The Complete Collection Written By John Sullivan Starring David Jason & Nicholas Lyndhurst, Lennard Pearce & Buster Merryfield The first ever episode of Only Fools and Horses was broadcast in September 1981. Over seven series and fifteen specials, Del, Rodders and the gang have given us so many precious moments the chandelier incident, the yuppy bar fall, the Batman and Robin chase but it is the characters, the storylines and the great scripts that have earned Only Fools and Horses the enduring love of the public. Every lovely jubbly, every exhaust-smoking trip of the Reliant Robin and every tear-filled twist kept millions of viewers glued. And they are all here - in the complete story of the Trotters of Nelson Mandela House: from the very first scam to the final bonjour'. INCLUDES ALL 7 SERIES AND 15 CHRISTMAS SPECIALS ON 19 DISCS Also includes The Story of Only Fools and Horses' behind the scenes special DVD from 2002.
From director Jason Reitman and producer Ivan Reitman comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Gil Kenan & Jason Reitman.
Those who survive the ghost ship are better off dead! A cruise ship heading for the Caribbean crashes by a mysterious vessel leaving seven plucky survivors to crawl onboard the unholy ghost ship. Soon they find they're on heading for an unknown destination with something hellbent on destroying them all!
From director Jason Reitman and producer Ivan Reitman comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Gil Kenan & Jason Reitman.
A box set of classic film gems from Ealing studios Includes: 1. The Ladykillers (Dir. Alexander Mackendrick 1955) 2. The Man in The White Suit (Dir. Alexander Mackendrick 1951) 3. The Magnet (Dir. Charles Frend 1950) 4. Scott of The Antarctic (Dir. Charles Frend 1948)
From director Jason Reitman and producer Ivan Reitman comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Gil Kenan & Jason Reitman.
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
Vacation paved the way for the John Hughes movie dynasty of the 1980s. Written by Hughes (who would go on to write, direct, and/or produce The Breakfast Club, Ferris Bueller's Day Off, Uncle Buck, Home Alone, and so on) and directed by Harold Ramis (Caddyshack, Groundhog Day, Stuart Saves His Family), the first Vacation movie introduces us to the all-American Griswold family: father Clark (Chevy Chase), mother Ellen (Beverly D'Angelo), son Rusty (future Hughes staple Anthony Michael Hall), and daughter Audrey (Dana Barron). They all pile into the car for a cross-country road trip to Walley World, stopping along the way to view the world's biggest ball of twine. John Candy, Imogene Coca, and Randy Quaid (as yokel Cousin Eddie) pop up along the way. The movie was a big hit, and was followed by several sequels--National Lampoon's European Vacation, National Lampoon's Christmas Vacation, and National Lampoon's Vegas Vacation--but this one is still probably the freshest and funniest of the bunch. --Jim Emerson
The unexpected casting of Tony Curtis as the presumed Boston Strangler, Albert DeSalvo, is only the first of the attractions of this hard-nosed suspense picture. Although the style of The Boston Strangler looks dated today, with its split-screen experiments and post-Bonnie and Clyde permissiveness, the film still has the clean, strong lines of a methodical policier. For the first hour, we don't focus on the Strangler, instead following the Beantown cops (led by Henry Fonda) as they track down leads; the best sequence is the near-accidental connection made between burglary suspect DeSalvo and the killings. Director Richard Fleischer had a forceful hand with true-crime material (Compulsion, 10 Rillington Place) and he takes an unblinking look into the then-taboo subject of sexual pathology. Curtis's physical transformation into a dumpy, dull-eyed brute is the best aspect of his performance; it's a role he lobbied hard for, but it did not lead to more challenging work. --Robert Horton
Welcome to Liverpool at the height of Thatcher's reign where you had to be resourceful to survive. Just like the Boswells. They always knew how to work the system. And in the centre of this large Catholic family is matriarch Nellie Boswell (Jean Boht) surrounded by her sons Joey Jack Adrian and Billy and daughter Aveline while her husband Freddie is rarely to be seen. With Grandad next door Billy's Julie and their Francesca over the road and ""that tart"" Lilo Lil always in the ba
The trials and tribulations of Stephen Dedalus a young man growing up in Ireland in the early part of the 20th century. He starts to feel a stranger in his own land as he starts to understand the nature of art and politics and he has to make a decision whether to accept exile in another land or stay and fight....
From director Jason Reitman and producer Ivan Reitman comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Gil Kenan & Jason Reitman.
The story of an inventor who makes a rain-making machine. Needless to say - it goes wrong...
Injected with an experimental drug the research chemist Ryan leaves a mysterious rural health farm and drives to the outer city suburb of Homesville. As Ryan's body starts to deteriorate and his driving becomes more erratic a cruising police car starts to chase him. Charging towards a group of houses in Pebble Court Ryan leaves a cryptic message on his dicataphone: 'The first phase is hallucination. The second phase is glandular. The third phase is...' Before he can finish the sent
The unexpected casting of Tony Curtis as the presumed Boston Strangler, Albert DeSalvo, is only the first of the attractions of this hard-nosed suspense picture. Although the style of The Boston Strangler looks dated today, with its split-screen experiments and post-Bonnie and Clyde permissiveness, the film still has the clean, strong lines of a methodical policier. For the first hour, we don't focus on the Strangler, instead following the Beantown cops (led by Henry Fonda) as they track down leads; the best sequence is the near-accidental connection made between burglary suspect DeSalvo and the killings. Director Richard Fleischer had a forceful hand with true-crime material (Compulsion, 10 Rillington Place) and he takes an unblinking look into the then-taboo subject of sexual pathology. Curtis's physical transformation into a dumpy, dull-eyed brute is the best aspect of his performance; it's a role he lobbied hard for, but it did not lead to more challenging work. --Robert Horton
Crazy Moon
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and movie in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format. Box Set 6: after the nail-biting cliffhanger at the end of the first, the second series gets off to a shaky start in "Mind the Baby", as all the loose plot ends have to be gathered and resolved. Crais apparently has a change of heart, and Scorpius takes his place as Crichton's new nemesis. In "Vitas Mortis" D'Argo falls for a lonely Luxan, with catastrophic and barely plausible results for Moya. "Taking the Stone" showcases Chiana's grief in an episode that manages to be even more confusing. Fortunately by the fourth episode, "Crackers Don't Matter", the show has really hit its stride once again: the crew slowly succumbs to a state of paranoia-fuelled madness, fighting and trying to kill one another thanks to the presence of an odd light-seeking alien. Crichton has a string of great lines ("I hate it when villains quote Shakespeare") and much fun doing an impersonation of Jack Nicholson in The Shining. In "The Way We Weren't" there are shocking revelations about both Aeryn and Pilot's past lives and the show's gift for surprising as well as emotionally convincing character development is once more brought to the fore. Extra features on the DVD include a handful of deleted scenes, cast biographies, a picture gallery and TV trailer. --Mark Walker
These films show the stars of the greatest era of cinema when the players were gods and the picture palaces were temples of the motion picture art. Seen relaxed, casual and at play are many of the stars of the silver screen filmed candidly by Ken Murray a documentary historian of the old Hollywood. The great players of tinsel town shown here include (but are not limited to) John Barrymore, Richard Arlen, Lana Turner, Charlie Chaplin, Randolph Scott, Cary Grant, Douglas Fairbanks, Errol Flynn, Jayne Mansfield, Susan Hayward and a host of other headline names from this fabulous era. This item is a must for those who are fascinated by Hollywood History.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy