"Actor: Laurel Cronin"

• Housesitter | DVD | (14/04/2003) from £9.43   |  Saving you £0.56 (5.94%)   |  RRP £9.99

  A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman

• Hook | DVD | (24/04/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Hook is Steven Spielberg's most spectacular film of the 90s. It is also seriously underrated, arguably the equal of ET, (1982) and Close Encounters of the Third Kind, (1977). An unofficial sequel to J.M. Barrie's Peter Pan, Hook adopts the startling premise of what happened after "the boy who never grew up", grew up. Robin Williams, in his career best performance, is the corporate suit forced to remember he once was "The Pan", returning to Neverland to battle nefarious Captain Hook (a splendid Dustin Hoffman), for his children's love. This is a ravishingly beautiful, stunningly designed film, at once highly imaginative and with a genuinely magical atmosphere which ranges from exquisite, delicate fantasy to slapstick tomfoolery. There is fine support from Maggie Smith, Julia Roberts and Bob Hoskins, and John Williams' rapturously romantic score is yet another career high. Slated upon release, and dubbed a flop though it grossed $200 million, Hook reacted against the "greed is good" 80s by upholding family values and responsibility while evoking a genuine sense of wonder. Only the somewhat pantomime final showdown disappoints, but alongside Legend, (1985)and Labyrinth, (1986), Hook is ripe for reassessment as a fantasy classic. The DVD transfer is superb and the disc, though not packed with additional features, has some interesting extras. --Gary S. Dalkin

• Housesitter | DVD | (25/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman

• Beethoven | DVD | (04/08/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Put Charles Grodin together with a 200-pound Saint Bernard and you're likely to come up with some good laughs. In this popular family comedy from 1992 Grodin plays a beleaguered dad who reluctantly lets his kids keep the lost puppy they've adopted. The dog quickly grows into the huge and clever hound named Beethoven. In a marked departure from his nice-guy roles in several Disney comedies from the 1960s and 70s, Dean Jones plays the villainous veterinarian who abducts Beethoven to be a subject in his sadistic animal experiments. The kidnapping sets the stage for a raucous rescue and, of course, an inevitable sequel. Innocuous but harmlessly entertaining, Beethoven is one of those movies that some kids can't get enough of. --Jeff Shannon