ALVIN AND THE CHIPMUNKS is a hilarious adventure packed with toe-tapping tunes and fur-flying fun! When struggling songwriter Dave Seville (Jason Lee) opens his home to a talented trio of chipmunks named Alvin, Simon and Theodore, they become overnight music sensations. But a greedy record producer (David Cross) intends to exploit the boys' and send them on a gruelling concert tour just to line his own pockets. Now Dave must use a little human ingenuity and a lot of munk mischief to get his family back before it's too late! ALVIN AND THE CHIPMUKNKS: THE SQUEAKQUEL. Chipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious squeakquel packed with more songs, more action and more nutty fun for the whole family! The Chipmunks take a break from superstardom to enroll in school, but they soon meet their musical match when they're upstaged by the beautiful and talented Chipettes! ALVIN AND THE CHIPMUKNKS: CHIPWRECKED. Chipmunks ahoy! It's a tidal wave of toe-tapping music and unfur-gettable fun for the whole family as Alvin and the Chipmunks return in their greatest adventure yet! While on vacation aboard a luxury cruise liner, Alvin, Simon, Theodore and the Chipettes can't help rocking the boat with their unique brand of 'munk mischief. But things get really squeaky when the gang winds up stranded on a remote island and they soon discover their new tropical playground is not as deserted as it seems. ALVIN AND THE CHIPMUKNKS: ROADCHIP. Hit the road with your favourite fur balls in the funniest Alvin and the Chipmunks ever! Alvin, Simon and Theodore race to Miami on a wild road trip but their jaunt soon takes a nutty detour, leading to hilarious highway hijinks and music-packed adventures across the country.
Intense, ferocious and deeply unsettling, I.D. is an excellent examination of Britain's unsavoury contribution to global culture: football hooliganism. Whereas Alan Clarke's The Firm showed the violence that lurked behind a seemingly normal façade, I.D. posits football hooliganism as a feral temptation. Dedicated, ambitious undercover policeman John (Reece Dinsdale) becomes seduced by the violence of an East London gang, ultimately becoming lost from his regular life with his wife (Clare Skinner). Dinsdale delivers a measured performance that sees him spiral from committed, right-minded policeman to shaven-headed, Nazi-saluting monster, revelling in the violent impulses he embraces with glee and, alarmingly, becoming a hero amongst those he is infiltrating. Warren Clarke is absolutely monstrous as the leader of the hooligan gang, a paragon of bigoted hatred and the embodiment of John's future. Often unnervingly realistic, director Phil Davis is adept at creating riotous mob scenes that chillingly accentuate the world into which John is drawn. It could be said that I.D.'s premise is too thin, and that hooliganism is not addressed in an effective manner, but it is without doubt a chilling character study of the temptation of violence and the horrific influences that lurk in the heart of society. --Danny Graydon
Stanley Kubrick's singular war saga packs a more visceral punch in 4K. Matthew Modine, Vincent D'Onofrio and R.Lee Ermey- as a drill instructor from hell- shine in this gripping chronicle of U.S. Marine recruits during the Vietnam War. Shifting from the raw brutality of basic training to the dehumanising effects of combat, Full Metal Jacket deftly combines nonstop action with scathing dark humour.
In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. --Andrew Wright, Amazon.com The series concludes with The Omen III: The Final Conflict, starring Sam Neill as the adult Damien--aka the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling but at least this one gives some closure to the seemingly endless saga. --Tom Keogh, Amazon.com On the DVDs: On the original movie disc there is an all-new 45-minute documentary, "666: The Omen Revealed", with contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London!), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the movie. The second and third films lack as many extra features, being content with audio commentaries and theatrical trailers: the commentary for Omen II is by producer Harvey Bernhard, that for Omen III by director Graham Baker. --Mark Walker
Tom Hardy (Inception, The Dark Knight Rises) stars as Ivan Locke, in the second film from writer/director Steven Knight (Eastern Promises, Hummingbird). LOCKE is the story of one man's life unravelling in a tension-fuelled 90-minute race against time. Ivan Locke has the perfect family, his dream job, and tomorrow should be the crowning moment of his career. But one phone call will force him to make a decision that will put it all on the line.Locke also stars; Ruth Wilson (Saving Mr. Banks, Luther, Jane Eyre), double BAFTA-winner Olivia Colman (The Iron Lady, Broadchurch, Tyrannosaur), BAFTA-winning actor Andrew Scott (Sherlock), Ben Daniels (House of Cards), Tom Holland (The Impossible, How I Live Now) and Bill Milner (Son Of Rambow, X-Men First Class).
Jessica Lange deserves three cheers for her performance in Blue Sky as an army wife in the early 1960s. Sensuous and unpredictable, Lange bridles at the restrictions in her life and is constantly seeking attention. Tommy Lee Jones is the nuclear engineer who adores her, but is just as passionate toward his career. Lange and Jones sizzle in spite of a weak plot tangent concerning the military cover-up of nuclear testing in the Nevada desert. The love story is everything as it bursts with undercurrents of passion, regret, sorrow and joy. Lange's sexy, high-strung performance earned her an Oscar. It was director Tony Richardson's last film. --Rochelle O'Gorman, Amazon.com
The Love Bug is a savvy Disney hit from 1969 made a star of a Volkswagen precisely when the car was becoming more popular than ever. Dean Jones and Michele Lee head the cast in a story about a VW bug with a mind of its own. Disney-man Robert Stevenson, director of The Absent-Minded Professor, Mary Poppins, and lots of other Disney live-action hits, makes the slapstick work perfectly and keeps the laughs coming. Buddy Hackett is very funny in a supporting role. --Tom Keogh
Jessica Lange deserves three cheers for her performance in Blue Sky as an army wife in the early 1960s. Sensuous and unpredictable, Lange bridles at the restrictions in her life and is constantly seeking attention. Tommy Lee Jones is the nuclear engineer who adores her, but is just as passionate toward his career. Lange and Jones sizzle in spite of a weak plot tangent concerning the military cover-up of nuclear testing in the Nevada desert. The love story is everything as it bursts with undercurrents of passion, regret, sorrow and joy. Lange's sexy, high-strung performance earned her an Oscar. It was director Tony Richardson's last film. --Rochelle O'Gorman, Amazon.com
Like Sylvester Stallone's Rocky and Rambo the hero of Cobra is another original: Lt. Marion Cobretti a one-man assault force whose laser-mount submachine gun and pearl-handled Colt 45 spit pure crime-stopping venom. Rambo: First Blood Part II director George P Cosmatos rejoins Stallone for this thriller pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but to a ""New Order"" - and killing the inadvertent witness (Brigette Nielsen) to their late
Ash (Ben Cross) and Anjuli (Amy Irving) are two star-crossed lovers caught up in this passionate and haunting love story. Based on the best selling novel by M. M. Kaye The Far Pavilions is set in the India of the British Raj at the end of the 19th Century against the spectacular and epic sweep of battle treachery and intrigue. An all star cast including Omar Sharif Sir John Gielgud Christopher Lee Rossano Brazzi Robert Hardy Saeed Jaffery and Rupert Everett feature in
TEN YEARS AGO, HE CHANGED THE FACE OF HALLOWEEN. TONIGHT, HE'S BACK. A decade ago, he butchered 16 people trying to get to his sister. He was shot and incinerated, but still the entity that Dr. Sam Loomis (the legendary Donald Pleasence) calls Evil on two legs would not die. Tonight, Michael Myers has come home again to kill! This time, Michael returns to Haddonfield for Jamie Lloyd (Danielle Harris of HALLOWEEN 5 and THE LAST BOY SCOUT) the orphaned daughter of Laurie Strode and her babysitter Rachel (Ellie Cornell of HALLOWEEN 5 and HOUSE OF THE DEAD). Can Loomis stop Michael before the unholy slaughter reaches his innocent young niece? Michael Pataki, Sasha Jenson and Kathleen Kinmont co-star in this smash sequel that marked the long-awaited return to the original storyline and remains infamous for its startling twist ending and graphic violence.
Leeson (Ewan McGregor) is rightly proud of himself: despite his humble beginnings, the Watford lad is now a trusted employee of Barings Merchant Bank, the City of London's oldest Banking House founded in 1763.
The Fly (Dir. David Cronenberg 1986): This frightening but extremely moving and romantic horror film stars Jeff Goldblum as an over-ambitious scientist who accidentally merges with a housefly while conducting a bizarre teleporting experiment. A journalist (Geena Davis) who has fallen in love with him while covering his scientific endeavours suddenly finds herself caring for a horrific creature whose insect half gradually begins to take over. The Fly 2 (Dir. Chris Walas
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
One of a series of revisionist Vietnam cinema released in the late 1980s, Stanley Kubrick's Full Metal Jacket is essentially split into two stories linked by a number of characters. The film follows new recruit Joker (Matthew Modine) and his fellow soldiers through their basic training and into combat in Vietnam. The first half is a chilling portrayal of military brutality and de-humanisation, mainly at the hands of Sgt Hartman (played at a level of staggering intensity by ex-Marine Lee Ermey), that centres around the tragic character of Private Pyle, a young man pushed to the edge of his endurance. The tone of the film is no less harsh when transported to the combat zone as we see the results of the training process in action: the young men turned into unquestioning killing machines. Joker is perhaps the one exception, a soldier with "Born to Kill" written on his helmet who also sports a peace sign on his lapel. But the film finds itself caught in the trap of many of the war movies of the time--how to create audience empathy with characters who are essentially in the wrong. It's a dilemma that Full Metal Jacket never really solves, although as a spectacle the film is a masterpiece. Made in the days before CGI became the norm, the battle sequences--filmed, rather bizarrely, in London's Docklands before its redevelopment--are hugely realistic and are perhaps the key moments of the movie, heightening the disorientation and fear felt by the soldiers. By offering no more than a snapshot of the Vietnam conflict (the action deals with one individual skirmish), Kubrick cleverly leaves any judgement on the war to the audience, although clearly attempting to influence them. The fate of the characters who survive is also left in the balance, but we can perhaps imagine what awaits them. On the DVD: Part of a series of Kubrick DVD reissues, Full Metal Jacket has been treated to the full remastering and restoration treatment. The battle sequences have benefited the most, gaining a new audio and visual crispness and clarity that adds to their already impressive sense of realism--you can almost feel the heat searing from the screen and the explosions detonating around you. Maybe not the best war film ever made, as some may claim, but certainly one to take you right to the heart of the action. --Phil Udell
When students Alex (David Ladd - A Day of Flanders) and Patricia (Sharon Gurney - Jason King) discover a dying man in their local underground station they spark off an investigation that reveals a sinister and macabre plot that even sends shivers down the spines of hardened police officers Calhoun (Donald Pleasence - Halloween You Only Live Twice) and Rogers (Norman Rossington - Saturday Night & Sunday Morning A Hard Day's Night). Prominent people it seems have be
What the Bleep Do We Know? is a lecture on mysticism and science mixed into a sort-of narrative. Marlee Matlin stars in the dramatic thread, about a sourpuss photographer who begins to question her perceptions. Interviews with quantum physics experts and New Age authors are cut into this story, offering a vaguely convincing (and certainly mind-provoking) theory about... well, actually, it sounds a lot like the Power of Positive Thinking, when you get down to it. Talking heads (not identified until film's end) include JZ Knight, who appears in the movie channeling Ramtha, the ancient sage she claims communicates through her (other speakers are also associated with Knight's organization). What she says actually makes pretty good common sense--Ramtha's wiggier notions are not included--and would be easy to accept were it not being credited to a 35,000-year-old mystic from Atlantis. --Robert Horton, Amazon.com
The 1980s cartoon series about a music group of chipmunks - comprised of mischievous group leader Alvin; tall and quiet Simon; and chubby, impressionable Theodore - comes to the big screen.
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