One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker's truly ground-breaking, Oscar-winning special make-up effects. Now restored and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Product Features 4K restoration by Arrow Films from the original camera negative 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, a feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, an interview with John Landis in which he reflects on British cinema and his time working in Britain I Think He's a Jew: The Werewolf's Secret, a video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Hallow and The Nun, chats with writer Simon Ward about their formative experiences with Landis' film Wares of the Wolf, a featurette in which SFX artist Dan Martin and Tim Lawes of Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews An American Werewolf in Bob's Basement and Causing a Disturbance: Piccadilly Revisited, two 2008 featurettes filmed by Paul Davis Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Make-up Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with Rick Baker about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop showing the casting of David Naughton's hand Outtakes Storyboards featurette Original trailer and teaser plus TV and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys
A delightful tale of a housemaid who spends her days cleaning the homes of the well-to-do. Mrs. Harris or 'arris as pronounced in her native cockney (Angela Lansbury) epitomises her generation of honest working-class Brits. She knows her place though that never stops her from speaking her mind or dreaming of luxuries. Admiring a beautiful Dior gown in her employer's closet Mrs. 'arris is determined to buy one of her own. Working day and night she finally saves enough to go to Paris and visit the House of Dior but learns that buying an original couture creation is harder than simply having the cash. After hesitation Dior's head saleswoman Madame Colbert (Dame Diana Rigg) escorts her in and seats her next to the Marquis de Chassagne (Omar Sharif) a count who is quite taken by this friendly English woman. When her dream passes before her eyes on the beautiful store model Natasha Mrs. 'arris orders the same gown for herself but there is talk that the Dior name will be tarnished if Mrs. 'arris wears the exclusive design. However the sweet Mrs. 'arris has made many friends in Paris and all are intent on making sure her dream comes true.
Following in the great Carry On... tradition with a bit of Monty Python thrown in for good measure Nuns On The Run is a classic slice of slapstick comedy starring Eric Idle and Robbie Coltrane. Brian and Charlie work for a gangster. When the boss learns they want to ""leave"" he sets them up to be killed after they help rob the local Triads of their drug dealing profits. Brian and Charlie decide to steal the money for themselves but when their escape doesn't go to plan they have t
This Nicholas Nickleby is not one of Hollywood's condensed versions, it's the Royal Shakespeare Company's epic eight-and-a-half-hour adaptation of the life and times of the eponymous school-teacher. The 1982 production (originally staged in two parts) won worldwide acclaim and was such a success that Britain's then-newest TV station, Channel 4, launched a joint venture with independent production company Primetime to bring Nicholas Nickleby to a television audience. The result is this wonderfully theatrical version, filmed at the Old Vic and starring much of the original stage cast. It manages to stay true to Trevor Nunn's original artistic vision of Dickens's damning incitement of England's educational system. The ensemble cast are superb: Roger Rees as Nicholas is a bright-eyed idealist, every inch the young romantic hero whose principles are often his downfall, but ultimately his salvation; Fulton Mackay's twisted, embittered Squeers is every inch the Dickensian villain; and David Threlfall is transformed as Smike, Squeers' piteously subjugated, crippled servant and gives the most moving performances of his career. This enthralling TV adaptation recreates the magic of the stage version for all those who were unable to catch it on its pitifully short run. It doesn't pull any punches as the humour and inspiring storyline are tempered with real dark and tragic episodes. Forget the Hollywood fluff, this is the version you should watch if you want a faithful retelling of Dickens's story. --Kristen Bowditch
H.G. Wells' classic story of a brilliant but eccentric scientist whose quest for the secret of invisibility leads him to commit theft and murder finally unleashing a reign of terror on anyone who dares to thwart him.
With an ingenious script, engaging characters, nerve-shredding suspense, genuinely frightening set-pieces and laugh-out-loud funny bits An American Werewolf in London is a prime candidate for the finest horror-comedy ever made. Americans David (David Naughton) and Jack (Griffin Dunne) are backpacking in northern England when Jack is killed by a wild beast and David is bitten. Back in London David finds himself falling in love with a nurse, Alex (played with winning charm by Jenny Agutter), and turning into a werewolf. Adding to his problems, an increasingly decomposed Jack keeps coming back from the dead, and he is not a happy corpse. The Oscar winning make-up and transformation scenes still look good and rather than send itself up Werewolf plays its horror seriously, the laughs coming naturally from the surreal situation. Naughton is engagingly confused and disbelieving, desperately coping with the ever more nightmarish world, while Landis delivers one absolutely stunning dream sequence, an unbearably tense hunt on the London Underground and a breathtaking finale. Gory, erotic, shocking and romantic, this unforgettable horror classic has it all. Tom Holland's Fright Night (1985) remixed the formula with vampires, as did Landis himself in Innocent Blood (1992). A disappointing sequel, An American Werewolf in Paris, followed in 1997. --Gary S Dalkin
You'll finding yourself rooting for this movie to take off in a sustained flight of comic inspiration, but it seldom does. It's too bad that it doesn't, given the casting, because both leads (Eric Idle and Robbie Coltrane) are capable of extreme funniness. Idle and Coltrane play a couple of low-level crooks who decide to get a piece of the action for themselves and abscond with the loot from a big score. But they're discovered before they can getaway and their only avenue of egress is into a convent. So they don habits and hide out by pretending to be nuns, teaching parochial school to budding young girls. Now think about the possibilities in that premise and anything you can think of is in the film (though Coltrane remains one of the funniest men alive). --Marshall Fine
The Sign of Four is a 1987 feature-length version of Conan Doyle's second Sherlock Holmes novel, and is faithful to the original story except in one important detail: Dr Watson (Edward Hardwicke) does not get the girl. Otherwise, the familiar tale of the death of Bartholomew Sholto and the theft of the Agra treasure is all here, featuring a snappy performance by Jeremy Brett as Holmes doing some of the finest investigative work of his career. The famous climax, a chase on the Thames in which Holmes is almost struck dead by an exotic weapon, is handled very well. Sherlockians may have a hard time not seeing Watson's romantic pursuit of Mary Morstan (Lila Kaye), his first wife according to Doyle's book, but it would hardly have been practical in the context of the long-running Granada Television series. The rest is to be enjoyed, however. --Tom Keogh
Nuns On The Run (Dir. Jonathan Lynn 1990): Following in the great Carry On... tradition with a bit of Monty Python thrown in for good measure Nuns On The Run is a classic slice of slapstick comedy starring Eric Idle and Robbie Coltrane. Brian and Charlie work for a gangster. When the boss learns they want to leave he sets them up to be killed after they help rob the local Triads of their drug dealing profits. Brian and Charlie decide to steal the money for themselves but when their escape doesn't go to plan they have to seek refuge in a nuns' teacher training school. Disguised as nuns Brian and Charlie have to avoid their boss Triads police and Brian's girlfriend. There's also the problem of them being men disguised as nuns in an all women institution. Time Bandits (Dir. Terry Gilliam 1981): All the dreams you've ever had.... and not just the good ones. The first of three Terry Gilliam films collectively referred to as his Trilogy of the Imagination (along with 'Brazil' and 'The Adventures of Baron Munchausen') 'Time Bandits' is a wonderfully inventive fantasy with a massive cult following and universal appeal. A sleeper hit in 1981 the film grossed well over eight times its million budget. Co-written by Gilliam and fellow Monty Python veteran Michael Palin (who also appears in the film) 'Time Bandits' tells the story of Kevin (Craig Warnock) a young imaginative boy kidnapped by a band of mischievous dwarves who have stolen a map of the universe detailing the locations of holes in the space-time continuum from the Supreme Being (Ralph Richardson). The dwarves with Kevin in tow set off on a bizarre journey back and forth though time with the intention of looting the fortunes of history's rich and famous. Along the way they meet the likes of King Agamemnon (Sean Connery) Robin Hood (John Cleese) and Napoleon (Ian Holm) among others and even get to sail on the Titanic moments prior to its unfortunate encounter with an iceberg. Unknowingly the diminutive bandits are being watched by the spectre of Evil Genius (David Warner) who wants the map for his own typically wicked purposes...
After marrying a handsome man she barely knows a woman experiences threatening calls and violent attacks from a mysterious woman who claims to be her new husband's former lover.
Wrong Arm Of The Law Peter Sellers stars as gang-leader Pearly Gates who has a double life as Monsieur Jules the manager of a fashion house. The criminal world of London is being reduced to chaos by an Australian 'IPO mob' who acting on information provided by Gates' girlfriend Valerie (Nanette Newman) impersonate police officers and take the spoils of the true criminals after the crime has been safely committed. The crimes are relatively victimless involving jewellery thefts from the rich or robbery from institutions such as banks and post offices. Gates is instrumental in getting a deal between organised crime and Scotland Yard. Never Let Go A cosmetic salesman sets out to prove to himself and his wife that he is not a failure. Waltz Of The Toreadors The immortal Peter Sellers is hilarious as a pompous retired general who still has a taste for the ladies in French playwright Jean Anouilh's philosophical farce. A lusty comedy of manners 'Waltz of the Toreadors' tempers its treatment of an old rake's delusions with generous dollops of wit and compassion. Soft Beds Hard Battles Peter Sellers plays six different characters in this hilarious sexploitation comedy. A renowned Paris brothel has turned into an active centre for the French Resistance. The girls assist the Allied war effort by attracting and eliminating the enemy amongst its clientele in the bedroom...
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