The night in 1988 when David and Cindi Dowaliby's 8-year-old daughter Jaclyn was abducted, David and Cindi lost not only their daughter, but also their freedom and their innocence. Their experiences are recounted in this utterly compelling story, which tells how, through a combination of power, politics, manipulation and murder, the Dowalibys fell victim to one of the most nightmarish miscarriages of justice in American legal history.
When a body is found floating in an upstate New York river, hard-drinking cop Joe Weldon is left with few clues. After uncovering the man's identity - an enigmatic simpleton named Hap - Weldon is led to the crooked hustler who took advantage of Hap and the disturbed, young punk who tormented him. A tale of personal demons, shattered lives, and ultimate redemption.
Directed by Adrien Grenier, the star of the HBO series Entourage, Teenage Paparazzo is an attempt on the part of someone in the celebrity spotlight to understand why paparazzi behave the way they do. Grenier focuses his attention on Austin Visschedyk, a 13-year-old, blonde mopped hipster-child, who lives the life of a celebrity photographer. The film, while not condoning the actions of paparazzi is a fascinating insight into their world.
Foursome
When He's Not A Stranger: An estimated one out of every three women will be sexually assaulted at some time in their life. Annabeth Gish portrays a shocked and violated victim who is lured into a false security and raped by her best friend's boyfriend. Little Girl Lost: Tess Harper and Frederic Forrest star in this inspiring story based on a real-life drama of the Brady family fighting to adopt a little girl who first came into their lives as a foster child.
1. Asylum Erotica (Dir. Fernando Di Leo 1971) 2. Class of 1999 Part II (Dir. Spiro Razatos 1994) 3. Blind Terror (Dir. Giles Walker 2001) 4. Callan (Dir. Don Sharp 1974) 5. Cyclone (Dir. Fred Olen Ray 1987) 6. Female Perversions (Dir. Susan Streitfeld 1996) 7. Recoil (Dir. Art Camacho 1997) 8. The Tunnel (Dir. Daniel Baldwin 2000) 9. I Shot a Man in Vegas (Dir. Keoni Waxman 1995) 10. Flowers in the Attic (Dir. Jeffrey Bloom 1987) 11. How Awful About Allan (Dir. Curtis Harrington 1970) 12. No Big Deal (Dir. Robert Charlton 1983) 13. Jake Speed (Dir. Andrew Lane 1986) 14. Miss Monday (Dir. Benson Lee 1998) 15. Kandyland (Dir. Philip Marcus & Robert Allen Schnitzer 1987) 16. The Killing Mind (Dir. Michael Ray Rhodes 1991) 17. Music Of Chance (Dir. Philip Haas 1993) 18. Original Sin (Dir. Ron Satlof 1989) 19. Phoenix (Dir. Danny Cannon 1998) 20. Pure Danger (Dir. C. Thomas Howell 1996)
Set in 1944 France an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men isolated from the war at present put aside their differences and spend Christmas together before the surrender plan turns bad and both sides are forced to fight the other. Based on the novel by William Wharton
Once in a while, studio heads actually make sensible decisions. Kudos to whoever at Trimark screened the embarrassing True Crime, an overwrought, under thought, "mystery" and decided, "You know, we really don't need to let the American public see this," and immediately sent it straight to video. Probably the one most pleased by the decision was Alicia Silverstone, who didn't need this type of thing getting a theatrical distribution and hurting her blossoming career. As for Kevin Dillon? Well, he was probably happy just to get paid. Silverstone plays the teen Nancy-Drew-meets-Encyclopedia-Brown protagonist who teams up with fresh-faced police cadet Dillon to try to bag a serial killer who's been butchering teenage girls at travelling carnivals in various cities. Writer-director Pat Verducci packs his thriller with implausible detective work and numerous plot twists, all visible 20 minutes away. The "shock" ending can pretty much be worked out within the first act, leaving viewers another hour to watch Verducci concoct several amateur dream sequences, and explore a disgusting sexual relationship between Silverstone and Dillon. By the end, the question isn't so much "Whodunit?" as "Who cares?" --Dave McCoy, Amazon.com
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