A lively musical tale of teen rebellion Some People stars BAFTA winner Kenneth More alongside a group of young actors on the cusp of bursting onto the Swinging London film scene. Ray Brooks Annika (Anneke) Wills and David Hemmings play the young bored rebels living for kicks in this key British film from the early 1960s. Some People is featured here in a brand-new transfer from original film elements in its as-exhibited theatrical aspect ratio. Young and bored Johnnie Bill and Bert are teenaged tearaways whose only interests are motorbikes and rock music. When they are banned from riding and fined heavily they become convinced that society has no use for them. But a choirmaster finds them playing rock on a church organ and for some of them at least there seems to be a way out of a no-hope situation... SPECIAL FEATURES [] Full-frame 4:3 as-filmed version of main feature [] Original theatrical trailer [] Image gallery [] Press book PDF
Two years after 20th Century Fox released its melodramatic disaster film Titanic in 1953, Walter Lord's meticulously researched book A Night to Remember surprised its publishers by becoming a phenomenal bestseller. Lord had an intuition that readers craved the reality of the Titanic disaster and not the romantically mythologised translations (like Fox's film, starring Barbara Stanwyck), which relied on fictional characters to "enhance" the world's worst maritime disaster. Lord's book proved that the truth was far more compelling than fiction, outlining the many "if onlys" (if only the iceberg had been spotted a few minutes earlier, etc.) that lent sombre irony to the loss of 1,500 Titanic passengers. Three years after Lord's book appeared, it was brought to the screen with the kind of riveting authenticity that Lord had insisted upon in his own research. The 1958 British production of A Night to Remember remains a definitive dramatization of the disaster, adhering to the known facts of the time and achieving a documentary-like immediacy that matches (and in some ways surpasses) the James Cameron epic released 39 years later. The film erroneously perpetuates the once-common belief that the Titanic sunk in one piece (instead of breaking in half as its bow began to plunge), but many other misconceptions are accurately corrected, and the intelligent screenplay by thriller master Eric Ambler is a model of factual suspense. By making Titanic the star of the film, director Roy Baker emphasises the excessive confidence of the booming industrial age and creates an intense you-are-there realism that pays tribute to Walter Lord's tenacious quest for truth. --Jeff Shannon
In Carry On Follow That Camel, Sergeant Bilko himself, Phil Silvers, lends lustre and trademark spectacles to this 1967 desert spectacle following the adventures of a group of foreign legionnaires who find themselves besieged by a bloodthirsty band of Bedouins. Silvers plays Sergeant Nocker, a rogue cast firmly in the Bilko mould, who takes a dislike to new recruit Jim Dale, a young upper class gent forced to join the legion following disgrace at a cricket match. He's accompanied, naturally, by his faithful manservant (Peter Butterworth), with the pair showing a fine disregard for the austere requirements of the Foreign Legion. However, once they reach an agreement with Sergeant Nocker, they can join forces to repel the Bedouins, led, not unpredictably, by Bernard Bresslaw. This is vintage Carry On, in spite of Sid James' absence. Kenneth Williams' performance is subdued by having to deliver the usual puns ("zere are a couple of points I still need to go over", he informs busty Joan Sims) in a mangled French accent but Silvers gets into the right mode of delivering broad comedy with subtle inflections. Peter Butterworth draws the short straw this time and must feature in the obligatory cross-dressing scene, while Charles Hawtrey is a splendidly unconvincing hardened legionnaire. As for Bresslaw, can any other British actor, with the exception of Sir Alec Guinness, have distinguished himself in such a variety of multi-ethnic roles? On the DVD: Sadly, there are no extra features except scene selection. The picture ratio is 4:3. --David Stubbs
Featuring all 13 episodes in the 1974 TV series starring Kenneth More Father Brown is the creation of the great British novelist G.K. Chesterton appearing in over fifty short stories. This Catholic Priest turned detective is both a rival and a partner in crime to such great sleuths as Hercule Poirot Sherlock Holmes and Miss Marple further enlivening the English appetite for a little murder and mystery with its afternoon tea.
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
Affable bright and breezy Kenneth More epitomised the traditional English virtues of fortitude and fun. At the height of his fame in the 1950s he was Britain's most popular film star and had appeared in a string of box office hits including Genevieve (1953) Doctor in the House (1954) Reach for the Sky (1956) and A Night to Remember (1958). Like many British actors he commuted between film and theatre and steadily became of or Britain's most treasured actors. This 8 disc collection celebrates some of his greatest work. Films include: Chance of a Lifetime (1950): The workers in a small plough factory take over the firm but when a large order falls through the old management come back to help out. Genevieve (1953): Two friends race their vintage cars on the annual London to Brighton rally. But once they place a 'friendly' wager on who will win the race the competitive juices start flowing! Genevieve is the name of one of the cars which like her competitor runs into one problem after another. A Night to Remember (1958): Based on the best selling book by Walter Lord this is the true story of the R.M.S. Titanic which struck an iceberg on its maiden voyage from Europe to New York in 1912. The Galloping Major (1951): An elderly pet shop owner who sets up a scheme to buy ""Montana Mist "" a race horse who promises to finish in the money. When the animals are switched at an auction his lifelong dream comes crashing down - unless the old glue horse he has purchased turns out to be more than meets the eye. North West Frontier (1959): Captain Scott (More) is sent by the British Governor in India to rescue a five year old Hindu prince and his American governess (Bacall) when a rebellion breaks out among the tribesmen. Pursued by the abductors the trio commandeer a derelict steam train to take them 300 miles through the mountains to safety... Reach for the Sky (1956): A story of one man's indomitable courage and endurance. As a young sports-loving Pilot Officer Douglas Bader loses both legs in a flying accident. Not only does he overcome his devastating disability; he goes on to become a Battle of Britain ace. Eventually Bader is shot down and imprisoned in Germany. In 1945 when three hundred aircraft fly in triumph over London led by a solitary Spitfire the honour of leading the fly-past goes to Douglas Bader. This is the story of one of the few to whom so many owed so much.
A mixed bag as variations on A Christmas Carol go, this 1970 British musical tells the usual story of Scrooge (Albert Finney) and his spirits on Christmas Eve, although the whole thing is set to music by Leslie Bricusse. Except for Finney's feisty and involved performance, however, there isn't much to recommend this. The songs, which absorb so much of the evolving story line and emotions, are not all that good. Plenty of support, however, from the likes of Roy Kinnear (Willy Wonka & the Chocolate Factory) and Dame Edith Evans (Tom Jones), the handsome production is directed by veteran Ronald Neame (The Prime of Miss Jean Brodie). --Tom Keogh
A lively musical tale of teen rebellion, Some People stars BAFTA winner Kenneth More alongside a group of young actors on the cusp of bursting onto the Swinging London film scene. Ray Brooks, Annika (Anneke) Wills and David Hemmings play the young, bored rebels living for kicks in this key British film from the early 1960s. Some People is featured here as a brand-new High Definition restoration from original film elements in its original theatrical aspect ratio. Young and bored, Johnnie, Bill and Bert are teenaged tearaways whose only interests are motorbikes and rock music. When they are banned from riding and fined heavily, they become convinced that society has no use for them. But a choirmaster finds them playing rock on a church organ and, for some of them at least, there seems to be a way out of a no-hope situation. Special Features: Fullscreen, as-filmed version of main feature Original theatrical trailer Image gallery
During the 1940s the Rank Organisation was a phenomenal success in the film world boasting five studios two newsreels a great many production companies a staff of 31 000 650 cinemas and an incredible turnover of 45 million. To celebrate 70 years of Britain's most acclaimed film studio this fantastic collection encompasses some of Ranks most prestigious and successful films. The Red Shoes The tragic and romantic story of Vicky Page the brilliant young dancer who must giv
The Longest Day: On June 6, 1944, the Allied Invasion of France marked the beginning of the end of Nazi domination over Europe. The attack involved 3,000,000 men, 11,000 planes and 4,000 ships, comprising the largest armada the world has ever seen. Presented in its original black & white version, 'The Longest Day' is a vivid, hour-by-hour re-creation of this historic event. Featuring a stellar international cast, and told from the perspectives of both sides, it is a fascinating look ...
Ealing Studios' output from the 1940s and the 1950s helped define what was arguably the golden age for British cinema. It fostered great directors such as Alexander MacKendrick and Robert Hamer, while giving stars such as Alec Guinness and Peter Sellers the chance to shine. John Mills stars as Captain Robert Scott in this film of the explorer's ill-fated expedition to be the first man to discover the South Pole. Directed by Charles Frend who went on to direct The Magnet, the film was nominated for both the Golden Lion in Venice and the BAFTA for Best British Film.
In this 12th-century version of Who's Afraid of Virginia Woolf?, Henry II of England (Peter O'Toole) and his wife, Eleanor of Aquitaine (Katharine Hepburn), meet on Christmas Eve to discuss the future of the throne. These two are having slight marital problems, as she is kept in captivity most of the year for raising a rebellion against him, and he flaunts his young mistress. Then there are the problems raised by their three treacherous and traitorous sons. James Goldman won an Oscar for the brilliant screenplay, based on his Broadway play. It is a tad wordy, as the action is kept to a minimum, but those words are sharp as daggers. The humour is wicked and black and delivered with very dry, dead-on precision. Sparks fly and the screen sizzles whenever Hepburn and O'Toole tango, which is often. Both were nominated for Academy Awards for their vigorous performances. (She won, he didn't.) There is also an infamous homoerotic exchange between Philip of France (Timothy Dalton) and Richard the Lionhearted (Anthony Hopkins). Both actors were making their feature film debuts. --Rochelle O'Gorman, Amazon.com
For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieves proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealings Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No ones ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the films editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. Theres also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. The 4:3 ratio colour picture looks pretty good for its age and the mono sound is adequate. --Mark Walker
The Forsyte Saga is often cited as the first television miniseries; it wasn't, but there's no question that it was a singular, powerful cultural phenomenon that deservedly got under the skin of European viewers in 1967. Today the 26-episode production, based on several novels and short stories by John Galsworthy, is a more timeless enterprise than many of the protracted British TV dramas that have followed. While it would be wrong to consider The Forsyte Saga high art, it's certainly a mesmerizing and inspired mix of theater, sprawling Victorian narrative, thinking man's soap opera, and some finely tuned, 1960s black-and-white production values that (especially when shot outdoors) are strikingly handsome. Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
British film icon Kenneth More at the height of his fame plays an unlucky Dartmouth Naval College cadet leader who sails out to further misfortune when he joins the US fleet in the Mediterranean. Also featuring a splendid cast of key supporting actors including Dinsdale Landen, Jeremy Lloyd, Derek Fowlds, John Le Mesurier, Andrew Cruikshank, Warren Mitchell and Kenneth Griffith We Joined the Navy is featured here in a brand-new transfer from the original film elements in its original aspect ratio. Lt Commander Badger, RN: an exceptionally likeable fellow, the Artful Bodger has one besetting sin a shining honesty which compels him to say the right thing at entirely the wrong time! When untimely remarks to some new recruits are splashed across the tabloids, the rush is on to find him a new posting somewhere far away... SPECIAL FEATURES Original Theatrical Trailer Image Gallery Promotional Material PDFs
Jonathan Tibbs (Kenneth More) reckons that a good way to improve the fortunes of his uncle's London gun company is to sell their products in the Wild West, so he sets off for Fractured Jaw. Once there, a series of misunderstandings give him the completely false reputation of being a smooth-talking, fast-on-the-draw gunman, and he is inveigled into becoming sheriff. With the two trigger-happy local ranches squaring up against each other, it's as well he is getting advice from sassy and sweet-on-him Kate (Jayne Mansfield)Extra's Features: New HD Transfer Commentary with Western expert's C. Courtney Joyner and Marilyn Moss Optional English SDH subtitles for the main feature Still Gallery Trailer
Based on a true story, Appointment With Venus is a fine example of the indominable British spirit during World War 2 in the face of Nazi tyranny. The Nazis occupied the Channel Islands in 1940 and amongst the population on the tiny island of Amorel is Venus, a pedigree cow, whose ability to produce high quality milk is legendary. So well-known is Venus that she has even come to the attention of Hitler who wants to send her to Germany to breed with the Teutonic herds he claims are the best in the world. To deny Hitler and boost morale at home, British Special Forces, led by Major Moreland (David Niven) and ably assisted by Nicola Fallaize (Glynnis Johns) and the Islanders, mount a dangerous operation to rescue Venus and return her to England. A superb ensemble cast includes Kenneth More, Bernard Lee and Richard Wattis.
The very first film in the ever popular Doctor series. Here we are first introduced to Simon Sparrow (Dirk Bogarde) and follow his hilarious adventures as a student doctor in St. Swithins Hospital - from naive bumbling trainee to his first day as a fully qualified doctor. In these early formative years he learns how to cope with the occupational hazards of being a medical student such as fiery ward sisters frightening surgeons over-knowledgeable patients the eccentricities o
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