House (Hugh Laurie) and Cuddy (Lisa Edelstein) explore the ramifications admitting they have feelings for each other and attempt to make a real relationship work. Meanwhile due to a colleague's illness Princeton Plainsboro is left without a neurosurgeon on site threatening the hospital's accreditation as a Level 1 Trauma Center. As the team attempts treatment to get their sick colleague back to work they discover there is more to the illness than they originally suspected and turn to House for direction. Instead House remains elusive leaving the team on its own in the season premiere episode of House.
John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh
In Lady Bird, Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine Lady Bird McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
Episodes Comprise: 1. Meaning 2. Cane & Able 3. Informed Consent 4. Lines in the Sand 5. Fools for Love 6. Que Ser Ser 7. Son of Coma Guy 8. Whac-A-Mole 9. Finding Judas 10. Merry Little Christmas 11. Words and Deeds 12. One Day One Room 13. Needle in a Haystack 14. Insensitive 15. Half-Wit 16. Top Secret 17. Fetal Position 18. Airborne 19. Act Your Age 20. House Training 21. Family 22. Resignation 23. The Jerk 24. Human Error
Keanu Reeves stars as troubled veteran LAPD officer, Tom Ludlow, in this dark tale of good cop versus a very bad cop.
The first theatrical film from the popular television series became the surprise hit of the 1998 holiday box-office crunch, trouncing the highly competitive kids market. The key ingredient to the Rugrats' success is the writing. Venturing into their first theatrical movie, the pals--including the intrepid nappie-wearing Tommy Pickles, the nervous Chuckie, the twins Lil and Phil, and the wonderfully prissy Angelica--garble English into funny prose ("I want those fugitives back in custard-y!") and use movie references in their fantasy life. The opening here is a dead-on spoof of Raiders of the Lost Ark. The big news for the movie is that Tommy gets a new baby brother, named Dylan (or Dil for short). The rest of the film has no real plot but is a series of adventures, as the clan gets lost in the forest riding an inventive Reptar wagon that is the 1990s equivalent of the car in Chitty Chitty Bang Bang. Parents search for the kids, the kids learn new lessons and everyone goes home happy. The Rugrats Movie is not as wildly appealing as A Bug's Life but is far goofier and wackier with its animation. There's also a tremendous sense of joy that is often missing from cartoons these days and the songs used in the film--from such diverse musicians as Busta Rhymes, Iggy Pop, Lisa Loeb, Lou Rawls, Beck and Devo--add to the fun. It's an acquired taste, but the creators' first efforts to take the 10-minute TV sketches into an 80-minute feature pay off. --Doug Thomas
House is back with Season 4! Golden Globe winner Hugh Laurie wonderfully cast against type stars as the brilliant but caustic Dr. Gregory House a maverick physician who is devoid of bedside manner. While his behaviour can border on the antisocial Dr. House thrives on the challenge of solving medical puzzles that other doctors give up on. Together with his handpicked team of young medical experts he'll do whatever it takes in the race against the clock to solve the case...
In the highly anticipated new season, Rick and his fellow survivors continue to seek refuge in a desolate and post-apocalyptic world and soon discover that there are greater forces to fear than just the walking dead. The struggle to survive has never been so perilous.
Season 5 picks up where season 4 left off. With Amber's death House blames himself and believes Wilson blames him but is afraid to ask. Wilson decides to leave the hospital. Is Wilson really gone? Will he return? Will House change? Where will Season 5 take Cameron and Chase's relationship? Many questions will be answered as House Season 5 continues. Pick an episode below and start contributing what you know...
In the early 1980s Granada's Alfresco gave early exposure to six young comedians who would become household names within a few years of its transmission. Having engaged Ben Elton as writer (a choice made by Rik Mayall who was originally to star) the show's producer Sandy Ross found his participants at the Edinburgh Fringe; Stephen Fry Hugh Laurie Emma Thompson Paul Shearer and Siobhan Redmond were then invited to take part in a sketch-based show that was intended to rival the BBC's Monty Python and more recently Not the Nine O'Clock News. The resulting mini-series screened only in the North-West in 1982 as There's Nothing to Worry About! was reborn a year later as Alfresco with Robbie Coltrane replacing Paul Shearer. Running for two series Alfresco was notable not only for its contributors but the originality of its format; the use of hand-held recording equipment (previously only used in news bulletins) ensured an innovative fresh feel for its many outdoor scenes. This complete set features both series of Alfresco and all three episodes of There's Nothing to Worry About!
Strap on your pantaloons and prepare to travel with Jim Hawkins and Blind Pew to one of the most famous fictional islands in history, Treasure Island. Walt Disney's 1950 adaptation of Robert Louis Stevenson's swashbuckling masterpiece has held up extremely well, with action and characterisations that feel freshly minted (although it's unlikely that the Mouse of today would sanction the high level of booze flowing throughout the picture). Great fun, with nary a wasted frame and, in the character of Robert Newton's much-imitated Long John, one of cinema's most boisterously crowd-pleasing villains ever. (Proving that you can't keep a good--er, bad man down, Newton would return with director Byron Haskins for the enjoyable sequel, Long John Silver.) Watching this classic is like having a flashback to some perfect Technicolor childhood. --Andrew Wright
In the highly anticipated new season, Rick and his fellow survivors continue to seek refuge in a desolate and post-apocalyptic world and soon discover that there are greater forces to fear than just the walking dead. The struggle to survive has never been so perilous.
Get mindless for awhile with this 1997 disaster flick, starring the La Brea Tar Pits in Los Angeles as a funky place for lava to spew, plus Tommy Lee Jones and Anne Heche as the brave souls who know how to shut off the spout. Director Mick Jackson (The Bodyguard) wastes no time getting to the good stuff--it's happening in Volcano even before opening credits are over--and neither should anyone in the mood for technical efficiency without the burden of art. --Tom Keogh
A misfit pigeon tries to help the war effort in this animated comedy.
Far too many film versions of the The Four Feathers have been made over the years, which is especially surprising considering that this 1939 Korda brothers production is surely definitive. The film simultaneously celebrates and pokes fun at British imperialism, showing the kind of dogged stiff-upper-lippery that forged an empire, but also the blinkered attitudes and crass snobbishness of the ruling classes (and those plummy accents--did people ever really talk like that?). Whatever political subtext may or may not be read into it, though, the film is best celebrated for its magnificent vistas: partially made on location in the Sudan, as well as at the famous Denham Studios, this is British cinema from the days when it thought to rival Hollywood for sheer spectacle. Vincent Korda's production design and the glorious early colour cinematography are helped greatly by fellow Hungarian émigré Miklos Rozsa's epic score. John Clements is the notional hero, the man who is determined to show the world he is not a coward after resigning his commission (even though it would surely have saved everyone a lot of bother if he had just stuck with it) but the film is stolen by Ralph Richardson, magnificent as an officer struck blind and led to safety by Clements' Harry Faversham. The latter scenes when Richardson's Captain Durrance realises the truth and its implications are the most poignant and emotionally truthful in the film. C Aubrey Smith is delightful as the old buffer who relives his battles on the dinner table; to a modern audience, however, the "blackface" casting of John Laurie as the Khalifa strikes a discordant note. But adjusting some expectations for its vintage, this is a triumph of derring-do and far and away the most gripping version of this oft-told story on film. --Mark Walker
John Carpenter's Assault On Precinct 13 is a riveting low-budget thriller from 1976, in which a nearly abandoned police station is held under siege by a heavily armed gang called Street Thunder. Inside the station, cut off from contact and isolated, convicts heading for death row and the cops must now join forces or die. That's the basic plot, but what Carpenter does with it is remarkable. Drawing specific inspiration from the classic Howard Hawks Western Rio Bravo (which included a similar siege on disadvantaged heroes), Carpenter used his simple setting for a tense, tightly constructed series of action sequences, emphasising low-key character development and escalating tension. Few who've seen the film can forget the "ice cream cone" scene in which a young girl is caught up in the action by patronising a seemingly harmless ice cream van. It's here, and in other equally memorable scenes, that Carpenter demonstrates his knack for injecting terror into the mundane details of daily life, propelling this potent thriller to cult favourite status and long-standing critical acclaim. From this Carpenter went on to make the original Halloween, one of the most profitable independent films of all time. --Jeff Shannon, Amazon.com
Featuring the entire series of Jeeves And Wooster based on the characters created by P.G. Wodehouse. Jeeves & Wooster is one of the most delightful period comedy series in TV history. Stephen Fry and Hugh Laurie have captured the wit and sophistication of P.G Wodehouse and manage to portray the marvellous light hearted atmosphere in which the stories were originally set to perfection. Now you can enjoy every episode at your leisure in this delightful box set of the complete tip-top shenanigans of Jeeves & Wooster.
Brand new BBC Drama starring Hugh Laurie, written by David Hare. Roadkill is a four-part fictional thriller about a self-made, forceful and charismatic politician called Peter Laurence. Peter s public and private life seems to be falling apart - or rather is being picked apart by his enemies. As the personal revelations spiral, he is shamelessly untroubled by guilt or remorse, expertly walking a high wire between glory and catastrophe as he seeks to further his own agenda whilst others plot to bring him down. However events show just how hard it is, for both an individual and a country, to leave the past behind. With enemies so close to home, can Peter Laurence ever out-run his own secrets to win the ultimate prize?
This hip and edgy thriller from the director of From Dusk Till Dawn and the writer of Scream and Scream 2 sizzles with a hot cast including Elijah Wood (The Lord Of The Rings Trilogy), Josh Hartnett (Pearl Harbor) and R&B superstar Usher Raymond! When some very creepy things start happening around school, the kids at Herrington High make a chilling discovery that confirms their worst suspicions: their teachers really are from another planet! As mind-controlling parasites rapidly begin spreading from the faculty to the students' bodies, it's ultimately up to the few who are leftan unlikely collection of loners, leaders, nerds and jocksto save the world from alien domination! Also starring Robert Patrick (Terminator 2), Famke Janssen (X-Men), and Jon Stewart (TV's The Daily Show) in a great cast don't miss the unstoppable excitement of this unpredictably smart and scary hit!
Classic TV comedy from the Home Guards at Walmington-On-Sea who are both bumbling and ineffectual as well as incompetent which makes life chaotic for all around! Originally transmitted in 1968 (and recently voted no.4 in Britain's Best Sitcom) this DVD release contains all of the first series followed by the surviving episodes of the second series. Unfortunately the other three instalments remain missing and presumed lost forever... Episodes from Series 1: The Man And The Hour:
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