3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
Nativity Rocks! returns to St Bernadette's Primary School as the staff and students work together to win the coveted prize of Christmas Town of the Year' by performing a spectacular rock music-themed nativity. Celia Imrie reprises her role as headmistress Mrs Keen, starring alongside a host of British talent including Simon Lipkin, Daniel Boys, Helen George, Hugh Dennis, Anna Chancellor, Ruth Jones, Meera Syal, Bradley Walsh and Craig Revel Horwood.
""Somebody's going to pay...because he forgot to kill me."" Ruthless criminals a dedicated honest cop sultry women and a gripping plot - all the elements of a classic police action-drama are here in full force. Police Sergeant Bannion (Glenn Ford) is investigating the apparent suicide of a corrupt cop then is suddenly ordered to stop - and The Big Heat is on. Driven to unravel the mystery Bannion continues probing until an explosion meant for him kills his wife. He
A prominent young playwright upsets her mother in an interview and is soon kidnapped by her mother's lifelong friends, who slowly reveal the truth about her mother's turbulent history.
Before Harrison Ford assumed the mantle of playing Tom Clancy's Jack Ryan hero in Patriot Games, Alec Baldwin took a swing at the character in this John McTiernan film and hit one to the fence. If less instantly sympathetic than Ford, Baldwin is in some respects more interesting and nuanced as Ryan, and drawing comparisons between both actors' performances can make for some interesting post-movie discussion. That aside, The Hunt for Red October stands alone as a uniquely exciting adventure with a fantastic co-star: Sean Connery as a Russian nuclear submarine captain attempting to defect to the West on his ship. Ryan must figure out his true motives for approaching the US. McTiernan (Predator, Die Hard) made an exceptionally handsome movie here with action sequences that really do take one's breath away. --Tom Keogh
Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record And Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90 comes complete in a five-disc box set of the entire 30-episode series. Each disc contains six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. Each disc contains several pages of character biography and background information on the show, a photo gallery and varied extras such as location stills or a gallery of promotional images. --Gary S Dalkin
Includes the following films:The Terminal:Starring Tom Hanks and Catherine Zeta Jones. Viktor Navorski (Hanks) gets caught in bureaucratic glitches that make it impossible for him to return to his home country to enter the U.S. Now, caught up in the richly complex and amusing world inside J.F.K. airport, Viktor makes friends, gets a job, finds romance and ultimately discovers America itself.Catch Me If You Can:Inspired by the true story of a brilliant master of deception and the FBI agent, hot on his trail, Catch Me If You Can stars Leonardo DiCaprio and Tom Hanks in one of the year's most acclaimed hits! From director Steven Spielberg, Catch Me If You Can follows Frank W. Abagnale, Jr. as he successfully passes himself off as a pilot, a lawyer and a doctor - all before his 21st birthday!Cast Away:Tom Hanks stars as Chuck Noland, a FedEx systems engineer whose ruled-by-the-clock existence abruptly ends when a harrowing plane crash leaves him isolated on a remote island. As Chuck struggles to survive, he finds that his own personal journey has only just begun...
The original tale on which Shakespeare based his immortal Hamlet The Prince of Jutland set in 6th century Denmark is a story of corruption intrigue and passion. King Herdal and his son are brutally murdered by the King's evil brother Fenge (Gabriel Byrne) who claims the crown and the grieving queen (Helen Mirren). But the King's remaining son (Christian Bale) who witnessed the murders takes a bloody revenge for the slaying of his family.
Dave Buznik (Adam Sandler) is usually a mild-mannered, non-confrontational guy. But after an altercation aboard an airplane, he is remanded to the care of an unconventional anger management therapist, Dr. Buddy Rydell (Jack Nicholson).
When the war began she was only a little girl. When it ended she was the voice of a generation... A compassionate and sensitive televisual portrait of the Holocaust's greatest diarist.
Sgt. Bilko is back and up to his old tricks. The arrival of Major Thorn threatens to put a stop to the casino under-the-table deals and Bilko's other illicit businesses...
Ben Elton's Shakepearean sitcom returns to see talented but low-born baldy-boots Will Shakespeare (David Mitchell) continue his quest to make his name as a playwright in Tudor London, a city where unfortunately being posh and well-connected turns out to be more important than being a genius. Meanwhile Will also has a bit of a problem with his work life balance and it's one hell of a commute back and forth to Stratford-upon-Avon to spend time with his loving but loud family. This series reveals some of the surprising stories behind Will's plays, including a brush with an African general with a bit of a jealous streak; a shrewish teenage daughter who may or may not need some taming; the early draft of Twelfth Night, working title Eighth Night; the little known story of how Shakespeare invented musical theatre with the help of a madrigal-writing rocker (Noel Fielding); the original inspiration for Falstaff; a very merry Shakespearean Christmas featuring Emma Thompson in a regal guest role; and of course a great deal of wit, ale, pies and women dressing as men
Set after the events in Terminator 2 Sarah Connor (Lena Headey) and her son John (Thomas Dekker) now find themselves alone in a very dangerous complicated world. Fugitives from the law they are confronted with the reality that more enemies from the future and the present could attack at any moment.
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
On Saturday 14th February 1900 a party of schoolgirls from Appleyard College took a trip to Hanging Rock near Mt. Macedon in the state of Victoria. During the idyllic sun-drenched afternoon some of the party left the rest of the group and having climbed higher stopped to rest and fell asleep. They awoke as though still in a dream and silently ventured further through a passage in the imposing rock face. Some of the girls were never seen again. The film that established Peter Weir as a major filmmaker is a critically acclaimed classic of Australian cinema. With BAFTA-winning photography and a memorably haunting score Picnic at Hanging Rock remains one of the most chillingly atmospheric and beautifully enigmatic films ever made.
A love story set in 1930s England that follows 17-year-old Cassandra Mortmain, and the fortunes of her eccentric family, struggling to survive in a decaying English castle.
Gloria Harkinson's mother an actress eager to maintain her glamorous mystique has tucked her away in a Swiss boarding school. The creative teenager realizes that she can not speak about her mom to anyone there. Because she has no living father either she decides to invent one -- a rugged adventurer no less. Her imaginary pop becomes a ""problem "" however when Gloria's friends demand to meet the heroic fellow. So she finds a vacationing composer to fill ""dad's"" shoes!
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