Last night, I dreamt I went to Manderley again..." From the first classic line of this unforgettable film, Rebecca casts its spell. David O. Selznick brought Alfred Hitchcock to the United States in order to give this adaptation of Daphne du Maurier's novel the proper atmosphere. The resulting film is a stunning marriage of their sensibilities. It paid off critically and financially as well. Like Gone with the Wind, which Selznick released a year earlier, Rebecca won the Academy Award for Best Picture.Laurence Olivier stars as Maxim de Winter, who, reeling from the recent and unexpected death of his glamorous wife Rebecca, impulsively marries a young and adoring governess (Joan Fontaine). The new Mrs de Winter tries to fit into her role as mistress of the great house Manderley, but every step she takes is haunted by Rebecca's spirit. The ghost's brooding presence is personified by the insanely meticulous Mrs Danvers, brilliantly portrayed by Judith Anderson. As Fontaine's character begins to uncover the dark secrets of the de Winter clan, the house seems to take on a life of its own.Passionate love and romance blend seamlessly with typically Hitchcockian emphases on guilt, sexuality and Gothic horror. The production values are stunning and the cast is excellent, down to the least of the supporting players. While Rebecca has enough surprises to captivate even the most jaded of moviegoers, it is also one of those rare films that improves with each viewing. --Raphael Shargel
The tragedy of World War I is redefined in bawdy music-hall terms presented as the ""new attraction"" at the Brighton Amusement Pier complete with syrupy cheer-up songs shooting galleries free prizes and a scoreboard toting up the dead The Story focuses mainly on the members of one family (last name Smith) whose five sons enlist and end up as cannon fodder Much of the action in the movie revolves around the words of the marching songs of the soldiers and many scenes portray some of the more famous (and infamous) incidents of the war including: the assassination of Archduke Ferdinand the Christmas meeting between British and German soldiers in no-mans-land the wiping out by their own side of a force of Irish soldiers The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket.
Disc 1: Film with commentary by Director Paul WS Anderson and Producer Jeremy Bolt. Disc 2: 5 Part documentary : The Making of Event Horizon. Deleated & extended scenes. The unflimed rescue scene storyboard montage with director's commentary. Conceptual art montage with director's comments. The Point Of No Return featurette.
Jennifer Lawrence and Chris Pratt star in an exciting action-thriller about two passengers who are on a 120-year journey to another planet when their hibernation pods wake them 90 years too early. Jim and Aurora are forced to unravel the mystery behind the malfunction as the ship teeters on the brink of collapse, with the lives of thousands of passengers in jeopardy.Click Images to Enlarge
This box set features a collection of Powell And Pressburger finest films. Includes: 1. The Tales of Hoffman (1951) 2. Black Narcisus (1946) 3. A Matter of Life & Death (1946) 4. The Life & Death of Colonel Blimp (1943) 5. A Canterbury Tale (1944) 6. I Know Where I am Going (1945) 7. 49th Parallel (1941) 8. The Battle of the River Plate (1956) 9. Ill Met By Moonlight (1957) 10. They're A Weird Mob (1966) 11. The Red Shoes (1948)
A new 8-disc set celebrating the 60th anniversary of Woodfall Films. Includes eight iconic films (many newly restored and available on Blu-ray for the first time) that revolutionised British cinema and launched the careers of the likes of Albert Finney, Tom Courtenay and Rita Tushingham. Features: Look Back in Anger (Tony Richardson, 1959) The Entertainer (Tony Richardson, 1960) Saturday Night and Sunday Morning (Karel Reisz, 1960) A Taste of Honey (Tony Richardson, 1961) The Loneliness of the Long Distance Runner (Tony Richardson, 1962) Tom Jones (Tony Richardson, 1963) (New 4K digital restorations of the original theatrical version of the film and the 1989 director's cut) Girl with Green Eyes (Desmond Davis, 1964) The Knack...and how to get it (Richard Lester, 1965) Special Features: Presented in High Definition All films newly remastered for this release, excluding Saturday Night and Sunday Morning and The Loneliness of the Long Distance Runner Extras TBC
This four-part television biography of Henry VIII is presented by historian Dr David Starkey who takes us inside the mind of one of the most famous rulers of all time.
Back in 1927, The Jazz Singer entered the history books as the first true, sound-on-film talking picture, with Al Jolson uttering the immortal words, "You ain't heard nothing yet!" But even then it was a creakingly sentimental old yarn. By the time this second remake showed up in 1980 (there was a previous one in 1953) it looked as ludicrously dated as a chaperone in a strip club. Our young hero, played by pop singer Neil Diamond in a doomed bid for movie stardom, is the latest in a long line of Jewish cantors, but secretly moonlights with a Harlem soul group. When his strictly Orthodox father (Laurence Olivier, complete with painfully hammy "oya-veh" accent) finds out, the expected ructions follow. Though the lad makes it big in showbiz, it all means nothing while he's cut off from family and roots. But in the end--well, you can guess, can't you? Diamond comes across as likeable enough in a bland way, but unencumbered by acting talent, and the music business has never looked so squeaky clean--nary a trace of drugs, and precious little sex or rock 'n' roll. As for anything sounding remotely like jazz, forget it. This is one story that should have been left to slumber in the archives. --Philip Kemp
Spanning the years 1987-1994, this collection includes 6 feature films from director Derek Jarman, including The Last of England and Blue. The Last of England (1987) War Requiem (1989) The Garden (1990) Edward II (1991) Wittgenstein (1993) Blue (1993) Special Features: Face to Face (40 mins, 1993): in-depth interview with Derek Jarman by Jeremy Isaacs Audio commentary on The Last of England with producer James Mackay, lighting designer Christopher Hughes, production designer Christopher Hobbs and composer Simon Fisher Turner Audio commentary on War Requiem with Don Boyd Original trailers + many more extras TBC 100-page perfect-bound book with new essays of each of the included films, contemporary reviews and rare never-before-seen images from Jarman's archive, held by the BFI National Archive
Winner of four BAFTA's and three Academy Awards® including Best Actress for Julie Christie, Darling is the story of Diana Scott (Julie Christie) an ambitious model determined to make it to the top of theLondon fashion scene. Using her sexuality, she manipulates powerful men, moving from bed to bed on the presumption that fidelity means having only one man in it at a time, opportunistically bending her ambitions to take advantage of whatever (or whoever) the moment offers her, toying with the affections of two older men, played by Dirk Bogarde and Laurence Harvey. In doing so, she eventually becomes a prisoner of the jet-setting lifestyle she once yearned for.Includes 64-page bookletNEW Sofia Coppola on DarlingNEW Let's Call It Darling: An Interview with Frederic RaphaelNEW After a Fashion: Julie Harris's Costumes for DarlingNEW Extract from BEHP audio interview with John SchlesingerBehind the Scenes stills galleryCostume Designs galleryColour stills galleryOriginal Theatrical Trailer
Television's number-one drama continues to deliver as LVPD's brilliant forensics team encounters their greatest challenges yet in the stunning ninth season of CSI: Crime Scene Investigation. Watch and learn as the team wrestles with death destiny and inner demons. This must-own collection includes the historic departure of Gil Grissom (William Petersen) and the much-anticipated arrival of Dr. Raymond Langston (Laurence Fishburne).
When a lethal airborne virus with the power to wipe out humanity is unleashed, the worldwide medical community races to find a vaccine and stop the panic from spreading. Starring Academy Award winners Matt Damon, Gwyneth Paltrow, Kate Winslet, Marion Cotillard, and Academy Award nominees Jude Law and Laurence Fishburne, this edge-of-your-seat thriller follows the deadly path of a virus that is beyond containment. Researchers for disease control, the military, the World Health Organization and ordinary civilians mobilize to try and find a cure and the cause before it's too late. Directed by Steven Soderbergh, this portrait of suspense examines how courage pulls us together...while society is falling apart. Product Features On-Disc Special Features The Reality of Contagion: Matt Damon, Gwyneth Paltrow, Jude Law, Laurence Fishburne and Bryan Cranston, along with medical journalist Sanjay Gupta, explore the real science of global viruses and what they mean to the human race. The world is preparing for the next biological disaster...but is it too late? The Contagion Detectives: Meet the greatest minds in the world and how they helped prepare Matt Damon, Laurence Fishburne, Kate Winslet, Jude Law and the rest of the cast for the fight against deadly viruses. Contagion: How A Virus Changes The World
The first three entries in the Clive Barker-originated series are presented in Hellraiser: The Collector's Edition, a box set which includes Barker's 1986 original, and the first two sequels, Tony Randel's Hellbound and Anthony Hickox's Hell on Earth. Watching the films run together, you can see the process whereby a twisted original vision from the British writer-director is gradually hammered out into the stuff of an American direct-to-video franchise. Even the first film suffers slightly as a story written to take place in London is rendered puzzling by the decision to dub minor players with American accents, and by the time of the third film there is only the odd flash of s&m imagery to distinguish the series from the Elm Street or any other franchise. Along the way, there are a few great and many good things: the nasty little family drama of the first film, played by Andrew Robinson and Clare Higgins, as a marriage is literally torn apart by the bloody, skinless brother-lover in the attic, and the still-striking look of the series' major demons, the Cenobites. Part II is a mess, but has a certain grand dementia and Part III at least gives the films' poster boy, Doug Bradley's Pinhead, centre screen as he bids to become the Freddy Krueger of the body-piercing set. On the DVD: Hellraiser: The Collector's Edition presents parts I and II in anamorphic widescreen, while III is cramped at 4:3 full-screen: the transfers are okay if not sumptuous, a little soft if aptly gloomy. Region 1 releases have director and crew commentaries and retrospective documentaries that are sadly not included here--though completists note: this edition boasts on-set cast and director interviews (five minutes apiece for I and II) which are not on the American set. I and II also have trailers (and II has a printable stills gallery and a pointless extra which consists of extracts from the film grouped together as "sub-plots"), but III is strictly no-frills. --Kim Newman
As the Machine Army wages devestation on Zion, can the last vestiges of humankind stave off the relentless swarm of Sentinels long enough for Neo to harness the full extent of his powers and end the war? The final chapter of the Matrix trilogy.
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it was his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, following a battle-weary Captain Willard (Martin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz(Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving war-time action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon
1977's A Bridge Too Far by director Richard Attenborough features an all-star cast in an epic rendering of a daring but ultimately disastrous raid behind enemy lines in Holland during the Second World War. A lengthy and exhaustive look at the mechanics of warfare and the price and futility of war, the film is almost too large for its aims but manages to be both picaresque and affecting, particularly in the performance of James Caan. The impressive cast includes Robert Redford, Gene Hackman, Anthony Hopkins, Laurence Olivier, Dirk Bogarde, Sean Connery and Liv Ullmann among others. While not a classic war film, it nevertheless manages to be a consistently interesting and exciting adventure. --Robert Lane
The Enemy Below and Sink the Bismarck! form a double feature of semi-classic CinemaScope-era WWII naval dramas sailing from the Fox vault onto DVD for the first time. In The Enemy Below Robert Mitchum and Curt Jurgens are respectively captains of a US destroyer and a German U-boat whose vessels come into conflict in the South Atlantic. Both are good men with a job to do, the script noting Jurgens' distaste for Hitler and the Nazis and engaging our sympathy with the German sailors almost as much as the Americans. Made at the height of the Cold War of the 1950s, the film delivers a liberal message of cooperation wrapped inside some spectacular action scenes and a story that builds to a tense and exciting, moving finale. Sink the Bismarck! is a British film dating from three years later and adopts a more documentary style in recounting the race against time to track and destroy what was in 1941 the most powerful battleship then built, the Bismarck. Shot in gleaming black and white so as to make use of genuine WWII archive footage, the film is held together by the introduction of a fictional naval officer in overall command of the operation, played excellently by Kenneth More. To add some human warmth he is given a tentative romantic subplot with a WREN played by the luminous Dana Wynter. Though initially slow to gather steam, Sink the Bismarck! finally delivers an epic, thoroughly horrifying conclusion. On the DVD: The Enemy Below and Sink the Bismarck! come as a two-disc set with multiple language and subtitle options, including English for Hard of Hearing, but no extras other than the original trailers. These are presented at 16:9 and 2.35:1. Both are rather faded, but are fine examples of an era when watching the previews didn't guarantee a migraine. Both films are anamorphically enhanced in their original 2.35:1 CinemaScope, and, bar a little grain in some shots and the inevitably inferior archive footage, the picture quality is excellent. The Enemy Below boasts sturdy three-channel sound (left, front, right) while Sink the Bismarck! is in very well mixed stereo. --Gary S Dalkin
Hayley Mills gives a captivating performance as a girl traumatised by the death of a friend in this poignant, romantic drama - directed by her father, John Mills, from a script by her mother, Mary Hayley Bell. Co-starring Ian McShane as a free-spirited gypsy alongside Laurence Naismith, Annette Crosbie and Geoffrey Bayldon, and featuring a haunting score from Oscar-winning composer Malcolm Arnold, Sky West and Crooked is featured here as a brand-new High Definition remaster from original film elements in its original theatrical aspect ratio. Emotionally damaged by a childhood trauma of which she has no memory but for which she is blamed by the local community, Brydie White finds companionship among a group of younger children whose activities cause consternation in the West Country village in which they live. Product Features Brand-new interviews with actors Irene Bradshaw, Stephen Salt and Lola Payne, 1st assistant director David Tringham and 2nd assistant director Hugh Harlow Theatrical trailer US titles Image gallery Limited edition booklet written by Neil Sinyard
Includes 6 lenticular character cards and 3 Jim Lee illustrated art cards Includes Man of Steel, Batman V Superman Ultimate Edition, Zack Snyder's Justice League. A young boy learns that he has extraordinary powers and is not of this Earth. As a young man, he journeys to discover where he came from and what he was sent here to do. But the hero in him must emerge if he is to save the world from annihilation and become the symbol of hope for all mankind. Featuring an all-star cast, Man of Steel offers up an entirely new Superman: alienated, misunderstood, but forever a beacon of hope. The extended cut of Batman v Superman: Dawn of Justice includes 30 more minutes not seen in theaters! Also includes the Theatrical Version of the film. Fueled by his restored faith in humanity and inspired by Superman's selfless act, Batman and Wonder Woman recruit a team of metahumans to stand against a newly awakened threat.
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