Hong Kong, 1962: Chow Mo-Wan (Chungking Express's TONY LEUNG CHIU-WAI) and Su Li-Zhen (Irma Vep's MAGGIE CHEUNG MAN-YUK) move into neighbouring apartments on the same day. Their encounters are formal and polite-until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, WONG KAR WAI's In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching soundtrack and exquisitely abstract cinematography by CHRISTOPHER DOYLE and MARK LEE PING-BING, this film has been a major stylistic influence on the past two decades of cinema, and is a milestone in Wong's redoubtable career. Product Features 4K Digital restoration with 5.1 surround DTS-HD Master Audio soundtrack, both supervised and approved by director Wong Kar Wai Documentary from 2001 by Wong, chronicling the making of the film Hua yang de nian hua (2000), a short film by Wong Interview and cinema lesson from 2001 featuring Wong Press conference from the 2000 Toronto International Film Festival with actors Maggie Cheung Man-yuk and Tony Leung Chiu-wai Interview from 2012 with critic Tony Rayns about the soundtrack Deleted scenes with optional commentary by Wong Music video Trailer PLUS: A new essay by novelist Charles Yu
Edward Yang's Family Epic, One Of The Most Acclaimed Movies Of The Decade. The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master EDWARD YANG (A Brighter Summer Day), follows a middleclass family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middleage father NJ's tentative flirtations with an old flame or precocious young son YangYang's attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century. Features: Newly restored digital transfer, with DTSHD Master Audio soundtrack. Audio commentary by writerdirector Edward Yang and Asiancinema critic Tony Rayns. Video interview with Rayns about Yang and the New Taiwan Cinema movement. Theatrical trailer
A chilling psychological horror film from Hong Kong about a blind girl, who soon regrets her corrective corneal surgery operation as she starts to see images which are not her own...
The explosively stylish, gripping saga of two rival moles that jolted the Hong Kong crime drama to new life is now available in one box set.The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles-played by superstars TONY LEUNG CHIU-WAI (In the Mood for Love) and ANDY LAU TAK-WAH (As Tears Go By)- who navigate slippery moral choices as they move between the intersecting territories of Hong Kong's police force and its criminal underworld.Set during the uncertainty of the city-state's handover from Britain to China and steeped in Buddhist philosophy, these ingeniously crafted tales of self-deception and betrayal mirror Hong Kong's own fractured identity and the psychic schisms of life in a postcolonial purgatory.Infernal AffairsTwo of Hong Kong cinema's most iconic leading men, TONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH, face off in the breath-taking thriller that revitalized the citystate's twenty-first-century film industry, launched a blockbuster franchise, and inspired Martin Scorsese's The Departed.The setup is diabolical in its simplicity: two undercover moles-a police officer (Leung) assigned to infiltrate a ruthless triad by posing as a gangster, and a gangster (Lau) who becomes a police officer in order to serve as a spy for the underworld-find themselves locked in a deadly game of cat and mouse, each racing against time to unmask the other. As the shifting loyalties, murky moral compromises, and deadly betrayals mount, Infernal Affairs raises haunting questions about what it means to live a double life, lost in a labyrinth of conflicting identities and allegiances.Infernal Affairs IIThe first of two sequels to follow in the wake of the massively successful Infernal Affairs softens the original's furious pulp punch in favour of something more sweeping, elegiac, and overtly political. Flashing back in time, Infernal Affairs II traces the tangled parallel histories that bind the trilogy's two pairs of adversaries: the young, duelling moles (here played by EDISON CHEN KOON-HEI and SHAWN YUE MAN-LOK), and the ascendant crime boss (ERIC TSANG CHI-WAI) and police inspector (ANTHONY WONG CHAU-SANG) whose respective rises reveal a shocking hidden connection.Unfolding against the political and psychological upheaval of Hong Kong's handover from Britain to China, this elegant, character-driven crime drama powerfully connects its themes of split loyalties to the city-state's own postcolonial identity crisis.Infernal Affairs IIITONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH return for the cathartic conclusion of the Infernal Affairs trilogy, which layers on even more deep-cover intrigue while steering the series into increasingly complex psychological territory. Dancing back and forth in time to before and after the events of the original film, Infernal Affairs III follows triad gangster turned corrupt cop Lau Kin-ming (Lau) as he goes to dangerous lengths to avoid detection, matches wits with a devious rival in the force (LEON LAI), and finds himself haunted by the fate of his former undercover nemesis (Leung). A swirl of flashbacks, memories, and hallucinations culminates in a dreamlike merging of identities that drives home the trilogy's vision of a world in which traditional distinctions between good and evil have all but collapsed.Product FeaturesNew 4K digital restorations, with 5.1 surround DTS-HD Master Audio soundtracksAudio commentaries for Infernal Affairs and Infernal Affairs II featuring codirectors Andrew Lau Wai-keung and Alan Mak and screenwriter Felix Chong Man-keungAlternate ending for Infernal AffairsNew interview with Lau and MakArchival interviews with Lau, Mak, Chong, and actors Andy Lau Tak-wah, Tony Leung Chiu-wai, Anthony Wong Chau-sang, Kelly Chen Wai-lam, Edison Chen Koon-hei, Eric Tsang Chi-wai, and Chapman To Man-chakMaking-of programmesBehind-the-scenes footage, deleted scenes, and outtakesTrailersNew English subtitle translationsPLUS: An essay by film critic Justin Chang
When the ancient King of a proud Chinese Kingdom is killed, the throne passes to his only daughter, Yan Feier. Will the Kingdom be lost forever, or can Feier fight her enemies and assume her rightful place at the head of the nation?
The Evil Cult (aka "Lord of the Wu Tang") is a wildly and wacky supernatural epic in which Jet Li masquerades as Mo-kei, a weakling warrior orphaned as a child when his parents are killed by two evil Jinx warlords. Chased out of the Wu Tang compound by a leader who considers him a liability, Mo-kei (and his female protectress) find themselves trapped in a dark abyss where they stumble upon a "cooking monk" trapped in a massive boulder who holds the secret to a lost form of Shaolin kung fu. They trick him into teaching Mo-kei the secret of his "solar stance". Newly empowered, Mo-kei sets off to find his maternal grandfather, King of the Gold Lion (de facto leader of the Evil Cult), to rally his clan with the Wu Tang in order to defeat the stifling government forces and exact revenge on the terrible Jinxes. Martial Law's Sammo Hung appears as Chang San Fung, Tai Chi Master of the Wu Tang clan (Hung also choreographed the action sequences for this film). Director Wong Jing (who also helmed the God of Gamblers series, Hard Boiled 2, and Return to a Better Tomorrow) just about keeps a handle on the plot and ably directs the stunning action sequences, some of which occur on battlefields swarming with soldiers. On the DVD: the main feature is presented in letterboxed format with original Cantonese dialogue and English subtitles. The print is generally of good quality but afflicted with blemishes and white flecks throughout. The subtitles are clear but their awkward translation and speed of transition serve at times to make an already convoluted plot harder to understand. It's a shame that an option to listen to a dubbed soundtrack wasn't added as the dubbed theatrical trailer (included here) enhances the daffiness of the movie. Other extras include comprehensive cast and crew filmographies and a small selection of stills. --Chris Campion
A subtitled three-hour saga of an ordinary middle-class urban family in modern-day Taiwan, at first glance, A One and a Two might not seem the most appealing of prospects. But don't be misled: this is a film that draws you in with all the warmth and density of a good novel, and once you are past the surface unfamiliarity of Taipei society, there's nothing in this tale of a troubled family that would seem alien anywhere in the world. Romantic stories often end with a wedding. Realistic stories are as likely to begin with one. Writer-director Edward Yang's film starts in a mass of floaty white dresses and heart-shaped pink balloons, but the smiles seem a little too effusive, the jollity feels forced. And sure enough, disaster is lurking. The seeming simplicity of Yang's narrative style conceals a subtle, intricate design. His camera moves obliquely, often holding its distance from the action, letting us take in all the elements of a scene and draw our own conclusions. Wider social implications--about modern society, about international business ethics--are hinted at, but never rammed home. By the end we realise we've been watching a microcosm of human life, with all its humour and tragedy. For all the apparent narrowness of its canvas, A One and a Two makes most British and American films feel hopelessly parochial. The Best Director Prize at Cannes was rarely more richly deserved. On the DVD: A One and a Two comes to disc with a generous helping of extras. The original theatrical trailer, wordless and intriguing; numerous cast and crew biographies; a brief stills gallery; and, best of all, a full three-hour commentary track of Edward Yang in conversation with Tony Rayns, UK expert on Chinese-language cinema. Their discussion is relaxed and illuminating. The print, and the SR Dolby Digital sound, are clean and crisp, and we get the full 1.85:1 ratio of the original release. --Philip Kemp
This Special Edition 2-disc set of 'In The Mood For Love' presents a vast and sumptuous array of the very best of director Wong Kar-Wai's selected additional features. The special bonus features will satisfy the longings for audiences who have been seduced by 'In The Mood For Love' and its timeless beauty style and sensuality. Hong Kong 1962. Chow (Tony Leung) is a junior newspaper editor with an elusive wife. His new neighbour Li-zhen (Maggie Cheung) is a secretary whose husband s
Hong Kong 1962. Chow (Tony Leung) is a junior newspaper editor with an elusive wife. His new neighbour Li-zhen (Maggie Cheung) is a secretary whose husband seems to spend all his time on business trips. They become friends making the lonely evenings more bearable. As their relationship develops they make a discovery that changes their lives forever... In this sumptuous exploration of desire internationally acclaimed director Wong Kar-Wai creates a world of sensuality and longing
When the ancient King of a proud Chinese Kingdom is killed, the throne passes to his only daughter, Yan Feier. Will the Kingdom be lost forever, or can Feier fight her enemies and assume her rightful place at the head of the nation?
When Joanna Kendall accidentally knocks an eight-year-old girl off her bike it is the start of a nightmare that slowly begins to destroy her cosy suburban life. Afraid to admit to being the hit and run driver Joanna finds herself in a race against time between the little girl's survival and the investigators' search for the driver...
A chilling psychological horror film from Hong Kong about a blind girl, who soon regrets her corrective corneal surgery operation as she starts to see images which are not her own...
This film of the legendary martial arts expert and actor Bruce Lee became a huge theatrical hit breaking the house record at the Cinecenta London. Starring Bruce Lee's great friend basketball star Kareem Abdul-Jabbar Bruce Lee look-alike Bruce Li Lee Roy Lung Ronald Brown 'Big Jonny' Floyd and Mun Ping 'Goodbye Bruce Lee - His Last Game of Death' is based on the making of 'The Game of Death' the film Bruce Lee started but put on hold to star in 'Enter the Dragon'. Soon aft
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