Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis' Under Siege and The Fugitive, Jones was America's favourite gruff character actor, with an Oscar on his mantel. With a weaker script, Davis still creates the same kind of magic here. Hackman is superb as the officer, an action role similar to others that the nearly 60-year-old unexpectedly excelled at (Bat 21, Narrow Margin) during this period. Tight, tense and with no letup in the third act, The Package is a good gem for a Saturday night flick. --Doug Thomas
""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint
When his brother disappears Robert Manning (Mark Eden) pays a visit to the remote country house he was last heard from. Althought his host Squire Morley (Christopher Lee) is outwardly welcoming and his housekeeper’s beautiful niece Eve (Virginia Wetherell) is willing to fulfil his needs. Manning detects a feeling of menace in the air with the legend of Lavinia (Barbara Steele) the Black Witch of Greymarsh hanging over everything. Will the village’s renowned expert on witchcraft Professor John Marshe (Boris Karloff) be able to shed light on the wicked going-ons at Craxted Lodge?
Based on an unpublished novella by John Steinbeck (written on commission expressly to provide treatment material for Hitchcock's screen scenario), Lifeboat found the Master of Suspense navigating a course of maximal tension – in the most minimal of settings – with a consistently inventive, beautifully paced drama that would foreshadow the single-set experiments of Rope and Dial M for Murder.After a Nazi torpedo reduces an ocean liner to wooden splinters and scorched personal effects, the survivors of the attack pull themselves aboard a drifting lifeboat in the hope of eventual rescue. But the motivations of the German submarine captain (played by Walter Slezak) on the eponymous craft might extend beyond mere survival...With a cast including Shadow of a Doubt veteran Hume Cronyn and the extraordinary, irrepressible Tallulah Bankhead, this 'picture of characters', as Franois Truffaut aptly termed the film, oscillates dazzlingly between comic reparte and white-knuckle suspense – a perfect example of 'the Hitchcock touch'.
Never Come Between A Gun And Its Target... When Sergio Leone turned Lee Van Cleef into a major star with For a Few Dollars More and The Good the Bad and the Ugly the actor sensibly stayed in Italy to make several more spaghetti westerns including this one from Leone's former assistant Tonino Valerii that genre aficionados (including Quentin Tarantino) rank amongst the best ever made. Giuliano Gemma plays street cleaner Scott Mary relentlessly bullied by the people of the small town of Clifton. When legendarily ruthless master gunfighter Frank Talby (Van Cleef) rides into town Scott seizes the opportunity to lift himself out of the gutter and possibly even surpass Talby's own skills. But what is Talby doing in Clifton in the first place? This lively intelligent western notable for the chemistry between its charismatic leads some memorable action set-pieces (including a rifle duel on horseback that has to be seen to be believed) and a jazzy Riz Ortolani score is presented here in an exclusive high-definition restoration from the original Techniscope negative. Special Features: Brand new restoration of the original 35mm Techniscope camera negative High Definition Blu-ray (1080p) and Standard Definition DVD presentation of both the Italian and International versions of the film Original uncompressed mono audio Newly translated English subtitles for Italian audio and optional English subtitles for the deaf and hard of hearing for English audio Brand new interview with screenwriter Ernesto Gastaldi An interview programme featuring archival interviews with director Tonino Valerii and a newly recorded interview with his biographer Roberto Curti Reversible sleeve featuring original and newly commissioned artwork by Reinhard Kleist Booklet featuring new writing on the film by spaghetti western expert Howard Hughes illustrated with original archive stills
!Despite being bullied, scorned, and oppressed all of his life, a 34-year-old shut-in still found the resolve to attempt something heroiconly for it to end in a tragic accident. But in a twist of fate, he awakens in another world as Rudeus Greyrat, starting life again as a baby born to two loving parents.
The Curse Of Frankenstein: (WS 1.85:1 Dolby Digital (1.0) Mono: English 80 mins) Following his partner's denouncement of their research into the secret of life the monstrous Frankenstein becomes more and more obsessed with the sinister experiments. Drawn deeper into madness by his dark work Frankenstein decides to create a man who is a superior being. Committing unimaginable horrors to complete the experiment Frankenstein has to face the consequences of playing god when the monster awakes... Dracula: (WS 1.85:1 Dolby Digital (1.0) Mono: English 79 mins) Christopher Lee and Peter Cushing Britain's premier masters of the macabre bring Dracula to vivid full-colour death in this retelling of Bram Stoker's spellbinding vampire tale. Dracula (Lee) a centuries-old nobleman damned to an eternal half-life travels from his native Transylvania to London. In the lurid nightlife of his adopted city he finds new victims. He also finds Dr. Van Helsing (Cushing) a scientist who becomes the count's impeccable foe in a deadly game of cat-and-mouse. The Mummy: (WS 1.85:1 Dolby Digital (1.0) Mono: English 85 mins) Egypt 1895: An archaeological expedition led by Stephen Banning (Felix Aylmer) and his son John (Peter Cushing) discover the 4000-year-old tomb of Princess Ananka. Ignoring warnings from a mysterious Egyptian that He who robs the graves of Egypt dies they enter the tomb. Whilst alone in the tomb Stephen Banning finds and reads the ancient 'Scroll of Life' and suddenly suffers a breakdown. Three years later John Banning visits his father confined to a nursing home since his return from Egypt and is warned that a 'living mummy' guarded the tomb of Ananka and will avenge those who desecrate it's Princess's tomb. Unknown to the Bannings Mehemet Bey has transported the mummy (Christopher Lee) to England and revives it using the 'Scroll of Life'. That night Stephen Banning is brutally murdered by the mummy. When his uncle suffers the same fate John Banning realises that his life is now in danger. He also discovers that his wife Isobel will be confronted by the 4000 year-old mummy as it embarks on a night of terror and murderous retribution...
Three archaeologists searching for the 4 000-year-old tomb of Princess Ananka among the ruins in Egypt are warned of grave consequences if they violate her tomb. Madness strikes one and as the others return to England with a mummy a series of murders take place as the mummy seeks a deadly revengre on those who desecrated the secret tomb...
In a race against (and through) time Timecop Ryan Chang (Jason Scott Lee) must track down a deranged criminal in a chase that leads him to the American Wild West and Nazi Germany in order to save the future...
Hell in the Pacific is one of the most original and thoughtful war films of the 1960s. Fresh from Point Blank (1967) Lee Marvin reunited with director John Boorman for this elemental story of a US pilot and a Japanese naval officer washed ashore on an otherwise uninhabited Pacific island. Lee Marvin speaks English; Toshiro Mifune (The Seven Samurai) speaks Japanese; and the audience shares their frustrations as they attempt to communicate, as Boorman does not use subtitles. Once the men become aware of each other's presence they move from wary avoidance through conflict to an uneasy truce as they realise they will have to cooperate to survive. The naturalistic acting is key to the film's success, greatly aided by the fact that both stars served their respective countries in the Pacific theatre during the Second World War. Conrad Hall's cinematography is superb, using natural light to evoke the beauty of the island, and the wide Panavision frame to show the men's isolation and their reactions to each another. Boorman developed further his fascination with man against nature in Deliverance (1974) and The Emerald Forest (1985), and there wouldn't be another poetic war film until Terrence Malick's The Thin Red Line (1999). On the DVD: The stereo sound is fine, atmospherically reproducing both the natural sounds of the island and Lalo Schfrin's imaginative score. The picture quality likewise is very good, with the image well focused with strong colours and plenty of detail. Unfortunately the 2.35:1 image has been panned and scanned to 1.33:1 TV ratio, destroying the scale and beauty of the compositions and sometimes meaning the viewer sees only one side of the interactions between the two men. Extras are perfunctory, with production notes, biographies of the stars and a "slide show". Considering even BBC2 occasionally shows the film in near full Pavavision and with Boorman's preferred, TS Elliot inspired ending, this DVD is a lost opportunity to bring a modern classic into the digital age. --Gary S Dalkin
In 1970s Brooklyn, gentrification is already beginning to take hold in the predominantly black neighbourhood of Park Slope. Spoiled trust fund kid Elgar Enders (Beau Bridges) buys an apartment block in the area with the intention of evicting the tenants and building himself a bachelor pad. But upon moving in and unexpectedly befriending the inhabitants, he decides to let them stay and become their landlord. Rebelling against his rich, racist family, he embarks on affairs with two black women, causing uproar in the country clubs and the ghetto tenements of Park Slope alike. This outrageous satire marks the debut of Hal Ashby (Harold and Maude) as director, with a wicked script from Bill Gunn (Ganja & Hess) and stunning photography from Gordon Willis (The Godfather). The Landlord is a scabrous and unflinching look at race relations far ahead of its time, and a unique and important work in the annals of American screen comedy.BLU-RAY SPECIAL FEATURES2K transfer by Kino LorberUncompressed mono PCM audioThe Racial Gap - An interview with star Beau Bridges (2019, 25 mins)Reflections - An interview with star Lee Grant (2019, 26 mins)Style and Substance - An interview with producer Norman Jewison (2019, 29 mins)A new interview with Hal Ashby biographer Nick Dawson (2024)An interview with broadcaster and author Ellen E. Jones (2024)TrailerOptional English subtitles for the deaf and hard of hearingSleeve featuring newly commissioned artwork by Vincent Wild
Richard Attenborough gives a compelling performance in this gripping psychological drama as a hysteric approaching the limits of his sanity! Also featuring Donald Houston, Kenneth Griffith, Bernard Lee and Alfred Burke, The Man Upstairs is featured here as a brand-new High Definition remaster from original film elements in its as-exhibited aspect ratio. Insomniac Peter Watson lives in a state of perpetual crisis lodging in a run-down boarding house he becomes ever more manic and unpredictable. When he hits out at another tenant the police get involved and Watson finds himself trapped in an escalating drama in which the actions of those around him may help him... or harm him. SPECIAL FEATURE: Image gallery
On Friday 11th May 2012, Jesse J and over 25 of the nation’s best known and most loved comedians and TV stars came together for the UK’s biggest stand-up show ever! For the third year running they performed at this exclusive comedy event in aid of Great Ormond Street Hospital at the world famous 02 Arena. Filmed in front of 15,000 screaming fans Channel 4’s Comedy Gala features the entire comedy extravaganza, including the all those bits they didn’t show on TV. This is the must have comedy DVD for 2012!
Violent action and an even more bloody finale is the result of conflicts between rival gangs and mismatched cops. Winner of many awards including 'Best Film' 'Best Director' (Gordon Chan) 'Best Actor' (Anthony Wong) and 'Best Screenplay'.
Join your favourite serial killer in all 8 chilling seasons of the Emmy�-winning SHOWTIME series. This to-die-for collection is a must-have for all Dexter fans!
Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis' Under Siege and The Fugitive, Jones was America's favourite gruff character actor, with an Oscar on his mantel. With a weaker script, Davis still creates the same kind of magic here. Hackman is superb as the officer, an action role similar to others that the nearly 60-year-old unexpectedly excelled at (Bat 21, Narrow Margin) during this period. Tight, tense and with no letup in the third act, The Package is a good gem for a Saturday night flick. --Doug Thomas
An entire city teeters on the brink of nuclear disaster when greedy criminals manipulate a young boy's supernatural powers for their own devious gain.
The series was influenced by the internationally successful Charlie Chan detective films of the 1930s and '40s but in line with industry attitudes of the time that particular Chinese detective was invariably played by a white actor in 'yellow-face'. The BBC's update of the archetype cast the British-born Chinese actor David Yip as Detective Sergeant John Ho. Instead of the barely intelligable English typically spoken by Chinese actors in British drama Yip's accent has a strong Cockney influence. Ho fits the pattern of the maverick detective prepared to use unorthodox methods to solve his cases which emerged in series like Z Cars (BBC 1962-78) and further developed in The Sweeney.
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