Bette Midler plays a Janis Joplin-like singer overwhelmed by stardom and its excesses. Mark Rydell (On Golden Pond) directs what is a kind of hybrid showcase for Midler's concert talents and a standard pop biopic, with the usual rhythms of desire, success, betrayal, failure, and such. Alan Bates is the best thing about the movie as the Rose's ruthless manager, and Harry Dean Stanton and Frederic Forrest add some interesting seasoning. But as a whole, the film can't rise above its mixed purposes or clichés. --Tom Keogh
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright, Amazon.com
Tara Fitzgerald plays Eve Lockhart from 'Waking The Dead' in this original six-part series made by BBC Drama Production. Eve Lockhart leads us into her other world on The Body Farm a private forensics facility that is pushing back the boundaries of scientific research and solving crimes - it's unchartered territory. Here no horror is taken for granted and murder is seen to be what it is - visceral and shocking. Eve is an exceptional forensic pathologist who leads a brilliant and ambitious team of scientists at a private facility where human remains are donated for scientific experiment. They are called upon by police forces all over the world to provide expert knowledge to help solve crimes.
Don't Tell Mom the Babysitter's Dead aspires to be a cross between Home Alone and Risky Business, with Christina Applegate as an inadvertent scam artist who gets in over her head and somehow pulls it off. When her mother goes to Australia for two months, Sue Ellen (Applegate) thinks she's going to be in charge--until an elderly tyrant of a babysitter arrives. But on the very first night the old lady has a heart attack and keels over. Sue Ellen and her siblings leave the body at a mortuary, only to discover afterward that all the money their mother had left for the summer was in the babysitter's clothes. So Sue Ellen has to get a job. Thanks to a trumped-up resume, she ends up as an executive assistant at a clothing manufacturer. For a while she keeps her head above water by skilfully exploiting a friendly coworker, but her brothers and sisters are running amok at home and a venomous receptionist has it in for her at work. The role-reversal humour of Sue Ellen having to mother her siblings is unsurprising, but Applegate is unexpectedly appealing; her scenes with Josh Charles have a sweet chemistry. Joanna Cassidy plays Sue Ellen's boss and a young David Duchovny is a weaselly clerk. --Bret Fetzer, Amazon.com
The third series of the self-reliance sitcom. Episodes comprise: 1. The Early Birds 2. The Happy Event 3. A Tug Of The Forelock 4. I Talk To The Trees 5. Whos Fleas Are These? 6. The Last Posh Frock
Hell hath no Fury...like Christine. She was born in Detroit on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is Christine a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil indestructible vengeance that will destroy anyone in her way. She seduces 17-year old Arnie Cunningham (Keith Gordon) who becomes consumed with passion for her sleek rounded chrome-laden body. She demands
Caitlin Rose wants to be part of the 'in' crowd at Lockhart High School and will do anything to achieve this. She is not prepared however for rape and when she accuses her attacker her friends turn against her. She is regarded as an outcast by the school and town but she begins a long fight to clear her name...
Trapped on a small provincial French farm with her widowed father Emma dreams of marrying her way up the social ladder to lead a glittering fairytale life amid the bright lights of the big city. To escape she marries a young doctor Charles Bovary but his dull pedestrian ways and lack of ambition soon leave her disenchanted and dreaming of a grander life elsewhere. Enchanted by stories of the many affairs of Mary Antoinette and the great romances she finds in novels Madame Bova
D.C. 'Steve' Stephenson is visiting Indiana and mounting a campaign to increase the membership of the Ku Klux Klan. There he meets schoolteacher Madge Oberholtzer and tries to seduce her but having no luck he abducts her rapes and tortures her and eventually kills her. The trial that follows marks the end of the Klan's popularity as Stephenson implicates them in the murder. Based on a true story.
Keith David and Omar Gooding star as father and son in this comedy set during the festive season. While working part-time at the Christmas tree lot run by his father, Big Earl (David), Derrick (Gooding), a would-be music producer, attempts to show his dad that he can be a success. His plan does not go accordingly, however, and Big Earl's company is consequently threatened with closure. Can Derrick save the business as well as his relationship with his father?
Based on the novel by Paul Annixter Those Calloways tells the story of Cam Calloway (Brian Keith) a New England preservationist and fur trapper. Along with his son Cam dreams of buying a nearby lake to turn into a refuge for migrating geese. He finds however that making the dream come true requires much more money than he has and even greater ingenuity in getting around the real estate developers. The situation turns violent when Cam and his son move into a cabin on the property and an attempt is made on his life. Can Cam stop the development of this pristine area and carry out his lifelong wish to help the environment... Available for the first time on DVD!
America's leading ballet soloists display highlights from their repertoire.
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright
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