James Cameron heads back into the depths for this underwater IMAX extravaganza.
Hellboy is back, and he's on fire. From the pages of Mike Mignola's seminal work, this action-packed story sees the legendary half-demon superhero (David Harbour, Stranger Things) called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue (Milla Jovovich, Resident Evil series), a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.
1992's My Cousin Vinny is a delightful comedy-cum-courtroom drama set in Alabama. Joe Pesci stars as Vinny, the garage mechanic recently turned lawyer, who finds himself straight in at the deep end when his young cousin is unjustly arrested, along with his buddy, for the murder of a store clerk. From the opening scenes in which the hapless arrestees labour under the impression they've been booked for stealing a can of tuna, My Cousin Vinny's comedic pace never slackens, even as the drama builds. Much of the fun derives from raw, Brooklyn native Vinny's coping with the cultural backwaters of the Deep South, from its lardy grits to the 5.30 am "alarm call" of the factory horn. There's a good running gag involving retrieving $200 from a recalcitrant local redneck, while his clashes with the court judge, played by the late Fred Gwynne are priceless. Pesci goads this stickler for procedures by mumbling expletives in court, turning up in a leather jacket, then a mauve frock coat and arousing the judge's suspicions as to his bona fides. However, it's Marisa Tomei who surprisingly, but justly, took an Academy Award for her performance as tomboyish Lisa, Vinny's girlfriend. Tart rather than tarty, she more than matches Pesci for Noo Yoik sass and mechanical knowledge, delivering a court lecture on limited slip differential and independent rear suspension that oozes improbable sexiness. On the DVD: a decent presentation in 1.85:1 aspect ratio, though it's only Tomei's bizarrely eye-catching costumes which especially merit DVD enhancement. There's also a commentary by director (and co-creator of Yes Minister) Jonathan Lynn, in which--though at times seeming to struggle for interesting things to say--he reminisces on the fear in shooting the film's prison scenes adjacent to Death Row in a maximum security prison. --David Stubbs
In this U.S. smash hit, a 35-year-old San Franciscan writer (Best Actress Academy Award and Golden Globe nominee Diane Lane "Unfaithful") heads to Italy after a recent divorce and one thing becomes clear: in life, there are second chances.
Originally broadcast in April 1966, The Celestial Toymaker sees the Doctor and companions separated when they come up against The Toymaker. While the Doctor plays the Trilogic Game, Steven and Dodo are forced to play seemingly childish but ultimately dangerous games with the aim of being reunited and getting back to the Tardis. This brand new animated version has been created using the original audio recordings. Product Features Includes: All 4 episodes animated in both Colour and Black And White Audio Commentaries Newly restored original episode 4 Making the Animation Photo Gallery
A down on his luck producer and his accountant plan to get rich quick in this remake.
Originally broadcast in April 1966, The Celestial Toymaker sees the Doctor and companions separated when they come up against The Toymaker. While the Doctor plays the Trilogic Game, Steven and Dodo are forced to play seemingly childish but ultimately dangerous games with the aim of being reunited and getting back to the Tardis. This brand new animated version has been created using the original audio recordings. Product Features Includes: All 4 episodes animated in both Colour and Black And White Audio Commentaries Newly restored original episode 4 Making the Animation Photo Gallery
Live and Let Die - Roger Moore finds himself immersed in the world of heroin, voodoo and black magic in his debut as Bond. The Man with The Golden Gun - Bond is assigned to retrieve a top secret solar power converter, but finds himself the target of the world's greatest professional assassin. The Spy Who Loved Me - Britain and Russia both send their best agents to negotiate for a tracking system that has lost them each a nuclear submarine. Moonraker - When a Moonraker space shuttle disappears the chase leads Bond into outer space. For Your Eyes Only - In the race to beat the Russians to a missing communications device Bond finds himself involved with the Greek underworld. Octopussy - Stolen art treasures lead to a plan that will see Europe fall to a Russian invasion unless Bond can stop it in time A View To A Kill - In pursuit of new computer super chips, Bond uncovers a plan which could destroy Silicon Valley and the West's computer industries.
A woman finds herself drafted into the battle of finding the perfect man in this romantic comedy.
The TARDIS arrives in London in 1966 and the Doctor and Dodo visit the Post Office Tower. There they meet Professor Brett whose revolutionary new computer WOTAN (Will Operating Thought ANalogue) can actually think for itself and is shortly to be linked up to other major computers around the world - a project overseen by civil servant Sir Charles Summer. It transpires however that WOTAN considers that humans are inferior to machines and should therefore be ruled by them. Exerting a hypnotic influence it arranges the construction of War Machines - heavily-armed self-contained mobile computers - with which to take over the world.
Jack is Francis Coppola at his most pointless noodling, looking for the film he wants to make instead of just making it. Robin Williams stars as 10-year-old Jack, a boy with an inexplicable disease that ages him at four times the normal human rate. Kept at home like a contemporary Boo Radley, Jack becomes a neighbourhood legend until his parents relent and send him to school. In time, the other kids befriend him and stay loyal as his hyperdevelopment puts a strain on his body and emotions. The idea is sound, but the execution is a bore. The best the script and Coppola can come up with are painfully long scenes in which Williams's character proves himself on the playground and in gross-out contests in a tree house. Coppola fishes around for signs of life and spontaneity in these scenes, but the film is actually best when Jack has to cope with certain feelings in his mature body (such as his attraction to a character played by Fran Drescher) that he isn't prepared for emotionally. Jack would have been a lot better if Coppola had embraced a plan from beginning to end and stuck to it. --Tom Keogh, Amazon.com
Following the loss of their son, retired sheriff George Blackledge (KEVIN COSTNER) and his wife Margaret (DIANE LANE) leave their Montana ranch to rescue their young grandson from a dangerous family living off the grid. They soon discover that the Weboy family has no intention of letting the child go, forcing George and Margaret to fight for their family. Special Features: The Making of LET HIM GO The Blackledges: Kevin Costner & Diane Lane Lighting The Way: Thomas Bezucha
A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family.
My Dog Skip, a nonpareil family film, is, as one of the characters so aptly puts it, "a heartbreak waiting to happen". Frankie Muniz, winning over audiences in the TV series Malcolm in the Middle, has competition in My Dog Skip--Skip himself (adorably played by a total of six Jack Russell terriers). Muniz, an inveterate charmer, stars as Willie Morris (from whose memoir the film is adapted), a gawky, awkward boy growing up during World War II under an overly protective father (Kevin Bacon). When his mom (Diane Lane) gives him Skip on his ninth birthday, his life is changed in every way for the better. Previously disinterested peers become pals, and he experiences puppy love with a girl named Rivers (Caitlin Wachs). There are plenty of high jinks and rah-rah touches of Americana, and the film also attempts to deal with sophisticated emotions--Willie's boyhood hero turns out to be less than heroic--but its devastating emotional core comes, simply and obviously, with Skip's eventual ageing and demise. Dog lovers will be wiped out; those who don't care for canines shouldn't even be bothering to read this review. (Ages 8 and older) --David Kronke, Amazon.com
George Clooney & Mark Wahlberg star in this spectacular tale of a fishing boat caught at sea during the worse storm ever recorded.
Twelve year old Owen is not only suffering from Hodgkinson's disease but is also plagued by nightmares. All this is made bearable by his special friend the enigmatic Mr. Rice (David Bowie) but when he disappears Owen is devastated. However Mr. Rice has left Owen a bizarre legacy: a letter written in code a treasure map and a series of clues about the 'Potion of Life'... As Owen embarks on an amazing treasure hunt each clue will lead him a little closer to his destiny and reveal a little more about the reclusive Mr. Rice. Owen is about to discover that great men can come in small packages and there is much to learn if one has the courage to embrace life's challenges: even one as daring as Mr. Rice's secret...
The story of Mark Felt, who under the name Deep Throat helped journalists Bob Woodward and Carl Bernstein uncover the Watergate scandal in 1974.
Just prior to FASTER, PUSSYCAT! KILL! KILL!, producer / director / co-writer and cinematographer Russ Meyer first unleashed his singular vision of full-throttle violence and vengeance with this 1965 shocker.When a trio of psycho bikers launches a sexual assault and murder spree in a desert town, the local veterinarian (Alex Rocco of THE GODFATHER fame in his screen debut) teams with a rage-ravaged vixen (the incredible Haji in her own first film role) to settle the score. Steve Oliver (WEREWOLVES ON WHEELS), Lane Carroll (THE CRAZIES), Timothy Scott (THE FARMER) and Russ himself co-star in this slick, violent and well made (Variety) Meyer milestone, now scanned in 4K from the original negative restored by The Museum of Modern Art with new and archival Special Features curated by Severin Films in association with The Russ Meyer Trust.UHD:Audio Commentary with Film Historian Elizabeth Purchell and Filmmaker Zach ClarkTrailerBLU-RAY:Audio Commentary with Film Historian Elizabeth Purchell and Filmmaker Zach ClarkDesert Rats On Hondas Interviews With Stars Haji and Alex RoccoTrailer
A movie that proved a fine swansong for Humphrey Bogart, The Harder They Fall is a gripping drama set against a background of fixed boxing matches. Not so much about the fights as the exploitation of the sport, the film is based on a novel by Budd Schulberg, whose Oscar-winning screenplay for On the Waterfront (1954) helped turn Rod Steiger into a star. Here Steiger delivers an equally bravura performance as the chillingly corrupt manager, Nick Benko, a man who will do anything to turn a buck. Bogart meanwhile is outstanding as unemployed sports writer Eddie Willis, hired against his better judgement to promote a no-hope Argentinean boxer, Toro Moreno (Mike Lane). Powerfully written, if built around the unlikely premise of building a 10th-rate fighter into a world-class contender, the drama is essentially a battle for Willis's soul as he is torn between money and conscience. Though the scenes with Bogart and Steiger facing off are the strongest and a veritable masterclass of hardboiled characterisation, Mark Robson, who also helmed the Kirk Douglas boxing classic Champion (1949), directs with a convincingly dirty realism, the final punishing and bloody match a clear influence on Scorsese's Raging Bull (1980). On the DVD: The Harder They Fall's anamorphic 1.77:1 transfer is excellent with only one brief scene showing any significant print damage. Burnett Guffey's noir-ish black-and-white cinematography looks sharp and fresh as the day it was shot, with only minimal grain. The mono sound is strong and clear, without a hint of distortion or compression. The only extra is a scored gallery of posters and lobby cards from other Bogart films available on Columbia. There are dubbed versions in French, German, Spanish and Italian, and a plethora of subtitle options. --Gary S Dalkin
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