"Actor: La La Anthony"

• Star Wars Episode IV: A New Hope | DVD | (24/08/2020) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire

• Nine Bullets | DVD | (13/06/2022) from £3.28   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Witness. Target. Protector. Gypsy Moon (Lena Headey - Game of Thrones) is a novelist by day but when night falls she dances to earn her keep. However, when the family next door is brutally murdered Gypsy finds herself on the run from crime boss Jack (Sam Worthington - Avatar) and his thugs. Finding herself as protector to a young boy and his dog, the only survivors of the brutal attack, Gypsy realises she is the only thing that stands between them and their survival in this truly edge-of-your seat thriller. Directed and written by Gigi Gaston. Also starring Cam Gigandet (Burlesque), Barbera Hershey (Once Upon a Time), La La Anthony (Power) and Martin Sensmeier (Westworld)

• Turandot - Puccini | DVD | (15/09/2003) from £24.77   |  Saving you £-7.78 (N/A%)   |  RRP £16.99

  Puccini's 'Turandot' performed by the Metropolitan Opera. Artists include: Eve Marton and Placido Domingo. Conducted by James Levine. Directed by Franco Zeffirelli. Sung in Italian

• Buffy The Vampire Slayer: Season 5 | DVD | (18/09/2017) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful centre of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart

• Wives And Daughters | DVD | (20/08/2001) from £33.73   |  Saving you £-8.74 (N/A%)   |  RRP £24.99

  Andrew Davies' 1999 adaptation of Mrs Gaskell's Wives and Daughters was hailed as the rediscovery of a "forgotten" classic novel and found the BBC on the crest of a wave with costume dramas--led by Pride and Prejudice. Handsome and beautifully filmed, if anything, it surpassed the quality of even that highly praised landmark production. "We should all look pretty strange under a microscope," botanist Robert Hamley tells our heroine Molly Gibson and of course Mrs Gaskell places all her characters under intense scrutiny, with affection but without judgement. Davies' screenplay peals back the layers, giving full vent to the comedy, tragedy and satire that drive this tale of provincial life to its highly satisfactory conclusion. Justine Waddell imbues Molly with an increasingly exasperated but remarkably forbearing intelligence, while Francesca Annis, as the outrageously self-absorbed step-mother Hyacinth, paints a wonderful portrait of affectation without ever totally alienating our sympathy. Michael Gambon's immensely touching Squire Hamley won him a Best Actor BAFTA, but all the performances are uniformly excellent, contributing immeasurably to five hours of television drama of the highest calibre. On the DVD: Presented in 16:9 format with a Dolby Digital stereo soundtrack, this two-disc presentation retains all the hallmarks of the original BBC viewing experience. The picture quality is lush--the production lighting is excellent--and the sound quality sharp. The only gripe is with the extras: the Omnibus documentary "Who the Dickens is Mrs Gaskell?" is brutally truncated, cutting off talking heads like novelists Fay Weldon and Margaret Drabble in their prime and giving limited insight into how the production was made. As an audio bonus, there is also 30 minutes of John Keane's music.--Piers Ford

• Buffy the Vampire Slayer - Complete Season 1-7 (New Packaging) | DVD | (03/10/2011) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £33.95

  From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realise how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson

• Nowhere to Run | DVD | (09/10/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Poor Rosanna Arquette ended up in this Van Damme potboiler about an escaped convict who moves onto the farm of a widow (Arquette) and her two kids. Stuff happens: a cop who likes her gets jealous and beats up the Muscles from Brussels (but only after handcuffing him), there's a fire in the barn, bad guys are trying to drive her away, etc. The story was first developed by screenwriter Joe Eszterhas (Basic Instinct) and the late director Richard Marquand (Eye of the Needle). Eszterhas wrote the script, but who knows what direction this story was originally going? Van Damme's best film is still Timecop, and this is a long way from the quality of that.

• All About The Benjamins | DVD | (30/09/2002) from £10.83   |  Saving you £9.16 (84.58%)   |  RRP £19.99

  One's a top dog bounty hunter; the other a two-bit hustler. Add to the mix a botched diamond heist a lost wallet with a winning lottery ticket and one thing becomes clear: it's 'All About The Benjamins'...

• Starship Troopers 25th Anniversary | Blu Ray | (01/11/2022) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• A Christmas Carol | DVD | (07/11/2005) from £7.35   |  Saving you £0.64 (8.71%)   |  RRP £7.99

  This 1984 version of the Dickens' classic `A Christmas Carol ' directed by Clive Donner stars George C. Scott as Ebenezer Scrooge. A miserable old man who hates the festive season is taught the true meaning of Christmas in this definitive version of Dickens' Yuletide tale.

• Paradise | DVD | (27/04/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  After a personal tragedy the Reeds take in their ten year old nephew and re-awaken their marriage.... A heartwarming drama based on the French novel and film Le Grand Chemin.

• Snake Eyes | DVD | (05/02/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Brian De Palma's 1998 thriller is largely an exercise in airing out his orchestral, oversized visual style (think of his Blowout, Body Double or Raising Cain) for the heck of it. The far-fetched story featuresNicolasCage as a crooked police detective attending a championship boxing match at which the Secretary of Defence is assassinated. The unfortunate Secretary's right-hand man (Gary Sinise) happens to be Cage's old friend, a fact that complicates the cop's efforts to reconstruct the crime from conflicting accounts--a directorial strategy bearing similarities to Kurosawa's Rashomon. The outrageousness of the scenario essentially gives DePalma permission to construct a baroque cathedral of spectacular camera stunts, which (he well knows) are inevitably more interesting than the hoary conspiracy plot. (The opening scene alone, which runs on for a number of minutes and consists of one, unbroken shot that moves in from the street, following Cage up and down stairs and in and out of rooms until finally ending ringside at the match, is breathtaking.) The shifting points of view--based on the contradictory statements of witnesses--also give De Palma licence to get creative with camera angles and scene rearrangements. The script bogs down in the third act but De Palma is just revving up for a big, operatic finish that is absolutely gratuitous but undeniably impressive. Yes, it's style over substance in Snake Eyes but what style you're talking about.--Tom Keogh

• One Night At McCool's | DVD | (22/10/2001) from £4.95   |  Saving you £15.04 (303.84%)   |  RRP £19.99

  It all started one night at McCool's: three unsuspecting men and one woman with a dream are brought together by lust, mayhem, DVDs, and the finer points of home decorating. Starring Liv TYler, Matt Dillon, John Goodman and Paul Reiser.

• Lady Chatterley's Lover | DVD | (19/12/2002) from £20.13   |  Saving you £-7.14 (N/A%)   |  RRP £12.99

  A rich lady who becomes bored by her sexless marriage and seeks satisfaction with her husband's gamekeeper oblivious of the social scandal she is creating... D.H. Lawrence's controversial novel transformed into a sensual masterpiece from the makers of 'Emmanuelle'.

• Young Sherlock Holmes And The Pyramid Of Fear | DVD | (02/02/2004) from £11.98   |  Saving you £7.00 (77.86%)   |  RRP £15.99

  What would have happened if Sherlock Holmes and Dr. Watson had met as schoolboys? Why the solution is elementary - nothing but adventure! And that's just what director Barry Levinson gives us in this special effects spectacular that sends the super-sleuth on his very first case! When a plague of bizarre puzzling murders grip London young Holmes and his new found friend Watson find themselves unwittingly entangled in the dark mystery. So 'the fame is afoot!' And the budding detect

• The Infernal Affairs Trilogy Criterion Collection - UK Only - Original titles: Mou gaan dou, II and III: Jung gik mou gaan | Blu Ray | (28/11/2022) from £47.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The explosively stylish, gripping saga of two rival moles that jolted the Hong Kong crime drama to new life is now available in one box set.The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles-played by superstars TONY LEUNG CHIU-WAI (In the Mood for Love) and ANDY LAU TAK-WAH (As Tears Go By)- who navigate slippery moral choices as they move between the intersecting territories of Hong Kong's police force and its criminal underworld.Set during the uncertainty of the city-state's handover from Britain to China and steeped in Buddhist philosophy, these ingeniously crafted tales of self-deception and betrayal mirror Hong Kong's own fractured identity and the psychic schisms of life in a postcolonial purgatory.Infernal AffairsTwo of Hong Kong cinema's most iconic leading men, TONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH, face off in the breath-taking thriller that revitalized the citystate's twenty-first-century film industry, launched a blockbuster franchise, and inspired Martin Scorsese's The Departed.The setup is diabolical in its simplicity: two undercover moles-a police officer (Leung) assigned to infiltrate a ruthless triad by posing as a gangster, and a gangster (Lau) who becomes a police officer in order to serve as a spy for the underworld-find themselves locked in a deadly game of cat and mouse, each racing against time to unmask the other. As the shifting loyalties, murky moral compromises, and deadly betrayals mount, Infernal Affairs raises haunting questions about what it means to live a double life, lost in a labyrinth of conflicting identities and allegiances.Infernal Affairs IIThe first of two sequels to follow in the wake of the massively successful Infernal Affairs softens the original's furious pulp punch in favour of something more sweeping, elegiac, and overtly political. Flashing back in time, Infernal Affairs II traces the tangled parallel histories that bind the trilogy's two pairs of adversaries: the young, duelling moles (here played by EDISON CHEN KOON-HEI and SHAWN YUE MAN-LOK), and the ascendant crime boss (ERIC TSANG CHI-WAI) and police inspector (ANTHONY WONG CHAU-SANG) whose respective rises reveal a shocking hidden connection.Unfolding against the political and psychological upheaval of Hong Kong's handover from Britain to China, this elegant, character-driven crime drama powerfully connects its themes of split loyalties to the city-state's own postcolonial identity crisis.Infernal Affairs IIITONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH return for the cathartic conclusion of the Infernal Affairs trilogy, which layers on even more deep-cover intrigue while steering the series into increasingly complex psychological territory. Dancing back and forth in time to before and after the events of the original film, Infernal Affairs III follows triad gangster turned corrupt cop Lau Kin-ming (Lau) as he goes to dangerous lengths to avoid detection, matches wits with a devious rival in the force (LEON LAI), and finds himself haunted by the fate of his former undercover nemesis (Leung). A swirl of flashbacks, memories, and hallucinations culminates in a dreamlike merging of identities that drives home the trilogy's vision of a world in which traditional distinctions between good and evil have all but collapsed.Product FeaturesNew 4K digital restorations, with 5.1 surround DTS-HD Master Audio soundtracksAudio commentaries for Infernal Affairs and Infernal Affairs II featuring codirectors Andrew Lau Wai-keung and Alan Mak and screenwriter Felix Chong Man-keungAlternate ending for Infernal AffairsNew interview with Lau and MakArchival interviews with Lau, Mak, Chong, and actors Andy Lau Tak-wah, Tony Leung Chiu-wai, Anthony Wong Chau-sang, Kelly Chen Wai-lam, Edison Chen Koon-hei, Eric Tsang Chi-wai, and Chapman To Man-chakMaking-of programmesBehind-the-scenes footage, deleted scenes, and outtakesTrailersNew English subtitle translationsPLUS: An essay by film critic Justin Chang

• Buffy The Vampire Slayer - Season 7 | DVD | (08/05/2006) from £24.98   |  Saving you £10.01 (40.07%)   |  RRP £34.99

  The seventh and final season of Buffy's vampire vanquishing adventures. Episodes Comprise: 1. Lessons 2. Beneath You 3. Same Time Same Place 4. Help 5. Selfless 6. Him 7. Conversations With Dead People 8. Sleeper 9. Never Leave Me 10. Bring On The Night 11. Showtime 12. Potential 13. The Killer In Me 14. First Date 15. Get It Done 16. Storyteller 17. Lies My Parents Told Me 18. Dirty Girls 19. Empty Places 20. Touched 21. End Of Days 22. Chosen

• Mackenna's Gold | DVD | (12/04/2004) from £13.81   |  Saving you £-7.82 (N/A%)   |  RRP £5.99

  A U.S. Sheriff entrusted with a map of the legendary Valley of Gold is attacked by an unruly bandit gang and his own local townspeople. They are all fired by greed and gold lust but bound together by a fear of their common enemy - the Apache. Based on a novel by Will Henry with music by Quincy Jones.

• Buffy the Vampire Slayer: Complete Season 4 | DVD | (18/10/2004) from £34.20   |  Saving you £0.79 (2.31%)   |  RRP £34.99

  In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig

• Hamlet | DVD | (10/03/2003) from £6.49   |  Saving you £3.50 (53.93%)   |  RRP £9.99

  In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall