It was her vanity that destroyed her... In the Paris of the early 20th century Louise wife of a general sells the earrings his husband gave her: she desperately needs money for a gambling debt. As the general should not know during an opera she acts as she had lost them. When the resulting fuss in Paris frightens the local jeweler he tells the truth to the general. The general secretly buys the earrings back and with disdain for his wife gives them to his mistress Lola. Lola sells the trinket to an Italian diplomat Baron Donati who buys them to impress his mistress back in Paris Louise... Ophuls camera glides with seemingly effortless elegance in this visually dazzling masterpiece which renowned film critic Andrew Sarris described as ""the most perfect film ever made.""
JAILBIRDS (1940) 73 mins Colour. Charles Hawtrey stars as Nick a prisoner who escapes along with Bill (Albert Burdon) dressed in drag. Both get jobs in a bakery where they hide some stolen jewellery in a loaf ! Hawtry at his "campest" best SAILORS DON’T CARE (1940) 74 mins Black & White.Boatbuilding father and Son Nobby Clark (Edward Rigby Tom Gamble) join the River Patrol service. They are 'vamped' by two nightclub girls mixed up with their manager in spy work. Manning a listening post on the ship 'Terrific' Joe and Nobby see a parachutist landing in the river with a time bomb in his hands....
A titillating British farce partly inspired by Peyton Place Please Turn Over was based on the long-running West End play Book of the Month by Basil Thomas. The orderly suburban life of a 1950s English town is turned on its head when the teenage daughter (Julia Lockwood Heidi) of one of the residents writes a steamy bestseller featuring characters obviously based on the local population. They begin to see themselves and their neighbours in a surprising new light. As the girl's fame escalates her friends and family enter the realm of notoriety which turns out not to be so bad after all. From the Carry-On writer-director team of Norman Hudis and Gerald Thomas Leslie Phillips stands out amongst an estimable British cast including Joan Sims Charles Hawtrey and Lionel Jeffries as the wonderfully named Dr. Henry Manners.
Television drama starring Stephen Graham and Jodie Comer. Set in Liverpool, Sarah (Comer) is a care home assistant still working her six-week probation period when the Covid-19 pandemic hits. Adept at her new role Sarah strikes up a rapport with Tony (Graham), who has early-onset Alzheimer's. But as restrictions come into place Sarah and the care home she works in struggle to cope with the new demands and is sorely in need of adequate PPE despite the best efforts of manager Steve (Ian Hart). As the situation continues to deteriorate Sarah takes matters into her owns hands and does all she can to protect Tony.
Angela Lansbury stars as supersleuth Miss Marple who sets about solving a mysterious death in the archetypal English village of St. Mary Mead. It features an all star cast including Tony Curtis, Rock Hudson and Elizabeth Taylor. EXTRAS: Interview with writer Barry Sandler Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Storyboard gallery
Following the serious' features THE SEVEN MINUTES and BLACK SNAKE, this 1975 return to form written, photographed, edited, produced and directed by Russ Meyer remains perhaps his most over-the-top and savagely entertaining epic of all: When a hot-blooded wife (Shari Eubank) and a psychotic cop (a startling performance by Charles Napier of THE BLUES BROTHERS fame) come together, it will ignite a cross-country odyssey of violence, vengeance and relentless coitus. John Lazar (BEYOND THE VALLEY OF THE DOLLS), Uschi Digard (BENEATH THE VALLEY OF THE ULTRA-VIXENS) and Haji (FASTER, PUSSYCAT! KILL! KILL!) co-star in Russ' super-sexy live-action Road Runner cartoon (Empire), now restored by Severin Films in conjunction with The Russ Meyer Trust and scanned in 4K from the original negative stored at The Academy of Motion Picture Arts & Sciences.
By transplanting the classic haunted house scenario into space, Ridley Scott, together with screenwriters Dan O'Bannon and Ronald Shusett, produced a work of genuinely original cinematic sci-fi with Alien that, despite the passage of years and countless inferior imitations, remains shockingly fresh even after repeated viewing. Scott's legendary obsession with detail ensures that the setting is thoroughly conceived, while the Gothic production design and Jerry Goldsmith's wonderfully unsettling score produce a sense of disquiet from the outset: everything about the spaceship Nostromo--from Tupperware to toolboxes-seems oddly familiar yet disconcertingly ... well, alien.Nothing much to speak of happens for at least the first 30 minutes, and that in a way is the secret of the film's success: the audience has been nervously peering round every corner for so long that by the time the eponymous beast claims its first victim, the release of pent-up anxiety is all the more effective. Although Sigourney Weaver ultimately takes centre-stage, the ensemble cast is uniformly excellent. The remarkably low-tech effects still look good (better in many places than the CGI of the sequels), while the nightmarish quality of H.R. Giger's bio-mechanical creature and set design is enhanced by camerawork that tantalises by what it doesn't reveal.On the DVD: The director, audibly pausing to puff on his cigar at regular intervals, provides an insightful commentary which, in tandem with superior sound and picture, sheds light into some previously unexplored dark recesses of this much-analysed, much-discussed movie (why the crew eat muesli, for example, or where the "rain" in the engine room is coming from). Deleted scenes include the famous "cocoon" sequence, the completion of the creature's insect-like life-cycle for which cinema audiences had to wait until 1986 and James Cameron's Aliens. Isolated audio tracks, a picture gallery of production artwork and a "making of" documentary complete a highly attractive DVD package. --Mark Walker
K2 is a thrilling action adventure about two men Taylor Brooks (Michael Biehn) and Harold Jamieson (Matt Craven) attempting to conquer the most feared mountain in the world. Their quest takes them from America to the sheer peaks of Alaska where they encounter and join a group preparing for the mammoth expedition. Then on to the mighty Karakoram mountain range in Northern Pakistan where K2 ""The Savage Mountain"" awaits. One by one the mountaineers are faced with setbacks and disast
When a Great Dane puppy is raised with a litter of Dachshunds, it naturally thinks it's a Dachshund too--even when it grows to 10 times the size. Dean Jones and Suzanne Pleshette star as the hapless couple who took in the galumphing dog, which wreaks havoc on their house and home. The Ugly Dachshund is mostly a series of spectacular disasters (the doggy demolition of Jones's art studio will delight kids and reduce adults to nervous wrecks), but it's held together by the convincing domestic banter of Jones and Pleshette (who was quite a dish in 1965); the pair went on to star in a couple of other Disney live-action flicks, Bluebeard's Ghost and The Shaggy D.A.. Despite some racial and gender stereotypes, it's a good-natured and amusing movie in the Disney mold. Also featuring classic character actor Charlie Ruggles (Bringing Up Baby, The Parent Trap). --Bret Fetzer
Join the master adventurer and iconic director Werner Herzog (Grizzly Man, Rescue Dawn) in this extraordinary 3D blu-ray, as he ventures on a new epic journey.Overcoming considerable challenges, Herzog captures the stunning majesty of the Chauvet Cave in southern France, where the world's oldest cave paintings have been discovered. Herzog reveals a breathtaking subterranean world including the 32,000-year-old artworks. With his humorous and engaging narration Herzog refelcts on our primal desire to communicate and represent the world around us, evolution and our place within it, and ultimately what it means to be human.
Muppets From Space The Muppets are back in the hilarious family comedy MUPPETS FROM SPACE, an action-packed adventure about the search for Gonzo's past! Produced in the Muppets style that generations have come to love, this all-singing, all-dancing comedy follows the entire Muppet cast on a truly unforgettable journey that the whole family will enjoy. The Muppets Take Manhattan Broadway bound, THE MUPPETS TAKE MANHATTAN by storm in this magical musical about breaking into show business! When no one in town will even meet with them, it’s up to Kermit to believe hard enough for all of his friends that the show WILL go on! The Adventures Of Elmo in Grouchland Elmo and his beloved blue blanket are inseparable. When Oscar carelessly tosses the fuzzy blanket into his trash can, Elmo dives in after it. He is suddenly plunged into Grouchland. Elmo and all his friends from Sesame Street embark on a fun-filled adventure with one mission – to rescue Elmo’s blanket! Kermit’s Swamp Years KERMIT’S SWAMP YEARS is the never-before-told story of how the world’s most famous frog left the swamp for the very first time and began an adventure that would change his life – and ours – forever. KERMIT’S SWAMP YEARS is an adventure-packed comical treat for the entire family. It’s his true story – warts and all!
Ghostbusters makes its long-awaited return with Director Paul Feig's unique and hilarious take on the classic, supernatural comedy, led by the freshest minds in comedy today: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. Together they team up to save Manhattan from a sudden invasion of spirits, spooks and slime that engulfs the city. Special Features: Theatrical and Extended Cut of the film Two Filmmaker Commentaries Over 15 Minutes of Hilarious Bloopers! 30 Minutes of Laugh Out Loud Alternate Takes! 4 Deleted Scnes Slime Time Behind the Scenes Featurettes
Directed by stylemaster David Fincher, who went on to greater things with Seven and Fight Club, Alien 3 was the least successful of the Alien series at the box-office. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realises that not only has an alien got loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened life span that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine, Amazon.com On the DVD: The clarity of the digital picture throws light into some of Fincher's darker recesses, but is unkind to the primitive computer animation (the CGI alien is never convincing). Compared to the Alien DVD there are few extras, although a "making of" featurette that covers all three movies is included.
This lushly produced fantasy has gained a loyal following since its release in 1985, and it gave a welcome boost to the careers of Matthew Broderick, Michelle Pfeiffer and Rutger Hauer. You have to ignore the overly aggressive music score by Andrew Powell, music director of the Alan Parsons Project (critic Pauline Kael aptly dubbed it "disco-medieval") and director Richard Donner's reckless allowance of anachronistic dialogue and uninspired storytelling, but there's a certain charm to the movie's combination of romance and heroism. Broderick plays a young thief who comes to the aid of tragic lovers Isabeau (Pfeiffer), who is cursed to become a hawk every day at sunrise and Navarre (Hauer) who turns into a wolf at sunset. The curse was cast by an evil sorcerer-bishop (John Wood), and as Broderick eludes the bishop's henchmen, Navarre struggles to conquer the villain, lift the curse and be reunited with his love in human form. The tragedy of this lovers' dilemma keeps the movie going, and Broderick is well cast as a young, medieval variation of Woody Allen. --Jeff Shannon
All it takes is a little Confidence. After the huge success of Butch Cassidy And The Sundance Kid George Roy Hill re-teamed with Hollywood stars Robert Redford and Paul Newman for this dazzlingly inventive tale about revenge in 1930s Chicago. The Sting is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man
Very few first-time film directors would have been capable of making such a triumphant adaptation of Henry V; but a still-youthful Kenneth Branagh's years of stage experience paid off handsomely and his 1989 version qualifies as a genuine masterpiece, the kind of film that comes along once in a decade. He eschews the theatricality of Laurence Olivier's stirring, fondly remembered 1945 adaptation to establish his own rules: Branagh plays it down and dirty, seeing the Bard's play through revisionist eyes, framing it as an anti-war story in contrast to Olivier's patriotic spectacle. Branagh gives us harsh close-ups of muddied, bloody men, and of himself as Henry, his hardened mouth and wilful eyes revealing much about the personal cost of war. Not that the director-star doesn't provide lighter moments: his scenes introducing the French Princess Katherine (Emma Thompson) trying to learn English quickly from her maid are delightful. What may be the crowning glory of Branagh's adaptation comes when the dazed leader wanders across the battlefield, not even sure who has won. As King Hal carries a dead boy (a young Christian Bale) over the hacked bodies of both the English and French, a panorama of blood and mud and death greet the viewer as Branagh opens up the scene and Patrick Doyle's rousing hymn "Non nobis, Domine" provides marvellous counterpoint (like the director, the composer was another filmic first-timer). A more potent expression of the price of victory could scarcely be imagined. --Rochelle O'Gorman, Amazon.com
Written by the late, great Jimmy Sangster (The Revenge of Frankenstein, Taste of Fear), this supernatural riff on Agatha Christie's And Then There Were None is a gruesome, hugely entertaining chiller. Two American architects (real-life couple Katharine Ross and Sam Elliott, who met on the set of this film) are holidaying in England and find themselves trapped at a country mansion where the various guests become victims in a series of unexplained and increasingly violent deaths. Director Richard Marquand (Return of the Jedi, Jagged Edge), making his feature-film directing debut, deftly balances horror and grisly black humour. The film also boasts sumptuous photography by the great Dick Bush and Alan Hume, a wonderfully eccentric score by Michael J Lewis and a superb supporting cast which includes Charles Gray, Margaret Tyzack, Ian Hogg, John Standing and The Who's Roger Daltrey. Extras: Two presentations of the film: the US theatrical cut, presented in widescreen from a High Definition master (100 mins); the UK theatrical cut, presented open matte from a Standard Definition master (102 mins) Original stereo audio New and exclusive audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television An Editing Legacy (2015, 14 mins): award-winning editor and second unit director Anne V Coates recalls her work on the film The Make-up Effects of The Legacy' (2015, 11 mins): Robin Grantham discusses his specialist make-up creations for the film Ashes and Crashes (2019, 4 mins): interview with second unit director Joe Marks An Extended Legacy (2019, 11 mins): an analysis of the differences between the US and UK cuts Between the Anvil and the Hammer (1973, 27 mins): The Legacy director Richard Marquand's acclaimed documentary short film, made for the Central Office of Information, about the Liverpool police force Original theatrical trailer Image gallery: promotional and publicity material
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161 a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien a realisation that may compel Ripley to try destroying not only the horrific creature but herself as well.
Dolly Parton (9 to 5 Steel Magnolias) and James Woods (The Hard Way) star in this lighthearted romantic comedy about a country girl who accidentally becomes Chicago's hottest talk radio celebrity. With her homespun wit and down-home advice Shirlee Kenyon wins listeners' hearts... and the heart of investigative reporter Jack Russell. But when Jack discovers the hidden secret to her success it jeopardises both her newfound celebrity status and their future together. Filled with roman
A young man must face his demons - literally - in this chilling horror.
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