Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their number, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, and plaster falling all about them, demonstrate typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double-entendres of most Carry On films. --David Stubbs
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
Welcome to the infamous "boiler room" - where twentysomething millionaires are made overnight. Here, in the inner sanctum of a fly-by-night brokerage firm, hyper-aggressive young stockjocks peddle to unsuspecting buyers over the phone.
Ten years after leaving university Peter and his best friends reunite for a New Year's party to end all parties. Having weathered most of life's triumphs and disasters there doesn't seem to be much left to shock them - but Peter has a special surprise that will test their friendship to the utmost. A wonderfully wicked comedy about life love and other natural disasters.
Hattie Jacques finally got to the play the title role in 1972 when Carry On Matron immortalised the character she had developed during several previous outings, most notably in Carry On Doctor. And she seized it with gusto. This is no one-dimensional performance, but a very human portrait of a woman doing her best to retain her authority in the face of mounting chaos--a raid planned by Sid James to steal the hospital's supply of contraceptive pills. Certainly, she's obsessed with regular bowel movements--this wouldn't be a Carry On film otherwise--but she remains a majestic figure of dignity with a touch of human warmth. Occasionally, too, a real hint of irony peeks through the slapstick and the innuendo. Surely scriptwriter Talbot Rothwell had his tongue lodged firmly in his cheek when he gave Barbara Windsor--then married to Ronnie Knight--the line, "I don't fancy being a gangster's moll!" Terry Scott makes a guest appearance and Sid James is at his most conniving and lecherous. Theatre impresario Bill Kenwright has a cameo role and there's an early appearance from Wendy Richard as a prototype Pauline Fowler. But it's the female stalwarts who shine. Joan Sims and Hattie Jacques were truly comic actresses of the highest order. --Piers Ford
Walking With Beasts is an introduction to the animals (predominantly mammals) that roamed the earth from the extinction of the dinosaurs until the rise of early humans. The sequel to the BBCs acclaimed and highly successful series Walking With Dinosaurs, Beasts also uses a combination of clever special effects and computer-generated imagery to create a realistic world as it may have appeared millions of years ago. As to be expected from any BBC nature programme, the images are visually stunning; the prehistoric animals look impressively lifelike, interacting seamlessly with each other and their environment to create an entire world that could have been photographed only yesterday. Best of all is Episode 2, "Whale Killer", which follows a female Basilosaurus, an enormous ancient predatory whale, as she travels through shallow seas and along coastlines--the underwater images could have just as easily originated in the BBCs spectacular Blue Planet series. Its unfortunate, therefore, that Walking With Beasts is let down by its script and the often dubious science therein. Episode 3, "The Land of Giants", begins with an anthropomorphic statement better suited to a Disney film than a scientific documentary, referring to the featured animals as "The good [a herbivore or plant-eating animal], the bad [a carnivore or flesh-eating animal] and the ugly [a giant warthog which is, admittedly, pretty ugly]." Still, Walking With Beasts has a host of little touches and flourishes that add to the feeling of realism (the animals knock over the cameras, pebbles hit the lens), which make this programme a success as a piece of pure entertainment and prehistoric escapism. A companion book and soundtrack CD is also available. --Ted Kord
Hattie Jacques finally got to the play the title role in 1972 when Carry On Matron immortalised the character she had developed during several previous outings, most notably in Carry On Doctor. And she seized it with gusto. This is no one-dimensional performance, but a very human portrait of a woman doing her best to retain her authority in the face of mounting chaos--a raid planned by Sid James to steal the hospital's supply of contraceptive pills. Certainly, she's obsessed with regular bowel movements--this wouldn't be a Carry On film otherwise--but she remains a majestic figure of dignity with a touch of human warmth. Occasionally, too, a real hint of irony peeks through the slapstick and the innuendo. Surely scriptwriter Talbot Rothwell had his tongue lodged firmly in his cheek when he gave Barbara Windsor--then married to Ronnie Knight--a the line, "I don't fancy being a gangster's moll!" Terry Scott makes a guest appearance and Sid James is at his most conniving and lecherous. Theatre impresario Bill Kenwright has a cameo role and there's an early appearance from Wendy Richard as a prototype Pauline Fowler. But it's the female stalwarts who shine. Joan Sims and Hattie Jacques truly were comic actresses of the highest order. On the DVD: Presented like most of the other Carry On DVD releases in 4:3 picture format and mono soundtrack, this release has all the comfy quality of a lazy Saturday afternoon in front of the television. But where are the extras? It's one thing to launch a highly popular series of films as classic entertainment, but they deserve more than the budget treatment. As always, a cast list, some sort of documentary extra and biographies of at least the key players would really do them justice. --Piers Ford
Set in the year 2004 where time travel is a reality and a new breed of crime has emerged. It is now possible to alter history and the Time Enforcement Commission has ruled that no-one goes back in time. But someone has broken the rule and Timecop Max Walker must prevent a change in history - and prevent the murder of his wife...
Kenneth Connor, Terry Scott and Are You Being Served's Frank Thornton star in this groovy comedy-musical-sci-fi fantasia that could only have been made in the '60s! Featuring performances from Lulu and the Luvvers, The Nashville Teens and the Graham Bond Organisation, Gonks Go Beat is presented here as a High Definition transfer from the original film elements in its original theatrical aspect ratio. In the far future, Earth has split into two musically-opposing factions: Beatland where all the cool cats live and Balladisle, where it's customary to sport smart jumpers and trouser creases. Perturbed at this squabbling The Great Galaxian decides to send an ambassador to bring harmony to these unruly Earthlings. Unfortunately, the only one available is a rather unorthodox chap with a disgraceful record of incompetence! Special Features: Theatrical trailer Image gallery PDF material
Shot in the bright postal colours of a seaside postcard, 1971's Carry On Henry applies the usual Carry On sniggering to the married life of Henry VIII. Talbot Rothwell's script is standard bedroom farce and full of jokes about choppers, while the threat of beheading and the actuality of torture are constantly present but only as the terrible things that happen to cartoon characters who will be back next time. Sid James turns in one of his better performances as the endlessly lecherous and fickle Henry, married to Joan Sims and lusting after Barbara Windsor. There is a genuine sexual chemistry between James and Windsor, which at times almost breaks open the farce formula. The usual regulars--Kenneth Williams as Thomas Cromwell, Terry Scott as Cardinal Wolsey, Charles Hawtrey as Sir Roger--do their usual turns; Williams is more subdued than usual, while Hawtrey hugely enjoys playing the Queen's secret lover. This was not one of the high points of the series, but it has its own curious charm. --Roz Kaveney
Can we talk? Everybody is pretty well agreed that Great Britain's Ken Loach is one of our most important filmmakers. On the basis of his work with actors alone--often actors who are unknown until showcased in his films--he commands a place in the modern Pantheon. The problem is that he sounds terminally "worthy"; his films invariably reflect a commitment to framing harsh sociopolitical realities and steeping us in the fight for justice, a square deal or a square meal. They sound, in short, as if they're "good for you"--whereas the fact is that they are almost always damned good, period.My Name Is Joe makes for an excellent introduction to Loach country--partly because it's just a tad more immediate in its basic viewer appeal. Joe Kavanagh (Peter Mullan), out-of-work Glasgow housepainter, is a terrifically attractive fellow, and though he is also a recovering alcoholic, he seems eminently pulled-together and ready for yeoman service as a movie leading man. The main story line concerns his encounter with and growing attraction to a smart social worker (Louise Goodall). There is nothing star-crossed about their potential love, but each is tough enough to set limits till they've travelled over a distance of mutual ground. Meanwhile, Joe's status as role model among his more emotionally and economically precarious neighbours--an extended family of man--is good for a surprising number of lusty laughs and one fatal, criminal complication that could jeopardise his future. Peter Mullan won a well-deserved Best Actor award at Cannes in 1998, and subsequently directed a family comedy-drama of his own, Orphans. --Richard T. Jameson, Amazon.com
Setting a Carry On film in a marriage bureau has a certain self-serving obviousness, so it's hardly surprising that Carry On Loving milks the idea for all it's worth. The Wedded Bliss Agency is of course a pretty dubious outfit, being run by Sid (James) and Sophie Bliss (Hattie Jacques), who together are the worst possible example for both marriage and their own profession: they constantly snipe at each other, they aren't actually married and their sophisticated computer matching system is in fact a complete fake. The remainder of the team are mostly cast as hapless clients, with predictable but often very funny situations arising from the various mismatches engineered by the agency, such as the inevitable misunderstanding over one client's interest in modelling. Yes, the humour is about as subtle as a flatulent elephant, but you can't help entering into the spirit of the thing. If there's an outstanding performance it has to be that of Imogen Hassall, who handles her transformation from round-shouldered frump to well-bred love goddess with considerable expertise and a genuine sense of fun. --Roger Thomas
Lawman J.D. Cahill can stand alone against an army of bad guys. But as a widower father he's on insecure footing raising two sons; particularly when he suspects his boys have stepped outside the law...
Kenneth Connor, Terry Scott and Are You Being Served's Frank Thornton star in this groovy comedy-musical-sci-fi fantasia that could only have been made in the '60s! Featuring performances from Lulu and the Luvvers, The Nashville Teens and the Graham Bond Organisation, Gonks Go Beat is presented here as a transfer from the original film elements in its original theatrical aspect ratio. In the far future, Earth has split into two musically-opposing factions: Beatland where all the cool cats live and Balladisle, where it's customary to sport smart jumpers and trouser creases. Perturbed at this squabbling The Great Galaxian decides to send an ambassador to bring harmony to these unruly Earthlings. Unfortunately, the only one available is a rather unorthodox chap with a disgraceful record of incompetence! Special Features: Theatrical trailer Image gallery PDF material
In Kenneth Branagh's stylish suspense film Branagh stars as Mike Church a Los Angeles detective. Mike is drawn into the life of Grace (Emma Thompson) a woman with amnesia who is plagued by disturbing nightmares. Attempts to help her regain her memory lead them to Franklyn Madson (Derek Jacobi) a mysterious hypnotist who runs an antique shop. Under hypnosis Grace claims that in a previous life she was Margaret Strauss a concert pianist who was murdered by her jealous husband Rom
Fathom: From exploding earrings to dances with bulls to leaps from a plane at 10 000 feet there isn't much Fathom can't handle in this wildly entertaining espionage spoof! Voluptuous dental hygienist-turned-skydiver Fathom Harvill (Raquel Welch) is recruited by a top-secret government agency to parachute into Spain in search of an elusive war defector (Tony Franciosa) and a missing H-bomb detonator he is believed to possess. But the super sexy spy may expose more than she bargained for as she unravels the truth behind her employer's motives - with hilarious results! (Dir. Leslie H. Martinson 1967) Fantastic Voyage: A Fantastic and spectacular voyage... Through the human body... Into the brain. Shrunk to microscopic size an elite scientific and medical team enters the bloodstream of an ailing scientist in a desperate effort to save his life. Battling the body's incredible defenses the crew must complete their mission before time runs out. The film was to win Oscars for Best Visual Effects (by Art Cruikschank) and Art Direction. The legacy of the film was to continue as 'Fantastic Voyage' later received an animated spin-off show. (Dir. Richard Fleischer 1966) Bandolero: It's a Wild West clash of personalities in Val Verde Texas for the warring Bishop brothers (Dean Martin and James Stewart) who must now join forces to escape a death sentence. Featuring an all-star cast including Raquel Welch and George Kennedy and exploding with action Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout. (Dir. Andrew V. McLaglen 1968) Lady In Cement: The suave sleuth Tony Rome makes a shocking discovery while diving for treasure: a beautiful blonde woman anchored in a block of cement. When a local hood hires him to find his missing girlfriend his investigation begins with the mysterious ""Lady in Cement."" But everyone he talks to either is killed or trying to kill him... (Dir. Gordon Douglas 1968)
Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their numbers, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, plaster falling all about them, demonstrates typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double entendres of most Carry On films. On the DVD: Sadly, no extra features except scene selection. The picture is 4:3 full screen. --David Stubbs
Carry On Doctor (1967): Frankie Howerd is the guest star in this classic 'Carry On..' He plays Francis Bigger a charlatan faith healer who ends up in hospital and what a hospital it is! Dr. Kilmore (Jim Dale) seems more interested in the staff nurses and Dr. Tinkle (Kenneth Williams) dismisses all ill health as a weakness. The Matron (Hattie Jaques) can cure any medical problem with a frosty glance and the nurses are always raising the blood pressure of the patients in the male ward.... much to their delight of course. Carry On Matron (1972): Carry On Matron is one of the most loved of all Carry On films - largely because of Hattie Jacques' marvellous performance in the title role. If your funny bone is in need of tickling this is the prescription you need! Carry On Matron finds the team in top form in Finisham Maternity Hospital. Sid James leads a team of less than professional crooks intent on stealing a huge hoard of birth control pills. Carry On Again Doctor (1969): If you are seriously ill and need to go to hospital just make sure it isn't the Long Hampton Hospital as this is where the Carry On team have taken up malpractice. If it's laughter you're after join eminent surgeon Frederick Carver orderly Screwer and Doctors Stoppidge and Nookey for a prescription of smutty smiles. It's the perfect tonic you should take as regularly as your funny bone allows. Where there's a pill there's a way! That's Carry On (1977): Celebrating twenty years of classic Carry On films two of the film's best loved stars Kenneth Williams and Barbara Windsor return to Pinewood Film Studios to unwrap some rib-tickling moments to the series. From the original military mayhem of 'Carry On Sergeant' through to the really ancient archaeological gags of 'Carry On Behind' our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made. With a cast of thousands including legendary Sid James Charles Hawtry Joan Sims Peter Butterworth Bernard Breeslaw and Hattie Jacques everyone is in it..... right in it! Carry On Loving (1970): Number 19 in this famous series. Sid James and Hattie Jacques run The Wedding Bliss computer dating agency and guess what? Chaos follows! Carry On Emmannuelle (1978): The Carry On team are back with this their 30th film and the laughs are filthier and funnier than ever before! Emmanuelle Pervert (Suzanne Danielle) Is the fascinating delectable young wife of Emile (Kenneth Williams) the French ambassador for Great Britain. With his sexual prowess damaged in a freak parachuting accident Emmanuelle happily proves her charms are irresistable to all members of the opposite sex. Even the servants are not immune: With the chauffeur Leyland (Kenneth Connor) the butler Lyons (Jack Douglas) and the elderly bootboy Richmond (Peter Butterworth) falling helplessly under her spell...
After attackers inexplicably murder her sister and nephew psychologist Jenna (Rothrock) is in the dock as a defence witness by day and an avenging angel meteing out martial arts justice by night...
My Name Is JoeKen Loach's My Name Is Joe is a slice of life so raw that you can see the blood dripping off it and as in real life it mixes humour passion tragedy and violence in equal measure. Joe (Peter Mullan) is a recovering alcoholic and has done a few things in his past which he'd rather forget. Like most people he knows he's out of work but he keeps sane by coaching the self-styled worst football team in Glasgow. When one of Joe's players Liam gets involved with some local gangsters a chain of events is set in motion which not only threatens the lives of those concerned but also comes between Joe's budding love affair with social worker Sarah (Louise Goodall). Raining StonesBob Williams is a survivor. He supplements his dole by becoming embroiled in whatever scam is on offer from rustling sheep to rotting drains. But now life has dealt him a bitter blow. His van has been stolen and his daughter Colleen is approaching her first communion. She needs the traditional white dress shoes veil and gloves. Where on earth is the money going to come from? Raining Stones is a funny and essentially human story of survival in the nineties and people's aspirations for a better way of life. Riff RaffStevie a young Glaswegian just out of Barlinnie prison comes down to London and gets a job on a building site - a melting pot of itinerant laborers from all over the country. Here he has to contend with Mick the bossy ganger trying - but usually failing to control his workers Shem Mo and Larry and the other lads as they duck and dive the rules and regulations of the building trade. Stevie has other problems to contend: the wages are low the site teems with rats he has nowhere to sleep and life in London isn't that easy. One day on his way to work Stevie finds a handbag in a skip. He takes it back to it owner and meets Susan. As Stevie and Susan learn to live with the ups and downs of life in London Riff-Raff builds a portrait - sometimes gritty often funny of life as it is lived in the margins.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy