Steven Spielberg directs this heartwarming romantic adventure USA Today calls a ""winner"". Pete Sandrich (Richard Dreyfuss) is a legendary pilot with a passion for daredevil firefighting. However Dorinda (Holly Hunter) the woman he loves and Al (John Goodman) Pete's best friend know that legends can't take risks forever. After sacrificing himself to save Al the ace pilot faces his most challenging mission: helping Dorinda move on with her life. Breathtaking cinematography and exhilarating aerial choreography highlight this compelling adventure that co-stars Brad Johnson and features a special appearance by Audrey Hepburn.
Director Sam Raimi (The Evil Dead) tries gamely to recapture the exotic mysteries of spaghetti Westerns in this stylish but empty film, which stars Sharon Stone as a stranger who comes to the town of Redemption in time for an annual shooting contest. Her real motivations for being there are the stuff that might have found their way into a film by Sergio Leone--in fact, much of this film is a pastiche of Leone's greatest hits, including A Fistful of Dollars and Once upon a Time in America--but one can't quite believe Stone in the role. Gene Hackman gives a predictably solid performance as the town tyrant, and Leonardo DiCaprio is good as a lucky young gunslinger who gets to kiss the heroine. But not even the cast can help this failed project. Raimi brings a lot of razzle-dazzle to his camera work, but it doesn't make the film any more substantial. --Tom Keogh
The glowering brutality that is aikido head-banger Steven Seagal's substitute for a star persona at least gives us a rancid taste of authenticity in Marked for Death, a cookie-cutter action picture. This glum lug seems really to enjoy hurting people; he snaps limbs and shatters noses with visible relish. Pitted against a gang of Jamaican gangsters who invade his (white ethnic) Chicago neighbourhood and threaten his family, retired DEA agent John Hatcher sets out to solve the case with robotic efficiency, kicking butt in just about every scene. Not quite as pudgy in this 1990 outing as he became a few films later, Seagal looks like the genuine, lethal article in the fight sequences but like a hopeless amateur when he tries to act his way out of the waterlogged-paper-bag of a script. So what else is new? The one bright spot here is Basil Wallace, a mostly unsung actor who throws himself into the showy role of the Rasta gang-boss Screwface, a garishly scarred psycho with piercing ice-blue eyes. --David Chute, Amazon.com
Keith Allen teams up with a group of teenage tourette sufferers and takes them on a trip to France to find out more about the condition.
Riding the coat-tails of the early 1990's Western revival, the HBO television movie The Last Outlaw is a good, taut B-picture evoking the conventions of bigger and better Spaghetti Westerns of the 1960s and 70s. Set in New Mexico in 1873, from the opening bank robbery onwards the movie plays like The Wild Bunch meets High Plains Drifter, the obsessive, psychotic Colonel Graff (Mickey Rourke at his best) hunting down his own men after they refuse to abandon an injured comrade. Facing up to Graff is the impressively understated Dermot Mulroney as Eustis, a man who has seen too much killing and simply wants it to stop. Writer Eric Red spins some interesting variations on a classic Western set-up, delivering a comparable psychological intensity to his earlier The Hitcher (1986); as the story unfolds Graff becomes an avenging emissary of death, the tale assuming a timeless mythological resonance. Director Geoff Murphy stages what comes down to one long chase with considerable style, and while there's nothing here fans of the genre haven't seen many times before, in an age starved of Westerns that's actually a large part of the appeal. --Gary S Dalkin
A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies.
Vin Diesel returns in his breakthrough "Pitch Black" role as anti-hero Richard B. Riddick battling an evil conqueror on the outskirts of the galaxy.
The glowering brutality that is aikido head-banger Steven Seagal's substitute for a star persona at least gives us a rancid taste of authenticity in Marked for Death, a cookie-cutter action picture. This glum lug seems really to enjoy hurting people; he snaps limbs and shatters noses with visible relish. Pitted against a gang of Jamaican gangsters who invade his (white ethnic) Chicago neighbourhood and threaten his family, retired DEA agent John Hatcher sets out to solve the case with robotic efficiency, kicking butt in just about every scene. Not quite as pudgy in this 1990 outing as he became a few films later, Seagal looks like the genuine, lethal article in the fight sequences but like a hopeless amateur when he tries to act his way out of the waterlogged-paper-bag of a script. So what else is new? The one bright spot here is Basil Wallace, a mostly unsung actor who throws himself into the showy role of the Rasta gang-boss Screwface, a garishly scarred psycho with piercing ice-blue eyes. --David Chute, Amazon.com
Class in now in session at Greendale, the craziest community college ever! Recently disbarred lawyer Jeff Winger enrols to get a legit degree the quickest and easiest way possible, but when he starts a fake Spanish study group solely for the purpose of hooking up with a sexy classmate, he doesn't expect to be joined by a random group of misfit fellow students. Over the course of the next 6 years, this group finds themselves involved in epic paint battles, chicken finger conspiracies, sci-fi conventions, campus-wide pillow wars and everything in-between. In the process, they become so much more than just a study group they become a family. Sign up for courses in Hilarity 101* today!Includes all 110 episodes on 17 discs.Click Images to Enlarge
In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull at an auction. When he is purchased by Bowen a wild Scotsman (Brian Keith) the women hire a footloose cowhand named Burnett (James Stewart) to help them transport the animal to its new owner. So begins an adventure that tests the mettle of all involved as they battle killers cattle stampedes and each other. But when they reach Bowen's ran
Join Riddick in three times the adventure in three of the greatest sci-fi epics of all time. Journey to a remote hostile planet with a group of marooned passengers who learn that escaped convict Riddick isn't the only thing they have to fear in Pitch Black. Then see him battle the ruthless soldiers of fortune and vicious creatures in renowned animator Peter Cheung's The Chronicles of Riddick: Dark Fury. And finally Riddick finds himself humanity's likely champion in the special effect-fuelled The Chronicles of Riddick. Special Features: Pitch Black Feature Commentary's: Director David Twohy and actors Vin Diesel and Cole Hauser Director David Twohy Producer Tom Engelman and Visual Effects Supervisor Peter Chiang An Introduction By David Twohy The Game Is On The Johns Chase Log The Chronicles Of Riddick Visual Encyclopedia A View Into The Dark The Making Of Pitch Black Dark Fury: Advancing The Arc Hunt For Riddick Website Link Chronicles Of Riddick Opening Sequence Dark Fury Making Dark Fury: Bridging the Gap from Pitch Black to The Chronicles Of Riddick Peter Chung - Into the Mind of the Animator A View into the Light Chronicles of Riddick Virtual Guide to The Chronicles of Riddick Toombs' Chase Log Riddick Insider Visual effects revealed Riddick's Worlds Vin Diesel's Guided Tour X-Box game demo Chronicles of Riddick: Escape from Butcher's Bay DVD ROM skin Chronicles of Riddick: Pitch Black - Special Edition Trailer
Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record And Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90 comes complete in a five-disc box set of the entire 30-episode series. Each disc contains six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. Each disc contains several pages of character biography and background information on the show, a photo gallery and varied extras such as location stills or a gallery of promotional images. --Gary S Dalkin
21 Bridges follows an embattled NYPD detective (Chadwick Boseman), who is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him. When the search intensifies, extreme measures are taken to prevent the killers from escaping Manhattan as the authorities close all 21 Bridges to prevent any entry or exit from the iconic island.
This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza
To condemn Dressed to Kill as a Hitchcock rip-off is to miss the sheer enjoyment of Brian De Palma's delirious thriller. Homages to Hitchcock run rampant through most of De Palma's earlier films, and this one's chock-full of visual quotes, mostly cribbed from Vertigo and Psycho. But De Palma's indulgent depravity transcends simple mimicry to assume a vitality all its own. It's smothered in thickly atmospheric obsessions with sex, dread, paranoia, and voyeurism, not to mention a heavy dose of Psycho-like psychobabble about a wannabe transsexual who is compelled to slash up any attractive female who reminds him--the horror--that he's still very much a man. Angie Dickinson plays the sexually unsatisfied, forty-something wife who's the killer's first target, relaying her sexual fantasies to her psychiatrist (Michael Caine) before actually living one of them out after the film's celebrated cat-and-mouse sequence in a Manhattan art museum. The focus then switches to a murder witness (De Palma's then-girlfriend Nancy Allen) and Dickinson's grieving whiz-kid son (Keith Gordon), who attempt to solve the murder while staying one step ahead (or so they think) of the crude detective (Dennis Franz) assigned to the case. Propelled by Pino Donaggio's lush and stimulating score, De Palma's visuals provide seductive counterpoint to his brashly candid dialogue, and the plot conceals its own implausibility with morbid thrills and intoxicating suspense. If you're not laughing at De Palma's shameless audacity, you're sure to be on the edge of your seat. --Jeff Shannon, Amazon.com
Join Riddick in three times the adventure in three of the greatest sci-fi epics of all time. Journey to a remote hostile planet with a group of marooned passengers who learn that escaped convict Riddick isn't the only thing they have to fear in Pitch Black. Then see him battle the ruthless soldiers of fortune and vicious creatures in renowned animator Peter Cheung's The Chronicles of Riddick: Dark Fury. And finally Riddick finds himself humanity's likely champion in the special effect-fuelled The Chronicles of Riddick. Special Features: Pitch Black HD Content Picture in Picture Pitch Black Raw SD Content An Intro by David Twohy Feature Commentary's: Vin Deisel Cole Hauser and David Twohy Director David Twohy Producer Tom Engelman and visual effects supervisor Peter Chiang The Game is On - Chronicles of Riddick Escape from Butcher Bay Video Game Promo Johns Chase log The Making of Pitch Black Dark Fury: Advancing the Arc - Dark Fury Preview The Chronicles of Riddick Visual Encyclopaedia A View into the Dark - Chronicles of Riddick Promo; Raveworld Pitch Black event Dark Fury Making Dark Fury: Bridging the Gap from Pitch Black to The Chronicles Of Riddick Peter Chung - Into the Mind of the Animator A View into the Light Chronicles of Riddick SD Bonus Intro By David Twohy Feature Commentary with David Twohy Karl Urban and Alexa Davelos Virtual guide to the Chronicles of Riddick Toombs Chase Log Visual Effects revealed Vin Diesel guided tour Deleted Scenes Deleted Scenes with Optional Director's Commentary Creation of New Mecca Riddick Rises Keep What You Kill HD Bonus Complete Chronicles Anatomy of a Fight Picture in Picture
Breathtaking in scope and scale The Bible features powerful performances exotic locales and dazzling visual effects that breathe spectacular life into the dramatic tales of faith and courage from Genesis through revelation. This historic television event is sure to entertain and inspire the whole family.
Clarissa has a wild imagination, so will anyone believe her when she discovers a dead body in her house? Is her step-daughter really a murderer? 'Supposing I were to come down into the drawing room and find a dead body - what would I do?' Clarissa Haillsham-Brown has to answer that very question. Clarissa (Penelope Keith), the second wife of Henry Hailsham-Brown (Robert Flemyng), is adept at spinning tales of adventure for their bored diplomatic circle. When a murder takes place in her drawing room she finds live drama much harder to cope with, especially as she suspects the murderer might be her young stepdaughter Pippa. Worse still, the victim is the man who broke up Henry's first marriage! Clarissa's fast talking places her in some hair raising experiences, as she comes to learn that the facts are much more terrifying than fiction.
Exclusive Art by Matt Ferguson Horror-meister John Carpenter (Halloween, Escape from New York) teams Kurt Russell's outstanding performance with incredible visuals to build this chilling version of the classic The Thing. In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Once unfrozen, the form-changing alien wreaks havoc, creates terror and becomes one of them. Collectors Edition Includes 1 x 4K UHD Disc of The Thing (1982) 1 x Blu-Ray Disc of The Thing (2011); 1 x Official Motion Picture Soundtrack Disc by Ennio Morricone 1x Matt Ferguson's The ThingĀ Poster 1x Art Booklet (includes production notes, excerpt of the script, behind the scenes photos, early concepts) Bonus Content Feature Commentary with Director John Carpenter and Kurt Russell John Carpenter's The Thing: Terror Takes Shape Outtakes Theatrical Trailer
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