Take a once-in-a-lifetime journey across the South Pacific for a spectacular IMAX adventure. Joy, ecstasy, a spiritual high: these words describe the exhilaration of diving a pristine coral reef, and ocean explorers Howard and Michele Hall bring their love of the ocean into action. With Jean-Michael Cousteau, deep reef scientist Richard Pyle and Fijian diver Rusi Vulakoro, they explore and capture on film the dazzling underwater world of coral reefs, magical places here on Earth. This tropical excursion through the South Pacific will surprise and delight you as you fall in love with the reefs, and your heart will ache at the tragic, irretrievable loss of these fragile worlds.
Love Actually: From the new bachelor Prime Minister (Hugh Grant) instantly falling in love with a refreshingly real member of the staff (Martine McCutcheon) moments after entering 10 Downing Street... To a writer (Colin Firth) escaping to the south of France to nurse his re-broken heart who finds love in a lake... From a comfortably married woman (Emma Thompson) suspecting that her husband (Alan Rickman) is slipping away... To a new bride (Keira Knightly) mistaking the distance of her husband's best friend for something it's not... From a schoolboy seeking to win the attention of the most unattainable girl in school... To a widowed stepfather (Liam Nesson) trying to connect with a son he suddenly barely knows... From a lovelorn junior manager seizing a chance with her long-tended unspoken office crush... To an ageing ""seen it all remember very little of it"" rock star (Bill Nighy ) jonesing for an end-of-career comeback in his own uncompromising way... Love the equal-opportunity mischief-maker is causing chaos for all. These London lives and loves collide mingle and climax on Christmas Eve-again and again and again-with romantic hilarious and bittersweet consequences for anyone lucky (or unlucky) enough to be under love's spell. Wimbledon: She's the golden girl. He's the longshot. It's a match made in... A pro tennis player has lost his ambition and has fallen in rank to 119. Fortunately for him he meets a young female player on the women's circuit who helps him recapture his focus for Wimbledon at the cost of losing hers...
Grass marks a welcome return for The Fast Show's overzealous know-it-all Billy Bleach. Written by (along with Andrew Collins) and starring Simon Day he actually created the character of Billy almost ten years ago for use in his stand up routines. After witnessing a gangland murder self-made loser Billy Bleach is forced to grass on villain Harry Taylor and is given a new identity. How will he cope in the village of Little Mockwell in deepest rural Norfo
The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles just the pretext. Once Mel Brooks' lunatic film many call his best gets started logic is lost in a blizzard of gags jokes quips puns howlers growlers and outrageous assaults upon good taste or any taste at all! Cleavon Little as the new lawman Gene Wilder as the wacko Waco Kid Brooks himself as a dimwitted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale it just proves the Old West will never be the same!
Straight out of the American television movie school of historical thought, Attila the Hun is a glossy, at times long and often ridiculous re-telling of one of the great stories of Ancient Rome. How much of it is historically accurate is debatable--much of the action is ludicrously far fetched--and the image that most of us have of Attila is quite different to the bare-chested, longhaired reject from an 80s soft rock band that is presented here. The film does have its own slightly warped charm, though. The storyline is surprisingly complex, involving plots and counter plots, and the movie does exhibit a sense of epic somewhat in the vein of Gladiator, but is sadly lacking the budget, style or talent. The acting is awful (as befits anything that stars Steven Berkoff) and reduces the political machinations of Rome to little more than Dynasty in togas. Gerrard Butler is a fine actor--as he proved in the recent TV drama The Jury--but is woeful here, delivering his lines in a bizarre trans-Atlantic Scottish accent. At three hours it's way too long, too. There does remain something strangely compelling about Atilla the Hun, though you'll find more reliable facts about Roman history in an Asterix book. --Phil Udell
Gangs Of New York (Dir. Martin Scorsese) (2002): The seeds for revenge take place in 1846 when a battle is fought against the Irish and the native Americans over the five points area of New York City. It is here where Bill the Butcher (Day-Lewis) slays Priest Vallon whose son Amsterdam Vallon (Dicaprio) is then taken to an orphanage. The plot unfolds when in 1863 Amsterdam returns to the five points to seek revenge against his fathers killer. Blow (Dir. Ted Demme) (2001): George Jung (Johnny Depp) doesn't want to live like his father (Ray Liotta)--always short of money and always berated by his mother. So he sets off for California to live on the beach. George finds he can make a living selling drugs. One day he learns he could make more money by shipping drugs across the country. So he does. Needing a bigger supply of drugs he goes to Columbia finds his way to Medellin and meets Pablo Escobar (Cliff Curtis). George stumbles into becoming the biggest trafficker of cocaine in the U.S. The Departed (Dir. Martin Scorsese) (2006): Two men operate on different sides of the law; one a mole with the Boston State Police department the other within the Irish mafia. When bloodshed breaks out on the streets each mole is despatched to discover the other's identity in a race against time...
Following the success of Transformers and G.I. Joe, Hasbro brings another of its beloved properties to the big screen, with explosive and cheerfully improbable results. The situation: Aliens splash down outside Hawaii, surrounding the islands with an impenetrable force field and wreaking havoc on the captive population. While the world outside watches helplessly, a skeleton crew of naval officers and civilians (led by Taylor Kitsch's cocky washout and Rihanna's weapons expert) must figure out a way to save the planet while being seriously outgunned. Director Peter Berg, whose previous films The Rundown and Hancock displayed a playful tweaking of genre conventions, keeps things surprisingly high and tight here, depicting military tactics and the chain of command with an honest respect, including casting actual combat veterans in pivotal supporting roles. While such a reverent approach is certainly admirable, it coexists uneasily with the inherent goofiness of the premise, particularly during the climactic scene where the heroes sit down in front of a grid and, yes, fire a missile at B7. (Note: Nobody actually gets to say "You sunk my battleship," but Liam Neeson, in an extended cameo as an admiral, sure looks like he wants to.) However, while the narrative might be missing a few pieces, Berg's film undeniably delivers the action-movie goods, staging a number of all-out combat scenes with verve and ingenuity. (Special kudos to whoever designed the main weapon of the aliens, a razor-toothed sphere of gears that chews up the scenery with a tangible sense of delight.) Audiences looking for coherence may need to keep on looking, but Battleship definitely sports the maximum number of bangs for the summer-movie buck. Bring on Kerplunk: The Motion Picture. --Andrew Wright
With tongue firmly in cheek throughout, The Convent piles on the gross-out gore. A group of college kids take a midnight trip to a deserted convent school which 40 years earlier was the scene of a massacre by a wayward convent schoolgirl called Christine. What they don't know is that the long dead and mightily peeved souls of the murdered nuns are still stalking the premises. The demonic nuns liquidate a succession of dumb and dumber teens in order to steal their souls. Among the potential victims are a virgin Goth, a jive-talkin' jock and a pair of effeminate, flouncing Satanists. Coolio cameos as a likeably corrupt cop whose bark is worse than his bite. The humour fluctuates between goofy and just plain stupid. But director Mike Mendez thankfully bypasses the Scream blueprint for slasher flicks. The Convent provides strictly irony-free screams, harking back instead to classics like Halloween and Nightmare On Elm Street. Horror veteran Adrienne Barbeau shows up as the adult Christine, strapped with an arsenal that would make even Charlton Heston blush and ready to wreak revenge on her convent school education all over again. On The DVD: The DVD features static menus and extras are limited to a theatrical trailer and cast and crew filmographies. The main feature is presented as a clear transfer in 4:3 full frame format with Dolby Digital 2.0 sound. --Chris Campion
It's Feeding Time! A voracious-insect specialist (Lucy Lawless) now a college professor in search of a simpler life who gets caught up in the investigation of a student who is found dead with his body completely depleted of blood and realizes that the killers are actually vampire bats that have mutated due to a tainted water supply.
This box set features the following films: The Butcher Boy (Dir. Neil Jordan) (1998): Francie and Joe live the usual playful fantasy filled childhoods of normal boys. However with a violent alcoholic father and a manic depressive suicidal mother the pressure on Francie to grow up are immense. When his mother eventually commits suicide Francie sinks ever deeper into paranoia. He directs his anger towards Mrs. Nugent a nasty neighbour and after his father dies Fancie's condition worsens his behaviour becomes more bizarre and erratic. Michael Collins (Dir. Neil Jordan) (1996): This is Neil Jordan's depiction of the controversial life and death of Michael Collins the 'Lion of Ireland' who led the IRA against British rule and founded the Irish Free State (Eire) in 1921 Ryan's Daughter: Special Edition (Dir. David Lean) (1970): Lovely headstrong Rosy (Sarah Miles) cannot forsake her passionate romance with the handsome British officer (Christopher Jones). Yet is there a greater love? The devotion of her reserved schoolteacher husband Charles (Robert Mitchum) who stands by Rosy when her illicit affair leads to a charge of treason. The General (Dir. John Boorman) (1998): True story about the rise and fall of Irish criminal Martin Cahill - who became a Dublin folk hero.
When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbour. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy that numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman, Amazon.com
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