Luke Goss teams up with Steven Berkoff to tell the real life story of `Charlie Richardson' the head of the notorious `torture gang'. In the sixties London was owned and ruled by two families north of the river the Krays the Richardsons to the south. Now for the first time in his own words `Charlie' reveals what really happened when he was arrested and tried in what notoriously became known as the `Torture Trial'.
Harking back to the wilderness days of British cinema, The Wedding Tackle is an unsophisticated comedy of manners and relationships. Dealing with the impending matrimony of Hal and Vinny, a union that neither are particularly keen to enter into, the story intertwines a number of characters during the events of Hal's stag night. As the title suggests, much of the humour is aimed below the waist, and although it does wend its way to some sort of romantic conclusion, subtlety is not the film's strong point. Victoria Smurfit's Clodegh is by far the best character, an urban Tank Girl whose morals are as erratic as her driving skills. Bold, brash and noisy, The Wedding Tackle isn't the worst film around, but we can do so much better. --Phil Udell
From the makers of We Still Kill The Old Way' and Vendetta'. Inspired by true events, the shocking story of London's most feared and notorious brothers Reggie and Ronnie Kray as they arrange for Frank The Mad Axeman' Mitchell to escape from Dartmoor Prison in December 1966. Intent on displaying their power to Detective Nipper Read, their plan starts to unravel as the twin's henchmen Donoghue and Teddy struggle to control an increasingly unstable Mitchell, they reluctantly call in help in the form of corrupt politician, Lord Boothby, and nightclub hostess Lisa Prescott. As Christmas Day approaches, tensions reach boiling point and the Krays realise that The Mad Axeman has become a liability and are forced to take drastic action
Shadow Run ought to be considerably more interesting than it is--Geoffrey Reeve is an efficient director and both Michael Caine and James Fox turn in icy performances as, respectively, an almost completely ruthless thief and the renegade intelligence man who hires him for that one last big job. Caine in particular is convincing in the half-hearted attacks of compunction that never stop him killing obstacles. Many of the bit-players--Lesley Grantham, for example--do a lot with almost nonexistent parts. The film counterpoints the planning of the heist with the social embarrassments of the fat schoolboy who becomes, by a series of coincidences, too informed about it and, ultimately, Caine's secret sharer. Reeve is rather too in love with the cathedral school background of the subplot and skimps too much on the complicated technical business of getting a computerised security van into a radio blackout zone. Still, the boy is excellent, and Caine's affair with the doomed hooker Rae Baker has some much-needed moments of wit. On the DVD: Disappointingly, the DVD, whose Dolby surround sound does miracles for the scenes of schoolboy choristers, is presented in pan and scan 1.33:1, and has no extra features except for chapter selection and trailers for other films.--Roz Kaveney
Leslie Grantham (EastEnders) stars as maverick cop Mick Raynor in this six-part thriller set in the no-man's land where the underworld meets the establishment. While Raynor is posing as a bent ex-policeman he is still very much part of the force - using his current identity to gain information on a complex web of organised crime and high-level corruption lurking beneath the surface of British public life. Raynor doesn't make arrests every week. He's after the big fish: the gangsters with knighthoods; the politicians who are laundering the money. In their pursuit he faces the most dangerous assignments that will stretch his nerves - and his conscience - to the very limit. Also starring Robert Stephens (as Raynor's controller Commander Oakwood) with appearances by Robert Carlyle and Sharon Duce 99-1 was written by British playwright and dramatist Terry Johnson recipient of nine British theatre awards including Olivier Awards for Best Comedy Playwright of the Year at the Critics Circle Theatre Awards Writers Guild Awards for Best Play for two consecutive years and the 2010 Tony Award; this first series was produced by BAFTA winner Steve Clark-Hall. Originally broadcast in 1994 Series One is available here for the first time on DVD.
When I was a copper it was ninety-nine per cent boredom to one per cent terror. I always preferred the one per cent. EastEnders Leslie Grantham stars as maverick undercover cop Mick Raynor in a thriller set in the no-man s land where the underworld meets the establishment. Posing as a bent ex-policeman Raynor is gaining information on a complex web of organised crime and high-level corruption lurking beneath the surface of British public life. He's after the big fish: the gangsters with knighthoods; the politicians who are laundering the money. In their pursuit he faces assignments that stretch his nerves and his conscience to the very limit. Now Raynor has made up his mind to quit the world of undercover detection. But an incoming police chief has other ideas... This second series features appearances by Arabella Weir Kenneth Cope and Nadia Sawalha and is scripted by a team that includes multi-award-winning playwright Terry Johnson Merlin co-creator Julian Jones and The Bill contributors Barbara Cox and Jonathan Rich.
Caine is a London gangster who backed up by an upper-class bad guy (Fox) plans to do a job on an armoured transport van filled with paper for the Royal Mint. This is the paper used to make twenty and fifty pound notes so a load of such paper would be worth as much as 110 million on the black market. The only problem is getting to the van...
A photo-journalist witnesses a car accident where he sees the driver die but the next day he finds him alive and well?! The police find this fits a pattern of recent deaths followed by resurrection that could be linked to the drowned village of Sweethope...
During a blazing hot summer day in West London two deluded heroes set out on an impossible mission. Smiggly (writer/director Tucker) is one of life's also rans while Phillip (Holmes) is a well-meaning shelf stacker in a supermarket. Together they plan to avenge the beating that has left Phillip's brother Stevie (Iggulden) badly disabled and brain damaged. Encouraged by Stevie's dad (Bell) they set out on a scheme that sees them encountering a dodgy gun dealer (Grantham) the local
Love Meets Murder - the once popular rock'n'metal band, now down on their luck and their careers, seek to create their magnum opus. Locked into a Wednesbury studio for the weekend nobody is able to leave - but before the band have just finished tearing into their new hit, a series of mysterious murders begin to plague them all. Now only their own self-belief can save them from the psychotic mind of their assailant.
Entertainment king Neil Sean says Don't Panic it's here for the first time anywhere in the world. Ian Lavender aka Pike from the original Dad's Army & soap legend Leslie Grantham who stars in the brand new stage version of the evergreen cult comedy. Don't be a Stupid Boy - Miss It Miss Out.
Donnie Brasco (Dir. Mike Newell, 1997): The true story of an FBI undercover agent (Johnny Depp) who becomes Donnie Brasco, 'The Jewel Man', to infiltrate one of the mob families. Donnie manoeuvres his way into the confidence of ageing hit man, Lefty Ruggiero (Al Pacino) who trusts Donnie and vouches for him to the mob. But Lefty and Donnie become friends when they should be enemies. As Donnie moves deeper and deeper into the Mafia chain of command, he realises he is not only crossin.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy