Frontiersman Vern Haskell (Arthur Kennedy) wanders the West obsessed with finding the culprits responsible for murdering his fiancee. His quest leads him to Chuck-a-Luck - the film's original title - a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). Posing as an escaped criminal Haskell falls in with murderous gunslinger Frenchy Fairmont (Mel Ferrer) and gradually becomes indistinguishable from the men he is hunting. Made in
Intelligent casting, strong performances and the persuasive chemistry between Sean Connery and Michelle Pfeiffer prove the virtues in director Fred Schepisi's well-intended but problematic screen realization of this John Le Carré espionage thriller. At its best, The Russia House depicts the bittersweet nuances of the pivotal affair between a weary, alcoholic London publisher (Connery) and the mysterious Russian beauty (Pfeiffer) who sends him a fateful manuscript exposing the weaknesses beneath Soviet defence technology. Connery's Barley is a gritty, all-too-human figure who's palpably revived by his awakening feelings for Pfeiffer's wan, vulnerable Katya, whose own reciprocal emotions are equally convincing. Together, they weave a poignant romantic duet. The problems, meanwhile, emanate from the story line that brings these opposites together. Le Carré's novels are absorbing but typically internal odysseys that seldom offer the level of straightforward action or simple arcs of plot that the big screen thrives on. For The Russia House, written as glasnost eclipsed the cold war's overt rivalries, Le Carré means to measure how old adversaries must calibrate their battle to a more subtle, subdued match of wits. Barley himself becomes enmeshed in the mystery of the manuscript because British intelligence chooses to use him as cat's paw rather than become directly involved. Such subtlety may be a more realistic take on the spy games of the recent past but it makes for an often tedious, talky alternative to taut heroics that Connery codified in his most celebrated early espionage role. If the suspense thus suffers, we're still left with an affecting love story, as well as some convincing sniping between British and US intelligence operatives, beautifully cast with James Fox, Roy Scheider and John Mahoney. Veteran playwright Tom Stoppard brings considerable style to the dialogue, without solving the problem of giving us more than those verbal exchanges to sustain dramatic interest. --Sam Sutherland
Frank has had enough of the downward spiral of American culture, which he sees as overrun with cruelty, stupidity and intolerance. Divorced, recently fired, and possibly terminally ill, Frank truly has nothing left to live for. But instead of taking his own life, he buys a gun and decides to take out his frustration on the cruellest, stupidest, most intolerant people he can imagine-starting with some particularly odious reality television stars. Frank finds an unusual accomplice in a high-school student named Roxy, who shares his sense of rage and together they embark on a nation-wide assault on America's dumbest, most irritating celebrities.
This is the true story of Molly Craig, a young black Australian girl who leads her younger sister and cousin in an escape from a camp set up as part of an official government policy to train them as domestic workers and integrate them into white society.
Film director Michael Apted was commissioned to create this film of Sting and his new band on location in rehearsal and most importantly live on stage. With an hour and a half of film and music including 'If You Love Somebody' 'Fortress Around Your Heart' 'Russians' and 'Roxanne'.
Detective Jay Jensen (Ken Olin) investigates the brutal murder of Stacey Eckhart a young mother who has been having an affair with the husband of a respected socialite Faith Kelsey (Cybill Shepherd). When the police follow up all the possivle leads they discover that Faith is a woman without conscience. She's capable of seducing cops manipulating her lovers and planning the most cold-blooded murders. She is a woman who will stop at nothing to get equal with those who betray her and she always gets what she wants. Based on a true story.
Go Kart Go Rival groups build their own Go-Karts and encounter excitement and trouble in their efforts to win the local Go-Kart race. Featuring a very young Dennis Waterman! A Hitch In Time An erratic time machine cuts a bullying teacher down to size...
Five women none local and all unknown have ended up brutally attacked murdered and on the cold steel of the embalming table at the local morgue. Dead end investigations by the local sheriff's department force the state to send veteran detective Steve McCormack (Mark Grant 'The Script' 'Perfect Game') to the scene. McCormack along with rookie detective Jamie Garrett (Christy Scott Cashman 'The Stranglers Wife' 'What's The Worst That Could Happen') find themselves in a race agai
Gabby refuses to breed his horse the Golden Sovereign with Roy's. When the Sovereign and Roy's horse escape Skoville shoots the Sovereign by mistake but Roy is blamed and jailed. A year later Roy returns with Trigger the son of the Sovereign. When Skoville slips and reveals he was present when the horse was shot Roy sees a chance to clear his name.
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