A potpourri of international intrigue awaits Belgian sleuth Hercule Poirot in How Does Your Garden Grow? / The Million Dollar Bond Robbery. An alleged Communist conspiracy casts suspicion on the Russian servant of a murdered woman in How Does Your Garden Grow?. In The Million-Dollar Bond Robbery, it's the theft of American bonds en route from London to New York. But even the most devious criminal mind is no match for Agatha Christie's famous detective. --Larisa Lomacky Moore
Jimmy Vaughn arrives at a save house to torture information out of Archie Gold. He appears to be just another simple-minded thug. Little do we know that Jimmy's real name is Kevin Cole an undercover FBI agent determined to penetrate a powerful crime syndicate led by the infamous and faceless Ziggy. Archie is accused of stealing million from Ziggy and Kevin is in charge of finding where the money is by any means necessary. Meanwhile Kevin's father FBI director Jack Cole tries to take him off the undercover assignment. Jack had worked on the Ziggy case 25 years ago and he knows the depths of evil the mans is capable of. As the interrogation methods intensify Archie reveals more and more about Ziggy to Kevin. At the same time the mission begins to take its toll on Kevin and his personal life as nightmares of Archie and his family plague Kevin. But unfortunately Archie remains Kevin's only link to the mysterious Ziggy. Soon the line between Jimmy and Kevin completely extinguishes when the FBI and Ziggy's crime syndicate collide in a bloody shootout. How far will Kevin go to unmask Ziggy? When it's all over will Kevin or Jimmy be the one who remains standing?
In director Francois Truffaut's dramatic film La Peau Douce Pierre is a successful happily married publisher who meets Nicole a lovely airplane stewardess and begins a lustful affair with her. As his passion deepens he realizes he must choose between his wife Franca and his mistress. However the movie takes a surprising twist leading to one of the most startling conclusions in film history...
When The Odds Are Against You You Have To Face Them Fighting. Sometimes life throws a curve ball a fork in the road or a wall between you and what you want. For Socrates Fortlow life keeps getting in the way but nothing stays in the way of a man with his mission. Socrates is going to make it - his way on his terms - and if you aren't part of the solution then you know where you stand. If you're a killer terrorizing the neighborhood you'll have to deal with him first. If you're a beautiful woman who deserves more attention attention will be paid. If you're a witness to a murder and you need protection you're staying alive in his hands. Life's questions can be hard but the answers are easy: When it comes to trouble you look for the man who's still standing. Because the way he's fighting for his life is the way you want him fighting for yours.
'Don't Open Till Christmas' is a thrilling and bizarre murder mystery where nothing is sacred - even Santa Claus! A killer is on the loose in London and his sights are set on one target - Santa Claus - dozens of them. Jolly old Saint Nick is stabbed beaten and electrocuted in department stores at parties and even on crowded street corners. What sort of twisted mind is behind these barbarous acts of violence?
The year is 2047. Years earlier the pioneering research vessel Event Horizon vanished without a trace. Now a signal from it has been detected and the United States Aerospace Command responds. Hurtling toward the signal's source are a fearless captain (Laurence Fishburne) his elite crew and the lost ship's designer (Sam Neill). Their mission: find and salvage the state-of-the-art spacecraft. What they find is state-of-the-art interstellar terror. What they must salvage are their own lives because someone or something is ready to ensnare them in a new dimension of unimaginable fear.
Sir Laurence Olivier is regarded as one of the greatest actors of the 20th Century. Olivier dazzled audiences with brilliant acting athleticism and elaborate costumes makeup and vocal techniques. He began acting as a child and went on to gain international movie stardom and a catalogue of prestigious awards. This collection celebrates the career of possibly the greatest acting talent Britain and the world has ever seen. Set Comprises: Richard III (1955) Henry V (1944) A
The Amazing Mr. Blunden
Runaway Jury: The stakes are extremely high in an explosive trial when the widow of a gun massacre victim represented by attorney Wendell Rohr (Dustin Hoffman) sues the gun's powerful manufacturer. Now with millions of dollars in the balance 12 jurors must decide if the gun maker was negligent. However unscrupulous jury consultant Rankin Fitch (Gene Hackman) believes the verdict is too important to be left in the hands of a jury and will spare no expense to ensure the chosen jury remain sympathetic to his client. Tension mounts and tables are turned as it comes to light that the jury is being manipulated by one of its own Nicholas Easter (John Cusack) with the aid of a beautiful woman (Rachel Weisz) on the outside to swing the verdict in the direction of the highest bidder... Class Action: Lawyer Jebediah Ward devoted to defending victims of large corporations and the State is fighting for compensation for the victims of automobile accidents involving defective cars. However it turns out that the manufacturer in his latest case is being defended by none other than Ward's daughter...
When successful Dallas architect Nancy Lyon died in agony from arsenic poisoning it seemed that no-one could unravel the mystery surrounding her death; someone was about to get away with murder. However District Attorney Jerry Sims is determined to find the truth... Based on a true story.
The best daze of your life. Available on DVD for the first time! Remember back in the day? Director Spike Lee (Do The Right Thing) does igniting a battle of the sexes in School Daze his groundbreaking urban musical-comedy that dares to take a taboo-smashing look at Historical Afro-American college life like no film before or since tackling topics only talked about behind closed doors. Loaded with enough romance rivalries and rituals School Daze is
In The Veiled Lady / The Lost Mine David Suchet once again brings the great detective Hercule Poirot to rich life. The Veiled Lady is a comic caper, as Poirot and the ever-ready Captain Hastings (Hugh Fraser) resort to burglary to stop a blackmailing cad. The Lost Mine is cleverly set in a Chinatown reminiscent of the 1930s concept of the Mysterious East. Suchet is a perfect Poirot, capturing both his dignity and his humour, and Fraser does a beautiful job of underplaying Hastings enough to keep him the perfect sidekick without ever making him boring. --Ali Davis
The Wachowski Brothers' The Matrix took the well-worn science fiction idea of virtual reality, added supercharged Hollywood gloss and a striking visual style and stole The Phantom Menace's thunder as the must-see movie of the summer of 1999. Laced with Star Wars-like Eastern mysticism, and featuring thrilling martial arts action choreographed by Hong Kong action director Yuen Woo Ping (Crouching Tiger, Hidden Dragon), The Matrix restored Keanu Reeves to genre stardom following virtual reality dud Johnny Mnemonic (1995), and made a star of Carrie-Anne Moss, who followed this with the challenging perception twister Memento (2000). Helping the film stand out from rivals Dark City (1998) and The Thirteenth Floor (1999) was the introduction of the celebrated "bullet time" visual effects, though otherwise the war-against-the-machines story, hard-hitting style and kinetic set-pieces such as the corporate lobby shoot-out lean heavily on Terminator 2: Judgment Day (1991). Elsewhere the influence of John Woo, from the ultra-cool near real-world SF of Face/Off (1997) to the raincoats and sunglasses look of bullet-ballet A Better Tomorrow, is clearly in evidence. The set-up isn't without its absurdities, though--quite why super-intelligent machines bother to use humans as batteries instead of something more docile like cows, for example, is never explained, nor is how they expect these living batteries to produce more energy than it takes to maintain them. The Matrix is nevertheless exhilarating high-octane entertainment, although as the first part of a trilogy it perhaps inevitably doesn't have a proper ending. On the DVD: the anamorphically enhanced 2.35:1 image is virtually flawless, exhibiting only the grain present in the theatrical print, while the Dolby Digital 5.1 sound is demonstration quality, showing off the high-impact sound effects and Don Davis' fine score to great effect. Special features are "data files" on the main stars, producer and director and "Follow the White Rabbit", which if selected while viewing the movie offers behind the scenes footage. This is interesting, but gimmicky, requires switching back from widescreen to 4:3 each time, and would be better if it could be accessed directly from one menu. There is also a standard 25-minute TV promo film which is as superficial as these things usually are. --Gary S Dalkin
Murder, and its tale-telling aftermath, is the compelling subject of CSI: Crime Scene Investigation. Since its inauguration in late 2000 CSI has been a ratings triumph, spawned two spinoffs (CSI: Miami and CSI: New York and positioning itself for long-term success. Creator Anthony Zuiker's foolproof formula was established early on, bolstered by a fine ensemble cast and requiring minimal tweaking as the seasons progressed; its Las Vegas-based "criminalists" eventually became "CSIs" steeped in the scientific minutiae of forensic investigation, but the series arrived essentially intact, with an irresistible (and seemingly inexhaustible) supply of corpses and the mysteries that surround them. Influenced by the graphic precedent of movies like Seven and Kiss the Girls, CSI matches morbidity with dispassionate methodology; viewers are so fascinated by the investigative process that they're unfazed by intimate autopsies and internal (i.e., digitally animated) views of traumatized flesh, bone, and sinew. While keeping abreast of cutting-edge technologies, CSI combines the ingenuity (and fallibility) of villains with the appealing humanity of its heroes. CSI director and entomologist Gil Grissom (played by series co-producer William Petersen) is introverted but ethically intense; he's both mentor and moral compass for his night-shift team, including a former stripper-turned-CSI (Marg Helgenberger); a recovering gambler (Gary Dourdan); an eager ace (George Eads) with room for improvement; a workaholic (Jorja Fox) who can't always remain emotionally detached from her cases; and a chief detective (Paul Guilfoyle) who's a necessary link to police procedure. Like The X-Files, CSI supports its characters with feature-film production values, employing a Rashomon structure that turns murder into a progressively accurate study of cause and effect. Script quality is consistently high ("Blood Drops" and "Unfriendly Skies" are exceptional), direction is slick and sophisticated, and the mysteries are complex enough to invite multiple viewings. Despite a regrettable shortage of DVD features, CSI remains addictively worthy of its lofty reputation. --Jeff Shannon
The escapees is aside from Rollin's adult title La Comtesse Ixe one of Rollin's most obscure and rare films having only ever been released on video in Canada and Turkey in miniscule numbers. This release marks both its DVD debut and the first time that it is being seen in its correct state as the master for this release was created from the original negative and supervised throughout its creation by Rollin himself. The film is at times brilliant and at others maddeningly frustrating as Rollin's story of two wayward girls on the run from an institution wanders from the fantastic to the farcical and back again. Written by Rollin and Jacques Ralf an associate brought in by the financiers The Escapees contains all the magic and fairytale qualities of films like Fascination and Requiem For A Vampire but somehow never quite reaches their brilliance. That said The Escapees has everything one expects from a Rollin film including two beautiful young women scenes of death burlesque shows in a junkyard and Brigitte Lahaie!
Five Little Pigs: Poirot is called in to investigate a fourteen year old murder... A woman was hanged for poisoning her husband to death. Her only daughter has come of age and is back from living overseas. She must find out if there was a mis-carriage of justice all those years ago if she is to have any future. Her late father was an artist reknowned for having affairs with his models. The family home was full of visitors. Who else had a motive? The Sad Cypress: Another intriguing investigation for the brilliant Belgian detective as the beautiful Elinor Carlisle stands accused of a double murder; that of her wealthy aunt Laura Wellman and also of her rival in love Mary Gerrard. Elinor had the motive and the opportunity to administer the fatal poison to both women. Poirot believes the evidence to be irrefutable but once his little grey cells get to work he begins to piece together another version of events as Elinor finds time running out...
Peter Brook's bold adaptation of John Gay's opera - a cynical satire of eighteenth century London life. This weird and wonderful movie version of the first ever English musical to be written boasts a gloriously outlandish set and characters adorned in stunning primary colours that will dazzle and delight. A period piece that remains true to its original form it features non-stop sing-along songs spirited melodies and a real sense of embellished drama. The story follows the escapades of a jailed highwayman and stars Laurence Olivier Dorothy Tutin and Stanley Holloway.
Romance about Simon Donnadieu and his decision to leave his ever-loving wife Rachel.
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