A rare Carry On with more interest in having a proper plot than tossing off gags every line, Cabby is also one of the friendliest of the series, built around the relationship between a cackling but good-hearted Sid James and an unusually touching Hattie Jacques. Sid's so obsessed with his taxi business that he neglects his wife, spending their wedding anniversary driving expectant father Jim Dale to and from the maternity hospital on a false alarm that naturally pays off with a delivery in the back of the cab. This drives Hattie to set up her own rival firm ("Glam Cabs"), employing dolly birds in tailored uniforms to undercut the likes of Kenneth Connor and Charles Hawtrey. It ends happily, with a pair of hold-up men trapped in a ring of taxis and the marriage saved. Among the expected Carry On bits: Connor in drag, Amanda Barrie in a corset, Hawtrey in a leather jacket as a devout rambler ("We like to go as far as we can"), Liz Fraser as Connor's perky intended. Kenneth Williams is missed, but his role as the obnoxious shop steward (Carry On producer Peter Rogers never missed a chance to be nasty about the unions) is ably taken by Norman Chappell. Other familiar faces are Bill Owen, Peter Gilmore, Milo O'Shea, Renee Houston and Michael Ward as the tweedy businessman who has apparently left a pearl earring in the back of Connor's cab. On the DVD: No extras, but it's a smashing widescreen presentation of a pristine black and white print. --Kim Newman
The Forsyte Saga is often cited as the first television miniseries; it wasn't, but there's no question that it was a singular, powerful cultural phenomenon that deservedly got under the skin of European viewers in 1967. Today the 26-episode production, based on several novels and short stories by John Galsworthy, is a more timeless enterprise than many of the protracted British TV dramas that have followed. While it would be wrong to consider The Forsyte Saga high art, it's certainly a mesmerizing and inspired mix of theater, sprawling Victorian narrative, thinking man's soap opera, and some finely tuned, 1960s black-and-white production values that (especially when shot outdoors) are strikingly handsome. Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
Based on Peter Turner's memoir, FILM STARS DON'T DIE IN LIVERPOOL follows the playful but passionate relationship between Turner (Bell) and the eccentric Academy Award®-winning actress Gloria Grahame (Bening). Liverpool, 1978: What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
A brilliant young CIA trainee (Colin Farrell) is asked by his mentor (Al Pacino) to help find a mole in the Agency.
Chilling thriller starring Colin Firth as a bereaved widower haunted by visions of his dead wife.
British film icon Kenneth More at the height of his fame plays an unlucky Dartmouth Naval College cadet leader who sails out to further misfortune when he joins the US fleet in the Mediterranean. Also featuring a splendid cast of key supporting actors including Dinsdale Landen, Jeremy Lloyd, Derek Fowlds, John Le Mesurier, Andrew Cruikshank, Warren Mitchell and Kenneth Griffith We Joined the Navy is featured here in a brand-new transfer from the original film elements in its original aspect ratio. Lt Commander Badger, RN: an exceptionally likeable fellow, the Artful Bodger has one besetting sin a shining honesty which compels him to say the right thing at entirely the wrong time! When untimely remarks to some new recruits are splashed across the tabloids, the rush is on to find him a new posting somewhere far away... SPECIAL FEATURES Original Theatrical Trailer Image Gallery Promotional Material PDFs
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange's help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who've ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
This Carry On collection includes the following films: Carry On Up The Khyber: British India 1895. The Burpas are revolting but then again 'The Devils In Skirts' who guard the Khyber Pass are not too inviting either! Can Sir Sidney Ruff-Diamond (Sid James) prevent the scheming Khasi of Kalabar (Kenneth Williams) from starting a full blown rebellion massacring thousands of innocent people ending British rule and making his kushy job obselete? Can he rely on the help of the wayward Brother Belcher (Peter Butterworth)? And can he prevent the secret concerning the 3rd Foot and Mouth Regiment from becoming common knowledge among the natives? All will be revealed in this masterly tale of passion greed and missing underpants! Carry On Doctor: Frankie Howerd plays Francis Bigger a charlatan faith healer who ends up in hospital and what a hospital it is! Dr. Kilmore (Jim Dale) seems more interested in the staff nurses and Dr. Tinkle (Kenneth Williams) dismisses all ill health as a weakness. The Matron (Hattie Jaques) can cure any medical problem with a frosty glance and the nurses are always raising the blood pressure of the patients in the male ward.... much to their delight of course. Carry On Don't Lose Your Head: Carry On laughing until you have hysterics but...Don't Lose Your Head as the Carry On team destroy everything sacred about the classic story of the Scarlet Pimpernel set during the French Revolution. Sid James stars as the Black Fingernail always one jump ahead of Citizen Camembert and Citizen Bidet... Carry On Follow That Camel: When the carry on team head for the sea of sand there's a legion of laughs to be had plus pure gold in the raucous performance of 'Bilko' star Phil Silvers as Sergeant Nocker. Can fresh Foreign Legion recruits 'B.O.' West (Jim Dale) and his faithful manservant Simpson (Peter Butterworth) help defeat the ruthless Sheikh Abdul Abulbul (Bernard Bresslaw)? Find out in the hysterical historical spectacular featuring a host of harem beauties a bevy of blood thirsty Bedouins and a troupe of Legionnaires getting the hump!
The Fast Lady team rides again! The newlywed Munroes purchase a rundown ramshackle cottage and plan to fix it up themselves primarily to escape their meddling father. However they haven't appreciated the scope of the work required to get the place up to scratch.. They have no choice but to seek outside help. When Builder Josh Wicks arrives on the scene the bills start going through the roof... Written by Henry Blyth (The Bulldog Breed) and Jack Davi
That rarest of rare treasures, Monty Python's Life of Brian is both achingly funny and seriously satirical without ever allowing one to overbalance the other. There is not a single joke, sight gag or one-liner that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but, extraordinarily, almost every line and every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse, "Tell us more". Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life. --Mark Walker
A rare Carry On with more interest in having a proper plot than tossing off gags every line, Cabby is also one of the friendliest of the series, built around the relationship between a cackling but good-hearted Sid James and an unusually touching Hattie Jacques. Sid's so obsessed with his taxi business that he neglects his wife, spending their wedding anniversary driving expectant father Jim Dale to and from the maternity hospital on a false alarm that naturally pays off with a delivery in the back of the cab. This drives Hattie to set up her own rival firm ("Glam Cabs"), employing dolly birds in tailored uniforms to undercut the likes of Kenneth Connor and Charles Hawtrey. It ends happily, with a pair of hold-up men trapped in a ring of taxis and the marriage saved. Among the expected Carry On bits: Connor in drag, Amanda Barrie in a corset, Hawtrey in a leather jacket as a devout rambler ("We like to go as far as we can"), Liz Fraser as Connor's perky intended. Kenneth Williams is missed, but his role as the obnoxious shop steward (Carry On producer Peter Rogers never missed a chance to be nasty about the unions) is ably taken by Norman Chappell. Other familiar faces are Bill Owen, Peter Gilmore, Milo O'Shea, Renee Houston and Michael Ward as the tweedy businessman who has apparently left a pearl earring in the back of Connor's cab. On the DVD: No extras, but it's a smashing widescreen presentation of a pristine black and white print. --Kim Newman
Welcome to the singular vision of Clive Barker and his landmark horror opus! Hellraiser In a place between pleasure and pain there is sensual experience beyond limits. And in a world between paradise andpurgatory there is a horror that feeds the souls of evil. When Frank Cotton solves the mystery of a Chinese puzzle box he enters the world of the Cenobites a world where the cruel sadists thrive on pain. Restored to life by the blood of his brother Larry Frank rises to fe
Carry On Camping (1969): Sid (Sid James) and his reluctant mate Bernie (Bernard Bresslaw) hit on the idea of a nudist camping holiday to spice things up with their girlfriends! The arrival of Dr Soaper (Kenneth Williams) headmaster of the Chayste Place Finishing School his matron Miss Haggard (Hattie Jacques) in charge of eleven nubile girls including star pupil Babs (Barbara Windsor) set the scene for one of the funniest frolics in the Carry On repertoire. Carry On Abroad (1972): The Carry On team take a package holiday that starts disastrously and rapidly goes downhill. The paradise island of Elsbels is not all it's cracked up to be.... The hotel isn't finished the staff are abit thin on the ground - in fact Pepe (Peter Butterworth) is the staff - and the locals are far from friendly! Carry On Follow That Camel (1967): Can fresh Foreign Legion recruits 'B.O.' West (Jim Dale) and his faithful manservant Simpson (Peter Butterworth) help defeat the ruthless Sheikh Abdul Abulbul (Bernard Bresslaw)? Find out in the hysterical historical spectacular featuring a host of harem beauties a bevy of blood thirsty Bedouins and a troupe of Legionnaires getting the hump! Carry On Girls (1973): You might think that a beauty contest would be the perfect place for the Carry On team to discover new heights of hilarity and new depths of depravity - well you'd be right! Sidney Fiddler brings a beauty contest to a quiet seaside resort. His problems start with two curvaceous Hells Angels Miss Easy Rider and Miss Dawn Brakes. There's Major Bumble Bernard Bresslaw as Britain's first drag beauty queen and last but not least Mrs Angel Prodworthy who is fighting on behalf of Women's Lib. Carry on Behind (1975): Archaelogists Professors Anna Vooshka (Elke Sommer) and Roland Crump (Kenneth Williams) are desparate to begin poking round the remains of a Roman encampment. Unfortunately the local caravan site has been built over the historic site. Holiday pals Ernie Bragg (Jack Douglas) and Fred Ramsden (Windsor Davies) have their sites set on the local beauty spots - campers Sandra (Carol Hawkins) and Carol (Sherrie Hewson)! Carry On At Your Convenience (1971): The Carry On team throw caution to the wind and present an hour and a half of good clean lavatorial humour. Kenneth Williams is WC Boggs the troubled owner of a small company trying to manufacture fine toiletware. Incompetent management and a bolshy union are just about the least of Bogg's problems as you'll soon discover in this hysterical comedy that tells you everything you always wanted to know about your home's most vital convenience.
Prepare for Six of the Best as the Carry On team cause chaos in the school yard. When a well-loved headmaster decides to retire his scheming pupils have other ideas. The cunning boys unleash a campaign of practical jokes armed with gin itching power and bombs! No one is safe from the classroom havoc in this Carry On starring all the regulars including the immortal Kenneth Williams Charles Hawtrey Hattie Jacques Kenneth Connor and Joan Sims.
A performance of Strauss's biblical 'Salome' at the Royal Opera House.
Shackleton is not a biopic of the great Anglo-Irish explorer but a dramatisation of the failed trans-Antarctic expedition of 1914-16. As written and directed by Charles (Longtitude) Sturridge the production, filmed on real ice floes in Greenland, stays remarkably close to the facts, capturing the look of the surviving expedition photos of Frank Hurley (collected in the book South With Endurance) with great fidelity. Kenneth Branagh makes no attempt at an authentic accent but otherwise gives a powerful impression of a most commanding personality. When the expedition ship Endurance became locked in the Antarctic ice Shackleton vowed to bring every man home alive, and against virtually impossible odds, including a 700-mile journey in an open boat through some of the worst seas in the world, he did just that. This superlative mini-series realises the story with production values and cinematography which would not disgrace a big-budget feature (Hurley's own 1919 documentary film can be seen on video in South). Intense physical drama, strong performances and Adrian Johnston's fine score combine here to deeply moving effect, marred only a little by a rushed conclusion. With Roland Huntford, author of the definitive Shackleton biography, as production advisor, this easily stands as the benchmark for all future comparable films. --Gary S Dalkin
If you believe in yourself anything can happen. In 1980 amidst the tense political climate of the Cold War Herb Brooks (Kurt Russell) took over as coach of the U.S. Olympic hockey team. With the help of affable assistant coach Craig Patrick (Noah Emmerich) Brooks selected a group of twenty amateur hockey players who faced the daunting task of bringing respectability to their country's floundering program. While Brooks was well aware that his team lacked the talent and expe
BE WARNED IT'S ALIVE! Kenneth Branagh leads an all-star cast including Robert De Niro, Helena Bonham Carter, Tom Hulce, Ian Holm, John Cleese and Aidan Quinn in his definitive cinematic version of Mary Shelley's classic tale of gothic terror. At the turn of the 19th century, visionary scientist Victor Frankenstein (Kenneth Branagh) embarks on an obsessive quest to conquer the mysteries of human mortality. But his hubristic bid to create life out of death goes hideously wrong, and succeeds only in begetting a deformed monster (Robert De Niro). Horrified by what he has wrought, the scientist attempts to destroy his creation, but fails. Rejected by his creator and shunned by the world of man, the tormented creature swears vengeance against Frankenstein and his family. As the monster begins to enact his murderous revenge, Victor must face a terrible reckoning with the tragic consequences of attempting to play God. Mary Shelley's seminal novel is one of the most adapted books of all time, and this retelling faithfully goes back to the original source, lushly transforming the story's twin themes of love and death into a darkly operatic gothic romance. Unlike many versions of Shelley's novel, Branagh's adaptation understands that Frankenstein's misbegotten creation is as pitiable as he is monstrous, and never loses sight of the human tragedy lying at the core of its horrific tale. Filled with sweeping, atmospheric visuals and powerfully emotional performances from an award-winning ensemble of acting talent, Mary Shelley's Frankenstein stands as a landmark interpretation of this enduring masterpiece. Special Edition Contents New 4K restoration from the original camera negatives by Sony Pictures Entertainment High Definition Blu-ray (1080p) presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by film historians Michael Brooke and Johnny Mains Brand new interview with composer Patrick Doyle Brand new interview with costumer designer James Acheson Brand new interview with make-up designer Daniel Parker Mary Shelley and The Creation of a Monster, a brand new documentary featurette on the origins and evolution of the Frankenstein story, featuring Gothic specialists David Pirie, Jonathan Rigby and Stephen Volk Dissecting Mary Shelley's Frankenstein, a brand new featurette with David Pirie, Jonathan Rigby and Stephen Volk on the differences between the novel and Kenneth Branagh's screen adaptation Frankenstein: A Liberal Adaptation from Mrs. Shelley's Famous Story for Edison Production (1910): The first screen adaptation of Shelley's story in a 2K restoration by the Library of Congress, with music by Donald Sosin Original trailers Reversible sleeve featuring original and newly commissioned artwork by Laz Marquez FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing by Jon Towlson and Amy C. Chambers
Danny Glover plays Commander Frank Camparelli the battle-hardened sqaudron leader of an aircraft carrier during the Vietnam War. Brad Johnson is pilot Jake Grafton a disillusioned young renegade looking for payback. Willem Dafoe is Cole the cynical hell-bent bombadier Grafton recruits to fly an unauthorised mission behind enemy lines. The target: a missile depot in Hanoi. The plane: the A-6 Intruder a low-altitude bomber with no defensive weapons. The risk: court-martial at the h
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