Boyz N The Hood is the critically acclaimed story about three friends growing up in a South Central Los Angeles neighborhood and of street life where friendship pain danger and love combine to form reality. ""The Hood"" is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony co-exists with adversity especially for the three young men growing up there: Doughboy (Ice Cube) an unambitious drug dealer; his brother Ricky (Morris Chestnut)
Fess Parker captured the hearts of millions with his strong confident portrayal of the legendary king of the wild frontier. There's never been a folk hero quite like Davy Crockett and you'll see why when you watch him 'grin' down a bear battle an Indian chief in a tomahawk duel and fight for freedom at the Alamo. Disney's popular action-adventure inspired millions of children to sport coonskin caps and sing 'The Ballad Of Davy Crockett' which topped the nation's hit list for 13
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
Stop On By And Give Afterlife A Try. Zach Galligan (Gremlins) teams up with special effects wizard Bob Keen (Alien Highlander) to star in this spine-tingling horror. Mark and his college class decide to have a little fun and attend a 'private' midnight showing at the new waxwork museum. Admission is free... but getting out may cost them their lives! Join them in this roller-coaster ride into terror in Waxwork.
Based on the play by Jim Morris. Blood on the Dole follows the lives of four teenagers, two boys and two girls, struggling to cope after being thrust into the real world for the first time after leaving school. Living in deprived Merseyside, the four youths' bright-eyed optimism for their futures and new-found freedom is soon crushed by the realities of unemployment, poverty, and the brutal reality of living and trying to find work in a city in decline. They all soon find themselves in the hopeless situation of facing complete dependence on state handouts, the dole . The four teenagers instead find themselves turning to each other to find the strength to survive. An impressively fresh social commentary and portrayal of teenage love set within a disturbingly authentic account of disenfranchised youth. With austerity still very much a part of our political climate, and recent films such as I, Daniel Blake continuing to challenge such government policy, Blood on the Dole is still a hugely relevant watch today. Produced by BAFTA-winner Alan Bleasdale as a part of the Alan Bleasdale Presents series, a Channel 4 anthology showcasing and given a platform to new, up-and-coming talent young writers. After his successes in landmark dramas including Boys from the Black Stuff, The Monocled Mutineer and GBH, in 1994 Channel 4 gave Alan Bleasdale the opportunity to find and mentor new TV writers. Four big-budget, standalone films were made as a result, with top casts and experimental storylines.
In his last starring role W.C. Fields plays himself having a typical day at his studio Esoteric Pictures. Director Eddie Cline masterfully imparts a certain level of surreal spontaneity to Field's digressions and misadventures. Fields eats breakfast spars with a sarcastic waitress (Jody Gilbert) and then pitches his fractured script to studio head Franklin Pangborn. The script reading becomes a film within a film commencing with the hero of the tale (Fields again playing himself) leaping out of an airplane in hot pursuit of a flask of whiskey. He lands on the bed of an innocent young girl and tries to seduce her before her mom (Margaret Dumont) comes crashing in. Fields then escapes over a cliff in a basket. Things get even more bizarre before Pangborn throws him out and back into a reality that culminates in a lengthy frenetic car chase. There's also some musical interludes courtesy Gloria Jean a singing star Universal was grooming for success at the time. Though Fields undoubtedly bristled at the studio's insistence he share the bill the two actually display a touching rapport in their scenes together; just another small miracle in this truly unique and hilarious film.
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