The Flintstones: After an aptitude test mix-up Fred Flintstone (John Goodman) trades his job as Slate & Company Bronto-crane operator for a vice presidency. But there's trouble brewing in Bedrock: An evil executive (Kyle MacLachlan) and his sinister secretary (Halle Berry) are now plotting to use Fred as the fall guy in an embezzlement scheme! (Dir. Brian Levant 1994) The Flintstones Viva Rock Vegas: Best pals Fred (Mark Addy) and Barney (Stephen Baldwin) down tools at Bedrock Mining Company to woo Wilma (Kristen Johnston) and Betty (Jane Krakowski) during a long vacation in Rock Vegas. All goes well until Fred's gambling addiction gets the better of him and he is framed for stealing Wilma's prized pearl necklace by love rival Chip Rockerfeller (Thomas Gibson) who oozes malice out of every prehistoric pore. Meanwhile Wilma's high fallutin mother Pearl (Joan Collins taking over from Elizabeth Taylor) thinks that Fred is too downmarket for her daughter and does everything within her power to push Wilma and Chip together... (Dir. Brian Levant 2000)
The Doors is Oliver Stone's epic, typically portentous homage to the band that soundtracked his youth. As is generally the case with Stone's films, its scope is impressively wide. He places The Doors at the eye of a 1960s cultural and political maelstrom through which passes Andy Warhol, Martin Luther King Jr and Robert Kennedy among others. But the details and dialogue often jar badly: the scenes in which various gilded youths imbibe the young Jim Morrison's early efforts at lyrics as if they were anything beyond dreadful sophomoric doggerel are a particular strain on the credulity. The film's central conceit--that Morrison's body was somehow inhabited at an early age by the spirit of a Navajo medicine man--makes the deranged conspiracies of JFK seem plausible by comparison. The Doors is redeemed by Stone's ability with ambitious set-pieces (the concert scenes are terrific) and a tremendous performance from Val Kilmer, who plays Jim Morrison as a pompous, self-regarding oaf who treats bandmates, friends and women appallingly. While this may well have been the case it is debatable whether Stone intended to show his hero in such an unflattering light: the closing scenes in Pere Lachaise cemetery, which linger over the graves of Wilde, Molière and Flaubert before arriving at Morrison's witlessly vandalised plot, certainly suggest a belief on Stone's part that the author of the ridiculous "American Prayer" has earned a place in the literary pantheon. This film fails to make a convincing case for that but, like Morrison's own work, is a compelling, cautionary illustration of what a supremely ordinary singer and songwriter is allowed to get away with if he looks good in leather trousers. On the DVD: The Doors Special Edition has the benefit of a bewildering array of special features, though many are less impressive than their billing: the "Behind the Scenes" documentary is eight minutes of apparently random footage of the film being made, and the making-of documentary isn't much more illuminating. The interviews with the cast are also on the desultory side. There is a conventional scene selector and another that allows the viewer to choose from the songs that appear in the soundtrack. There are also several sound options and subtitles. Most useful of all is the illuminating and engaging running commentary by Oliver Stone. --Andrew Mueller
On the morning of his 30th birthday Josef K. (MacLachlan) wakes up to every person's worst nightmare when two strange men enter his home to place him under arrest. Bewildered by the reasoning of these two authorities he doesn't take the charges seriously and attempts to carry on his life as usual. When summoned to a hearing in an unfamiliar part of the city however K. refuses to accept the case being brought against him by the system. The more K. tries to fight the unnamed charge
Dramatic biopic focusing on the progression of one of the most influential rock bands ever; The Doors, as well as the private life of lead singer Jim Morrison and his relationship with his girlfriend Pamela Courson (Meg Ryan). From three time Academy Award Winner Oliver Stone (Platoon, JFK). Extras“Back to the Roots” - An exclusive documentary highlighting the journey of one of the most influential bands in rock and roll history. “Jim Morrison - A Poet In Paris” – The last moments of Jim Morrison in Paris
Possibly the most influential American film of the 1980's Lynch's bizarre erotic mystery spawned a whole raft of imitations with its portrayal of the dark underside of American small-town life. Critics and audiences responded to Lynch's original and startling images of sex and violence and made the film a box-office smash. Blue Velvet is renowned for creating in Dennis Hopper's Frank one of the greatest screen villains of all time.
Jack Black, two-time Academy Award winner Cate Blanchett and Kyle MacLachlan star in The House with a Clock in its Walls. Based on the beloved children's classic written by John Bellairs, this magical adventure tells the story of 10-year-old Lewis, who goes to live with his uncle in a creepy old house. But this town's sleepy façade jolts to life when Lewis discovers that the house has a mysterious tick-tocking sound coming from its walls. Determined to find the ticking, Lewis uncovers a secret world of warlocks and witches and accidentally awakens the dead - forcing Lewis, his Uncle Jonathan and their neighbour, Mrs Zimmerman into a race against time to save the world.
Discover this stunning, new 4K restoration of Oliver Stone's psychedelic music biopic, brought to life with Dolby Atmos®, that will take audiences back into the world and sounds of one of the most iconic rock bands in history. A sonic journey that brilliantly captured the furious energy of the 60s and the myth of The Doors' iconic front man, Jim Morrison -the man whose music shaped an era. This brand new 4K restoration of THE DOORS in Dolby Atmos® will provide far greater overall clarity and dimension for the audience ( ) I wanted the film to be as immersive as possible to a real 60s Doors experience. - Oliver Stone - Extras: Includes two versions of the film the Theatrical 1991 Cut and brand new The Final Cut New interview with Oliver Stone New interview with Lon Bender, mixer for new Dolby Atmos mix Deleted Scenes Jim Morrison: A Poet in Paris THE ROAD TO EXCESS documentary THE DOORS IN LA Audio commentary with Oliver Stone Selected EPK highlights
David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle-class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. Lynch strips his surreally mundane sets to a ghostly austerity, which composer Angelo Badalamenti encourages with the smooth, spooky strains of a lush score. Blue Velvet is a disturbing film that delves into the darkest reaches of psycho-sexual brutality and simply isn't for everyone. But for a viewer who wants to see the cinematic world rocked off its foundations, David Lynch delivers a nightmarish masterpiece. --Sean Axmaker
The fourth series of Sex and the City is just as smart and sexy as ever, mixing caustic adult wit and sharply observed situation comedy on the mean streets of Manhattan, though this time the quartet of singleton city girls must endure even tougher combat in the unending war of love, sex and shopping. Carrie (Sarah Jessica Parker) finally seems to have found her ideal life partner when she is reunited with handsome craftsman Aidan. But can their relationship survive trial by cohabitation? Meanwhile Charlotte (Kristin Davis) seems to have both her dream Park Avenue apartment and a solution to her marital problems with Trey (Kyle MacLachlan), as well as conquering his fearsome mother. But when the subject of babies comes up everything starts to unravel for her, too. It's not just Charlotte having baby issues either: after what seems like an eternity of enforced sexual abstinence, Miranda (Cynthia Nixon) is horrified to discover she's pregnant. And as for the sultry Samantha (Kim Cattrall), she's on a quest for monogamy, first with an exotic lesbian artist then with a philandering businessman, with whom to her utter dismay she just might have fallen in love. --Mark Walker
Dune: Special TV Edition is an extended US network television version prepared in 1988 from David Lynch's 1984 film of Frank Herbert's classic science fiction novel, Dune. The original cinema release of this complex tale of interplanetary intrigue was heavily shortened and this 176-minute TV edition should not to be confused with Lynch's still unreleased three-hour-plus "Director's Cut". In fact Lynch disowned this TV version, replacing his director's credit with the infamous pseudonym Alan Smithee and his screenplay credit with the name Judas Booth (a combination of two notorious traitors). What the network did was add 35 minutes, about 15 minutes in the first two thirds, which in the cinema cut is in any case superbly paced, and around 20 into the final 40. This latter material does help balance the frenetic rush of the cinema cut, restoring important scenes such as Paul Atreides' fight with Jamis, a Fremen funeral and Jessica Atreides' taking the "Water of Life". What primarily alienated Lynch was the imposition of a folksy, sometimes laughable narration, as well as the replacement of the original prologue with a far longer sequence explaining the Dune universe via pre-production paintings. This TV edit is a travesty of what, in the "Director's Cut" at least, is probably a great film, and is really only worth seeing to get a glimpse of the material Lynch was forced to remove. The unconnected mini-series, Frank Herbert's Dune (2000) does a far better job of telling a more complete version of the story. On the DVD: There is a fold-out colour booklet which contains a wealth of stills, a reproduction of the original cinema poster and a worthwhile essay on the original film that avoids any discussion of the TV version it accompanies. On the disc there is only the original theatrical trailer. The superb cinematography is ruined by the panned and scanned 4:3 image, which is grainy and has poor colour fidelity. It is also soft, lacking detail and washed-out, probably a result of being converted from American NTSC TV format video rather than coming directly from an original film print. Certainly the DVD of the cinema version looks far better. The audio is thin mono, completely failing to do justice to how fantastic a post-Star Wars 40-million-dollar science fiction epic should sound. --Gary S Dalkin
Sophie a young foreign exchange student arrives to stay with a family in up-state New York taking piano lessons from the father Keith. But soon Sophie's longing for excitement and Keith's growing disenchantment with family life begin to take on a romantic aspect which threatens Keith's comfortable suburban existence. An intimate and intelligent romantic drama starring Felicity Jones (Like Crazy Chalet Girl) and Guy Pearce (Prometheus Lawless the Hurt Locker). Directed by Drake Doremus (Like Crazy).
This two-disc special edition release of David Lynch's 1984 film Dune presents the same cut as originally shown theatrically, but with an improved transfer compared to the previous DVD edition and with the addition of new and archive documentary material. In case of confusion, it should be noted that this is not any of the following versions: the re-edited TV movie adaptation of Lynch's film, the long-sought-after extended version Lynch screened for cast and crew in January 1984, a new Director's Cut, or the Sci-Fi Channel mini series. The first disc contains a new anamorphically enhanced 2.35:1 transfer taken from a High Definition archive copy of the 1984 film, further restored to remove dirt and scratches, and a Dolby Digital 5.1 remix as well as the original stereo soundtrack. The film looks superb and sounds almost as good, though a DTS soundtrack would have been welcome. The main extras are a well illustrated 32-page booklet written by Paul Sammon, author of the excellent Future Noir: The Making of Blade Runner and The Making of Starship Troopers and a new 38-minute anamorphic widescreen documentary, Impressions of Dune. This is much superior to the average making-of, featuring significant new contributions from Kyle MacLachlan, producer Raffaella De Laurentiis, cinematographer Freddie Francis and others--though David Lynch is conspicuous by his absence. Destination Dune is a six-minute promotional featurette made by Sammon at the time of the film's release and the 4:3 image is fairly poor quality. An 83-second BBC interview with Frank Herbert is too short to be of more than passing interest, though the original trailer is a fine example of the 1980's way of selling movies. The set is completed with routine cast and crew profiles. Even with no involvement from Lynch and no commentaries, this is still the best Dune on DVD. --Gary S. Dalkin
Sex And The City - Season 6 marks the end of the hit series. The witty and tenacious plot-lines crackle with the usual cutting humour and candour of the previous series' but the concluding episodes also highlight the show's ability to capture the mood and feelings of contemporary love and loss. As the four friends look to new horizons and begin to think about settling down their lives begin to follow new paths that will take them away from the familiar landscapes they have beco
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Set in the picture-postcard small town of Lumberton, Kyle Maclachlan plays the clean cut Jeffrey Beaumont, who, whilst returning from a visit to his hospitalised father, makes the shocking discovery of a severed human ear. After reporting his discovery to a local police detective, Jeffrey decides to pursue his own line of enquiry, aided by the detective's daughter, Sandy (Laura Dern). This sets Jeffrey on a voyage of discovery that takes him to the very heart of Lumberton's seedy and sinister underworld where he encounters a collection of misfits whose various chronic compulsions threaten to engulf him in their twisted and nightmarish world.
Fire Walk With Me is a rare spin-off that refuses to repeat what worked on TV. Despite mannerisms and "draggy" spots, Twin Peaks emerged as one of the wonders of American TV: scary and funny, erotic and serious, offensive and freakish. It meandered in an always interesting but sometimes frustrating way through two seasons, then signed off with a cliff-hanger upon cancellation. When Lynch announced he would continue the saga with a theatrical movie, fans assumed he would: (a) pull out the stops to show what evils really lurked behind the pretty façade of that small town, and (b) wrap up a storyline which tailed off with Agent Dale Cooper (Kyle MacLachlan) possessed by the evil spirit "Bob". As it happens, Lynch delivered on (a) but refrained from fulfilling clause (b), opting to do a prequel--adapted in part from The Secret Diary of Laura Palmer, a tie-in novel by Jennifer (Boxing Helena) Lynch--which sets up the series by following the last week in the life of the "prom queen from Hell". Fire Walk With Me assumes you will be familiar with the series (some bits are incomprehensible unless you paid attention while other bits are just incomprehensible), making it most accessible to Twin Peaks initiates though sometimes deliberately offensive to them. It then omits several of the show's stars (Michael Ontkean, Richard Beymer, Joan Chen, Sherilyn Fenn) and a great many of the "lovable" aspects (wry jokes, damn fine coffee), relegating MacLachlan to a walk-on since the story happens before Cooper was assigned to Twin Peaks. Some instances of joyless sex and violence exceed anything Lynch could do on television, but for the most part he creates an atmosphere of dread through edgy performances, unsettling lighting and sound effects and sheer grimness. Without the catchphrases and the quirky charm, the film never feels cuddly in the way the TV show did, but it is one of Lynch's finest works and, though deeply uncomfortable, a TV spin-off which ranks with the best in both media. On the DVD: The DVD is Region 0 with a widescreen print, augmented for 16x9 televisions. It holds a better-looking transfer than previous video or laserdisc releases and offers an eerie red room/blue rose menu. However the disc offers absolutely no notes, trailers, crib sheets, bios, or other extra features. --Kim Newman
To be a librarian you must master the Dewey Decimal System ace internet research and if you're new librarian Flynn Carsen (Noah Wyle) save the world! Wyle (E.R.) heads a sterling cast in a fun fantastical special effects-laden adventure that soars around the world from the Metropolitan Library to the Amazon jungle to the Himalayas. Geeky Carsen lands a job as the Librarian keeper of such top-secret Met treasures as Excalibur and Pandora's Box. Then the Serpent Brothe
Meet Laura Palmer... In a town where nothing is as it seems... And everyone has something to hide. A young girl named Teresa Banks is found brutally murdered. The FBI agents leading the investigation are drawn into a bizarre and dangerous world and then disappear. The case is handed to Agent Dale Cooper. He knows it is only a matter of time before the killer strikes again. Welcome to Twin Peaks an idyllic part of small-town America one year later. A picture postcard settin
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