Hunted by assassins, a band of crusading knights escorting the holy grail are forced into a forbidden valley of black death. What they discover is far more terrifying than the plague. Overrun by hordes of flesh eating zombies, they're only chance of survival is to hack and slash their way to freedom.
The story of Gary Gilmore, a convicted murderer who lobbied for his own execution.
Coach Carter (Dir. Thomas Carter 2005): Inspired by a true story Samuel L. Jackson and Ashanti star in this inspirational account of a high school basketball coach (Jackson) who received high praise - and staunch criticism - for benching his entire undefeated team due to their poor academic performance... Shaft (Dir. John Singleton 2000): Crooked cops on the take small-time drug lords sleazy informers and sadistic rich kids ready to kill: for police detective John
Firewall (Dir. Richard Loncraine 2006): Jack Stanfield (Harrison Ford) is an average family man in Seattle who heads up the hi-tech security team at his local bank. But following a seemingly trivial case of identity theft Jack's life is turned upside-down when he discovers that his wife (Virginia Madsen) and two kids have been kidnapped. The ransom? A mere $100 million which the kidnappers led by Bill Cox (Paul Bettany) want Jack to obtain for them via his expert computer skills. Initially compliant Jack is soon irked by Cox and his cronies to the point where he decides to risk everything to get his family back and bring the bad guys to justice... The Fugitive (Dir. Andrew Davis 1993): Catch him if you can. The Fugitive if on the run! Harrison Ford and Tommy Lee Jones race through the breathless manhunt movie based on the classic TV series. Ford is prison escapee Dr. Richard Kimble a Chicago surgeon falsely convicted of killing his wife and determined to prove his innocence by leading his pursuers to the one-armed man who actually committed the crime. Jones is Sam Gerard an unrelenting bloodhound of an U.S. Marshal. They are hunted and hunter. The non-stop chase has one exhilarating speed: all out.
Hunted by assassins, a band of crusading knights escorting the holy grail are forced into a forbidden valley of black death. What they discover is far more terrifying than the plague. Overrun by hordes of flesh eating zombies, they're only chance of survival is to hack and slash their way to freedom.
Tommy Lee Jones tries to protect a gaggle of unruly cheerleaders in this family comedy.
‘Pariah’ tells the story of Steve (Damon Jones) and Sam an interracial couple attacked by Neo-Nazi Skinheads one unexpected night. The brutal attack has a scarring effect on their lives. Although Steve’s physical bruises heal Sam’s rape leads to her subsequent suicide leaving Steve without direction and bent on revenge. He decides to go undercover as a skinhead to learn about these people whose lives have become entrenched in hate and violence. Steve must learn to act like them think like them and eventually to become one of them. With this accomplished ‘He can kill them!’
A trio of Westerns from the esoteric The Missing to the thrilling Silverado to Sam Raimi's razor-sharp spaghetti western pastiche The Quick And The Dead. The Missing: In 19th-century New Mexico Samuel Jones (Tommy Lee Jones) returns home hoping to reconcile with his now adult daughter Maggie (Cate Blanchett). When Maggie's daughter is kidnapped father and estranged daughter are forced to put their troubled past behind them and work together to get her back... Silverado: This spirited Western stars Kevin Kline Scott Glenn Kevin Costner and Danny Glover as four unwitting heroes who cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day but first they have to break each other out of jail and learn who their real friends are. The spectacular cast also includes Rosanna Arquette John Cleese Brian Denehy Jeff Goldblum and Linda Hunt. The Quick And The Dead: Herod (Gene Hackman) Mayor and ruler of Redemption has turned his town into a haven for thugs and Miscreants of every type. In return for his 'leniency' he keeps 50 cents on every dollar traded by the unsavoury group. Each year in order to weed out rivals and to protect his position of power Herod holds a shooting contest which attracts people from miles around including his son 'The Kid' (Leonardo DiCaprio) and Cort (Russell Crowe). It is a shoot to kill contest with the prize being a large sum of cash. Herod wins every year so protecting his position and reputation for being the fastest killer in the West. That is until Ellen (Sharon Stone) rides into town a six-gun strapped to her hip and revenge burning in her heart. She's fast furious and her mind is set on winning the ultimate prize of a duel to the death with Herod.
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way. On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
After an accident on an archeological site in Mexico leaves Ruth Matthews (Kathleen Turner) a widow she has to face an additional problem: her 6-year-old daughter refuses to speak. Psychiatrist Jake Beerlander (Tommy Lee Jones) believes that Sally is suffering from autism but Ruth refuses to accept his diagnosis and instead risks her own sanity by attempting to enter her daughter's mind and make sense of the seemingly bizarre things that Sally does including building a wondrous house of cards.
The Best of Monty Python's Flying Circus will probably be purchased mostly for the standards--those sketches that have become the staple material of every office joker and pub bore in Christendom--the Spanish Inquisition, the Australian philosophers, the Ministry of Silly Walks. Good fun though these are, once you've expunged the memory of a million witless impersonators, this collection is really worth owning for the material that never quite registered in the popular consciousness. Sketches such as the Summarise Proust Competition, the misunderstanding over the Hungarian phrasebook and John Cleese's manically embittered architect with a grudge against the Freemasons are every bit as funny as the more familiar hits and, free of any associated baggage, they will startle and delight the younger viewer as much as Python must have startled and delighted their parents when first broadcast in the 1970s. On the DVD: The Best of Monty Python's Flying Circus is a three-disc set, and each volume is equipped with a sketch selector that is fussier than strictly necessary. But this is more than compensated for by the wonderful Terry Gilliam animations that the viewer uses to navigate. Subtitles are available in English only. --Andrew Mueller
Limited-edition blu-ray steelbook. Directed by Neil Jordan (Interview With The Vampire, The Company of Wolves) and starring Gemma Arterton (Hansel & Gretel: Witch Hunters) and Saoirse Ronan (The Host), Byzantium is a horror fantasy that takes vampire mythology to a new level of modern terror. Upon the wind swept shores of a desolate coastal town stands the Byzantium guesthouse. After years of being abandoned, its doors are about to be opened again by the predatory and seductive Clara (Arterton), who plans on turning the hotel into a brothel, and her young and introverted daughter Eleanor (Ronan). But these mysterious women have a dark secret that goes back 200 years and is about to reach its ungodly and deathly climax.
A charity performance in aid of Amnesty international Filmed live over four nights at the Theatre Royal Drury lane London. The show includes sketeches from the Monty Python team and musical numbers from artists such as Sting and Eric Clapton.
The year is 2047. Years earlier the pioneering research vessel Event Horizon vanished without a trace. Now a signal from it has been detected and the United States Aerospace Command responds. Hurtling toward the signal's source are a fearless captain (Laurence Fishburne) his elite crew and the lost ship's designer (Sam Neill). Their mission: find and salvage the state-of-the-art spacecraft. What they find is state-of-the-art interstellar terror. What they must salvage are their own lives because someone or something is ready to ensnare them in a new dimension of unimaginable fear.
Director Oliver Stone is celebrated in this four-film, six-disc box set collection that includes two-disc "director's cut" versions JFK and Any Given Sunday respectively, plus Heaven and Earth and the documentary Oliver Stone's America. JFK is that rarest of things, a modern Hollywood drama which credits the audience with intelligence. Epic in length--this 198-minute director's cut runs 17 minutes longer than the cinema version--Oliver Stone's film has the archetypal story, visual scale and substance to match; not just a gripping real-life conspiracy thriller, but a fable for the fall of the American dream. Stone's DVD commentary is thoughtful, eloquent and considered. The Dolby Digital 5.1 soundtrack and the anamorphically enhanced 2.35:1 picture are both first-class. The second disc contains 53 minutes of deleted and extended versions of scenes, all of which are available with or without commentary by Stone, a 10-minute video interview with the real "X", and a half-hour examination of documents only declassified in the wake of the film's release. Any Given Sunday is a massive 150-minute American football drama which, for all its ferocity and cynicism, is as soft-centred and clichéd as any Rocky-style underdogs-make-good crowd-pleaser. This is the director's cut with Stone's commentary ranging far and wide: he is far more interesting and thought-provoking to listen to than his film is to watch. The anamorphically enhanced 2.35:1 image and Dolby Digital 5.1 soundtrack are both flawless. The loaded second DVD includes Jamie Foxx's audition video, a routine 27-minute making-of documentary, music videos, outtakes set to music, and 33 minutes of deleted/alternative scenes with optional commentary from Stone. DVD-ROM and other features complete an exceptional package. Heaven and Earth follows Platoon (1986) and Born of the Fourth of July (1989) to conclude Stone's Vietnam War trilogy. Where Stone won Best Director Oscars for both previous films, Heaven and Earth proved a box-office disaster and went unrecognised by the Academy. It's hard not to think that racism underlay the commercial failure, for where the hit movies addressed the sufferings of white American soldiers played by Hollywood stars, Heaven and Earth focused on the fundamental victims, adapting the true story of a young Vietnamese woman, Le Ly, who goes from village girl to freedom fighter to wife of a US marine struggling to adjust to life in America to reconciliation in Vietnam. Superbly made, with a stunning performance by Hiep Thi Le as Le Ly, and powerful support from Tommy Lee Jones, this is intelligent, harrowing filmmaking which attempts to understand and bridge the divide between nations traumatised by war. Unfortunately heavily cut to bring it down to a multiplex-friendly running time, the often brilliant 135 minutes on show suggest a longer modern classic ended-up on the cutting room floor. The DVD features an incisive commentary by Stone, who alone of major Hollywood directors fought in Vietnam. Confirming that Heaven and Earth was heavily cut is the inclusion of 48 minutes of deleted/extended scenes, including a vastly extended 22-minute opening, Dolby Digital 5.1 sound and anamorphically enhanced 2.35:1 picture are excellent. Oliver Stone's America is a 53-minute interview in which Stone talks candidly about his films, concentrating on the trio included in the Oliver Stone Collection, firing off considered opinions at a rapid rate. Also included is Stone's student film, Last Year in VietNam, clearly influenced by the French New Wave in general and L'Année dernière à Marienbad (1961) in particular. --Gary S Dalkin
When Ruth Matthews finds that her young daughter has withdrawn from reality she and a well-meaning doctor struggle to come to the aid of the child. But when conventional science appears unable to reach the little girl Ruth embarks on a journey within herself to unlock the mysteries that hold her daughter captive in this passionate and heartrending tale of a mother's love - and a family's determination to heal.
Doubling My Girl with its sequel makes sense since they tell a two-part tale. In the first film, 11-year-old Vada Sultenfuss (astounding newcomer Anna Chlumsky) lives with her widowed father, a distracted tuba-playing mortician (Dan Aykroyd). Rather understandably Vada is confused and disturbed about the nature of death. In her narration to camera we learn what it feels like to be a girl growing up in Pennsylvania in the early 1970s, as her father become involved with make-up artist Jamie Lee Curtis. Macaulay Culkin (in a performance reminding us that once there was a good child actor behind the name) is the best friend who assists her rite of passage. Jumping forwards two years into the sequel, My Girl 2, Culkin is replaced by Austin O'Brien. Now 13 and with a baby on the way in the Aykroyd /Jamie Lee Curtis home, Vada's growing-up continues further afield. She investigates the life of her mother in an attempt to understand her own. Los Angeles becomes the backdrop as she deals with the inevitable problems of puberty. Ultimately this is the story of a teenager's grounding in the ways of the world told simply and with charm. On the DVD: My Girl/My Girl 2 on disc sadly has no extras beyond a trailer for each film. It's also a shame the 1.85:1 transfer remains grainy for both. At least the three-channel surround picks out the period songs nicely. --Paul Tonks
For a first feature from a 24-year-old director, George Washington is an amazingly assured piece of work. The titles misleading: this is no biopic of Americas first President, but a poetic, richly atmospheric rhapsody set in a rundown industrial town in the American South. Given this backdrop, and a predominantly black cast, you might expect an angry study of social deprivation and racial tension, but Green has no such agenda. Instead, he derives a shimmering, heat-hazed beauty from his images of rusting machinery, junkyards and derelict buildings, and if the overall tone is tinged with sadness, its mainly from a sense of universal human loss. The action, such as it is, moves at its own slow Southern pace, following a group of youngsters, black and white, over a few high-summer days. Things do happen--a couple decide to elope, one boys saved from drowning, another gets killed--but theyre presented in an oblique, understated fashion that owes nothing to conventional Hollywood notions of narrative. With one exception, the cast are all non-professionals, mainly youngsters who director-writer David Gordon Green found in and around the town where the film was made, Winston-Salem in North Carolina. Shooting in a semi-improvised fashion, Green draws from his young cast remarkably spontaneous performances and dialogue (often their own) full of unselfconscious poetry. Drawing on a wide range of influences--among other things he cites Sesame Street, documentaries and such 70s classics as Deliverance, Walkabout and especially Terrence Malicks Days of Heaven--Green has fashioned a film thats fresh, tender and utterly individual. And it looks just gorgeous: belying the tiny budget, Tim Orrs widescreen photography lavishes mellow softness on images of dereliction and small-town decay. Never has dead-end poverty been made to look so attractive. On the DVD: George Washington comes on a disc generously loaded with extras. Besides the obvious theatrical trailer we get two of Greens early short films, Physical Pinball and Pleasant Grove (both clearly dry runs for the main feature), an 18-minute featurette about the films reception at the Berlin Film Fest and a deleted scene of a community meeting. This scene, the short Pleasant Grove and the movie itself also offer a directors commentary--or rather a directors dialogue, as Green shares the honours with one of his lead actors, Paul Schneider. Their laconic, unpretentious comments enhance the whole experience enormously. The film has been transferred in its full scope ratio (2.35:1) and looks great. --Philip Kemp
Adapted from Nigel Balchin's famous novel about a military bomb disposal expert 'The Small Back Room' traces the struggles of Sammy Rice a crippled neurotic scientist. Sammy plagued by feelings of inferiority because of his lameness labours to solve the problem of a new type enemy bomb that is causing many casualties. When a close friend and collegue is killed attempting to dismantle one of the bombs Sammy is forced to face his demons take his life in his hands and prove his worth; to the military and himself...
Broken Vows
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