In 1998, director Hideo Nakata (Dark Water) unleashed a chilling tale of technological terror on unsuspecting audiences, which redefined the horror genre, launched the J-horror boom in the West and introduced a generation of moviegoers to a creepy, dark-haired girl called Sadako. The film's success spawned a slew of remakes, reimaginations and imitators, but none could quite boast the power of Nakata's original masterpiece, which melded traditional Japanese folklore with contemporary anxieties about the spread of technology. A group of teenage friends are found dead, their bodies grotesquely contorted, their face twisted in terror. Reiko (Nanako Matsushima, When Marnie Was There), a journalist and the aunt of one of the victims, sets out to investigate the shocking phenomenon, and in the process uncovers a creepy unrban legend about a supposedly cursed videotape, the contents of which causes anyone who views it to die within a week - unless they can persuade someone else to watch it, and, in so doing, pass on the curse... Arrow Video is proud to present the genre-defining trilogy - Ring, the film that started it all, plus Hideo Nakata's chilling sequel Ring 2, and the haunting origin story, Ring 0 - as well as the 'lost' original sequel, George Iida's Spiral, gathered together in glorious high definition and supplemented by a wealth of archival and newly created bonus materials. Special Edition Content: Brand new 4K restoration of Ring from the original camera negative, approved by director of photography Junichiro Hayashi High Definition Blu-ray (1080p) presentations Lossless Japanese DTS-HD master audio 5.1 and PCM 2.0 soundtracks Optional English subtitles Bonus feature: Spiral, George Iida's 1998 sequel to Ring New audio commentary on Ring by film historian David Kalat New audio commentary on Ring 0 by author and critic Alexandra Heller-Nicholas The Ring Legacy, a series of new interviews from critics and filmmakers on their memories of the Ring series and ints enduring legacy A Vicious Circle, anew video interview with author and critic Kat Ellinger on the career of Hideo Nakata Circumnavigating ring, a new video essay by critic Jasper Sharp on the J-horror phenomenon The Psychology of Fear, a newly edited archival interview with author Koji Suzuki Archival behind-the-scenes featurette on Ring 0 Ring 0 deleted scenes Sadako's video Multiple theatrical trailers for the Ringt series
Ring (1998) Within a week of watching a mysterious videotape a group of teenagers are dead. The bodies are found gruesomely contorted their eyes frozen as if they had seen something more terrifying than any physical threat. The video then becomes an urban myth. Insidiously an unseen force is pointing its deadly finger at those poor souls unable to resist their curiosity. One of those people is cynical journalist Reiko who soon finds herself unwillingly drawn into a spiralli
Kamikaze Girls (Special Edition)
Rachel and her son relocate to Oregon in this horror sequel - but the evil soon follows.
Dolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on stoical cops or gangsters. The title refers most directly, but not exclusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action. The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, and formal movement imposed by Kitano's compositional eye and rigorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her. This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson
Momoko Ryugasaki (Kyoko Fukada) is a bit of an oddball 17-year-old who is fascinated by life in 18th century Versailles. She wears her version of what she thinks people wore there at that time and dreams of being able to get away from her boring life. Momoko's father (Hiroyuki Miyasako) makes his living selling counterfeit brand-name clothes but when he gets on the wrong side of some bad people he has to flee to the countryside. Momoko decides to escape from her boredom and to make some money by selling the last of her father's dodgy stock. In doing this she meets up with biker chick Ichigo (Anna Tsuchiya). So begins a strange friendship and a colourful series of adventures as the odd couple lurch into situations both comic and dangerous.
Meet Momoko (Kyoko Fukada from The Ring 2 and Dolls) a self-absorbed dreamer who fantasizes about fleeing her backcountry home and living life in 18th century Versailles. When she unexpectedly meets a rebellious Ichigo (Anna Tsuchiya from Dororo and Sakuran) a rough-and-tumble biker chick the two misfits from a unique friendship - together nothing can stop them! Born from the pages of favourite cult author Novala Takemoto Kamikaze Girls is a frenetic roller-coaster ride brimming with day-glo visuals and wild hilarity that you will never forget!
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