Translating Rowan Atkinson's Mr Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. The eponymous Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an LA museum, but Bean's famously eccentric behaviour soon causes the poor guy to almost lose his family and job. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh
Stephen Weeks's dreamlike chiller is the perfect definition of a cult British Horror film. Reunited in a country mansion in 1930s England, former public schoolmates Larry Dann (The Bill), Murray Melvin (The Devils) and Vivian MacKerrell (the inspiration for Bruce Robinson's creation Withnail in his only major screen role) are visited by the spirit of former resident Marianne Faithfull (The Girl on a Motorcycle). who was wrongly incarcerated in a local asylum. Via her demonic doll, we are transported to a surreal and sinister world of incest and murder, and her revenge on the corrupt asylum s sadistic doctor. Featuring Barbara Shelley (Dracula, Prince of Darkness), Leigh Lawson (Hammer House of Horror), Anthony Bate (Tinker Tailor Soldier Spy, Beasts) and Penelope Keith (The Good Life, To The Manor Born) with a soundtrack by Pink Floyd collaborator Ron Geesin, Ghost Story Now beautifully restored and packed with bonus features, Ghost Story successfully combines 1970s horror with 1930s charm in this high definition premiere!
Darkman: Dr Peyton Westlake (Liam Neeson) is on the verge of realising a major breakthrough in synthetic skin when a gang led by the sadistic Robert G Durant (Larry Drake) obliterates his laboratory. Burned beyond recognition and altered by an experimental medical procedure Westlake attempts to rebuild his laboratory and re-establish ties with his former girlfriend Julie (Frances McDormand). But his most challenging task lies within himself. Torn between his desire to create a new life with Julie and his quest for revenge the man known as Darkman begins to assume alternate identities in this stunning fast-paced action thriller from director Sam Raimi. (Dir. Sami Raimi 1990) Darkman 2: Dr Peyton Westlake alias the crime-fighting master of disguise Darkman is still trying to find a way of healing his disfigured features. But a tragic turn of events causes him to re-live the nightmare that disfigured him... (Dir. Bradford May 1994) Darkman 3: The Darkman pits himself against a drug dealer as he attempts to protect his research and his team. (Dir. Bradford May 1996)
They grew up in the violent immigrant ghetto of New York's Lower East Side: Max and Noodles Cockeye and Patsy Deborah and Fat Moe. They grew up on the streets and they grew up fast. Fighting their way to the top of the heap they took a vow to stick together but that's not how things worked out. Leone's commanding epic traces the destinies of four men from childhood on the streets through their violent rise to power and maturity during Prohibition as fully fledged hoods. De Niro is magnificent as ""Noodles"" Aaronson one of the four forced by murder and betrayal to flee New York in 1933. When he is mysteriously summoned back in 1968 he discovers that the tragic and bloody events surrounding his betrayal are not as they once seemed... 'Once Upon A Time In America' is director Sergio Leone's astonishing gangster melodrama an epic exploration of the dark side of the American dream. Ten years in the planning Leone's film is the work of a master storyteller - grandly conceived rich in detail and thrilling in the depth and originality of its vision.
China Moon (1991) is a pleasing entertainment that assembles the dependable elements of film noir in the tradition of Body Heat (1981), The Last Seduction (1994) and, of course, the mother of all such films, Double Indemnity (1944). There's a femme fatale (the beautiful and talented Madeleine Stowe) and an honest cop (reliable Ed Harris) who soon becomes smitten. Her husband (Charles Dance) is a brute who beats her, so she murders him and inveigles Harris into helping her dispose of the body. That's when the complications begin, and Harris starts to sweat when his fellow cop keeps asking awkward questions. The acting is uniformly good, with Harris' partner played by Benicio Del Toro (Traffic) offering an excellent performance. Harris and Stowe strike sparks off each other, to the point where you almost believe he is being sucked into her schemes. On the DVD: The disc contains a theatrical trailer and several TV ads, with scroll-down filmographies of the major talents involved which are incomplete for some unknown reason. There's a brief and unenlightening five-minute documentary, with the principal cast plus the director, John Bailey, commenting on the film. Both image and sound are excellent quality, sound in Dolby Digital, picture in anamorphic widescreen ratio of 2.35:1 --Ed Buscombe
BLOOD HUNGER: THE FILMS OF JOSE LARRAZ One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director José Ramón Larraz (Symptoms) finally receives his due with this collection of his work, the first of its kind, bringing together a fascinating cross-section of films from the first half of his lengthy cinematic career. In Larraz's debut feature, the hitherto ultra-rare Whirlpool (1970), Vivian Neves stars as Tulia, a young model invited to a photographer's secluded country home for what purports to be a quiet weekend retreat - but soon transpires to be anything but. 1974's Vampyres - perhaps the best known and most widely-released of all José Larraz's films - sees a duo of blood hungry female vampires prowling the British countryside, from where they lure unsuspecting male motorists back to their imposing, dilapidated mansion for draining... in more ways than one. Meanwhile, in 1978's The Coming of Sin (La Visita del Vicio, in its native Spanish), a young gypsy girl experiences a violent sexual awakening as her dreams of a naked young man on horseback become reality. By turns terrifying, titillating, artful and scandalous, these three films collected here - all newly restored from original film elements, with Whirlpool and The Coming of Sin making their Blu-ray world premieres - collectively offer film fans a unique perspective on the fascinating, highly-varied career of one of the horror genre's most overlooked auteurs. LIMITED EDITION CONTENTS: Three films from José Ramón Larraz: Whirlpool, Vampyres and The Coming of Sin, all newly-restored in 2K from original film elements Newly-produced, extensive bonus features and unseen archival content English subtitles for the deaf and hard-of-hearing for all features Newly comissioned artwork by Gilles Vranckx 80-page perfect bound book featuring new writing by Jo Botting, Tim Greaves and Vanity Celis WHIRLPOOL Original US Theatrical Cut Brand new audio commentary by Tim Lucas Obsessive Recurrence: The Early Films of José Larraz - author and critic Kim Newman reflects on the recurring themes and underlying obsessions linking together the early productions of José Larraz A Curious Casting - actor Larry Dann on the strange story behind his casting in Whirlpool Deviations of Whirlpool - featurette comparing the differences between the US Theatrical Cut and a previously circulated, alternate cut of the film Extract from an archival interview with José Larraz Image Gallery Original US Theatrical Trailer VAMPYRES Brand new audio commentary by Kat Ellinger Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke Reimagining Vampyres - a brand new interview with Larraz's friend and collaborator Victor Matellano, director of the 2015 Vampyres remake Extract from an archival interview with José Larraz Jose Larraz and Marianne Morris Q&A at 1997 Eurofest Image Gallery Trailers THE COMING OF SIN Spanish and English language versions of the feature Brand new audio commentary by Kat Ellinger Variations of Vice: The Alternate Versions of The Coming of Sin exploitation expert Marc Morris on the strange and scandalous release history of José Larraz's most censored film Remembering Larraz author and filmmaker Simon Birrell shares his fond and extensive memories of his long-time friend and collaborator José Larraz His Last Request (2005, 27 mins) - short film by Simon Birrell made under the guidance of José Larraz and starring Spanish horror legend Jack Taylor Extract from an archival interview with José Larraz Image Gallery Original Spanish Trailer
Made in 1978, Carry On Emmannuelle was really the last gasp of the most fondly regarded series of British comedy films. In most respects, it hardly does justice to the many truly funny and brilliantly played previous scripts. But it does feature a curiously vulnerable, even touching, performance from Kenneth Williams as a French diplomat with a wife of insatiable physical appetites. In theory, of course, it aims to be a pastiche of the hugely popular Emmanuelle, which had marked the transition of soft-core erotic cinema into the art house. But it's too crudely scripted and lacking in the belly laugh inducing innuendo of the best Carry On films to succeed on that level. "Are you hungry, Loins?" Emmannuelle asks the chauffeur. "I think I could manage a little nibble," he replies. You get the idea. In the title role, Suzanne Danielle, who would go on to be the best of the Princess Diana impersonators, isn't a good enough comic actress to raise such lines above the ordinary. And the few stalwarts who returned for this outing--Joan Sims, Kenneth Connor and Peter Butterworth--just about emerge with their dignity intact. This was a Carry On too far. But fans will want it for their collection because it shows Kenneth Williams at his most professionally committed--his diaries reveal his real thoughts on the matter--and to remind themselves of the high quality of so much of the work which had gone before.On the DVD: presented in 4:3 format and with a standard mono soundtrack, this release of Carry On Emmannuelle starts off with a print of such ropey quality that you seem to be watching through a dust storm. The sound quality is little better, although on both counts things improve as the film progresses. The lack of extras is disappointing, adding to the rather sad, low-budget feel of the film itself. --Piers Ford
This passionate uplifting celebration of the human spirit received outstanding acclaim from critics coast-to-coast! Jason Patric (SPEED 2: CRUISE CONTROL SLEEPERS) is August King a young man whose life is changed forever when he risks everything to help a beautiful woman (Thandie Newton -- THE TRUTH ABOUT CHARLIE MISSION: IMPOSSIBLE II) on a courageous -- and very dangerous -- search for a new life. Desperate yet determined the two set out on a harrowing journey toward freedom ..
China Moon (1991) is a pleasing entertainment that assembles the dependable elements of film noir in the tradition of Body Heat (1981), The Last Seduction (1994) and, of course, the mother of all such films, Double Indemnity (1944). There's a femme fatale (the beautiful and talented Madeleine Stowe) and an honest cop (reliable Ed Harris) who soon becomes smitten. Her husband (Charles Dance) is a brute who beats her, so she murders him and inveigles Harris into helping her dispose of the body. That's when the complications begin, and Harris starts to sweat when his fellow cop keeps asking awkward questions. The acting is uniformly good, with Harris' partner played by Benicio Del Toro (Traffic) offering an excellent performance. Harris and Stowe strike sparks off each other, to the point where you almost believe he is being sucked into her schemes. On the DVD: The disc contains a theatrical trailer and several TV ads, with scroll-down filmographies of the major talents involved which are incomplete for some unknown reason. There's a brief and unenlightening five-minute documentary, with the principal cast plus the director, John Bailey, commenting on the film. Both image and sound are excellent quality, sound in Dolby Digital, picture in anamorphic widescreen ratio of 2.35:1 --Ed Buscombe
A renegade cop with an attitude is chosen by the FBI to transport a mob boss across country to testify against the Mafia. To stay alive he must remain one step ahead of the competition.
Translating Rowan Atkinson's Mr Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. The eponymous Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an LA museum, but Bean's famously eccentric behaviour soon causes the poor guy to almost lose his family and job. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh
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