Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
Classic 1980'S Bafta-Winning Bbc Drama, Available On Blu-Ray For The Very First Time! Remastered From The Original 16Mm Film. Winner Of Six Baftas, Including Best Drama Series, Best Actor & Best Original Television Music. Featuring Music By Eric Clapton & Michael Kamen As Yorkshire Detective Ronald Craven Investigates The Murder Of His Daughter, The Story Spirals Into A Gripping Eco-Thriller Of Political Conspiracy, Secret Service Machinations And Even Shady Medieval Societies. As He Draws Closer To The Dangerous Inner Sanctums Of Organised Environmental Protests And Nuclear Power Interests, He Discovers The Ultimate Truths At The Heart Of Our Society. Features: Eric Clapton And Michael Kamen'S Bafta Award Winning Score. The Baftas 1986 Including Interviews With Bob Peck And Joe Don Baker. The Broadcasting Press Guild Awards 1986 Featuring Interviews With Producer Michael Wearing And Actor Bob Peck. Magnox The Secrets Of Edge Of Darkness. Featuring Contributions From Writer, Cast And Production Team. Bbc Arts Programme Did You See ? Reviews Edge Of Darkness. Bob Peck Interview From The Bbc Breakfast Time Programme.
A group of thirty-something gay men gather to celebrate a birthday, but before long, tensions rise, secrets emerge and the insults begin to fly. Director William Friedkin reassembled the original cast for his film adaption of the ground-breaking Broadway hit. Playwright Mart Crowley adapted his own play, creating a script full of acerbic speeches and cutting one liners for his cast of unforgettable characters. Released 50 years after its Broadway debut a year before the Stonewall riots - The Boys in the Band still has the power to shock. SPECIAL EDITION FEATURES: Audio Commentary with Director William Friedkin and Writer Mart Crowley Act 1: The Play' Act 2: The Film' Act 3: 40 Years of Boys in The Band' More TBC
This is the twilight world of half-truths and half-lives where the obsessive apparatus of state security interlocks with sinister and furtive forces from big business. It is the hidden battleground where private grief and individual suffering and death are dwarfed by the struggle for absolute power and the nightmare of nuclear catastrophe. Part One - 'Into The Shadows': His investigation into his daughter's murder reveals to Ronald Craven her involvement in nuclear power politics terrorism and death. Despite the agonies of his grief Craven finds himself drawn into Emma's secret world. Part Two - 'Northmoor': Craven and renegade US agent Jedburgh pursue their mission to discover the deadly secret of an underworld nuclear facility and begin a desperate race to avert catastrophe with mysterious wisdom of GAIA.
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
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