London's become a small town for a handful of jaded psychedelic-era hipsters. But Johnny Alucard has a groovy new way for his pals to get their kicks. A certain ritual will be the living end he insists. And if you still wonder where Johnny's coming from try spelling his last name backwards. Dracula is raised into the modern era in this Hammer Studios shocker. Christopher Lee dons the cape for the sixth time and seeks out fresh victims. As archnemesis Van Helsing fellow horror legen
In the tumultuous aftermath of the Civil War Union Cavalry officer John Henry Thomas (John Wayne) takes his heroic men West while Southerner James Langdon (Rock Hudson) takes his soldiers to Mexico. When their paths cross they forge an uneasy friendship that is quickly tested as they get caught between Mexican rebels and the Emperor's forces and find themselves fighting side by side.
The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humour of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon
The young D'Artagnan (Michael York) arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men Athos (Oliver Reed) Porthos (Frank Finlay) and Aramis (Richard Chamberlain) each of whom challenges him to a duel. D'Artagnan finds out that they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu (Charlton Heston) who wishes to increase his already considerable power over the king. D'Artagnan must also juggle
Based on Caroline Graham's novels and featuring the stolid crime-solving skills of Detective Chief Inspector Barnaby, Midsomer Murders made their television debut in 1997 and continue to keep viewers happy with that potent whodunnit ingredient: spectacularly bloody murders in the most tranquil rural settings the Shires have to offer. Midsomer is a vaguely defined area of villages and hamlets with charming names like Badger's Drift and Goodman's Land. It also has the highest number of violent deaths per capita outside the average war zone. Serial killings abound to test the nerve of Barnaby (John Nettles) and his sidekick Sergeant Troy (Daniel Casey), a dullard easily perplexed by a world which refuses to stick to his black and white view of things. Nettles is excellent; there's a hint of Bergerac still, now heavier of jowl and broader of beam, though the chasing is necessarily limited and the DCI enjoys the home comforts of an understanding wife and a spirited daughter. "Every time I go into any Midsomer village, it's always the same thing", he huffs. "Blackmail, sexual deviancy, suicide and murder." Ain't it the truth? The murders are astonishing. Family feuds, jealousy, incest, industrial espionage, all erupt at regular intervals leaving a trail of bodies with throats slashed, limbs dismembered and blood absolutely everywhere. Rivers of sheer nastiness run deep beneath the superficially pastoral perfection of Midsomer. Thank goodness there are still men like dependable Barnaby to get to the bottom of things. Eventually. Sure of Barnabys eventual success, Midsomer Murders make for a cosy, even comforting, couple of hours curled up in front of the television. And they make a great showcase for star turns from the great stable of British character actors, too, from Celia Imrie and Elizabeth Spriggs to Imelda Staunton and Duncan Preston, who invariably turn this whimsical stuff into the tastiest possible ham.--Piers Ford
Warner Bros. 100 years Celebrating Every Story Celebrate 100 years of Warner Bros. with this ultimate Studio Collection, bringing together 30 of Warner's most iconic films in glorious 4K UHD. Covering three eras of Hollywood - Classic Hollywood (1930s 1960s), New Hollywood (1970s 1980s) and Modern Blockbusters (1990s Today) - this collection represents the pinnacle of storytelling and Warner's indelible impact on the industry. The featured films represent the most monumental titles in the Warner catalogue; from the technicolour wonders of The Wizard of Oz and Singin' in the Rain, to the genre-defining The Exorcist and Blade Runner, and modern-day icons in The Matrix and Mad Max: Fury Road. The collection also exclusively includes the legendary Western Rio Bravo and James Dean's iconic East of Eden in 4K for the first time. The collection is housed in unique, premium packaging, featuring: Cardboard outer slipcase with magnetic WB Shield clasp 3 Layflat Books, each holding 10 4K discs, split into the Classic Hollywood, New Hollywood, and Modern Blockbuster eras. These also include timelines detailing the studio's impact on Hollywood. 1 Capacity Book holding 8 exclusive WB logo pin badges from across the studio's history, a 32-page booklet and other premium extras Featured Films Classic Hollywood (1930s -1960s) 2001: A Space Odyssey (1968) Casablanca (1942) Citizen Kane (1941) Cool Hand Luke (1967) East of Eden (1955) The Maltese Falcon (1941) Rebel Without a Cause (1955) Rio Bravo (1959) Singin' in the Rain (1952) The Wizard of Oz (1939) New Hollywood (1970s - 1980s) A Clockwork Orange (1971) Batman (1989) Beetlejuice (1988) Blade Runner (1982) Enter the Dragon (1973) The Exorcist (1973) The Goonies (1985) Superman: The Movie (1978) The Shining (1980) Willy Wonka & The Chocolate Factory (1971) Modern Blockbusters (1990s - Today) A Star is Born (2018) Argo (2012) Elvis (2022) Goodfellas (1990) IT (2017) Mad Max: Fury Road (2015) The Matrix (1999) The Shawshank Redemption (1994) Training Day (2001) Unforgiven (1992) Featuring Over 50 Hours of Extra Content Product Features The Wizard of Oz Commentary with Oz historian John Fricke and Barbara Freed-Saltzman The Wonderful World of Oz: The Making of a Movie Classic Featurette Citizen Kane Commentary by Peter Bogdanovich Commentary by Roger Ebert Interviews with Ruth Warrick and Robert Wise The Production Featurettes Post-Production Featurettes Casablanca Introduction by Lauren Bacall Commentary by Roger Ebert Commentary by Rudy Behlmer Singin' in the Rain Commentary by Debbie Reynolds, Donald O'Connor, Cyd Charisse, Kathleen Freeman, Stanley Donen, Betty Comden, Adolph Green, Baz Luhrmann and Rudy Behlmer 2001: A Space Odyssey Commentary by Keir Dullea and Gary Lockwood The Maltese Falcon Commentary by Eric Lax Cool Hand Luke Commentary by Eric Lax A Natural Born World-Shaker: Making Cool Hand Luke Featurette Trailer Rebel Without a Cause Commentary by Douglas L Rathgeb East of Eden Commentary by Richard Schickel Rio Bravo Commentary by John Carpenter and Richard Schickel Superman: The Movie Commentary by Pierre Spengler and Ilya Salkind A Clockwork Orange Commentary by Malcolm McDowell and Nick Redman Willy Wonka & The Chocolate Factory Commentary with the Wonka Kids The Shining Commentary by Steadicam Inventor Garrett Brown and Kubrick Biographer John Baxter Blade Runner Introduction by Ridley Scott Director Commentary Writer/Producer Commentary by Hampton Fancher, David Peoples, Michael Deeley and Katherine Haber Crew Commentary by Syd Mead, Lawrence G. Pauli, David L. Synder, Douglas Trumbull, Richard Yuricich, and David Dryer Batman Director Commentary Unforgiven Commentary by Richard Schickel The Shawshank Redemption Director Commentary The Matrix Written Introduction by the Wachowskis Philosopher Commentary by Dr Cornel West and Ken Wilber Critics Commentary by Todd McCarthy, John Powers and David Thomson Cast and Crew Commentary by Carrie-Ann Moss, Zach Staenberg and John Gaeta Composer Commentary by Don Davis and Music Only Track Training Day Director Commentary
The multi-award winning star of NOT GOING OUT and WOULD I LIE TO YOU? is back on the road with his biggest and best show to date. Filmed across 7 nights at London's legendary Hammersmith Apollo HIT THE ROAD MACK showcases LEE MACK at the very top of his game leaving the audience rolling with laughter and begging for more.
The thrillers of Edgar Wallace one of the twentieth century’s most successful crime novelists have been widely adapted for film and television – the most memorable of which being the Edgar Wallace Mysteries series made at Merton Park Studios during the first half of the 1960s. A noir-esque series it updates some of the author’s stories to more contemporary settings blending classic B-movie elements with a distinctly British feel. Unseen for decades these dramas have been freshly transferred from the original film elements specifically for this release.
The John Woo gangster classic that started it all, a romantic, violent, swirlingly stylish melodrama about duelling brothers--with a mesmerizing lead performance by Hong Kong's favourite actor, Chow Yun-Fat. In repose, Chow's sleepy magnetism recalls the glory days of Robert Mitchum, Steve McQueen, and Takakura Ken; when he's stepping high, Chow has a unique, ebullient star presence, a man who embraces life so unselfconsciously that he becomes vulnerable to all kinds of suffering and heartache (he endures masochistic megadoses of violence here). The sequence in which Chow's Mark avenges his betrayed best friend---by blasting his way into, and then out of, a Chinese restaurant, twin .45s blazing---is a swashbuckling standout. Woo's film technique may have been more polished in later efforts, but A Better Tomorrow has a direct emotional power that is still unique. Kung fu star of the 1970s, Ti Lung is also terrific here as the 40ish established mobster, relied upon by all, who allows conflicting loyalties toward Mark and toward his younger brother, now a cop, to undermine the stability of his position. --David Chute, Amazon.com
The young poet Lord Byron had everything. He was beautiful aristocratic talented - and sexually irresistible. By his mid-twenties he was the most famous man in England - the world's first celebrity. Women flung themselves at him. Men wanted to be like him. He lived for sensation and sexual excess indulging his darkest cravings and scandalising the nation until he could only be satiated by a passionate affair with his own half-sister. Too late he discovered that even a celebrity can go too far...
Ashton Kutcher stars as a young man struggling with his past as he unravels a series of shocking truths about this childhood circle of friends.
Teenage sisters Charli and Lola are on the verge of an experience beyond their wildest dreams! Pack your bags and jet off to Rome as the girls start their summer internship working for the legendary Derek Hanson - the totally cool international tycoon whose empire reaches from airlines to cutting-edge fashion. Amid the fabulous sights of this exciting city the girls do their best to impress their boss while still finding time to design their own line of very hip clothing meet some
Tough and smart. Edgy and humourous. Rizzoli and Isles. Angie Harmon and Sasha Alexander star as combative working-class Boston detective Jane Rizzoli and cool cerebral medical examiner Dr. Maura Isles in an exciting police procedural with a compelling point of view based on the best-selling novels by Tess Gerritsen. The two women have each other's backs as they investigate their city's grittiest and most puzzling homicides from the Back Bay to back alleys. The high-calibre supporting cast includes Lorraine Bracco (The Sopranos) as Jane's overprotective mum. Some best friends shop together some meet for Mojitos some join book clubs. Rizzoli and Isles bust crime.
Taiwanese auteur Hou Hsiao-hsien (The Assassin, Three Times, Flight of the Red Balloon) followed up his highly acclaimed Coming of Age trilogy of films with Daughter of the Nile, a rich and poignant drama about a young woman struggling to support her family amidst the violent and neon-soaked milieu of 1980's Taipei. Lin (Lin Hsiao-yang) works as a waitress in a fried chicken restaurant, attends night school and pines after her brother's friend, local gigolo Ah-sang (Fan Yang). Increasingly constrained by the casual brutality of the world around her, Lin finds escape imagining herself as the titular Daughter of the Nile, a character from her favourite manga series. Based on the personal experiences of screenwriter, Chu T'ien-wen (Millennium Mambo; Goodbye South, Goodbye; City of Sadness) Daughter of the Nile is a profoundly moving observation of marginalised youth. The Masters of Cinema Series is proud to present the film from a new 4K restoration, available for the first time on Blu-ray and DVD in a new Dual-Format edition. DUAL FORMAT SPECIAL FEATURES: New 4K restoration Uncompressed PCM soundtrack on the Blu-ray Optional English subtitles A new interview with Asian cinema expert Tony Rayns Theatrical Trailer PLUS: A booklet featuring new and archival writing
In 1978 in Hong Kong, a grisly murder takes place. Eight years later on a Macao beach, kids discover the severed hands of a fresh victim. A squadron of coarse, happy-go-lucky cops investigate and suspicion falls on Wong Chi Hang, the new owner of The Eight Immortals Restaurant famous for its delicious pork buns. The hands belong to the missing mother of the restaurant's former owner who has disappeared along with the rest of his family. Staff at the restaurant continue to go missing but the police can't find any hard evidence that Wong is responsible. When he can't produce a bill of sale proving his purchase of the restaurant, Wong is arrested and the police try to torture him into a confession. Can they make him talk? And what was in those famous pork buns? Written by and starring Danny Lee (CITY ON FIRE), Anthony Wong (EBOLA SYNDROME) and Directed by Herman Yau (TAXI HUNTER), 88 Films is proud to release the most notorious Category 3 film ever produced in Hong Kong remastered from the Original Negative. High Definition (1080p) Blu-ray⢠presentation in 1.85:1 Aspect RatioLossless 2.0 Cantonese MonoNewly Translated English SubtitlesAudio Commentary by Hong Kong Film Expert Frank DjengArchive Commentary with Anthony WongArchive Commentary with Herman YauTheatrical Trailer
Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately re-established Bond as an uncomplicated and wooden fellow for the '70s. This film also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton (Force 10 from Navarone). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting super-villains on the order of Goldfinger. --Tom Keogh, Amazon.comOn the DVD: Anyone old enough to remember the old milk marketing board commercials will relish the sight of James Bond exhorting everyone to "drink a pinta milka day" in one of the TV spots included here. Elsewhere in the special features, the characteristically in-depth "making of" featurette has a mixture of both contemporary and new interviews plus behind-the-scenes footage (the alligator-jumping sequence is positively hair-raising). The first of two audio commentaries is hosted by John Quark of the Ian Fleming Foundation and features a variety of cast and crew members, notably director Guy Hamilton; the second has writer Tom Mankiewicz on his own, who in between pauses has the occasional interesting thing to say. Overall another good package of features to accompany another excellent anamorphic print. --Mark Walker
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Acclaimed writer and director Rian Johnson (Brick, Looper, The Last Jedi) pays tribute to mystery mastermind Agatha Christie in KNIVES OUT, a fun, modern-day murder mystery where everyone is a suspect. When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate.From Harlan's dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death. With an all-star ensemble cast including Chris Evans, Ana De Armas, Jamie Lee Curtis, Don Johnson, Michael Shannon, Toni Collette, LaKeith Stanfield, Katherine Langford and Jaeden Martell, KNIVES OUT is a witty and stylish whodunnit guaranteed to keep audiences guessing until the very end.
This is a John Wayne Western double-bill featuring The Comancheros (1961) and The Undefeated (1969). Nobody made a fuss about The Comancheros when it came out, yet it has proved to be among the most enduringly entertaining of John Wayne's later Westerns. The Duke, just beginning to crease and thicken toward Rooster Cogburn proportions, plays a veteran Texas Ranger named Jake Cutter who joins forces with a New Orleans dandy (Stuart Whitman) to subdue rampaging Indians and the evil white men behind their uprising. The Comancheros was the last credit for Michael Curtiz (Casablanca), who, ravaged by cancer, ceded much of the direction to Wayne (uncredited) and action specialist Cliff Lyons. With support from Wayne stalwarts James Edward Grant (co-screenplay) and William Clothier (camera), the first of many rousing Elmer Bernstein scores for a Wayne picture and a big, flavourful cast including Lee Marvin (the once and future Liberty Valance), Nehemiah Persoff, Bruce Cabot, and Guinn "Big Boy" Williams (in his last movie), they made a broad, cheerfully bloodthirsty adventure movie for red-meat-eating audiences of all ages. In The Undefeated Wayne and Rock Hudson each play a Civil War commander who, after the ceasefire, lead a community of folks into Mexico to make a fresh start. Hudson is a Southern gentleman; Wayne commanded the Yankee cavalry at Shiloh, where Hudson's brother died. Nevertheless, Rock, with his extended family, and Duke, with his troop of cowboys and 3,000 horses to sell to Emperor Maximilian, soon join forces to outgun banditos and beam paternally over the budding romance between their respective daughter and son. Lingering North-South animosities are celebrated in an obligatory communal fistfight, and the showdown with both Maximilian's lancers and the rebel Juaristas is disconcertingly perfunctory. --Richard T Jameson
Halloween: 35th Anniversary Edition. For this very special release Anchor Bay went back to the vaults to present this legendary terror classic as never before including creating an all-new HD transfer personally supervised by the film's original cinematographer Academy-Award nominee Dean Cundey (Who Framed Roger Rabbit Apollo 13 the Back to the Future trilogy) a new 7.1 audio mix (as well as the original mono audio). Fifteen years ago Michael Myers brutally massacred his sister. Now after escaping from a mental hospital he's back to relive his grisly crime again and again... and again.
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