courtroom drama earned five Oscar nominations including Best Picture and Best Actor for Paul Newman's towering performance as a down-and-out alcoholic attorney who stumbles on one last chance to redeem himself. When attorney Frank Galvin (Newman) is given an open-and-shut medical malpractice case that no one thinks he can win, he courageously decides to refuse a settlement from the hospital. Instead he takes the case and the entire legal system as well, to court. James Mason, Jack Warden, Milo O'Shea and Charlotte Rampling co-star. Special Features: Audio Commentary by Paul Newman and others Featurette Theatrical Trailer Behind the Scenes Gallery Interactive Menus Scene Access The HustlerPaul Newman heads a superb cast featuring Jackie Gleason, George C. Scott and Piper Laurie in this riveting film that received an Academy Award nomination as Best Picture of 1961 and brought all four of its stars Oscar nominations. Newman (Best Actor nominee) is electrifying as Fast Eddie Felson, an arrogant, amoral hustler who haunts back street pool rooms fleecing anyone who'll pick up a cue. Determined to be acclaimed as the best, Eddie seeks out the legendary Minnesota Fats (Gleason, Supporting Actor nominee), who's backed by Bert Gordon (Scott, Supporting Actor nominee). The love of a lonely woman (Laurie, Best Actress nominee) could turn Eddie's life around, but he won't rest until he bests Minnesota Fats, no matter what price he must pay. Voted one of the year's ten best by the New York Times and Time, and distinguished by two Academy Awards, The Hustler is a dazzling cinematic triumph. Special Features: Audio Commentary by Dede Allen and others The Hustler: The Inside Story How to Make the Shot Trick Shot Analysis Theatrical Trailer Spanish Theatrical Trailer Behind the Scene Stills Gallery Interactive Menus Scene Access
The Bachelor got critically slammed when it played in cinemas, probably because reviewers couldn't help comparing it with the movie on which it's based, the brilliant Buster Keaton comedy Seven Chances. But on its own terms, The Bachelor is a modest and enjoyable picture about Jimmie (Chris O'Donnell), a happily single young man who suddenly gets an ultimatum from his grandfather's will: marry by his 30th birthday or lose an inheritance of 100 million US dollars. This is revealed the day before that very birthday. Unfortunately, Jimmie had already proposed to his girlfriend Anne (Renee Zellweger) and been turned down; she can see in his eyes that he isn't ready to get married and refuses to accept him until he is. So Jimmie needs to find a bride--fast. Though the commitment-shy man is a hoary clichè, The Bachelor successfully exaggerates Jimmie's fears to comic proportions. O'Donnell is his usual affable self, but it's Zellweger who seizes every scene she's in and makes something really enjoyable out it. The movie's greatest weakness is that she's such a small part of the second half. Still, there's good supporting performances from Hal Holbrook, Ed Asner, James Cromwell and Marley Shelton (as Zellweger's sister), and Peter Ustinov and Brooke Shields both have very funny scenes. The Bachelor skirts some dangerously chauvinistic territory at times, but by and large it's a pleasant comedy with some genuine good humour. --Bret Fetzer, Amazon.com
In Hellfighters, the legendary embodiment of no-nonsense stoicism, John Wayne, plays heroic firefighter Chance Buckman who combats oil-field blazes across the world. Based on the exploits of Red Adair (who acted as technical adviser on the film), this explosive actioner is directed with solid efficiency by Andrew V McLaglen (The Wild Geese, North Sea Hijack). Special Features: High Definition remaster Original 6-track stereo presented as 5.1 surround audio Optional stereo audio Audio commentary with film historians Michael F Blake, C Courtney Joyner, and Constantine Nasr (2021) The BFI Interview with Andrew V McLaglen (1999): archival audio recording of the director in conversation with David Lewin at the National Film Theatre Tom Vincent on Andrew V McLaglen (2021): career-spanning appraisal by the film archivist Newsreel footage of Red Adair fighting blazes in the Sahara and the North Sea Super 8 version: original cut-down home-cinema presentation Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Andrew Nette, archival articles on the film and the events that inspired it, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies All extras subject to change
Donnie Darko is a thought-provoking, touching and distinctive offering from relative newcomer, Richard Kelly (II). It's 1988 in small-town America and Donnie, a disturbed teenager on medication and undergoing psychoanalysis for his blackouts and personality disorders, is being visited by a being in a rabbit suit whom he calls Frank. It's this anti-Harvey that saves Donnie from being crushed to death when an airplane engine falls from the sky onto his house. This is the beginning of their escalating relationship, which, as Donnie follows Frank's instructions, becomes increasingly violent and destructive. Added to this is Frank's warning of the impending apocalypse and Donnie's realisation that he can manipulate time, leading to a startling denouement where nearly everything becomes clear. "Nearly everything", because Donnie Darko is a darkly comic, surreal journey in which themes of space, time and morality are interwoven with a classic coming-of-age story of a teenage boy's struggle to understand the world around him. The film leaves the viewer with more questions than it answers, but then that's part of its charm. Performances are superb: Jake Gyllenhaal underplays the mixed-up kid role superbly and Donnie's episodes of angst positively erupt out of the screen. There are also some starry cameos from Mary McDonnell as Donnie's long-suffering mother, Patrick Swayze as Jim Cunningham, the personal-development guru with a terrible secret, and Noah Wyle and Drew Barrymore as Donnie's progressive teachers. Undoubtedly too abstruse for some tastes, Donnie Darko's balance of outstanding performances with intelligent dialogue and a highly inventive story will reward those looking for something more highbrow than the average teenage romp. --Kristen Bowditch
Settle back with your favourite sidekick and enjoy Hollywood's original buddy picture. Paul Newman and Robert Redford have never shined brighter in the roles that will forever identify them as the daring debonair outlaws on the run - and head-over-heels in love with the same beautiful woman (Katharine Ross).
James Stewart stars as a Virginia farmer during the Civil War. He refuses to support the Confederacy because he is opposed to slavery yet he will not support the Union because he is deeply opposedito war. When his son is taken prisoner Stewart goes to search for the boy. Seeing first-hand the horrors of war he is at last forced to take his stand...
""...This is the USS Nimitz. Where the Hell are we...?"" Trapped inside the boundaries of time and space... 102 aircraft.... 6000 men.... all missing. It is 1980 and the USS Nimitz puts to sea off of Pearl Harbor for routine exercises. After encountering a strange storm and losing all contact with the US Pacific Fleet nuclear war with the Soviet Union is assumed and the USS Nimitz arms herself for battle. However after encountering Japanese Zero scout planes and finding Pearl Harbor filled with pre-World War II battleships it is realized that the storm the Nimitz went through caused the ship to travel back in time: to December 6th 1941.
Lee Hayden (Sam Elliott) is an aging Western icon with a golden voice, but his best performances are decades behind him. He spends his days reliving old glories and smoking too much weed with his former-co-star-turned-dealer, Jeremy (Nick Offerman), until a surprise cancer diagnosis brings his priorities into sharp focus. He soon strikes up an exciting, contentious relationship with stand-up comic Charlotte (Laura Prepon), and he attempts to reconnect with his estranged daughter, Lucy (Krysten Ritter), all while searching for one final role to cement his legacy. With a world premiere at Sundance Film Festival, The Hero is a celebration of life that will pull at the heartstrings.
A widow (Katharine Ross) who is raising her two children and managing a stagecoach station falls for a cowboy (Sam Elliot) passing through her station. The battered cattle-puncher has to choose between the open range and the love of a good woman... Based on the best-selling novel by Western stalwart Louis L'Amour.
Mike Nichols directs this 1960s comedy drama starring Dustin Hoffman, Anne Bancroft and Katharine Ross. After graduating from college, Ben Braddock (Hoffman) returns to his wealthy parents' South Californian home unsure of what he wants to do next. Feeling pressurised to get on with his life, the young Braddock escapes into an aimless affair with Mrs Robinson (Bancroft), an older, married woman and friend of the family. The pair meet regularly, with neither expecting anything serious from the...
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
Deputy Sheriff 'Coop' (Robert Redford) is the son of a revered Indian scalper who fought in the Indian wars. But now they are over 'Coop's' job is to stop any Indians from getting liquored up and causing trouble on the settlements. Having to take orders from Dr Elizabeth Arnold (Susan Clark) who is in charge of the Indian's welfare riles with Coop's masculinity and their tempestuous relationship descends into sexual frustrations. But when a quarrelsome Indian Willie Boy (Robert Blake) kills his lover's father and runs away with her Coop has to gather together a posse to hunt Willie Boy across the desert to a showdown at Ruby Mountain.
Ira Levin's scary novel about forced conformity in a small Connecticut town made the Stepford Wives a compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. --Tom Keogh, Amazon.com
With the integrity and depth of an epic, Shenandoah tells the dramatic story of a man caught in a dilemma. James Stewart stars as a Virginia farmer during the Civil War. He refuses to support the Confederacy because he is opposed to slavery, yet he will not support the Union because he is deeply opposed to war. When his son is taken prisoner, Stewart goes to search for the boy. Seeing first-hand the horrors of war, he is at last forced to take his stand.
Highschooler Donnie is plagued by visions of a giant evil rabbit who orders him to commit acts of violence and predicts the impending end of the world.
October 1988 and small town USA is about to witness the end of the world. It's home to Donnie Darko a brilliant but troubled teenager plagued by terrifying visions of which he alone holds the key to the meaning. With his class mate and soul mate Gretchen and a mysterious ex teacher Grandma Death he must unravel the strange occurrences infecting his school his home and his life before a horrifying spectre known only as Frank can pull Donnie over the edge of his sanity.
Butch Cassidy And The Sundance Kid The Sundance Kid is the fastest gun in the West his sidekick Butch is a dreamer always planning that bigger better bank raid. But things are getting tougher and soon the accident-prone anti-heroes decide it's time to head south and disappear into legend... Winner of 4 Oscars including Best Screenplay for William Goldman and Best Song ('Raindrops Keep Fallin' On My Head') and Best Score for Burt Bacharach. The Hustler Paul Newma
Donnie Darko is a thought-provoking, touching and distinctive offering from relative newcomer, Richard Kelly (II). It's 1988 in small-town America and Donnie, a disturbed teenager on medication and undergoing psychoanalysis for his blackouts and personality disorders, is being visited by a being in a rabbit suit whom he calls Frank. It's this anti-Harvey that saves Donnie from being crushed to death when an airplane engine falls from the sky onto his house. This is the beginning of their escalating relationship, which, as Donnie follows Frank's instructions, becomes increasingly violent and destructive. Added to this is Frank's warning of the impending apocalypse and Donnie's realisation that he can manipulate time, leading to a startling denouement where nearly everything becomes clear. "Nearly everything", because Donnie Darko is a darkly comic, surreal journey in which themes of space, time and morality are interwoven with a classic coming-of-age story of a teenage boy's struggle to understand the world around him. The film leaves the viewer with more questions than it answers, but then that's part of its charm. Performances are superb: Jake Gyllenhaal underplays the mixed-up kid role superbly and Donnie's episodes of angst positively erupt out of the screen. There are also some starry cameos from Mary McDonnell as Donnie's long-suffering mother, Patrick Swayze as Jim Cunningham, the personal-development guru with a terrible secret, and Noah Wyle and Drew Barrymore as Donnie's progressive teachers. Undoubtedly too abstruse for some tastes, Donnie Darko's balance of outstanding performances with intelligent dialogue and a highly inventive story will reward those looking for something more highbrow than the average teenage romp. --Kristen Bowditch
Legendarily chintzy "event" producer Irwin Allen (The Towering Inferno) went out with a gargantuan buzz-on with this jaw-droppingly goofy disaster flick. No cliché is left unturned, as a hyperactive strain of hallucination-inducing killer bees get it into their microscopic brains to derail a commuter train, destroy a nuclear power plant and otherwise decimate a veritable cornucopia of washed-up actors (Fred MacMurray, Henry Fonda, Richard Widmark, Patty Duke, Slim Pickens and narcoleptic dreamboat Richard Chamberlain are just a few of the legendary has-beens to get fatally stung by what appears to be airborne coffee grounds). Be sure to stay tuned through the closing credits for a (lawsuit-preventing?) coda absolving the good ol' hardworking American honeybee of any and all sinister charges depicted herein. The Swarm is an irresistibly hilarious chunk of honey-roasted cheese--70s style. --Andrew Wright
Wealthy socialites (James Caan and Katharine Ross) star in this psychological thriller from the swinging 60's. After inviting a mysterious psychic woman (Simone Signoret) into their home the couple ask her to arrange some 'mind games' for their amusement. But the fun turns dangerous when something goes horribly wrong...
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