Dr. Tess Coleman and her 15-year-old daughter Anna have the shock of their lives when on a particular freaky Friday, they wake up to find they have swapped bodies.
Anatomy of a Murder, Otto Preminger's 1959 film of the novel by Robert Traver (a pen name for a Michigan Supreme Court Justice), was controversial in its day for making frank on-screen use of then-unheard words such as "panties", "rape" and "spermatogenesis"--and it remains a trenchant, bitter, tough, witty dissection of the American legal system. With its striking Saul Bass title design and jazzy Duke Ellington score, Anatomy of a Murder takes a sophisticated approach unusual for a Hollywood film of its vintage. Most radically, it refuses to show the murder or any of the private scenes recounted in court, leaving it up to us to decide along with the jury whether the grumpy and unconcerned Lieutenant Frederick Manion (Ben Gazzara) was or was not subject to an "irresistible impulse" tantamount to insanity when he shot dead Barney Quill, the bear-like bar owner alleged to have raped Manion's teasing trailer-trash wife Laura (Lee Remick in unfeasibly tight trousers). James Stewart plays Paul "Polly" Biegler a former District Attorney keen to get back into court to clash with the political dullard who replaced him in office. Biegler is supported by the skills of his snide secretary (Eve Arden) and boozy-but-brilliant research partner (Arthur O'Connell). For the prosecution, the befuddled local DA hauls in Dancer (George C Scott), a prissy legal eagle from the local big city whose sharp-suited, sly elegance makes an interesting clash with Biegler's "aw-shucks" jimmy-stewartian conniving. This is simply the best trial movie ever made, with a real understanding of the way lawyers have to be not only great actors but stars, assuming personalities that exaggerate their inner selves and weighing every outburst and objection for the effect it has on the poor saps in the jury box. On the DVD: The print is letterboxed to 1.85:1, but it's a bit of a cheat since that seems to involve trimming the top and bottom of the image (losing the steps under and the clouds above the Columbia lady in the opening titles), though the film isn't seriously hurt by a tighter look at the action. Also included are: an Ellington-scored photo montage, soundtracks in English, French, German, Italian and Spanish with subtitles in ten languages, filmographies for director and principal cast, original advertising (highlighting Saul Bass' poster designs, a trailer and more trailers for more Columbia Jimmy Stewart or courtroom films. --Kim Newman
Disney's next animated feature takes the classic story of 'Treasure Island' and gives it a twenty first century science fiction makeover with alien worlds and other galactic wonders.
The award winning story of the Magdalene Asylums of 1960s Ireland, where countless young women were ritually abused by the Catholic Church.
20 of the greatest British films ever produced by the world renowned Hammer film studio! Includes: 1. Blood From The Mummy's Tomb (Dir. Seth Holt 1971) 2. Demons Of The Mind (Dir. Peter Sykes 1972) 3. The Devil Rides Out (Dir. Terence Fisher 1968) 4. Viking Queen (Dir. Don Chaffey 1967) 5. Dracula Prince Of Darkness (Dir. Terence Fisher 1966) 6. Fear In The Night (Dir. Jimmy Sangster 1972) 7. Frankenstein Created Women (Dir. Terence Fisher 1967) 8. The Horror Of Frankenstein (Dir. Jimmy Sangster 1970) 9. The Nanny (Dir. Seth Holt 1965) 10. One Million Years BC (Dir. Don Chaffey 1966) 11. Plague Of The Zombies (Dir. John Gilling 1966) 12. Quatermass And The Pit (Dir. Roy Ward Baker 1967) 13. Rasputin The Mad Monk (Dir. Don Sharp 1966) 14. The Reptile (Dir. John Gilling 1966) 15. The Scars of Dracula (Dir. Roy Ward Baker 1970) 16. SHE (Dir. Robert Day 1965) 17. Slave Girls (Dir. Michael Carreras 1967) 18. To The Devil A Daughter (Dir. Peter Sykes 1967) 19. The Vengeance Of SHE (Dir. Cliff Owen 1968) 20. The Witches (Dir. Cyril Frankel 1966)
A policeman is shot dead and two South London boys stand accused of his murder. The verdict and the sentence passed the crime. Both the verdict and the sentence were subsequently quashed. This is the case that shocked the nation.
The Maltese Falcon is still the tightest, sharpest, and most cynical of Hollywood's official deathless classics, bracingly tough even by post-Tarantino standards. Humphrey Bogart is Dashiell Hammett's definitive private eye, Sam Spade, struggling to keep his hard-boiled cool as the double-crosses pile up around his ankles. The plot, which dances all around the stolen Middle Eastern statuette of the title, is too baroque to try to follow, and it doesn't make a bit of difference. The dialogue, much of it lifted straight from Hammett, is delivered with whip-crack speed and sneering ferocity, as Bogie faces off against Peter Lorre and Sidney Greenstreet, fends off the duplicitous advances of Mary Astor, and roughs up a cringing "gunsel" played by Elisha Cook Jr. It's an action movie of sorts, at least by implication: the characters always seem keyed up, right on the verge of erupting into violence. This is a turning-point picture in several respects: John Huston (The African Queen) made his directorial debut here in 1941, and Bogart, who had mostly played bad guys, was a last-minute substitution for George Raft, who must have been kicking himself for years afterward. This is the role that made Bogart a star and established his trend-setting (and still influential) antihero persona. --David Chute END
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
Francis Ford Coppola's passable 1986 comedy stars Kathleen Turner as an unhappy, middle-aged woman who goes back in time to her high school years and meets her future husband (Nicolas Cage) all over again. A lightweight entry from Coppola, the film has some clever, backward-looking jokes; and the lead actress does bring intelligence and searching emotions to her role. Cage (Coppola's nephew)--who specialised in these dumb-guy roles back then (see Raising Arizona)--is in sharp, raw form. Worth a visit, but don't expect to be bowled over this time by the legendary director.--Tom Keogh, Amazon.com
""If this be a natural thing where do it come from where do it go? "" Tommy Gander a concert comedian; Teddy Deakin his pal; Jackie Withorp and her cousin Richard Winthrop; Miss Bourne a spinster visiting evacuees Herbert and Edna an engaged couple and Dr. Sterling travelling on a train to Cornwall miss their connections owing to a delay and have to spend a night in the waiting room of the eerie Cornish railway junction for Fal Vale. The station master tells them the s
BROOKLYN is the story of a young woman, Eilis (Saoirse Ronan; Atonement) who moves from a small town in Ireland to Brooklyn, where, unlike home, she has the opportunity for work, a future - and love, in the form of Italian-American Tony (Emory Cohen; The Place Beyond The Pines). However, when Eilis returns temporarily to Ireland she finds herself absorbed into her old community, but now with eligible Jim (Domhnall Gleeson; About Time) courting her. As she repeatedly postpones her departure back to America, Eilis finds herself confronting a terrible dilemma - a heart-breaking choice between two countries and two futures. Special Features: Deleted Scenes Interviews Featurette
The trials and tribulations of Stephen Dedalus a young man growing up in Ireland in the early part of the 20th century. He starts to feel a stranger in his own land as he starts to understand the nature of art and politics and he has to make a decision whether to accept exile in another land or stay and fight....
Short stories from Jim Jarmusch that all have coffee and cigarettes in common.
The second longest running drama in TV history and cultural phenomenon that defined nighttime drama is finally coming to DVD! Dubbed ""The Original Desperate Housewives"" (William Heck USAToday) Knots Landing depicts the lives and loves of five suburban families who live in this always interesting upper-middle class southern California cul-de-sac. Episodes Comprise: 1. Pilot 2. Community Spirit 3. Let Me Count The Ways 4. The Lie 5. Will The Circle Be Unbroken 6. Home Is For The Healing 7. Land Of The Free 8. Civil Wives 9. The Constant Companion 10. Small Suprises 11. Courageous Convictions 12. Bottom Of The Bottle: Part 1 13. Bottom Of The Bottle: Part 2
Titles Comprise: Horton Hears A Who: This adaption of Dr. Seuss' 1954 children's book Horton Hears A Who features Jim Carrey and Steve Carrel in this timeless classic tale! One day Horton the elephant hears a cry from help coming from a speck of dust. Even though he can't see anyone on the speck he decides to help it. As it turns out the speck of dust is home to the Whos who live in their city of Whoville. Horton agrees to help protect the Whos and their home but this gives him nothing but torment from his neighbors who refuse to believe that anything could survive on the speck. Still Horton stands by the motto that After all a person is a person no matter how small. Alvin And The Chipmunks: Based on the classic cartoon series Alvin Simon and Theodore come to the big screen with their mischievous musical mayhem. When struggling songwriter Dave Seville (Jason Lee) opens his home to a talented trio of chipmunks named Alvin Simon and Theodore they become overnight music sensations. But a greedy record producer (David Cross) intends to exploit the 'boys' and send them on a grueling concert tour just to line his own pockets. Now Dave must use a little human ingenuity-and a lot of munk mischief-to get his family back before it's too late! Garfield 2: A Tail Of Two Kitties: Garfield America's favourite cat is going continental. He's travelling across the pond (with canine sidekick Odie) to surprise his master Jon Arbuckle (Meyer) who is in London to propose to his girlfriend veterinarian Liz Wilson (Hewitt). In the land of Big Ben Buckingham Palace Scotland Yard and fish and chips Garfield's British invasion takes on a Prince and the Paw-per dimension. He inadvertently switches places with the Prince a royal cat (and by luck his exact look-a-like) who has just inherited Castle Carlyle from his deceased owner Lady Eleanor this is a huge disappointment to her dastardly nephew Lord Dargis (Billy Connelly). Now living it up as the Cat of Carlyle Garfield has a butler and an international array of servants and subjects including Winston a very English bulldog; McBunny a Scottish hare; Nigel a Punjab ferret; Bolere a Spanish bull; I Claudius a Shakepeare-quoting mouse and Christophe a French goose. Meanwhile Prince is living the simple life of a commoner hitting the pubs with Jon and Oldie getting his first taste of lasagne...and loving all of it! Uneasy is the head however that wears the crown. Lord Bargis who is next in line to the estate wants Prince/Garfield out of the picture. Garfield's bigger better more pur-fect world is soon turned upside down in the tale of two kitties!
Legendarily chintzy "event" producer Irwin Allen (The Towering Inferno) went out with a gargantuan buzz-on with this jaw-droppingly goofy disaster flick. No cliché is left unturned, as a hyperactive strain of hallucination-inducing killer bees get it into their microscopic brains to derail a commuter train, destroy a nuclear power plant and otherwise decimate a veritable cornucopia of washed-up actors (Fred MacMurray, Henry Fonda, Richard Widmark, Patty Duke, Slim Pickens and narcoleptic dreamboat Richard Chamberlain are just a few of the legendary has-beens to get fatally stung by what appears to be airborne coffee grounds). Be sure to stay tuned through the closing credits for a (lawsuit-preventing?) coda absolving the good ol' hardworking American honeybee of any and all sinister charges depicted herein. The Swarm is an irresistibly hilarious chunk of honey-roasted cheese--70s style. --Andrew Wright
A beautiful woman goes backpacking in India in search of adventure but finds a guru with more than enlightenment on his mind.
How far will you go? An award-winning exhilaratingly funny coming-of-age film Cowboys And Angels tells the witty story of two Irish lads - one straight and one gay - from their youthful career ambitions to romance and entanglements with the law. Shane is a shy civil servant striking out on his own; Vincent is a gay fashion design student looking for a roommate. When they cross paths a friendship begins with Vincent helping pull Shane from his shell and sending
Please wait. Loading...
This site uses cookies.
More details in our privacy policy