Grease Is The Word! The classic tale of good girl Sandy (Olivia Newton-John) and bad boy Danny (John Travolta) gets tuned up with new special features in this Grease: Exclusive 40th Anniversary Edition. Your favourite movie musical just gets better with time! Features: Commentary by Director Randal Kleiser and Choreographer Patricia Birch Introduction by Randal Kleiser Rydell Sing-Along The Time, The Place, The Motion: Remembering Grease Grease: A Chicago Story Deleted/Extended/Alternate Scenes with Introduction by Randal Kleiser Grease Reunion 2002 - DVD Launch Party Grease Memories from John and Olivia The Moves Behind the Music Thunder Roadsters John Travolta and Allan Carr Grease Day Interview Olivia Newton-John and Robert Stigwood Grease Day Interview Photo Galleries
The third in Ingmar Bergman's trilogy of "chamber works" featuring characters in isolated, existentially dramatic settings, The Silence, made in 1963, is set in Timoka, a fictional Eastern European town with its own made-up language. Stylistically more sensual and maximal than its austere predecessors Through a Glass Darkly and Winter Light, it was both a success and a scandal in its day, featuring as it does scenes of masturbation, sex and even lesbian eroticism. Jorgen Lindstrom plays Jonas, a small boy travelling with his mother Anna (Gunnel Lindblom) and aunt Ester (Ingrid Thulin). His aunt is dying of consumption, but his mother is a great deal more alive and smouldering with sexual energy. As the tension between the bedridden aunt and the frustrated mother mounts, Jonas roams the hotel corridors and chances almost surreally upon the hotels only other occupants--an elderly floor waiter and a troupe of performing dwarves. Meanwhile, his mother is picked up by a waiter in a cafe, is seduced by him in a church then engages in a traumatically miserable bout of hotel sex. Sultry, full of incident and dreamlike cinematic spectacle (the performing dwarves, a rumbling tank, an overheated railway carriage) there's a sense of aimlessness and oblivion about The Silence, in which the godlessness of the universe, though never discussed, is implied throughout the movie. There is, however, a note of humanist hope struck in the conclusion, more convincing than the platitudinous finale of Through a Glass Darkly. On the DVD: Bergman's notes explain how he had long nurtured the notion of setting a movie in an imaginary city where "the rules of society cease to exist", and how the young boy's curious wanderings were inspired by his first exposure to Stockholm as a child. Critic Philip Strick's notes reveal that Greta Garbo had at one point been mooted to make a return to the screen in this film and that in certain countries, censors insisted on separate screenings of The Silence for males and females. --David Stubbs
One of the funniest and most original films of the year this absurd and surreal comedy from acclaimed director Roy Andersson takes an amusing left-of-centre look at a delightfully eccentric assortment of characters. Through a series of brilliantly entertaining sketches Andersson observes with empathy and wry humour the highs lows and tragicomic happenings that affect their everyday lives. Shot with highly distinctive visual flair this unique and universally resonant snapshot of modern life is both touching and laugh-outloud hilarious.
Simultaneously elegiac and raw, My Life as a Dog is an uneven--but unforgettable--tearjerker which tells the story of Ingemar, a 12-year-old working-class Swedish boy sent to live with his childless aunt and uncle in a country village when his mother falls ill. Beginning with several representations of the most savage, unsentimental domestic intensity imaginable (interplay between a sick parent and loving child has never looked anywhere near as explosive), My Life as a Dog wisely doesn't attempt to maintain that level of danger; rather, the change in locale to rural Sweden is accompanied by a slackening of pace and a whimsical breeziness. Nevertheless, the tragic condition of Ingemar's mother (and later, the indeterminate fate of Sickan, his beloved dog, consigned to a kennel) hovers over the narrative with a gripping portentousness. At times, director Lasse Hallström misplaces the rhythm, and the film threatens to degenerate into a series of rustic vignettes; luckily, Ingemar's relationship with Gunnar, the jocular yet somewhat sinister uncle who essentially adopts him, carries a fascinating charge. This was later rewritten, whether intentionally or not, by Spike Lee, who changed the gender of the child, set the story in New York City, added a 1970s soul soundtrack, and called it Crooklyn. Swedish, with subtitles --Miles Bethany, Amazon.com
Tune in with the King of Rock and Roll' with a curated collection of his finest movies. Includes performances of hit songs Wooden Heart , Shoppin Around , Little Egypt , Can't Help Falling In Love', Rock-A-Hula Baby , Bossa Nova Baby and Return To Sender . Lightweight fun and soundtracks to get you on your feet, there is no better gift for Elvis superfans. Collection Includes: G.I Blues Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet. Blue Hawaii After arriving back in Hawaii from the Army, Chad Gates (Elvis Presley) defies his parents' wishes for him to work at the family business and instead goes to work as a tour guide at his girlfriend's agency. Girls! Girls! Girls! When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel. Roustabout After a singer loses his job at a coffee shop, he finds employment at a struggling carnival, but his attempted romance with a teenager leads to friction with her father. Fun in Acapulco A yacht owner's spoiled daughter gets Mike fired, but a boy helps him get a job as singer at Acapulco Hilton etc. He upsets the lifeguard by taking his girl and 3 daily work hours.
Made in 1960 and set in mediaeval Sweden, Ingmar Bergman's The Virgin Spring is based on a folk ballad. It also examines a society in transition from worshipping the old Norse gods to Christianity. The film starkly contrasts Ingeri--a dark, feral Odin-worshipping brunette, foster daughter to a Christian family headed by Max Von Sydow--and their own daughter, Karin, pretty and blonde but also vain and naive, and resented by Ingeri. They travel out together to a distant church where Karin is to offer votive candles to the Virgin Mary. However, en route, Karin is raped and murdered by two desperate goatherders, accompanied by a 13-year-old boy. By coincidence, the goatherders then seek refuge with Karin's parents and even try to sell them her clothes, which proves to be a mortal error. Bergman was greatly influenced by Kurosawa, the Japanese director of The Seven Samurai, when he made The Virgin Spring, as evinced in its ominous use of dark and shade and lengthy sequences without dialogue. However, this is more than pastiche. Although the Christian ending with which Bergman feels obliged to conclude the film doesn't quite sit well in a movie in which God is as palpably absent as in any Bergman movie, the slow, remorseless pace of the murder and subsequent retribution bring to mind Kieslowki's A Short Film About Killing in their sense of the futility of vengeance. On the DVD: The Virgin Spring arrives on disc in a restoration that vividly enhances the sense of light and shade which is integral to the movie. Notes from critic Phillip Strick provide background to the movie, including the legend on which the film was based, as well as observing that Bergman was later so embarrassed by the film's debt to Kurosawa that he disowned it, only to be told by Kurosawa himself not to be so silly. --David Stubbs
When a top local businessman and his two bumbling nephews try to shut down the town's only video arcade, arcade employees and patrons fight back.
Intriguingly twisted and thrillingly tense, KOKO-DI KOKO-DA is the darkly comic new film from acclaimed director Johannes Nyholm that feels both refreshingly smart and utterly original. When a married couple retreat to a remote area of forest as part of a reconciliatory camping trip, they encounter a trio of otherworldly presences who steadily turn their trip into a nightmare. Led by a mysterious man dressed in a sharp white suit and boater, this group begin subjecting the couple to a terrifying series of visitations, each one more intense than the last. Both their origin and their motivations are unclear; are they physical manifestations of something supernatural or do these ghoulish spectres represent something even more sinister?
Grease Is The Word! The classic tale of good girl Sandy (Olivia Newton-John) and bad boy Danny (John Travolta) gets tuned up with new special features in this Grease: Exclusive 40th Anniversary Edition. Your favourite movie musical just gets better with time! Features: Commentary by Director Randal Kleiser and Choreographer Patricia Birch Introduction by Randal Kleiser Rydell Sing-Along The Time, The Place, The Motion: Remembering Grease Grease: A Chicago Story Deleted/Extended/Alternate Scenes with Introduction by Randal Kleiser Grease Reunion 2002 - DVD Launch Party Grease Memories from John and Olivia The Moves Behind the Music Thunder Roadsters John Travolta and Allan Carr Grease Day Interview Olivia Newton-John and Robert Stigwood Grease Day Interview Photo Galleries
Lee Van Cleef stars as McClain a ruthless and savage outlaw who heads a posse of murderers and thieves. After witnessing the murder of his parents and kidnap of his sister by the criminal gang a young boy (Leif Garrett) embarks on a personal vendetta to rescue his sister and avenge his parents deaths. With the help of a prospector called Isaac another victim of McClain's posse the two form an unstoppable alliance that will bring death to those responsible.
It's 1961 two years after the original gang graduated from Rydell High and there's a new crop of seniors. The Pink Ladies and the T-Birds are still the epitome of cool except that over the summer something's happened to Stephanie the sorority leader. She feels she's outgrown Johnny the head T-Bird and is looking for a new love - one who's even more cool and whose bike is even hotter. Meanwhile newcomer Michael is smitten with Stephanie who won't even notice him... The conflict is on and the Rydell High fun takes off to new heights.
Filmed in glorious Technicolor and nominated for four Academy Awards Arabian Nights is an action-packed adventure classic. Starring Jon Hall and Maria Montez Arabian Nights is a grand tale of intrigue and romance. Haroun-Al-Raschid the Caliph of Bagdad and his half-brother Kamar are in an epic battle competing for the throne and for the affections of a beautiful dancer Scheherazade. Lavish sets beautiful costumes and the first-ever pairing of the romantic adventure team of Hall and Montez Arabian Nights is a film not to be missed!
Bring home this essential collection of 8 Paramount Pictures classics starring the one and only King Of Rock & Roll, Elvis Presley. Including Blue Hawaii; King Creole; Roustabout; G.i. Blues; Girls! Girls! Girls!; Paradise, Hawaiian Style; Fun In Acapulco; Easy Come, Easy Go. Blue Hawaii The year was 1961. Fallout shelters dot suburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise, playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar, so he goes to work as a tour guide. Lucky Elvis: his first customers are a careful of cuties. Elvis, lovely scenery, lovelier girls and rock-a-hula songs - now that's paradise! Fun in Acapulco The year was 1963. The hot line links the White House and the Kremlin. The first major pop art exhibition stirs up a major buzz. The Whisky-A-Go-Go opens. And in Fun In Acapulco, Elvis heads south of the border, where he's fired as a boat hand, hired as a lifeguard and singer, admired by local beauties (including Ursula Andress) and inspired to jump off a 136-foot cliff. Put another way: he overcomes a fear of heights in spectacular fashion. Spectacular, too, are the scenic vistas and Latin-beat tunes. Dive in! King Creole The year was 1958. Everybody's datin' at the drive-in. America launches its first satellite. The novel Lolita stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Roustabout The year was 1964. The miniskirt is in. If you can't Watusi, you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karatechopping biker who's hired as a carnival Roustabout. At first he just provides muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. Easy Come, Easy Go The year was 1967. It's Packers vs. Chiefs in the first Super Bowl. Twiggy is a supermodel sensation. America's 100,000,000th telephone is installed. And Elvis dives for dollars in Easy Come, Easy Go. On his last day in the Navy, frogman Elvis discovers a sunken treasure ship. On his first day as a civilian, Elvis starts his new job-self-employed treasure hunter! Fans will dig these treasures, too: Rockin' tunes, romance with a go-go dancer, underwater action, and The King twisted like a human pretzel at a groovy 60's yogafest Costarring Elsa Lanchester (Bride of Frankenstein). GI Blues The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues, Elvis adopts an on-screen persona he knows well in real life-a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis, he takes part in a wager to raise the dough he needs. The bet: he can melt the iceberg heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes Girls! Girls! Girls! The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of Girls! Girls! Girls! This time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance-a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short. Paradise, Hawaiian Style The year was 1966. A little-known series called Star Trek⢠beams up. Valley of the Dolls is the hot book. Half of all TVs sold are color sets. And in Paradise, Hawaiian Style, Elvis takes to the skies over the island paradise of Kauai. He's a partner in a helicopter charter service. Romance, naturally, is in the air for the King but his business may be grounded. A threatened suspension of his pilot's license means he may have to kiss his assets goodbye.
Pusher (1996): A small time drug dealer's life goes from bad to worse in a heartbeat as a sure-fire deal turns sour. The film follows Frank as he frantically tries to find a way out and escape his angry drug suppliers. Along the way we see the hopeless desperate and at times extreme decisions forced upon those involved in the Copenhagen underworld.... Pusher II - Blood On My Hands (2004): Tonny is released from prison - again. This time he has his mind set on chang
A highly regarded science fiction classic it effectively conveys the paranoia of McCarthy's America and is considered by many to be the definitive ""Cold War"" film.During a thunderstorm a boy witnesses the landing of a flying saucer in a nearby field. No one believes his wild tale and the alien invaders who remain unseen in their subterranean space ship begin controlling the town's inhabitants.Brilliantly designed and directed by William Cameron is a surrealistic nightmare that's
Marlon Brando's famous "I coulda been a contenda" speech in On the Water Front is such a war horse by now that a lot of people probably feel they've seen the film already, even if they haven't. And many of those who have seen it may have forgotten how flat-out thrilling it is. For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's has created one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber. Shot on location around the docks of Hoboken, New Jersey, in the mid-1950s, it tells the fact-based story of a longshoreman (Brando's Terry Malloy) who is blackballed and savagely beaten for informing against the mobsters who have taken over his union and sold it out to the bosses. (Karl Malden has a more conventional stalwart-hero role, as an idealistic priest who nurtures Terry's pangs of conscience.) Lee J Cobb, who created the role of Willy Loman in Death of Salesman under Kazan's direction on Broadway, makes a formidable foe as a greedy union leader. --David Chute, Amazon.com
The Elvis formula was well in place by the time of 1964's Roustabout, a concoction of undistinguished songs (anyone remember "Poison Ivy League"?), pretty girls, tight pants, a colourful setting and a little bit of karate to prove that Elvis really had been studying his martial arts. With that understood, Roustabout is a better-than-average work-out for the King--not as peppy as Viva Las Vegas, but a good deal livelier than the sleepwalking It Happened at the World's Fair. Elvis plays a bad-boy singer roaming the highways on his Japanese motorcycle; laid up after an accident, he joins a carnival owned by the feisty Barbara Stanwyck. ("This is not a circus, it's a carnival. There's a big difference.") The cast goes from high to low: both giant-sized future James Bond villain Richard Kiel and tiny Billy Barty are carny regulars, and Raquel Welch has a small role in the opening scene. Teri Garr is one of the carnival dancers behind Elvis. The legendary costume designer Edith Head puts Elvis in a series of snappy windbreakers, but thank goodness he's also in black leather a lot. As if that weren't enough to recommend it, the movie has a sequence involving Elvis riding a cycle inside the "Wall of Death", a huge wooden cylinder with high walls. This bit actually inspired an entire Irish film in 1986, Eat the Peach, in which friends build a similar contraption after they watch Roustabout on tape. --Robert Horton
""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint
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