David Lynch's Dune is the brilliant but fatally flawed would-be epic feature film version of Frank Herbert's novel of the same name, the bestselling science fiction novel ever written. It is a complex but too heavily simplified version of a far more elaborate book, a darkly Gothic far future space opera revolving around an imperial, dynastic power struggle on the desert planet of Arrakis. With what was in 1984 an enormous $40 million budget, Lynch retained a surprising amount of the industrial/Victorian feel of his previous features, Eraserhead (1976) and The Elephant Man (1980), and was able to bring to the screen some of the most imaginative and awe-inspiring production designs, costumes and action then seen. Indeed, as a spectacularly atmospheric vision of the future Dune has as much to recommend it as the far more celebrated Blade Runner (1982), with which it even shares the female romantic lead, Sean Young--here just one star in a superb cast. The problem, which an unauthorised extended TV version failed to fix, is that Lynch's original vision of Dune was massively cut for length, and as such the final third is so rapidly paced as to undermine the superb first two thirds. A director's cut is sorely needed, the cinema version playing like a butchered masterpiece. Also available is an entirely unconnected four-and-a-half-hour mini-series, Frank Herbert's Dune (2000), which is less visionary but more coherent. On the DVD: The 2.35:1 image suffers from not being anamorphically enhanced. There are minor flecks of dirt and scratches, but generally the print used is in good condition although there is a considerable amount of grain in some scenes and the image could be more detailed. The packaging claims the sound is Dolby Digital 5.1, but it is actually three-channel sound (stereo plus centre speaker), with the main stereo feed being duplicated in the rear channels. A full 5.1 remastering would improve matters considerably. Special features consist of the original trailer and a pointless gallery of seven badly cropped stills. There is a very basic animated and scored menu using the portentous main theme music from the film. --Gary S Dalkin
Affable bright and breezy Kenneth More epitomised the traditional English virtues of fortitude and fun. At the height of his fame in the 1950s he was Britain's most popular film star and had appeared in a string of box office hits including Genevieve (1953) Doctor in the House (1954) Reach for the Sky (1956) and A Night to Remember (1958). Like many British actors he commuted between film and theatre and steadily became of or Britain's most treasured actors. This 8 disc collection celebrates some of his greatest work. Films include: Chance of a Lifetime (1950): The workers in a small plough factory take over the firm but when a large order falls through the old management come back to help out. Genevieve (1953): Two friends race their vintage cars on the annual London to Brighton rally. But once they place a 'friendly' wager on who will win the race the competitive juices start flowing! Genevieve is the name of one of the cars which like her competitor runs into one problem after another. A Night to Remember (1958): Based on the best selling book by Walter Lord this is the true story of the R.M.S. Titanic which struck an iceberg on its maiden voyage from Europe to New York in 1912. The Galloping Major (1951): An elderly pet shop owner who sets up a scheme to buy ""Montana Mist "" a race horse who promises to finish in the money. When the animals are switched at an auction his lifelong dream comes crashing down - unless the old glue horse he has purchased turns out to be more than meets the eye. North West Frontier (1959): Captain Scott (More) is sent by the British Governor in India to rescue a five year old Hindu prince and his American governess (Bacall) when a rebellion breaks out among the tribesmen. Pursued by the abductors the trio commandeer a derelict steam train to take them 300 miles through the mountains to safety... Reach for the Sky (1956): A story of one man's indomitable courage and endurance. As a young sports-loving Pilot Officer Douglas Bader loses both legs in a flying accident. Not only does he overcome his devastating disability; he goes on to become a Battle of Britain ace. Eventually Bader is shot down and imprisoned in Germany. In 1945 when three hundred aircraft fly in triumph over London led by a solitary Spitfire the honour of leading the fly-past goes to Douglas Bader. This is the story of one of the few to whom so many owed so much.
Created by the writing partnership of Laurence Marks and Maurice Gran who went on to create such comedy classics as Birds of a Feather and Goodnight Sweetheart. Originally broadcast on ITV in 1985, Shine on Harvey Moon features a superb cast including Kenneth Cranham, Elizabeth Spriggs, Maggie Steed, Pauline Quirke, Linda Robson and Nigel Planer. More than just a comedy series, Shine on Harvey Moon was also an entertaining historical record of changing attitudes and changing lifestyles in a drastically changed world.After being demobbed from his post as a stores clerk for the RAF stationed in Bombay, former professional footballer Corporal Harvey Moon returned home to the east London district of Hackney only to discover that his family friends and neighbours had assumed him 'missing in action'.This three disc set comprises all eight episodes from Series F our:Kind Hearts and CoronetsAnything GoesMud SticksLove is BlindLover, Come Back to MeAll or Nothing At AllWe're in the MoneyLove and Marriage
Set in the year 2004 where time travel is a reality and a new breed of crime has emerged. It is now possible to alter history and the Time Enforcement Commission has ruled that no-one goes back in time. But someone has broken the rule and Timecop Max Walker must prevent a change in history - and prevent the murder of his wife...
United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital 2.0 ), SPECIAL FEATURES: Behind the scenes, Box Set, Commentary, Documentary, Interactive Menu, Multi-DVD Set, Scene Access, Uncut, SYNOPSIS: All 26 episodes of the cult 1960s series. In 'My late, lamented friend and partner' detective Jeff Randall (Mike Pratt) is devastated when his friend and partner Marty Hopkirk (Kenneth Cope) is killed by a hit-and-run driver. However, Marty's ghost returns from the grave to inform Jeff that his death was no accident. 'A disturbing case' has Marty's widow Jeannie (Annette Andre) commit Jeff to an asylum when she sees him talking to himself. 'All work and no pay' finds jean convinced that the moving furniture in her flat is the work of her late-husband Marty's restless spirit, but of course Jeff and the ghostly Marty know better. 'Never trust a ghost' sees Marty convinced that a man has been shot dead in his London home after inadvertently witnessing the killing. In 'that's how murder snowballs' Jeff uses Marty to help him form a variety act when he investigates the murder of a mind reader. 'just for the record' finds Jeff acting as bodyguard to a beauty contest entrant, but the job is not as simple as it at first seemed. 'Murder ain't what it used to be!' has Marty cross swords with another ghost - deceased gangster Bugsy, who wants revenge on his former partner-in-crime. Unfortunately, Bugsy's intended victim is Marty's partner Jeff's latest client! 'Whoever heard of a ghost dying?' sees Jeff and Marty being used as fall guys when a master criminal and a clairvoyant discover their secret. In 'the house on haunted hill' Jeff asks Marty to help solve the mystery of a 'haunted house' which is being used as the front for a diamond robbery. 'When did you start to stop seein...Randall and Hopkirk (Deceased) (1969) - Complete Series - 8-DVD Box Set ( My Partner the Ghost )
Titles Comprise: 1. Carry On Regardless: It's non stop romps as the Carry On team deliver the goods in one of the rudest and funniest of the Carry On films. The cast are all on top form as a bunch of no-hoppers who join an agency in the search for a job. The anarchy mounts as they do a series of odd jobs including a chimps tea party trying to stay sober at a wine tasting and demolishing a house. 2. Carry On Cruising: A life on the ocean wave with the Carry On crew! Sid James is the long-suffering Captain of the luxury cruise liner S.S. Happy Wanderer a ship full of misfits who don't know their portholes from any other holes! It isn't long before the luckless passengers mix with the hopeless crew to raise titanic laughs on the ship of fools. 3. Carry On Jack: Able seaman Poop-Decker (Bernard Cribbins) signs up for adventure on the high seas with the wicked Captain Fearless (Kenneth Williams). Those swabbing the decks include Juliet Mills Charles Hawtrey and Donald Houston. 4. Carry On Cabby: Charlie (Sid James) owner of the Speedee Cabs company finds he has some serious competition when his wife Peggy (Hattie Jacques) sets up a rival firm consisting only of glamorous female drivers.
The unlikely duo of Jackie Chan and Chris Tucker are reunited in this sequel. This time round their investigations take them from Hong Kong to L.A.
Lucas a bank robber newly released from prison is given a lift to the bank by two local cops who are taking bets on how long they think he'll remain straight. Once inside the bank Lucas is taken hostage by an amateur thief and is forced into going on the run with the man and his six-year-old daughter...
A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the Director's Cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes". Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill-will towards Salieri when she discovers him at her husband's deathbed: he has insulted and degraded her after she came to him for help. We also see deeper into the reasons why Mozart has no pupils: not only has Salieri poisoned the Emperor's mind against him, but the only promisingly lucrative teaching job he can find ends disastrously when he realises that the master of the house just wants music to quiet his barking dogs. In a humiliating coda to that episode, a drunk and desperate Wolfgang returns later to beg for money only to be coldly rejected. The structure of the picture is otherwise unaltered. On the DVD: Amadeus--The Director's Cut finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc (the original single-disc DVD release was that crime against the format, a "flipper"). Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerised by the movie to do much more than offer the odd anecdote. Disc 2 contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner and all the main actors, taking in the scriptwriting, choice of music, casting and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker
Presented by the eminent art historian Lord Clark the influential 13 part series offers an epic examination of Western European culture, defining what he considered to be the crucial phases of its development. More than two years in the making and filmed in over 100 locations across 13 countries, the lavish series was hailed as a masterpiece when it first was transmitted.From the fall of the Roman Empire to the Industrial Revolution and beyond, Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's greatest landmarks. This 'history of ideas as illustrated by art and music' remains the benchmark for the numerous programmes it inspired. Civilisation was one of the first documentaries to be filmed in colour, and was commissioned by David Attenborough during his time as controller of BBC Two.The Civilisation Blu-ray comes complete with a whole host of wonderful extras as Sir David Attenborough remembers the making of the series. Also included, is a photo gallery of behind-the-scenes stills.
British intelligence officer is sent to investigate an anonymous letter sent to the foreign secretary accusing a key officer of communist affiliation. When the officer commits suicide the investigator suspects murder and presses his inquiry. The culprit is finally exposed in a surprise climax.
A mixed bag as variations on A Christmas Carol go, this 1970 British musical tells the usual story of Scrooge (Albert Finney) and his spirits on Christmas Eve, although the whole thing is set to music by Leslie Bricusse. Except for Finney's feisty and involved performance, however, there isn't much to recommend this. The songs, which absorb so much of the evolving story line and emotions, are not all that good. Plenty of support, however, from the likes of Roy Kinnear (Willy Wonka & the Chocolate Factory) and Dame Edith Evans (Tom Jones), the handsome production is directed by veteran Ronald Neame (The Prime of Miss Jean Brodie). --Tom Keogh
A life on the ocean wave with the Carry On crew! Sid James is the long-suffering Captain of the luxury cruise liner S.S. Happy Wanderer a ship full of misfits who don't know their portholes from any other holes! It isn't long before the luckless passengers mix with the hopeless crew to raise titanic laughs on the ship of fools. Carry On Cruising is the sixth Carry On film and the first in colour and stars all the Carry On favourites including Sid James Kenneth Williams Kenneth Connor Joan Sims and Lance Percival.
A feature length episode of John Sullivan's popular comedy first broadcast as a Christmas special in 1985. Del and Rodney travel to Amsterdam to collect some diamonds on behalf of Boycie and Abdul little knowing that old adversary Chief Inspector Slater is hot on their trail. To make matters worse Uncle Albert is navigating their course from Hull to Holland!
One of the funniest Carry Ons ever! Who is stealing virgins and turning them into shop-window mannequins? What is the meaning of the gigantic hairy finger found at the scene of the latest crime? What clues can the mad professor or his deathly pale and impossibly buxom sister provide to the hopeless Detective Bung?
Kenneth Brannagh and Kevin Kline supply the voices for the two young spaniards in search of the legengary city of gold - El Dorado
In the Flesh is set in a small village in the North of England post-zombie uprising as rehabilitated zombies are reintroduced back into society. Now known as PDS Sufferers (Partially Deceased Syndrome) they have been caught treated and armed with their flesh cover-up and special contact lenses are returning to their friends and families who previously thought them dead. The series follows our hero Kieren Walker a 17 year old who committed suicide four years' ago when his best mate Rick died serving in Afghanistan. He's now returning to a village where he always felt like an outsider and a family who never got to say goodbye. We follow Kieren as he struggles to cope with fitting back in with the guilt of what he did in his untreated state and the sudden reappearance of Rick a fellow PDS Sufferer. The boy that Kieren thought was dead is alive and the boy Rick thought was alive is dead.
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
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