One would think that after the aquatic horror of the previous three Jaws films the remnants of the beleaguered Brodie family would be happily nursing their hydrophobia somewhere in Kansas. However, in Jaws 4--The Revenge, we find that Ellen (Lorraine Gary) is still living on a tiny island and her eldest son Michael (Lance Guest) has become, of all things, a marine biologist. Even when yet another giant shark slaughters her younger son, all Ellen can do to take her mind off it is go to the Bahamas and gaze at the sea. There she embarks on a romantic affair with salty sea-pilot Hoagie (a nice turn from Michael Caine), but this peace is shattered as the shark begins to target her grandchildren and friends. Where this monster-with-a-grudge comes from, bearing in mind that the sharks in each of the previous films got blown up or electrocuted, is something of a conundrum. But logic is clearly not a concern in a script that demands only that this film should bear some tenuous relation to its predecessors. The ghost of the far-superior original looms large here--in the form of Ellen's flashbacks (which actually use footage from the earlier films), scenes that overtly refer to moments from the series (Michael's son mimics him at the dinner table, as Michael once did to his own father) and a set littered with conspicuously large photos of Roy Scheider. There are nice touches--Michael and his Jamaican partner Jake (Mario Van Peebles) fit the shark with a heart monitor which lets off an eerie blipping sound when it approaches, it is nice to see a romance between more "mature" characters portrayed so warmly and when the maternal Ellen forms the resolve to protect her family it even looks like she may briefly become a sort of geriatric Ripley character (à la Aliens). But with a shark that has never looked more rubbery, set pieces that lack suspense and invention and a short running time (only 86 minutes) it is hard to shake off the sensation that this is a made-for-TV film. Those wanting a dose of tongue-in-cheek killer-creature action would be better off avoiding this wet fish and taking in a Jaws rip-off with a little more bite, such as Deep Blue Sea or Deep Rising. --Paul Philpott
THIS TIME IT'S PERSONAL Once again the peace of Amity and the lives of the Brody family are shattered by a bloodthirsty shark in Jaws: The Revenge. Lorraine Gary reprises her role as the now widowed Ellen Brody who finds herself reliving the horrors of the past when a mammoth shark kills her son. Grief-stricken, she travels to the Bahamas to be with her other son, a marine biologist (Lance Guest), and his family. There she meets and falls for a carefree airplane pilot (Academy Award® winner° Michael Caine). Just as she is starting to put her life back together, the nightmare of the past returns when her granddaughter is attacked by an all-too-familiar great white shark. Determined to end the terror once and for all, Ellen sets out for a showdown to the death. Exclusive to the UK & Limited to 2,000 - With redesigned more robust Lenticular Slipcase (in line with boutique premium slips), 2 Disc Gloss Steelbook, 40 Page Production Notes Booklet, 4x Lobby cards & Double-Sided Poster.
Ambrose (Nick Damici) is a blind and grizzled war veteran, forced into the sedate retirement community of Crescent Bay. After narrowly surviving a savage werewolf attack, Ambrose steels himself for the next full moon and one final battle against the odds. With a note-perfect performance by Nick Damici and intensely brutal action, Night Of The Wolf: Late Phases is gory treat for all hardcore horror fans seeking a true werewolf classic.
From the director of Here Comes the Devil and The ABCs of Death comes the film critics are calling a masterpiece of the werewolf genre. Written by and starring Nick Damici (Stake Land, Cold in July), and now available on Blu-ray for the first time in the UK, Late Phases (aka Night of the Wolf) is a must-see for all horror fans. After narrowly surviving a savage animal attack, blind war veteran Ambrose discovers that the retirement home he has just moved into is beset by a bloodthirsty werewolf. Steeling himself for the next full moon, Ambrose prepares for the deadliest night of his life and one final battle against the odds.
One would think that after the aquatic horror of the previous three Jaws movies the remnants of the beleaguered Brodie family would be happily nursing their hydrophobia somewhere in Kansas. However, in Jaws--The Revenge, the fourth episode of the saga, we find that Ellen (Lorraine Gary) is still living on a tiny island, and her eldest son Michael (Lance Guest) has become, of all things, a marine biologist. Even when her younger son is slaughtered by yet another giant shark, all Ellen can do to take her mind off it is go to the Bahamas and gaze at the sea. There she embarks on a romantic affair with salty sea-pilot Hoagie (a nice turn from Michael Caine), but this peace is shattered as the shark begins to target her grandchildren and friends. Where this monster-with-a-grudge comes from, bearing in mind that the sharks in each of the previous movies got blown up or electrocuted, is something of a conundrum. But logic is clearly not a concern in a script that demands only that this film should bear some tenuous relation to its predecessors. The ghost of the far-superior original looms large here--in the form of Ellen's flashbacks (which actually use footage from the earlier films), scenes which overtly refer to moments from the series (Michael's son mimics him at the dinner table, as Michael once did to his own father) and a set littered with conspicuously large photos of Roy Scheider. There are nice touches--Michael and his Jamaican partner Jake (Mario Van Peebles) fit the shark with a heart monitor which lets off an eerie blipping sound when it approaches, it is nice to see a romance between more "mature" characters portrayed so warmly, and when the maternal Ellen forms the resolve to protect her family it even looks like she may briefly become a sort of geriatric Ripley character (a la Aliens). But with a shark that has never looked more rubbery, set pieces which lack suspense and invention and a short running time (only 86 minutes) it is hard to shake off the sensation that this is a made-for-TV film. Those wanting a dose of tongue-in-cheek killer-creature action would be better off avoiding this wet fish and taking in a Jaws rip-off with a little more bite, such as Deep Blue Sea or Deep Rising. --Paul Philpott
You can't kill the boogeyman", explained John Carpenter in the original Halloween, and to prove it Michael Myers returns in the handsome but grisly sequel Halloween 2. Jamie Lee Curtis reprises her role as Laurie Strode but spends most of her time cowering in a hospital gown, and Donald Pleasance runs around like a maniac as the panicky doctor desperate to hunt down Myers before he kills again. Carpenter writes and produces with partner Debra Hill and together they replace the mystery and uncertainty of the original with an exponentially bigger body count, some strange tales about the Druids and Pagan ceremonies, and the now-familiar family ties between Michael and Laurie. First-time director Rick Rosenthal (Bad Boys) paces the film at a brisk jog and directs it with a clean, crisp style, taking the murders out of the dark to display them in all their nasty detail. --Sean Axmaker, Amazon.com
Five friends help each other negotiate the maddening and hilarious pursuit of love sex parenthood and career success. Life doesn't turn out like they planned but maybe 'Plan B' will be even better!
Lorraine Gary repeats her role of Ellen Brody widow of Chief Martin Brody in this suspenseful sequel starring Oscar-winner Michael Caine. After Deputy Sean Brody is killed by a shark off Amity Island she joins her other son Michael a marine biologist his wife Carla and their daughter Thea in the Bahamas. There she falls for Hoagie a carefree pilot and starts putting her life back together - until a Great White threatens Thea and Ellen knows she has no choice but to face her
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